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Recording & Editing Functions

TASCAM 788 Operational Tutorial  •  8/2000 Edition  

14

Section III

Recording & Editing Functions  

(Continued)

Silk screened around 
the main transport 
keys are a couple of
combination functions.

RTZ

 - Pressing STOP

and REW together
functions as Return to
Zero.  That will bring you to 00:00:00:00:0 in the time
window (the very beginning of the project).

LRP

 - Pressing STOP and FFWD together will take you 

to the beginning of your last recorded passage.  This is 
helpful in getting right back to the same point on a 
punch in, or even for finding your IN point for an edit 
removing extra space in front of a region.  

Keep in 

mind that LRP can go backwards or forwards to the 
last recording point.  Don't let the fact that it is on the
FFWD button confuse you.  

JOG

 - Pressing STOP and PLAY together will enter audio 

jog/scrub mode, allowing you to scrub a track in the 
song by turning the JOG/DATA wheel.  The display will 
show you the waveform 
display of any track to assist
in finding a sparse part 
visually.  

If you need to zoom in or out 
of the waveform, you can use 
the LEFT and RIGHT CURSOR 
keys to select the zoom aspect for time (horizontal).  
The UP and DOWN CURSOR keys can increase the 
height of the waveform, offering a better view of softer
passages.  Pressing STOP will take you back out of the 
waveform screen.  

You can also choose which track you are viewing the 
waveform of by pressing the select button above that 
track.  In other words, to view the waveform of track
3, press STOP and PLAY to get to JOG mode, then
press SELECT over channel 3.

One other item of note - if you use the RIGHT CURSOR
key to take you to 32x zoom, you are scrubbing at the
subframe level giving you more resolution than the other
resolutions which only scrub to the frame.

Locate points can be used to directly recall a particular
time location in the song, allowing faster and more 
accurate project navigation than the traditional fast
forward and rewind.  The 788 can store up to 999 
locate points for each song, so you won't run short on
memory points.

that should be clearly pointed out to avoid any
confusion over simple items.  

Some SONG MENU functions apply only to the current 
(opened) song and other functions will show you a list 
of all the songs on the selected drive.  For instance, 
DELETE UNUSED and PROTECT will only affect the song
that is currently opened.  However, ERASE and COPY
will show you a list of songs on the selected drive.

The reason ERASE and COPY 
show you the song list is 
because they can process 
multiple songs at the same 
time.  If you only want to 
ERASE or COPY one song,
simply scroll with the 
JOG/DATA wheel to the song and press ENTER/YES.
If you want to select multiple songs, dial to the song

and want to get out of the whole thing, just press 
EXIT/NO and you will be returned to the SONG MENU.

you want and press 
INSERT; a check mark will 
appear to the left of the
song title.  Keep selecting 
all the songs you want the
same way.  To remove a 
check mark from a
marked song, press 
DELETE.  Once you've 
marked all the songs you 
want, press ENTER/YES.  
If you changed your mind

BASIC RECORDER FUNCTIONS

LOCATE POINTS

Routing to the recorder is simple.  Whatever comes 
from channel 1 on the mixer goes to track 1 on the 
recorder.  Channel 2 feeds track 2, channel 3 feeds 
track 3, etc.  There is no routing matrix here, which 
keeps things very simple.  

The tracks are armed by the REC READY buttons 
just above the channel faders.  The lights will flash
to indicate they are armed for recording, and will go
solid when they are recording.

"The Big Buttons"

Don't skip this part!  While the primary functions of
the big buttons labeled PLAY and REC seem fairly
straight-forward, there are some very cool key-
combination commands available in there to help
you fly through your project with the greatest of
ease.

SONG COPY/ERASE

COMMAND KEYS

   marks the song
for COPY/ERASE

removes mark
for COPY/ERASE

starts COPY/ERASE

exits the screen

Содержание PORTASTUDIO 788

Страница 1: ...OPERATIONAL TUTORIAL PN 9101437700 Edition Date 08 16 00 2000 TEAC TASCAM All Rights Reserved INPUT A PHONES REMOTE INPUT D MIC GUIT INPUT C R L INPUT B AUX INPUT STEREO MONITOR AUX OUTPUT...

Страница 2: ...oll Editing Functions Pitch Control SSA Formatting Hard Drives Selecting Target Record Drives Built in Effect Processing Effect Overview Routing Assigning Effects Recalling Editing Effects Available E...

Страница 3: ...record at 16 or 24 bit 24 bit offers higher sound quality 16 bit takes less disk space In the top of the screen the generic CREATE SAVE A SONG Plugging a Guitar Directly In If you are plugging a guit...

Страница 4: ...MIC You could plug it into any input from INPUT A D but we re using INPUT D so the directions can match the guitar input routing To route INPUT D to track 1 of the recorder you need to assign INPUT D...

Страница 5: ...going to and how many times you want to copy the part The tracks can be edited on individual track level stereo pair or across all 8 tracks simultaneously Use the arrow keys to move between the vario...

Страница 6: ...ss REC READY on tracks 7 and 8 Press PLAY and set your mix the way you want to hear it complete with effects EQ and so forth The recording levels will appear in the meter so you can set your recording...

Страница 7: ...c EQ band There are also two stereo sends labeled EFFECT SEND and AUX SEND each of which can be adjusted as pre or post fader sends Analog inputs and recorder tracks can both be routed to these channe...

Страница 8: ...INPUT D to both channels 1 and 6 press and hold INPUT D then press SELECT for channels 1 and 6 then release INPUT D The routing is verified by LEDs when you make the selection Whenever you route an in...

Страница 9: ...on the level of the send PRE FADER When a send is placed before the fader the send level is totally independent of the fader This is typically used for headphone monitor mixes allowing the performer t...

Страница 10: ...OR keys and JOG DATA wheel to change the values to your liking To assign inputs to the input submixer and route the submixer to the stereo fader 1 Press and hold SUB MIX The SUB MIX light should flash...

Страница 11: ...outing library that you wish to wish to name and press SHIFT MENU TITLE See Section V Assigning Names on p23 for complete naming capabilities and instructions When a scene is recalled the display will...

Страница 12: ...own to a stereo or mono mix This process allows you to add more tracks to the song by freeing up the individual tracks from the other parts Since the 788 has 250 virtual tracks per song you don t have...

Страница 13: ...tereo pair of tracks at 85 65 or 50 without dropping the pitch This function is great for learning difficult passages from your favorite tunes RECORDING OVERVIEW On the 788 each project is stored in i...

Страница 14: ...and more accurate project navigation than the traditional fast forward and rewind The 788 can store up to 999 locate points for each song so you won t run short on memory points that should be clearl...

Страница 15: ...ccuracy using 10 sub frames to a frame This yields a 1 300th of a second accuracy The time display shows hours minutes seconds frames and sub frames One of these time denominations will be underlined...

Страница 16: ...Select with the JOG DATA wheel and press ENTER YES 3 Select with the JOG DATA wheel and press ENTER YES VIRTUAL TRACKS One Button Punch Punching in and out of record on the fly is commonly done to al...

Страница 17: ...ssigning Names on p23 for complete naming capabilities and instructions All of the editing is non destructive with 999 levels of undo that are saved to disk This means you have lots of opportunity to...

Страница 18: ...ied The key difference between MOVE INSERT and COPY INSERT is that MOVE PASTE deletes the original audio between the IN and OUT point IN OUT TO MOVE INSERT IN OUT IN OUT inserts blank space between th...

Страница 19: ...to use The parameter determines the size of the disk partitions determines the level of drive formatting to be used If is set to the 788 will only set up the drive directory If is set to it will perfo...

Страница 20: ...the routing of the input press EFFECT 1 and INPUT A B C or D This will keep the processing chained with the input through any channel assignment on the main mixer This only works on one channel at a...

Страница 21: ...ween the various effects in the chain press the LEFT and RIGHT CURSOR keys If EFFECT 2 is assigned as Dynamic Processors across all eight mixer channels you will need to select which channel s compres...

Страница 22: ...ate EQ Chorus Reverb Compressor Gate EQ Chorus Delay Compressor Gate De esser Chorus Reverb Compressor Gate De esser Chorus Delay Compressor Gate Exciter EFFECT 2 DYNAMICS CHANNEL STEREO Compression A...

Страница 23: ...e effect patch that you wish to select with the JOG DATA wheel then press SHIFT MENU TITLE THE NAMING PROCEDURE Selecting a locate point for naming 1 Press LOCATE to get to the locate menu 2 Highlight...

Страница 24: ...of the naming screen without saving any changes Editing the USER WORD List Since everybody works differently the USER WORD list is fully editable The naming procedure is the same as the previous item...

Страница 25: ...EAT PPQ The terms bar measure and beat should be familiar but PPQ is a new one for some PPQ stands for Part Per Quarter PPQ is the internal subdivision of the quarter note As with any other synchroniz...

Страница 26: ...s MIDI Time Code works in much the same way as SMPTE time code counting time in a video based language that looks like this HOURS MINUTES SECONDS FRAMES While hours minutes and seconds are familiar th...

Страница 27: ...the machine can play independently again MIDI Machine Control is a simple command set to control transport commands ie PLAY STOP REC LOCATE etc It is important to realize that MMC is only transport co...

Страница 28: ...or other MIDI device to control the 788 In other words pressing play on your sequencer will send an MMC message to the 788 to start playing Typically the 788 will be set to transmit MTC or MIDI Clock...

Страница 29: ...sent the level the actual processed fader position The fader matching parameter determines the relationship between the physical fader I m changing the EQ on the 788 and I m not hearing the changes I...

Страница 30: ...der matching to either or Everything is in mono I can t hear any stereo effects You probably don t have the effects assigned correctly or the monitor section is not selected properly Make sure the STE...

Страница 31: ...sure the frame rate is the same on both your master machine and your 788 If you are only experiencing minor variation over time and your frame rate is a variation of 30 or 29 97 pay particular attent...

Страница 32: ...unds for your drum loops or simply trying to create a unique sound effect these effects can be the highlight of your project Guitar Processing 0 Hz Flanging The multi effect processing chain used for...

Страница 33: ...408 462 Phone 03 9644 2442 TEAC ITALIANA S p A Phone 02 66010500 3 7 3 Nakacho Musashino shi Tokyo 180 8550 Japan 7733 Telegraph Road Montebello California 90640 5939 Wallace Street Mississauga Ontar...

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