6
7
6
7
Quick Start Guide
PreSonus StudioLive
™
16.0.2
Quick Star
t:
Le
vel S
etting
O
ver
view
So
ft
w
a
re
:
Univ
ersal C
on
tro
l, C
aptur
e,
and Studio O
ne Ar
tist
Resour
ce
s
English
English
Deutsch
Français
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Español
Français
Deutsch
Quick Star
t:
Le
vel S
etting
O
ver
view
So
ft
w
a
re
:
Univ
ersal C
on
tr
ol
, C
aptur
e,
and Studio O
ne Ar
tist
Resour
ce
s
Basic O
pera
tion
Basic O
pera
tion
Map
of
Contro
l
s
Ov
er
v
ie
w
1
Map
of
Contro
l
s
1
Ov
er
v
ie
w
Trim Controls
ad
ju
st
the
I
np
u
t
G
ain
L
e
v
e
l
of
each
channe
l’
s
ana
l
og
inp
u
t
.
It is very important
to properly adjust
these controls
in
order
to
minimize
noise
and
a
v
oid
o
v
er
l
oad
distortion
F
o
ll
o
w
the
Qu
ick
Start
l
e
v
e
l-
setting
instr
u
ctions
on
page
1
before
operating
a
channe
l.
Encoder Mode buttons
to
the
l
eft
of
the
F
at
Channe
l
are
u
sed
to
create
and
v
ie
w
A
ux
mi
x
es
. E
ach
one
of
these
b
u
ttons
a
ll
o
w
s
yo
u
to
v
ie
w
and
set
the
send
l
e
v
e
l
for
each
channe
l
to
that
A
ux
or
FX
mi
x.
T
he
GEQ Bu
tton
l
ets
yo
u
make
changes
to
the
31-
band
G
raphic
EQ
MultiMode section.
E
ach
channe
l
and
A
ux
on
the
St
u
dio
L
i
v
e
16.
0
.
2
feat
u
res
a
M
ul
tiMode
b
u
tton
. T
hese
b
u
ttons
a
ll
o
w
yo
u
to
so
l
o
or
m
u
te
a
channe
l
or
A
ux
as
w
e
ll
as
engage
the
channe
l
F
ire
W
ire
ret
u
rns
from
the
same
b
u
tton
! T
he
f
u
nction
of
these
b
u
ttons
is
determined
by
the
contro
l
b
u
ttons
direct
l
y
to
the
l
eft
of
the
ro
w
of
the
M
ul
tiMode
b
u
ttons
Meters section
l
ets
yo
u
se
l
ect
I
np
u
t
, Ou
tp
u
t
,
G
ain
R
ed
u
ction
,
or
l
ocate
the
fader
settings
so
yo
u
can
“
zero
them
o
u
t
”.
“Scribble Strips.”
T
he
w
hite
area
abo
v
e
the
fader
can
be
u
sed
as
a
scribb
l
e
strip
for
l
abe
l
ing
the
channe
l
(
for
e
x
amp
l
e
,
Voca
l 1
or
K
ick
D
r
u
m
). U
se
on
l
y
oi
l
penci
l
s
;
other
types
of
pens
or
penci
l
s
cannot
be
w
iped
o
ff.
Channel Faders
contro
l
the
o
v
era
ll L
e
v
e
l
of
each
separate
channe
l. T
he
6
0
mm
fader
has
a
“U”
to
denote
U
nity
G
ain
.
Aux Output Faders
contro
l
the
o
v
era
ll l
e
v
e
l
of
each
of
the
fo
u
r
A
ux
Ou
tp
u
ts
for
performers
’
monitor
mi
x
es
u
sing
headphones
,
in
-
ear
monitors
,
or
fl
oor
w
edges
.
T
here
is
a
Select
b
u
tton
on
each
of
the
1
2
channe
l
s
,
each
of
the
4
ana
l
og
A
ux
sends
,
both
of
the
interna
l
e
ff
ects
b
u
ses
,
and
the
Main
o
u
tp
u
t
b
u
s
.
E
ach
of
these
b
u
ttons
ser
v
es
e
x
act
l
y
the
same
p
u
rpose
:
to
access
the
F
at
Channe
l
parameters
for
its
channe
l
or
b
u
s
.
Digital Effects / Master
Control section
accesses
St
u
dio
L
i
v
e
’
s
t
w
o
interna
l
e
ff
ects
processors
.
I
t
is
a
l
so
u
sed
to
store
and
reca
ll
Scenes
(
g
l
oba
l
snapshots
of
mi
x
er
settings
)
and
indi
v
id
u
a
l
Channel Presets
and
to
access
graphic
e
qu
a
l
izers
and
other
feat
u
res
.
FX
(Eff
ects
)
A and B
Sections
assign
e
ff
ects
to
A
ux
es
and
Mains
and
ro
u
te
the
Eff
ects
b
u
ses
thro
u
gh
the
F
at
Channe
l.
Talkback Section
assigns
the
T
a
l
kback
mic
inp
u
t
to
A
ux 1-
2
or
A
ux
3-4.
Solo Section
inc
lu
des
A
FL, PFL,
and
So
l
o
I
n
Pl
ace
options
.
Monitor Bus
l
ets
yo
u
monitor
m
ul
tip
l
e
so
u
rces
from
the
Monitor
Ou
tp
u
ts
or
H
eadphones
,
inc
lu
ding
the
Main
and
So
l
o
b
u
ses
,
main
F
ire
W
ire
ret
u
rn
from
yo
u
r
comp
u
ter
,
and
the
stereo
ana
l
og
T
ape
inp
u
t
.
Main Fader
contro
l
s
the
o
v
era
ll l
e
v
e
l
of
the
Main
stereo
o
u
tp
u
t
.
W
hen
the
Dig Out
b
u
tton
is
enab
l
ed
,
the
signa
l
sent
to
the
F
ire
W
ire
b
u
s
is
post
-
EQ
and
post
-
dynamics
processing
; W
hen
the
b
u
tton
is
disab
l
ed
,
the
signa
l
being
sent
to
the
F
ire
W
ire
b
u
s
is
pre
-F
at
Channe
l. T
he
D
ig
Ou
t
b
u
tton
is
on
l
y
a
v
ai
l
ab
l
e
w
hen
one
of
the
channe
l
inp
u
ts
is
se
l
ected
.
T
he
F
at
Channe
l
High-Pass filter
is
a
v
ai
l
ab
l
e
on
the
16
channe
l
s
of
the
inp
u
t
b
u
s
,
the
4
A
ux
es
,
and
both
interna
l FX
b
u
ses
.
E
ncoder
1
ad
ju
sts
its
Freq
u
ency
point
from
2
4
k
H
z
to
1
k
H
z
.
T
he
F
at
Channe
l
Gate
is
a
v
ai
l
ab
l
e
for
a
ll
inp
u
t
and
o
u
tp
u
t
b
u
ses
. Y
o
u
can
set
the
Threshold
from
0
to
-
5
6
d
B w
ith
E
ncoder
2
.
T
he
F
at
Channe
l
Compressor
is
a
v
ai
l
ab
l
e
for
a
ll
inp
u
t
and
o
u
tp
u
t
b
u
ses
.
Threshold
is
v
ariab
l
e
from
-
5
6
to
0
d
B;
Ratio
from
1:1
to
14:1.
Response
sets
the
attack
and
re
l
ease
tapers
sim
ul
taneo
u
s
l
y
.
Gain
sets
Make
u
p
G
ain
from
0
d
B (
no
gain
ad
ju
stment
)
to
+
2
8
d
B.
F
at
Channe
l
3-Band
Equalization
is
a
v
ai
l
ab
l
e
for
a
ll
inp
u
t
and
o
u
tp
u
t
b
u
ses
.
A
ll
three
bands
ha
v
e
v
ariab
l
e
center
fre
qu
encies
(
semi
-
parametric
), w
ith
1
5
d
B
boost
/
c
u
t
.
Low EQ
band
center
fre
qu
ency
is
v
ariab
l
e
from
36
to
46
5
H
z
, w
ith
Shelf
(
she
lv
ing
)
or
peak
(
On
)
options
.
Mid EQ
band
center
fre
qu
ency
is
v
ariab
l
e
from
2
6 H
z
to
3.
5
k
H
z
,
w
ith
a
defa
ul
t
Q
of
0
.
55
.
HiQ
narro
w
s
the
Q
to
2
.
0
.
High EQ
band
center
fre
qu
ency
is
v
ariab
l
e
from
1.4
to
18
k
H
z
,
w
ith
Shelf
(
she
lv
ing
)
or
peak
(
On
)
options
.
Selected
Channel
sho
w
s
yo
u
w
hich
channe
l
yo
u
are
ad
ju
sting
w
ith
the
F
at
Channe
l
contro
l
s
.
Channel Copy, Load,
and
Save
b
u
ttons
. Ev
ery
setting
in
the
F
at
Channe
l
can
be
copied
from
one
to
channe
l
to
another
and
can
be
sa
v
ed
and
stored
as
a
u
ser
preset
that
yo
u
can
reca
ll l
ater
.
Pan
contro
l
for
each
inp
u
t
or
o
u
tp
u
t
b
u
s
is
set
on
the
F
at
Channe
l. T
he
LED
disp
l
ay
sho
w
s
the
pan
setting
;
the
encoder
contro
l
s
panning
for
the
se
l
ected
inp
u
t
or
o
u
tp
u
t
b
u
s
. W
hen
t
w
o
channe
l
s
are
l
inked
as
stereo
pair
,
the
LED
disp
l
ay
w
i
ll
a
u
tomatica
ll
y
change
to
a
stereo
pan
.
Limiter
is
a
v
ai
l
ab
l
e
for
a
ll
inp
u
t
and
o
u
tp
u
t
b
u
ses
. T
hresho
l
d
is
set
to
0
d
BF
S
, w
ith
a
∞
:1
R
atio
.
48V Phantom Power
is
on
l
y
a
v
ai
l
ab
l
e
on
the
1
2
microphone
preamps
of
the
inp
u
t
b
u
s
.
Phase Reverse
in
v
erts
the
signa
l 18
0
˚. I
t
is
on
l
y
a
v
ai
l
ab
l
e
on
the
16
channe
l
s
of
the
inp
u
t
b
u
s
.
