Omnia Omnia.9, Installation And Operation Manual

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Tokyo – by Jesse Graffam
Born of “Passive Agressor” and created in homage to the “classic” sound of previous Omnia
processors, the 7-­‐band “Tokyo” delivers detailed transients and percussion without sacrificing
average loudness. The mid-­‐range is full and round with increased vocal intelligibility, a sound that
translates well to smaller speakers and earbuds as well as higher-­‐quality systems. A tightly-­‐
controlled low end ensures the bass always shows up for the party.
Trinity – by Leif Claesson
Inspired by the sound of the classic Omnia.3 FM Turbo, this 3-­‐band preset is dynamic and punchy
with an open mid-­‐range and a more classic “Omnia” sound. “Trinity” doesn’t use any parametric EQ
or stereo enhancement, runs with a very light ratio in the multi-­‐band section, and presents itself
very transparently on the air, making it suitable for nearly any format.
Zenith – by Jesse Graffam
How much processing can you get away with before things start to sound processed? The 7-­‐band
“Zenith” was created to answer that question. Always open and natural sounding in exchange for
overall spectral and loudness consistency, this preset lets the music be what it was intended to be –
with just a little push in the right direction.