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TASCAM 788 Operational Tutorial  •  8/2000 Edition  

MIDI Functions

25

Section VI

MIDI Functions

IN THIS SECTION:

MIDI Clock & Tempo Maps
MTC (MIDI Time Code) Generate/Chase
788 Metronome
MMC (MIDI Machine Control)
MIDI Program Change Commands

RELATED TOPIC:

Fader Matching

p 25
p 26
p 27
p 27
p 28

See Mixer Functions,

 p 12

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TOPICS

MIDI IN and OUT ports are provided on the 788 for a 
variety of control and synchronization functions.

The MIDI OUT port can be used to transmit MIDI Clock
or MIDI Time Code for synchronizing drum machines,
sequencers, or MIDI workstations without using a 
track or purchasing extra synchronization boxes.  (Keep
in mind that MIDI Time Code and MIDI Clock are not 
the same thing; the differences are listed in the sections
dealing with these time code standards.)  While the 788 
has an internal metronome sound generator, it can also 
broadcast MIDI messages to trigger external sound 
modules for click tracks.

MIDI IN can be used to control the 788's transport with 
MIDI Machine Control, recall scenes, effect patches, or
routing set-ups with program change information, and
even automate the mixer section and effect processors
with MIDI controller messages.  If you want to lock the
788 to another 788, or other device, you can set the 788 
to follow MTC through the MIDI IN port, as well.

MIDI FUNCTIONS OVERVIEW

Introduction to MIDI Clock

MIDI Clock is a basic synchronization standard that
is commonly found on drum machines and basic 
keyboard workstations.  It is also commonly supported
on most sequencing software.

MIDI Clock keeps the individual MIDI devices locked
together in musical terminology, using a counting
structure that looks like this:

   BAR : BEAT : PPQ

The terms bar (measure) and beat should be familiar,
but PPQ is a new one for some.  PPQ stands for Part Per 
Quarter; PPQ is the internal subdivision of the quarter
note.

As with any other synchronization chain, one device
is deemed the master.  The master broadcasts the
MIDI Clock information, and the others will follow the
MIDI Clock data.  

In choosing the master, the rule of thumb is to set 
whichever device has to work the hardest as the time 
code master.  The 788 is processing a lot of data to 
record and play back 8 tracks of 24 bit audio, so it 
will be the master in your studio.  The drum machines 
and sequencers will follow the 788.

MIDI CLOCK

While simply broadcasting measures, bars and beats 
will help keep the devices together, they typically require
a TEMPO MAP.  The tempo map tells each device what
the time signature and tempo of the song is.  This helps 
each device better anticipate the location of the bars 
and beats, and gives them the information on how to 
count the beats.  Each device in the MIDI Clock chain 
will need their own copy of the tempo map.

Setting the 788 to Generate MIDI Clock

The 788 needs to be set to generate MIDI Clock.  To
make that setting:

1) Press MENU.

2) Select                with the 
   JOG/DATA dial and press 
   ENTER/YES.

3) Select         with the 
   JOG/DATA dial and press ENTER/YES.

4) Make sure               is set to       (internal clock), 
   and               is set to          (MIDI Clock).

Editing the Tempo Map

The tempo map in the 788 will list all the tempo and
key signature changes in the song.  It is not necessary 
to enter the time signature and tempo of every 
measure; only the changes need to be entered.

To edit the tempo map:

1) Press MENU.

2) Select                with the 
   JOG/DATA dial and press 
   ENTER/YES.

3) Select         with the 
   JOG/DATA dial and press ENTER/YES.

4) Press INSERT or DELETE to add or remove changes 
   in the map.  Navigate the list with the CURSOR keys, 
   and change the settings with the JOG /DATA dial.

Содержание PORTASTUDIO 788

Страница 1: ...OPERATIONAL TUTORIAL PN 9101437700 Edition Date 08 16 00 2000 TEAC TASCAM All Rights Reserved INPUT A PHONES REMOTE INPUT D MIC GUIT INPUT C R L INPUT B AUX INPUT STEREO MONITOR AUX OUTPUT...

Страница 2: ...oll Editing Functions Pitch Control SSA Formatting Hard Drives Selecting Target Record Drives Built in Effect Processing Effect Overview Routing Assigning Effects Recalling Editing Effects Available E...

Страница 3: ...record at 16 or 24 bit 24 bit offers higher sound quality 16 bit takes less disk space In the top of the screen the generic CREATE SAVE A SONG Plugging a Guitar Directly In If you are plugging a guit...

Страница 4: ...MIC You could plug it into any input from INPUT A D but we re using INPUT D so the directions can match the guitar input routing To route INPUT D to track 1 of the recorder you need to assign INPUT D...

Страница 5: ...going to and how many times you want to copy the part The tracks can be edited on individual track level stereo pair or across all 8 tracks simultaneously Use the arrow keys to move between the vario...

Страница 6: ...ss REC READY on tracks 7 and 8 Press PLAY and set your mix the way you want to hear it complete with effects EQ and so forth The recording levels will appear in the meter so you can set your recording...

Страница 7: ...c EQ band There are also two stereo sends labeled EFFECT SEND and AUX SEND each of which can be adjusted as pre or post fader sends Analog inputs and recorder tracks can both be routed to these channe...

Страница 8: ...INPUT D to both channels 1 and 6 press and hold INPUT D then press SELECT for channels 1 and 6 then release INPUT D The routing is verified by LEDs when you make the selection Whenever you route an in...

Страница 9: ...on the level of the send PRE FADER When a send is placed before the fader the send level is totally independent of the fader This is typically used for headphone monitor mixes allowing the performer t...

Страница 10: ...OR keys and JOG DATA wheel to change the values to your liking To assign inputs to the input submixer and route the submixer to the stereo fader 1 Press and hold SUB MIX The SUB MIX light should flash...

Страница 11: ...outing library that you wish to wish to name and press SHIFT MENU TITLE See Section V Assigning Names on p23 for complete naming capabilities and instructions When a scene is recalled the display will...

Страница 12: ...own to a stereo or mono mix This process allows you to add more tracks to the song by freeing up the individual tracks from the other parts Since the 788 has 250 virtual tracks per song you don t have...

Страница 13: ...tereo pair of tracks at 85 65 or 50 without dropping the pitch This function is great for learning difficult passages from your favorite tunes RECORDING OVERVIEW On the 788 each project is stored in i...

Страница 14: ...and more accurate project navigation than the traditional fast forward and rewind The 788 can store up to 999 locate points for each song so you won t run short on memory points that should be clearl...

Страница 15: ...ccuracy using 10 sub frames to a frame This yields a 1 300th of a second accuracy The time display shows hours minutes seconds frames and sub frames One of these time denominations will be underlined...

Страница 16: ...Select with the JOG DATA wheel and press ENTER YES 3 Select with the JOG DATA wheel and press ENTER YES VIRTUAL TRACKS One Button Punch Punching in and out of record on the fly is commonly done to al...

Страница 17: ...ssigning Names on p23 for complete naming capabilities and instructions All of the editing is non destructive with 999 levels of undo that are saved to disk This means you have lots of opportunity to...

Страница 18: ...ied The key difference between MOVE INSERT and COPY INSERT is that MOVE PASTE deletes the original audio between the IN and OUT point IN OUT TO MOVE INSERT IN OUT IN OUT inserts blank space between th...

Страница 19: ...to use The parameter determines the size of the disk partitions determines the level of drive formatting to be used If is set to the 788 will only set up the drive directory If is set to it will perfo...

Страница 20: ...the routing of the input press EFFECT 1 and INPUT A B C or D This will keep the processing chained with the input through any channel assignment on the main mixer This only works on one channel at a...

Страница 21: ...ween the various effects in the chain press the LEFT and RIGHT CURSOR keys If EFFECT 2 is assigned as Dynamic Processors across all eight mixer channels you will need to select which channel s compres...

Страница 22: ...ate EQ Chorus Reverb Compressor Gate EQ Chorus Delay Compressor Gate De esser Chorus Reverb Compressor Gate De esser Chorus Delay Compressor Gate Exciter EFFECT 2 DYNAMICS CHANNEL STEREO Compression A...

Страница 23: ...e effect patch that you wish to select with the JOG DATA wheel then press SHIFT MENU TITLE THE NAMING PROCEDURE Selecting a locate point for naming 1 Press LOCATE to get to the locate menu 2 Highlight...

Страница 24: ...of the naming screen without saving any changes Editing the USER WORD List Since everybody works differently the USER WORD list is fully editable The naming procedure is the same as the previous item...

Страница 25: ...EAT PPQ The terms bar measure and beat should be familiar but PPQ is a new one for some PPQ stands for Part Per Quarter PPQ is the internal subdivision of the quarter note As with any other synchroniz...

Страница 26: ...s MIDI Time Code works in much the same way as SMPTE time code counting time in a video based language that looks like this HOURS MINUTES SECONDS FRAMES While hours minutes and seconds are familiar th...

Страница 27: ...the machine can play independently again MIDI Machine Control is a simple command set to control transport commands ie PLAY STOP REC LOCATE etc It is important to realize that MMC is only transport co...

Страница 28: ...or other MIDI device to control the 788 In other words pressing play on your sequencer will send an MMC message to the 788 to start playing Typically the 788 will be set to transmit MTC or MIDI Clock...

Страница 29: ...sent the level the actual processed fader position The fader matching parameter determines the relationship between the physical fader I m changing the EQ on the 788 and I m not hearing the changes I...

Страница 30: ...der matching to either or Everything is in mono I can t hear any stereo effects You probably don t have the effects assigned correctly or the monitor section is not selected properly Make sure the STE...

Страница 31: ...sure the frame rate is the same on both your master machine and your 788 If you are only experiencing minor variation over time and your frame rate is a variation of 30 or 29 97 pay particular attent...

Страница 32: ...unds for your drum loops or simply trying to create a unique sound effect these effects can be the highlight of your project Guitar Processing 0 Hz Flanging The multi effect processing chain used for...

Страница 33: ...408 462 Phone 03 9644 2442 TEAC ITALIANA S p A Phone 02 66010500 3 7 3 Nakacho Musashino shi Tokyo 180 8550 Japan 7733 Telegraph Road Montebello California 90640 5939 Wallace Street Mississauga Ontar...

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