RADICAL DELTA CEP A, Руководство пользователя

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Below is the overview of the choices. Very important! By selecting options No. 7 and 8 you
can limit the effect of the modulation sources:
4.7 Notes on the number of snapshots.
Most of the time you can get to your destination with fewer than eight snapshots. Less
snapshots have many advantages:
a. Fewer snapshots do less work than more snapshots.
b. If you want to make a small change to all snapshots, you will need to revise fewer
snapshots.
If you want to create a sound that changes its timbre via velocity, modulation wheel,
aftertouch or CV voltage, basically two snapshots on memory slots 1 and 8 will be perfect in
most cases. If you want to achieve automated morphing between two sounds, using
snapshot memories 1 and 5 is a better choice. That's because the LFO morph function runs
in a circle. If you use memory 1 and 8, you have one long transition between 1 and 8 and
one very short between 8 and 1. Using 1 and 5 results in a more linear morphing.
However, if you want to create more complex sound sequences or even entire drum sets or
a wild effect journey, 8 snapshots will make sense.
4.8 Muting of snapshots
The DELTA CEP A Snapshot Interpolator basically does not care if it morphs from Snapshot
1 to Snapshot 8 through Snapshot 5, or from No. 1 directly to No. 8. The tonal result will be
very different depending on the differences between these snapshots. For that reason, it
can be very appealing to just mute a snapshot. The morphing will change dramatically as a
result. You can test muting one or more snapshots or insert them again without deleting or
overwriting snapshots.
SNAP Use the [SNAP] key to confirm your selection. This process -
the selection and confirmation can be done several times to
get a mix of the modulation sources. If you tap an already
activated modulation source again with [SNAP], it will be
removed from the modulation mix.
Table of combinable modulation sources.
Option No Modulation source
1
Step sequenced snapshot animation.
2
Continuous snapshot morphing.
3
Modulation wheel (MIDI).
4 Keyboard Velocity (MIDI).
5
Aftertouch (MIDI).
6
CV control.
7
The e ff ect of the modulation sources is reduced by a factor of 0.75x.
8 The e ff ect of the modulation sources is reduced by a factor of 0.5x.
7 + 8
Activating both factors at the same time reduces the e ff ect even more. 0.75x
0.5 = 0.375x.
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