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Built-In Effect Processing

TASCAM 788 Operational Tutorial  •  8/2000 Edition  

20

ROUTING EFFECTS

Section IV

Built-in Effect Processing

Associating EFFECT 1 to an input:

When EFFECT 1 is being used as a Multi-Effect
Processor, it is assigned to an insert on a channel on
the main mixer.  If you are recording multiple tracks
with the same processing, you may want to "associate" 
the processor with an input by pressing EFFECT 1 and 
INPUT (A, B, C or D).  This will automatically move 
EFFECT 1 through the mixer with the associated input.
This will save a lot of routing during the recording 
process.  Keep in mind that this only works if the input
is assigned to one channel only, and it will disengage 
if the input is assigned to the submixer.

Assigning effect routing can be done totally from the 
surface of the 788.  Simply press the button of the effect 
processor, and the button for the destination.  (The source
and destination buttons must be pressed simultaneously.)  

This routing 
technique means 
that you don't 
have to dig through
menus to route
effects.  It's all on 
the surface of the 
788 itself.  The 
specific button 
pushes for each 
set-up are shown in 
the chart above to 
the right.  Refer to
it for specific button
combinations.

To assign EFFECT 2 as a Stereo Dynamic Processor, 

Press EFFECT 2 and STEREO simultaneously.

Routing on the 788 as a whole is done by pressing 

the buttons for the source and destination at the 

same time, just like you were plugging in a cable.  

STEREO EFFECT PROCESSOR

Stereo Effect Processor on EFFECT SEND:

To assign EFFECT 1 in this configuration,

press EFFECT 1 and SEND simultaneously.

OR

DISTORTION

NOISE GATE

FLANGER

DELAY

COMPRESSOR

Multi-Effect Processor inserted into a

specific main mixer CHANNEL:  To assign

EFFECT 1 in this configuration, press 

EFFECT 1 and SELECT for the channel

you want the chain inserted to.
Multi-Effect Processor assigned to follow 

an input:  To assign EFFECT 1 to follow

the routing of the input, press EFFECT 1

and INPUT (A, B, C, or D).  This will

keep the processing chained with the 

input through any channel assignment

on the main mixer.  

This only works on 

one channel at a time, and will not work 

if the input is assigned to the submixer.

OR

+

+

+

EFFECT 1

STEREO DYNAMICS PROCESSOR

THRESHOLD

ATTACK

GAIN

RATIO

THRESHOLD

ATTACK

GAIN

RATIO

THRESHOLD

ATTACK

GAIN

RATIO

THRESHOLD

ATTACK

GAIN

RATIO

THRESHOLD

ATTACK

GAIN

RATIO

THRESHOLD

ATTACK

GAIN

RATIO

THRESHOLD

ATTACK

GAIN

RATIO

OR

+

STEREO EFFECT PROCESSOR

Stereo Effect Processor on AUX SEND:

To assign EFFECT 2 in this configuration,

press EFFECT 2 and SEND simultaneously.

Stereo Dynamics Processor on the

STEREO BUSS:  To assign EFFECT 2 in 

this configuration, press EFFECT 2 and 

STEREO simultaneously.

Dynamic Processors on all eight mixer

channels:  To assign EFFECT 2 in this 

configuration, press EFFECT 2 and any

channel SELECT button.

+

+

EFFECT 2

The 788 has two built-in effect processing engines, 
EFFECT 1 and EFFECT 2.  These processors are completely
independent of each other, and each can be used in a 
variety of ways.

EFFECT 1 can be assigned as either a single stereo effect 
processor on the EFFECT SEND, or it can function as a 
multieffect processor inserted on a single channel.  
EFFECT 2 can be assigned as either a single stereo effect 
processor on the AUX SEND, a single stereo dynamics 
processor on the stereo buss, or a multichannel dynamics 
processor with separate dynamics processing for each 
channel on the main mixer. 

Separate preset libraries are kept for each type of effect
processing, so you don't have to worry about writing over
your favorite guitar preset with the stereo dynamic 
settings you need.

The effect programs can be recalled by MIDI, so you can 
use the processors in automated mixdown, or even in a 
live show.  For guitar players, you can use a MIDI pedal 
board to recall your effect patches inside the 788.  For 
keyboard players, you can recall effects with controller 
keyboards and synths.  In the studio environment, most 
standard MIDI sequencers can send program change 
messages to change the presets.

EFFECT OVERVIEW

Содержание PORTASTUDIO 788

Страница 1: ...OPERATIONAL TUTORIAL PN 9101437700 Edition Date 08 16 00 2000 TEAC TASCAM All Rights Reserved INPUT A PHONES REMOTE INPUT D MIC GUIT INPUT C R L INPUT B AUX INPUT STEREO MONITOR AUX OUTPUT...

Страница 2: ...oll Editing Functions Pitch Control SSA Formatting Hard Drives Selecting Target Record Drives Built in Effect Processing Effect Overview Routing Assigning Effects Recalling Editing Effects Available E...

Страница 3: ...record at 16 or 24 bit 24 bit offers higher sound quality 16 bit takes less disk space In the top of the screen the generic CREATE SAVE A SONG Plugging a Guitar Directly In If you are plugging a guit...

Страница 4: ...MIC You could plug it into any input from INPUT A D but we re using INPUT D so the directions can match the guitar input routing To route INPUT D to track 1 of the recorder you need to assign INPUT D...

Страница 5: ...going to and how many times you want to copy the part The tracks can be edited on individual track level stereo pair or across all 8 tracks simultaneously Use the arrow keys to move between the vario...

Страница 6: ...ss REC READY on tracks 7 and 8 Press PLAY and set your mix the way you want to hear it complete with effects EQ and so forth The recording levels will appear in the meter so you can set your recording...

Страница 7: ...c EQ band There are also two stereo sends labeled EFFECT SEND and AUX SEND each of which can be adjusted as pre or post fader sends Analog inputs and recorder tracks can both be routed to these channe...

Страница 8: ...INPUT D to both channels 1 and 6 press and hold INPUT D then press SELECT for channels 1 and 6 then release INPUT D The routing is verified by LEDs when you make the selection Whenever you route an in...

Страница 9: ...on the level of the send PRE FADER When a send is placed before the fader the send level is totally independent of the fader This is typically used for headphone monitor mixes allowing the performer t...

Страница 10: ...OR keys and JOG DATA wheel to change the values to your liking To assign inputs to the input submixer and route the submixer to the stereo fader 1 Press and hold SUB MIX The SUB MIX light should flash...

Страница 11: ...outing library that you wish to wish to name and press SHIFT MENU TITLE See Section V Assigning Names on p23 for complete naming capabilities and instructions When a scene is recalled the display will...

Страница 12: ...own to a stereo or mono mix This process allows you to add more tracks to the song by freeing up the individual tracks from the other parts Since the 788 has 250 virtual tracks per song you don t have...

Страница 13: ...tereo pair of tracks at 85 65 or 50 without dropping the pitch This function is great for learning difficult passages from your favorite tunes RECORDING OVERVIEW On the 788 each project is stored in i...

Страница 14: ...and more accurate project navigation than the traditional fast forward and rewind The 788 can store up to 999 locate points for each song so you won t run short on memory points that should be clearl...

Страница 15: ...ccuracy using 10 sub frames to a frame This yields a 1 300th of a second accuracy The time display shows hours minutes seconds frames and sub frames One of these time denominations will be underlined...

Страница 16: ...Select with the JOG DATA wheel and press ENTER YES 3 Select with the JOG DATA wheel and press ENTER YES VIRTUAL TRACKS One Button Punch Punching in and out of record on the fly is commonly done to al...

Страница 17: ...ssigning Names on p23 for complete naming capabilities and instructions All of the editing is non destructive with 999 levels of undo that are saved to disk This means you have lots of opportunity to...

Страница 18: ...ied The key difference between MOVE INSERT and COPY INSERT is that MOVE PASTE deletes the original audio between the IN and OUT point IN OUT TO MOVE INSERT IN OUT IN OUT inserts blank space between th...

Страница 19: ...to use The parameter determines the size of the disk partitions determines the level of drive formatting to be used If is set to the 788 will only set up the drive directory If is set to it will perfo...

Страница 20: ...the routing of the input press EFFECT 1 and INPUT A B C or D This will keep the processing chained with the input through any channel assignment on the main mixer This only works on one channel at a...

Страница 21: ...ween the various effects in the chain press the LEFT and RIGHT CURSOR keys If EFFECT 2 is assigned as Dynamic Processors across all eight mixer channels you will need to select which channel s compres...

Страница 22: ...ate EQ Chorus Reverb Compressor Gate EQ Chorus Delay Compressor Gate De esser Chorus Reverb Compressor Gate De esser Chorus Delay Compressor Gate Exciter EFFECT 2 DYNAMICS CHANNEL STEREO Compression A...

Страница 23: ...e effect patch that you wish to select with the JOG DATA wheel then press SHIFT MENU TITLE THE NAMING PROCEDURE Selecting a locate point for naming 1 Press LOCATE to get to the locate menu 2 Highlight...

Страница 24: ...of the naming screen without saving any changes Editing the USER WORD List Since everybody works differently the USER WORD list is fully editable The naming procedure is the same as the previous item...

Страница 25: ...EAT PPQ The terms bar measure and beat should be familiar but PPQ is a new one for some PPQ stands for Part Per Quarter PPQ is the internal subdivision of the quarter note As with any other synchroniz...

Страница 26: ...s MIDI Time Code works in much the same way as SMPTE time code counting time in a video based language that looks like this HOURS MINUTES SECONDS FRAMES While hours minutes and seconds are familiar th...

Страница 27: ...the machine can play independently again MIDI Machine Control is a simple command set to control transport commands ie PLAY STOP REC LOCATE etc It is important to realize that MMC is only transport co...

Страница 28: ...or other MIDI device to control the 788 In other words pressing play on your sequencer will send an MMC message to the 788 to start playing Typically the 788 will be set to transmit MTC or MIDI Clock...

Страница 29: ...sent the level the actual processed fader position The fader matching parameter determines the relationship between the physical fader I m changing the EQ on the 788 and I m not hearing the changes I...

Страница 30: ...der matching to either or Everything is in mono I can t hear any stereo effects You probably don t have the effects assigned correctly or the monitor section is not selected properly Make sure the STE...

Страница 31: ...sure the frame rate is the same on both your master machine and your 788 If you are only experiencing minor variation over time and your frame rate is a variation of 30 or 29 97 pay particular attent...

Страница 32: ...unds for your drum loops or simply trying to create a unique sound effect these effects can be the highlight of your project Guitar Processing 0 Hz Flanging The multi effect processing chain used for...

Страница 33: ...408 462 Phone 03 9644 2442 TEAC ITALIANA S p A Phone 02 66010500 3 7 3 Nakacho Musashino shi Tokyo 180 8550 Japan 7733 Telegraph Road Montebello California 90640 5939 Wallace Street Mississauga Ontar...

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