7 - Internal effect processor—Preset effects
7–5
Gated reverb
20
Noise Gate
A “heavy” gated reverb
21
Short Gate
Gated reverb with a short hold time
22
Wild Gate
A slightly unusual-sounding gate
23
Long Gate
A gated reverb with a longer hold
24
Slow Attack
Gated reverb with a slower attack
25
Ambience Gate
Suitable for an “ambient” feel
Delay
Stereo
26
Stereo Echo
Basic setting with the repeat rate set at 120 bpm
27
Enhance Comb
Uses a comb filter for enhancement
Ping-Pong
28
Cross Feedback
Echo feedback alternates between the left and
right channels, (in mono, this is the same as the
Stereo Echo setting)
29
Delay L<-->R
One delay moving between left and right
Multi-tap
30
80bpm
Rhythmic sound for pieces with a tempo of
80 bpm. The ratio of delay time to feedback time
(4:3) is particularly effective.
31
120bpm
As above, but for pieces with a tempo of 120 bpm
32
150bpm
As above, but for pieces with a tempo of 150 bpm
Chorus
33
Ensemble
A thick chorus sound, with a continuous feel
34
Chorus Flange
Feedback is added to the chorus algorithm, pro-
ducing resonance
Flanger
35
Sweet Flanger
Soft flange effect
36
Tremolo Flange
Tremolo sound produced using flanger
Phaser
37
Mellow Phaser
Sweet, “polished” phaser sound
38
Wah Phaser
Phaser using resonance to mimic a wah-wah
pedal
Pitch Shifter
39
Octaver
Pitch shift by one octave, suitable for chords
40
5th Harmony
Pitch shift by an interval of a fifth. Suitable for
monophonic signals
41
Doubler
Chorus sound produced by detuning. Fine control
alters the amount of effect.
42
Glow up!
Repeating ever-increasing pitch shift, depending
on feedback
Exciter
43
Edge
Helps to emphasize higher-frequency sounds
Effect
Type
Number
Title
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