Lexicon 300, Owner'S Manual

Page: 109 / 155

5-17
The Presets
P319 CC:Rev->Korus
EA:706 Big & Short EB:609 Chorus
This Setup is a variation of the one above, except that it’s a shorter “close in” effect. There is also a different twist to this
Setup preset — L-Meter ballistics are patched to the AMIX Setup parameter. As the signal becomes stronger, AMIX
becomes progressively dryer, allowing more of the input signal to pass directly into the chorus effect. The LFO is set to
1.98Hz with a triangle waveform. It controls the speed of the Glide in Machine B.
MchA EA:706 Big & Short This reverb effect is short, almost gated. Big room size set to 54.6M, and Rt set to 0.3 seconds.
This preset really “opens up a sparse track.
MchB EB:609 Chorus This preset makes use of a small variation in the glide delay to modulate the sound. The glide
moves between 9.7ms and 11.8ms. Advancing the LFO to values near 1.50Hz to 2.0 Hz yields a nice chorusing effect. There
are no other delay lines, but the output lines are channel-swapped such that the left input passes to the right output, and
vice-versa.
P320 CC:Over!Top
EA:605 OverTheTop1 EB:606 OverTheTop2
Use pre-fade. One flanger feeds the next. Very heavy duty. The input gain to the Setup is set to -4dB. This is to compensate
for the heavy amount of flange gain in both Machines. Since the LFO is in the setup domain, it drives both flange glide delays
in each Machine.
!Remember the outputs of OverThe Top2 are reversed, so don’t drive yourself crazy trying to find reversed
patch cords!
MchA EA:605 OverTheTop1 This preset should be used pretty much through the box, i.e. patched to the LFO. When
properly modulated, the flange delay glides between 9.5ms and 18.7ms. The base delays are set to 10ms with a positive
feedback gain. Over the top cancellation occurs as the glide delay passes
over the 10ms base delay.
MchB EB:606 OverTheTop2
Similar to OverTheTop1, except the flange delay glides between 0.08 ms and 10.7ms. This flange delay is patched to the
LFO. Base delays are set to 10ms with a negative amplifier gain. Over the top cancellation occurs as the glide delay passes
over the 10ms base delay. The channel outputs are reversed such that the left input will pass through to the right output
and vice-versa.
P321 CC:GuitarXP
EA:611 LFO:Pan&Faze EB:607 LFO:Faze Dlys
GuitarXP incorporates a left/right panning effect in Machine A into a modulating glide effect with added delays. The LFO
(set to 0.20Hz with a triangle waveform) ties it all together. Here’re some suggestions: add some extra LDLY (Left delay)
and RDLY (Right delay) to Machine B in Effect Edit. Go back to Setup Edit,and reduce BMIX to less than the preset 100%
— say, to something like 45%, find the Cascade feedback parameter and add a
small amount of feedback gain, either
positive or negative, then store it all in a Setup Register.
MchA EA:611 LFO:Pan&Faze This cool wavy preset should be run pre-fader with the Setup LFO at about .20Hz. With
a mono or stereosignal attached to both inputs, the acoustic effect is a slow rotation in phase. Thank goodness for CD’s.
No record cutting lathe could handle this one. Clean compressed guitars are the best here.
MchB EB:607 LFO:FazeDlys Faze Dlys makes use of the LFO patched to the Flange Glide Delay(FDLY). The base
delays are set in different time domains: one side at 1.9ms with a feedforward gain; the other at 5.6 with a negative feed
gain. As the Glide passes over each base delay, the phase of each gain is changed. In between, the output is a mixture
of each. A great effect on a ripping guitar solo.