102
MFX/IFX Parameters
44 Tape Echo
A virtual tape echo that produces a realistic tape delay sound. This
simulates the tape echo section of a Roland RE-201 Space Echo.
R out
L out
Echo Level
Echo Level
Direct Level
Direct Level
L in
Tape Echo
Tape Echo
R in
Parameter
Value
Explanation
Mode
S, M, L, S+M, S+L,
M+L, S+M+L
Combination of playback heads to use
Select from three different heads with
different delay times.
S:
Short
M:
Middle
L:
Long
Repeat Rate
0–127
Tape speed
Increasing this value will shorten the spacing
of the delayed sounds.
Intensity
0–127
Amount of delay repeats
Bass
-15–+15 [dB]
Boost/cut for the lower range of the echo
sound
Treble
-15–+15 [dB]
Boost/cut for the upper range of the echo
sound
Head S Pan
L64–63R
Independent panning for the short, middle,
and long playback heads
Head M Pan
L64–63R
Head L Pan
L64–63R
Tape Distortion
0–5
Amount of tape-dependent distortion to be
added
This simulates the slight tonal changes
that can be detected by signal-analysis
equipment. Increasing this value will increase
the distortion.
W/F Rate
0–127
Speed of wow/flutter (complex variation in
pitch caused by tape wear and rotational
irregularity)
W/F Depth
0–127
Depth of wow/flutter
Echo Level
0–127
Volume of the echo sound
Direct Level
0–127
Volume of the original sound
Level
0–127
Output Level
45 LOFI Compress
Degrades the sound quality.
Compressor
Compressor
Lo-Fi
Lo-Fi
2-Band EQ
2-Band EQ
Compressor
Compressor
Lo-Fi
Lo-Fi
2-Band EQ
2-Band EQ
L in
L out
R out
R in
Parameter
Value
Explanation
Pre Filter Type
1, 2, 3, 4, 5, 6
Selects the type of filter applied to the sound
before it passes through the Lo-Fi effect.
1:
Compressor off
2–6:
Compressor on
LoFi Type
1, 2, 3, 4, 5, 6, 7, 8, 9
Degrades the sound quality. The sound
quality grows poorer as this value is
increased.
Post Filter Type
OFF, LPF, HPF
Selects the type of filter applied to the sound
after it passes through the Lo-Fi effect.
OFF:
No filter is used.
LPF:
Cuts the frequency range above the
Cutoff Freq
HPF:
Cuts the frequency range below the
Cutoff Freq
Parameter
Value
Explanation
Post Filter Cutoff
200, 250, 315, 400,
500, 630, 800, 1000,
1250, 1600, 2000,
2500, 3150, 4000,
5000, 6300, 8000 [Hz]
Basic frequency of the Post Filter
Low Gain
-15–+15 [dB]
Gain of the low range
High Gain
-15–+15 [dB]
Gain of the high range
Balance
D100:0W–D0:100W
Volume balance between the direct sound (D)
and the effect sound (W)
Level
0–127
Output Level
46 Bit Crusher
This creates a lo-fi sound.
L in
L out
R out
R in
Bit Crusher
Bit Crusher
2-Band EQ
2-Band EQ
Bit Crusher
Bit Crusher
2-Band EQ
2-Band EQ
Parameter
Value
Explanation
Sample Rate
0–127
Adjusts the sample rate.
Bit Down
0–20
Adjusts the bit depth.
Filter
0–127
Adjusts the filter depth.
Low Gain
-15–+15 [dB]
Gain of the low range
High Gain
-15–+15 [dB]
Gain of the high range
Level
0–127
Output Level
47 Pitch Shifter
A stereo pitch shifter.
R out
L out
2-Band EQ
2-Band EQ
2-Band EQ
2-Band EQ
L in
Pitch Shifter
Pitch Shifter
Pitch Shifter
Pitch Shifter
R in
Parameter
Value
Explanation
Coarse
-24–+12 [semi]
Adjusts the pitch of the pitch shifted sound in
semitone steps.
Fine
-100–+100 [cent]
Adjusts the pitch of the pitch shifted sound in
2-cent steps.
Delay Time
(sync sw)
OFF, ON
If this is ON, the rate synchronizes with the
tempo of the rhythm.
&
Delay Time
(msec)
1–1300 [msec]
Adjusts the delay time from the direct sound
until the pitch shifted sound is heard.
Delay Time
(note)
Note
&
Feedback
-98–+98 [%]
Adjusts the proportion of the pitch shifted
sound that is fed back into the effect.
Negative (-) settings will invert the phase.
Low Gain
-15–+15 [dB]
Gain of the low range
High Gain
-15–+15 [dB]
Gain of the high range
Balance
D100:0W–D0:100W
Volume balance between the direct sound (D)
and the pitch shifted sound (W)
Level
0–127
Output Level