177
Adding Effects
42: GATE
Cuts the reverb’s delay according to the volume of the sound sent
into the effect. Use this when you want to create an artificial-
sounding decrease in the reverb’s decay.
fig.MFX-42
43: DELAY
This is a stereo delay.
When Feedback Mode is NORMAL:
fig.MFX-43a
When Feedback Mode is CROSS:
fig.MFX-43b
44: LONG DELAY
A delay that provides a long delay time.
fig.MFX-44
Parameter
Value
Explanation
Threshold #
0–127
Volume level at which the gate begins to
close
Mode
GATE,
DUCK
Type of gate
GATE:
The gate will close when the
volume of the original sound decreas-
es, cutting the original sound.
DUCK (Ducking):
The gate will close
when the volume of the original
sound increases, cutting the original
sound.
Attack
0–127
Adjusts the time it takes for the gate to
fully open after being triggered.
Hold
0–127
Adjusts the time it takes for the gate to
start closing after the source sound falls
beneath the Threshold.
Release
0–127
Adjusts the time it takes the gate to fully
close after the hold time.
Balance #
D100:0W–
D0:100W
Volume balance between the direct
sound (D) and the effect sound (W)
Level
0–127
Output level
Parameter
Value
Explanation
Delay Left
0–1300 ms,
note
Adjusts the time until the delay sound is
heard.
Delay Right
Phase Left
NORMAL,
INVERSE
Phase of the delay sound
Phase Right
L in
R in
L out
R out
Gate
Gate
R in
R out
L in
L out
Feedback
Feedback
Balance W
Balance D
Balance W
Balance D
2-Band
EQ
2-Band
EQ
Delay
Delay
R in
R out
L in
L out
Feedback
Feedback
Balance W
Balance D
Balance W
Balance D
2-Band
EQ
2-Band
EQ
Delay
Delay
Feedback
Mode
NORMAL,
CROSS
Selects the way in which delay sound is
fed back into the effect. (See the figures
above.)
Feedback #
-98– +98 %
Adjusts the amount of the delay sound
that’s fed back into the effect. Negative
(-) settings invert the phase.
HF Damp
200–8000 Hz,
BYPASS
Adjusts the frequency above which sound
fed back to the effect is filtered out. If you
don’t want to filter out any high frequen-
cies, set this parameter to BYPASS.
Low Gain
-15– +15 dB
Gain of the low frequency range
High Gain
-15– +15 dB
Gain of the high frequency range
Balance #
D100:0W–
D0:100W
Volume balance between the direct
sound (D) and the delay sound (W)
Level
0–127
Output level
Parameter
Value
Explanation
Delay Time
0–2600 ms, note
Delay time from when the
original sound is heard to
when the delay sound is
heard
Phase
NORMAL, INVERSE
Phase of the delay (NORMAL:
non-inverted, INVERT: in-
verted)
Feedback #
-98– +98%
Proportion of the delay sound
that is to be returned to the in-
put (negative values invert
the phase)
HF Damp
200–8000 Hz,
BYPASS
Frequency at which the high-
frequency content of the de-
layed sound will be cut (BY-
PASS: no cut)
Pan #
L64–63R
Panning of the delay sound
Low Gain
-15– +15 dB
Amount of boost/cut for the
high-frequency range
High Gain
-15– +15 dB
Amount of boost/cut for the
high-frequency range
Balance #
D100:0W–D0:100W
Volume balance of the origi-
nal sound (D) and delay
sound (W)
Level
0–127
Output volume
Parameter
Value
Explanation
L in
R in
L out
R out
2-Band
EQ
Pan R
Pan L
2-Band
EQ
Feedback
Long Delay
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