Roland Groovebox MC-707, Reference Manual

Page: 116 / 121

116
MFX/IFX Parameters
78 Mid-Side Compressor
This effect allows the left/right signals that have similar phase to be
adjusted to a different sense of volume than the left/right signals that
have different phase.
L in L out
R out R in
LR
/
MS
LR
/
MS
MS
/
LR
MS
/
LR
Compressor Compressor
Compressor Compressor
Mid
Side
Parameter Value Explanation
M Comp Switch OFF, ON
Switches whether to adjust the sense of
volume for left/right input signals whose
phase is similar (in phase).
M Attack 0–124
Sets the time from when the input exceeds
the Threshold until the volume starts being
compressed
M Release 0–124
Adjusts the time after the signal volume falls
below the Threshold Level until compression
is no longer applied.
M Threshold -60–0 [dB]
Adjusts the volume at which compression
begins
M Knee 0–30 [dB]
This is a function that smooths the onset of
compression from the uncompressed state; it
gradually applies compression starting earlier
than THRESHOLD. Higher values produce a
smoother transition.
M Ratio
1:1, 1.5:1, 2:1, 4:1,
16:1, INF:1
Compression ratio
M Post Gain 0–+18 [dB] - Adjusts the output gain.
S Comp Switch OFF, ON
Switches whether to adjust the sense of
volume for left/right input signals whose
phase is distant (opposite phase).
S Attack 0–124
Sets the time from when the input exceeds
the Threshold until the volume starts being
compressed
S Release 0–124
Adjusts the time after the signal volume falls
below the Threshold Level until compression
is no longer applied.
S Threshold -60–0 [dB]
Adjusts the volume at which compression
begins
S Knee 0–30 [dB]
This is a function that smooths the onset of
compression from the uncompressed state; it
gradually applies compression starting earlier
than THRESHOLD. Higher values produce a
smoother transition.
S Ratio
1:1, 1.5:1, 2:1, 4:1,
16:1, INF:1
Compression ratio
S Post Gain 0–+18 [dB] Adjusts the output gain.
Level 0–127 Output Level
79 Tone Fattener
This effect applies distinctive distortion, adding overtones to give more
depth to the sound.
L out L in
Odd
Overtone
Generator
Odd
Overtone
Generator
Even
Overtone
Generator
Even
Overtone
Generator
R in R in
Odd
Overtone
Generator
Odd
Overtone
Generator
Even
Overtone
Generator
Even
Overtone
Generator
Parameter Value Explanation
Odd Level 0–400 [%] Raising the value adds odd-order overtones.
Even Level 0–400 [%] Raising the value adds even-order overtones.
Level 0–127 Output Level
80 Mid-Side Delay
This effect applies different amounts of delay to left/right signals of
similar phase and differing phase.
L in L out
R out R in
LR
/
MS
LR
/
MS
MS
/
LR
MS
/
LR
Multi Tap
Delay
Multi Tap
Delay
Multi Tap
Delay
Multi Tap
Delay
Mid
Side
Parameter Value Explanation
M Delay Level 0–127
Delay volume of left/right input signals
whose phase is similar (in phase)
M Delay Mode 2Tap, 3Tap, 4Tap
Delay divisions for the input signals whose
left/right phase is similar (identical phase)
M Delay Time
(sync sw)
OFF, ON
If this is ON, the delay synchronizes with the
tempo.
M Delay Time
(msec)
1–1300 [msec]
Adjusts the time from the original sound until
the delay sound is heard.
M Delay Time
(note)
Note
&
“Note” (p. 120)
M Delay 1 Feedback -98–+98 [%]
Adjusts the proportion of the delay sound
that is fed back into the effect. Negative (-)
settings will invert the phase.
M HF Damp
200, 250, 315, 400, 500,
630, 800, 1000, 1250,
1600, 2000, 2500, 3150,
4000, 5000, 6300, 8000,
BYPASS [Hz]
Adjusts the frequency above which the delay
sound fed back to the effect is filtered out
(
BYPASS:
no cut).
M Delay 1 Pan
L64–63R
Panning of the first delay sound
M Delay 2 Pan Panning of the second delay sound
M Delay 3 Pan Panning of the third delay sound
M Delay 4 Pan Panning of the fourth delay sound
S Delay Level 0–127
Delay volume of left/right input signals
whose phase is distant (opposite phase)
S Delay Mode 2Tap, 3Tap, 4Tap
Delay divisions for the input signals whose
left/right phase is distant (reverse phase)
S Delay Time
(sync sw)
OFF, ON
If this is ON, the delay synchronizes with the
tempo.
S Delay Time
(msec)
1–1300 [msec]
Adjusts the time from the original sound until
the delay sound is heard.
S Delay Time
(note)
Note
&
“Note” (p. 120)