Settings
0% – 100%
Explanation
This determines the combined volume of the un-
processed sound and the effect explained in the pre-
vious function. 100% is maximum, and at 0% there
will be no sound.
Note:
At a setting of 0% you will hear neither the unproc-
essed sound nor the effect sound. (However if the
stereo mix explained in the next function is “on”, you
will hear only the unprocessed sound.) If this level
is too high, the sound may distort. If so, lower the
level.
(2) Stereo mix
Function
Add the sound from the effects unit to the unprocessed
stereo mix.
Settings
off, on
Explanation
The input signal to the effects unit is monaural. This
means that when stereo mix is set to “off”, instruments
in a performance will be heard in mono even if their
output assign setting is L or R.
By setting stereo mix to “on”, the effect sound
(monaural)
will
be
added
to the unprocessed L/R
performance mix (stereo). This allows you to retain
the feeling of stereo while using an effect. (This will
make the stereo field appear a bit narrower.)
The following diagram shows the flow of the
unprocessed and effect signals.
Effect parameters
Press four times. (If effect select is turned
off, you will not be able to select this function.)
32
Performance Edit
Function
Make individual adjustments for each effect.
Settings
Each type of effect has different settings (see following
chart).
Explanation
This is where you make individual adjustments for
each effect, as shown in the following chart. It is also
possible to copy the settings for an effect from another
performance or voice (see page 120).
Settings for 1: Reverb Hail, 2: Reverb Room, 3: Reverb Plate,
16: Church, 17: Club, 18: Stage, 19: Bath Room, 20: Metal
Parameter
Time
LPF
Delay
Settings
0.3 sec – 10.0 sec
1.25 KHz–
12.0KHz, thru
0.1 ms–50 ms
Settings for 4: Delay
Parameter
Time
FB Delay
FB
Gain
Settings
0 ms–300 ms
0 ms–300 ms
0%-99%
Comment
Specify the time it takes for the
reverb to decay. Long settings
(long reverb times) cause a
slower decay.
Specify the low pass filter set-
tings. Frequencies above the
specified setting will be removed.
When “thru” is selected, this filter
will not be used.
Specify the time until the first
reflection (the beginning of re-
verberation). As this setting is
increased, there will be a longer
wait before reverberation begins.
Comment
Specify the time until the first
delayed sound. As this setting
is increased, there will be a longer
wait before the delayed sound
appears.
Specify the time between repeats
(i.e., “feed back”) of the delayed
sound. As this setting is in-
creased, there will a longer time
between one delayed sound and
the next.
Specify the amount of feedback.
For a setting of 0%. there will be
only a single delayed sound.
Summary of Contents for V50
Page 1: ...YAMAHA AUTHORIZED PRODUCT MANUAL DIGITAL SYNTHESIZER ...
Page 2: ...DIGITAL SYNTHESIZER Operating Manual YAMAHA ...
Page 4: ...DIGITAL SYNTHESIZER ...
Page 130: ...Initialized performance settings SNGL 4LYR DUAL 8LYR Appendix 125 ...
Page 131: ...SPLT SEQ4 126 Appendix SEQ8 Initialized voice settings ...
Page 140: ...135 ...
Page 141: ... Table 2 136 ...
Page 142: ... Table 3 137 ...
Page 143: ...138 ...
Page 144: ...139 ...
Page 145: ...140 Table 4 ...
Page 160: ...YAMAHA VG87090 89 01 1 5 CR R1 Printed in Japan YAMAHA CORPORATION P O Box 1 Hamamatsu Japan ...