*1 Only in single mode
*2 Only in performance mode, 0 – 42 (L), 43 – 85 (L + R),
86 – 127 (R).
*3 Reception cannot be turned on/off by the control change
switch.
Reception mode is set in system setup.
Off : No control changes are received.
norm : Control changes are received by each channel (normal
setting).
G1 – G16 : A global channel can be set, indicated by the number
following the “G”. Control changes received on this
channel will apply
to
all channels (apply to all instru-
ments). Each instrument will receive data both from
this global channel and from the channel specified for
the instrument, with last-data priority.
3.2.3 Program change
When a program change is received, the unit responds as follows. Five
types of reception mode can be selected in system setup.
1) off:
Program changes are not received.
2) common:
Program changes are received and converted to the number assigned
by the program change table. If the selected table entry contains a
PFM number (PF00-99), it will cause the V50 to move from single
to performance mode.
3) individual:
Select this setting when you want to select voices for each instrument
in performance mode. The program change table is still consulted,
but if the selected table entry assigns a performance, it is ignored.
In single mode, selecting “individual” has the same effect as selecting
“com”.
The selected voice will depend on whether an INT or CRT
performance is currently selected.
4) direct (V50 mode):
In this case, the program change table is not consulted, and response
is fixed as follows. Also, program changes of #119 and above are
used as follows to change the mode, and following program changes
will select voices in that mode. If a program change #00 – 99 is re-
ceived without having received a mode select program change, it
will be processed as “IND INT”
Meaning of each mode
IND (individual):
Select the voice for each instrument in pfm mode.
SGL (single):
Change to single mode, and select the specified single mode voice.
PFM (performance):
Change to performance mode, and select the specified voice of
performance mode.
5) TransFilter:
For reception, this is identical to “individual”.
3.2.4 Pitch bend
Pitch bend reception uses only the MSB.
The reception mode can be selected in system setup (off, norm,
G1 – G16).
Contents are the same as for control changes.
3.2.5 Aftertouch
The reception mode can be selected in system setup (off, norm,
G1 – G16).
Contents are the same as for control changes.
3.2.6 Channel mode messages
ALL NOTE off ($Bn, $7B, $00)
MONO mode ($Bn, $7E, $01) only in single mode
POLY mode ($Bn, $7F, $00) only in single mode
3.3 Functional diagram of keyboard and tone generator
Note 1: In single mode, sound will be produced even if the basic
receive channel and the transmit channel do not match.
Note 2: A distinction is made between note on messages from the
keyboard and note on messages from MIDI. However no
distinction is made between controller data from the key-
board and controller data from MIDI (sustain switch.
control change, aftertouch, pitch bend).
130
Summary of Contents for V50
Page 1: ...YAMAHA AUTHORIZED PRODUCT MANUAL DIGITAL SYNTHESIZER ...
Page 2: ...DIGITAL SYNTHESIZER Operating Manual YAMAHA ...
Page 4: ...DIGITAL SYNTHESIZER ...
Page 130: ...Initialized performance settings SNGL 4LYR DUAL 8LYR Appendix 125 ...
Page 131: ...SPLT SEQ4 126 Appendix SEQ8 Initialized voice settings ...
Page 140: ...135 ...
Page 141: ... Table 2 136 ...
Page 142: ... Table 3 137 ...
Page 143: ...138 ...
Page 144: ...139 ...
Page 145: ...140 Table 4 ...
Page 160: ...YAMAHA VG87090 89 01 1 5 CR R1 Printed in Japan YAMAHA CORPORATION P O Box 1 Hamamatsu Japan ...