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Imagine Hot Mid – by Rob Morsink
This bright and loud 3-‐band preset puts and emphasis on mids and highs and employs a fast release
time in the WB AGC-‐1 compressor to keep levels consistent going into the multi-‐band AGC section
which uses light ratios over threshold. A great preset for making vocals shimmer and for bringing
out all the details in the upper frequencies.
Jill FM – by Jesse Graffam
A 7-‐band preset inspired by the electric programming of the “Jack” formats, “Jill FM” provides
excellent vocal and lyrical clarity and a super-‐smooth mid-‐range. This preset uses a tight ratio on
the AGC but loose multi-‐band ratios and heavier multi-‐band limiting. Carefully designed not to over-‐
process the bass or high end, this is a great choice for stations with a high female demographic or
with long-‐term listening as a goal who still need to maintain a competitive degree of loudness.
Motor City – by Jesse Graffam
A 7-‐band preset that unapologetically delivers an in-‐your-‐face rock sound, “Motor City” gets a little
edgy in the mid-‐range but is never harsh. This preset makes use of Omnia.9’s Wideband AGC2 after
the multi-‐band section, and while it uses a gentle multi-‐band ratio below threshold, it makes
extensive use of tighter ratios in all bands via the Gain Reduction Override feature.
New York – by Jesse Graffam
Arguably Omnia.9’s loudest factory preset, “New York” uses 6-‐bands of fast multi-‐band release
times, lots of multi-‐band limiting, low multi-‐band AGC thresholds, and a generous amount of
clipping to burn a hole in the dial with a very dense, compressed sound. A very generous bass boost
from the parametric EQ creates a loud, harmonic-‐rich bass but never forces its way into the mids or
highs. If your market demands maximum loudness, this is a good starting preset that can be backed
down in several ways as needed to trade off a bit of that loudness for a cleaner sound.
NYC Attack of the Camclones – by Jesse Graffam
Slightly louder than even “New York,” “Attack of the Camclones” provides a huge, tight, dense bass
texture, uses fast attack and release times to build density, and has dip in the lower mids to keep
male vocals from becoming muddy. It also foregoes any stereo enhancement. A great choice for
CHR stations who want high cume and an ear-‐catching, prominent sound just about guaranteed to
win a major-‐market loudness war!
Summary of Contents for Omnia.9
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Page 103: ...95 Input Output Overview...
Page 104: ...96 MPX Input MPX Output...
Page 105: ...97 MPX Patch Point...
Page 106: ...98 Pre emphasis Patch Point...
Page 107: ...99 Undo...
Page 108: ...100 Input AGC WB AGC1...
Page 109: ...101 WB AGC3 Post Multiband...
Page 110: ...102 WB AGC3 Bass Wideband...
Page 111: ...103 WB AGC3 Bass Only...
Page 112: ...104 Multiband Processing...
Page 113: ...105 Speaker Controller...
