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TASCAM 788 Operational Tutorial  •  8/2000 Edition  

Recording & Editing Functions

15

Section III

Recording & Editing Functions  

(Continued)

There are three locate points 
on the surface of the 788 
labeled IN, OUT, and TO.  
These can be used as
standard locate points, 
although these do have a 
specific application with 
editing and auto-punching.  
(These functions will be
addressed in the sections on
editing and auto-punching.)  
The rest of the locate points 
are stored in the LOCATE 
menu of the 788.

Storing Locate Points

To store a locate point in the IN, OUT, or TO points, 
press SHIFT plus the IN, OUT, or TO button.  To recall 
the point, just press the IN, OUT, or TO button.

To store a locate point in any of the other locate 
points, press SHIFT and LOCATE.  The locate point
will be stored in the next available memory point.  

Recalling Locate Points

To recall IN, OUT or TO locate 
points, simply press their 
dedicated buttons on the 
surface of the 788.  To recall 
any of the other locate points, 
press LOCATE, dial up the 
locate point you want to 
recall, and press ENTER/YES.

If you want to know the 
time location of any of 
the locate points, you can 
use the LEFT and RIGHT 
ARROW keys to toggle between the locate point titles 
and times. 

Trimming & Deleting Locate Points

If the locate point is close to what you want, but not
exactly where you want, you can adjust the position
of it.  Highlight the locate point you want to adjust
and press TRIM.  The screen will go to the JOG 
window, showing a waveform view so you can more
accurately place the locate point.  To save your new
location, press ENTER/YES.  If you want to get out of
this screen without changing anything, press EXIT/NO.

The normal resolution of the 
locate points would be to the
frame.  This would typically 
yield a 1/30th of a second 
accuracy.  If you want more 
resolution, you can adjust to 
sub-frame accuracy using 10 
sub frames to a frame.  This 
yields a 1/300th of a second 
accuracy.

The time display shows hours, minutes, seconds, frames, 
and sub-frames.  One of these time denominations will 
be underlined; the one that is underlined can be adjusted 
by the JOG/DATA wheel.  To move the cursor around, use 
the arrow keys.  This gives you editing resolution accurate
to the sub-frame. 

The other way to get to sub-frame accurate locate points
is to use the JOG/DATA capabilities mentioned earlier
in this section.  You can enter the JOG/DATA mode by
pressing STOP+PLAY together, then pressing the RIGHT 
CURSOR key until you are zoomed in at 32x aspect ratio.
That scrubs at the sub-frame level.

While 999 locate points will probably mean you won't 
ever run out of locate points, it might be more to 
sort through than you realistically want.  If you want
to delete a locate point, highlight it in the locate 
menu and press DELETE.

Other Location Functions

The locate points will receive a generic name like 
"Mark_001".  You can give them more descriptive names 
like "NorikzSolo", or whatever you want. To name a 
locate point, press LOCATE to get into the LOCATE menu, 
highlight the locate point you want to name and press 
SHIFT and MENU/TITLE.  You can give it a 10 character 
name.

See Section V, "Assigning Names" on p23 for complete 
naming capabilities and instructions.

As you play through the song, 
you may notice that the home 
screen will show you some 
location information.  The 
upper left area will flash 
messages confirming a location 
point has been stored.  The 
section to the right will display 
the last locate point that was 
passed.

MORE LOCATE RESOLUTION

To store the current time
to the IN point, press 
SHIFT+ IN.

The OUT and TO locate
registers are set in the same
way.  You can also press 
SHIFT + LOCATE to store 
points in the next available
locate memory point in the
LOCATE menu.

Confirmation
Messages

Last Locate
Point Passed

Time locations can be fine
adjusted to sub frame 
accuracy.  Scroll to the sub-
frame column, and adjust 
with the JOG/DATA wheel.

Содержание PORTASTUDIO 788

Страница 1: ...OPERATIONAL TUTORIAL PN 9101437700 Edition Date 08 16 00 2000 TEAC TASCAM All Rights Reserved INPUT A PHONES REMOTE INPUT D MIC GUIT INPUT C R L INPUT B AUX INPUT STEREO MONITOR AUX OUTPUT...

Страница 2: ...oll Editing Functions Pitch Control SSA Formatting Hard Drives Selecting Target Record Drives Built in Effect Processing Effect Overview Routing Assigning Effects Recalling Editing Effects Available E...

Страница 3: ...record at 16 or 24 bit 24 bit offers higher sound quality 16 bit takes less disk space In the top of the screen the generic CREATE SAVE A SONG Plugging a Guitar Directly In If you are plugging a guit...

Страница 4: ...MIC You could plug it into any input from INPUT A D but we re using INPUT D so the directions can match the guitar input routing To route INPUT D to track 1 of the recorder you need to assign INPUT D...

Страница 5: ...going to and how many times you want to copy the part The tracks can be edited on individual track level stereo pair or across all 8 tracks simultaneously Use the arrow keys to move between the vario...

Страница 6: ...ss REC READY on tracks 7 and 8 Press PLAY and set your mix the way you want to hear it complete with effects EQ and so forth The recording levels will appear in the meter so you can set your recording...

Страница 7: ...c EQ band There are also two stereo sends labeled EFFECT SEND and AUX SEND each of which can be adjusted as pre or post fader sends Analog inputs and recorder tracks can both be routed to these channe...

Страница 8: ...INPUT D to both channels 1 and 6 press and hold INPUT D then press SELECT for channels 1 and 6 then release INPUT D The routing is verified by LEDs when you make the selection Whenever you route an in...

Страница 9: ...on the level of the send PRE FADER When a send is placed before the fader the send level is totally independent of the fader This is typically used for headphone monitor mixes allowing the performer t...

Страница 10: ...OR keys and JOG DATA wheel to change the values to your liking To assign inputs to the input submixer and route the submixer to the stereo fader 1 Press and hold SUB MIX The SUB MIX light should flash...

Страница 11: ...outing library that you wish to wish to name and press SHIFT MENU TITLE See Section V Assigning Names on p23 for complete naming capabilities and instructions When a scene is recalled the display will...

Страница 12: ...own to a stereo or mono mix This process allows you to add more tracks to the song by freeing up the individual tracks from the other parts Since the 788 has 250 virtual tracks per song you don t have...

Страница 13: ...tereo pair of tracks at 85 65 or 50 without dropping the pitch This function is great for learning difficult passages from your favorite tunes RECORDING OVERVIEW On the 788 each project is stored in i...

Страница 14: ...and more accurate project navigation than the traditional fast forward and rewind The 788 can store up to 999 locate points for each song so you won t run short on memory points that should be clearl...

Страница 15: ...ccuracy using 10 sub frames to a frame This yields a 1 300th of a second accuracy The time display shows hours minutes seconds frames and sub frames One of these time denominations will be underlined...

Страница 16: ...Select with the JOG DATA wheel and press ENTER YES 3 Select with the JOG DATA wheel and press ENTER YES VIRTUAL TRACKS One Button Punch Punching in and out of record on the fly is commonly done to al...

Страница 17: ...ssigning Names on p23 for complete naming capabilities and instructions All of the editing is non destructive with 999 levels of undo that are saved to disk This means you have lots of opportunity to...

Страница 18: ...ied The key difference between MOVE INSERT and COPY INSERT is that MOVE PASTE deletes the original audio between the IN and OUT point IN OUT TO MOVE INSERT IN OUT IN OUT inserts blank space between th...

Страница 19: ...to use The parameter determines the size of the disk partitions determines the level of drive formatting to be used If is set to the 788 will only set up the drive directory If is set to it will perfo...

Страница 20: ...the routing of the input press EFFECT 1 and INPUT A B C or D This will keep the processing chained with the input through any channel assignment on the main mixer This only works on one channel at a...

Страница 21: ...ween the various effects in the chain press the LEFT and RIGHT CURSOR keys If EFFECT 2 is assigned as Dynamic Processors across all eight mixer channels you will need to select which channel s compres...

Страница 22: ...ate EQ Chorus Reverb Compressor Gate EQ Chorus Delay Compressor Gate De esser Chorus Reverb Compressor Gate De esser Chorus Delay Compressor Gate Exciter EFFECT 2 DYNAMICS CHANNEL STEREO Compression A...

Страница 23: ...e effect patch that you wish to select with the JOG DATA wheel then press SHIFT MENU TITLE THE NAMING PROCEDURE Selecting a locate point for naming 1 Press LOCATE to get to the locate menu 2 Highlight...

Страница 24: ...of the naming screen without saving any changes Editing the USER WORD List Since everybody works differently the USER WORD list is fully editable The naming procedure is the same as the previous item...

Страница 25: ...EAT PPQ The terms bar measure and beat should be familiar but PPQ is a new one for some PPQ stands for Part Per Quarter PPQ is the internal subdivision of the quarter note As with any other synchroniz...

Страница 26: ...s MIDI Time Code works in much the same way as SMPTE time code counting time in a video based language that looks like this HOURS MINUTES SECONDS FRAMES While hours minutes and seconds are familiar th...

Страница 27: ...the machine can play independently again MIDI Machine Control is a simple command set to control transport commands ie PLAY STOP REC LOCATE etc It is important to realize that MMC is only transport co...

Страница 28: ...or other MIDI device to control the 788 In other words pressing play on your sequencer will send an MMC message to the 788 to start playing Typically the 788 will be set to transmit MTC or MIDI Clock...

Страница 29: ...sent the level the actual processed fader position The fader matching parameter determines the relationship between the physical fader I m changing the EQ on the 788 and I m not hearing the changes I...

Страница 30: ...der matching to either or Everything is in mono I can t hear any stereo effects You probably don t have the effects assigned correctly or the monitor section is not selected properly Make sure the STE...

Страница 31: ...sure the frame rate is the same on both your master machine and your 788 If you are only experiencing minor variation over time and your frame rate is a variation of 30 or 29 97 pay particular attent...

Страница 32: ...unds for your drum loops or simply trying to create a unique sound effect these effects can be the highlight of your project Guitar Processing 0 Hz Flanging The multi effect processing chain used for...

Страница 33: ...408 462 Phone 03 9644 2442 TEAC ITALIANA S p A Phone 02 66010500 3 7 3 Nakacho Musashino shi Tokyo 180 8550 Japan 7733 Telegraph Road Montebello California 90640 5939 Wallace Street Mississauga Ontar...

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