Lexicon 300, Owner'S Manual

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5-21
The Presets
609 Chorus Dual Delays This preset makes use of a small variation in the glide delay to
modulate the sound. The glide moves between 9.7 and 11.8ms. If
the LFO is advanced to values near 1.50Hz to 2.0 Hz, a nice
chorusing effect is achieved. There are no other delay lines, but the
output lines are channel swapped such that the left input passes to
the right output and vice-versa.
610 *Sky Delays Dual Delays This preset combines a bit of giding delay along with all sets of
delays. Delays 1 and 2 are set short with feedback and “tuned”
diffusion gains. Delays 3 and 4 are also set short and crossfeed
into 2 and 1 respectively. There is a small amount of post delay
(LDLY and RDLY) and these two post echoes are patched to the
Soft knob. Use the Soft knob parameter to adjust the post delays to
match the tempo. By itself, *Sky Delays is sort of a chorused cluster
echo. Very similar to a bright resonant small room. Beautiful effect
on stacked vocals. If you use this preset in a cascade setup which
has some small amount of Machine B feedback, the chorus will trail
itself upand down in pitch. Very interesting twist. Be careful not to
use too much feedback to avoid runaway feedback.
611 LFO:Pan&Faze Dual Delays This cool wavy preset runs pre-fader with the Setup LFO at about
20Hz LFO drifts back and forth with a stereo signal attached to it.
With a mono signal attached to both inputs, the acoustic effect is a
slow rotation in phase. Thank goodness for CD’s. No record cutting
lathe could handle this one. Clean compressed guitars are the best
here.
612 EKOz Dual Delays This preset makes use of a gliding delay and several reccuring
echoes.
613 *Wall Slaps Dual Delays Walls tied to the Soft knob parameter move outward. A small
amount of diffusion to smear the attack.
614 Env:Peak Dual Delays This preset is similar to an OverTheTop type effect, except the
flange delay is patched to the meter ballistics.
615 NegativeFlng Dual Delays This is a really stiff flange, which goes almost 20ms deep. Flange
gain is set extremely negative, so the sound is tunnel-like.