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8

AUXILIARY OUTPUTS

 

 

THE FOLLOWING PARAMETERS ARE THE SAME FOR EACH AUXILIARY 1 TO 6 

(where x is the auxiliary number)

 

 

AUX  x AUX OUTPUT x

 Receive channel(1to16, default: 1 to 6 set to 1 to 6 

respectively)

 

- assigns the auxialiary to which ever MIDI channel you wish to set it to, i.e. to get the auxiliary to 
respond the synth on CV channel A, set it to the same receive channel as that synth. 
 

AUX  x CONTROLLER

 (pb, vel, aft, controllers 1-119, V/Oct form Notes, Gate from 

Notes, Trig pulse A/B - default: #16 general purpose controller)

 

- sets the MIDI controller source to control the analogue auxiliary output level, to control VCF, VCA 
etc. 
see below for details of the new modes V/Oct, Gate & Trig A/B. 
 

AUX  x OUTPUT LEVEL For cntrl Min

 (-64 to +64, default: 0)

 

- sets the auxiliary output level for when the MIDI Controller Source is at its minimum. 
 

AUX  x OUTPUT LEVEL For cntrl Max

 (-64 to +64, default: 64)

 

- sets the auxiliary output level for when the MIDI Controller Source is at its maximum. 
 

AUX  x OUTPUT LEVEL Reset Level

 (-64 to +64, default: 0)

 

- sets the level that the auxiliary will reset to when a MIDI reset command is received. 
  

AUX  x LFO DEPTH CONTROLLER 

(pb, vel, aft, controllers 1-119, default: #17)

 

- sets the MIDI controller source to control the LFO depth that will modulate the auxiliary output. 
 

AUX x LFO DEPTH AMOUNT For cntrl Max 

(0-127 default: 63)

 

- sets the depth of the LFO at the controller maximum. 
 

AUX  x LFO ASSIGN Use LFO number

 (1 to 2, default: 1-3=1, 4-6=2.)

 

- lets you assign which of the two inbuilt LFOs will modulate the auxiliary 

 

NEW MODES FOR AUX CHANNELS 1-6 
 

V/Oct from Notes

 

- this allows the selected auxiliary output to give a CV voltage to control the CV input of a synth. Set 
the MIDI receive channel of the selected auxiliary and use in conjunction with another Aux set to the 
same channel but configured as a gate (see below). The MIDI channel can be any channel you 
want, for any aux, it is independent of Channels A/B. 
 
You can modulate the output using an LFO but the range default is set to be appropriate for its use as 
an Aux out - we suggest you set the LFO Depth Amount to 10 or so (and probably set the controller for 
it     to #1 (Mod Wheel)) 
 
When using this mode, the Min value becomes the Fine-tune value, the Max value becomes Scale 
and you should ensure the reset value is 0. When you want to tune the converter to your synth, first 
play C note #36 (usually the bottom note on a 61 note keyboard) and use fine tune to get that right, 
then play C a couple of octaves up and get that in tune using the scale adjustment. Restrictions - The 
Aux outputs cannot be set to Hz/V mode, there is no portamento, sustain pedal or transpose facility, 
note memory is for 2 notes only, note priority is for most recent note in multiple trigger mode. 
Pitchbend range is set globally for all any auxes in CV mode using the Ax1-6 Pitchbend Range 
parameter. 

Summary of Contents for PRO-2000

Page 1: ...Pr r r ro o o o 2 2 2 20 0 0 00 0 0 00 0 0 0mkII mkII mkII mkII MULTI CHANNEL MIDI TO CV CONVERTER O O O Op p p pe e e er r r ra a a at t t ti i i in n n ng g g g m m m ma a a an n n nu u u ua a a al...

Page 2: ...nc This means that if MIDI sync is selected and is in operation the 2000 will automatically recalculate the LFO speed in order to fit a whole LFO waveform between MIDI clocks or multiples of clocks de...

Page 3: ...al which will hold the current note this is a design limitation of the Wasp itself KADI The KADI Kenton Auxiliary Digital Interface is a digital port This can be used to play the TR606 or TR808 drum s...

Page 4: ...ck output Channel A and B CV and Gate 3 5mm minijack outputs The six auxiliary 3 5mm minijack outputs Above these is space for the optional expansion port which if fitted is either a WASP KADI port or...

Page 5: ...s can be adjusted see CLOCK PULSE DIVIDE A 5 volt level will be output on the first MIDI clock after a MIDI start or continue if selected is received and thereafter dependent upon the CLOCK PULSE DIVI...

Page 6: ...et to Newest then the newest played note played takes precedence regardless CV x TRIGGER MODE Single Multiple default Multiple sets the whether the envelope on your synth will be retriggered when a ne...

Page 7: ...LFO depth for the CV out CV x LFO ASSIGN Use LFO number 1 to 2 default A 1 B 2 lets you assign which of the two inbuilt LFOs will modulate the CV outputs CV x Gate Select default 5v pull up you can se...

Page 8: ...ED or if the KADI WASP port is present it will say KADI selected or WASP selected you can change between the two modes using the inc dec buttons Using the KADI port with your modified TR606 808 Connec...

Page 9: ...27 default 63 sets the depth of the LFO at the controller maximum AUX x LFO ASSIGN Use LFO number 1 to 2 default 1 3 1 4 6 2 lets you assign which of the two inbuilt LFOs will modulate the auxiliary N...

Page 10: ...u may need to use the MULTIPLE 4 way socket connection to the bottom left of the ARP to do this If the ARP keyboard is not attached you may be able to connect using just one lead into the KBD CV Outpu...

Page 11: ...f the LFO per quarter note Note MIDI sends 24 clocks per quarter note Below is a table of values you can set the divide ratio to to obtain LFO cycles of various musical lengths Note type Divide ratio...

Page 12: ...are a few points to watch for Some MIDI mergers patch bays actually remove MIDI clock information from the MIDI data stream or you may have to enable it for the port you are using Users of CUBASE not...

Page 13: ...assigned to held notes the next note will use the lowest voice held More information about using Polyphonic Mode Note that if you assign any of the Auxes to be polyphonically controlled then you will...

Page 14: ...ows you to see what types of MIDI messages are being transmitted by your master keyboard sequencer making the PRO 2000 a useful diagnostic tool which can help you when you have a problem with your MID...

Page 15: ...hh high 4 bits of parameter address 9 0000uuuu where uuuu low 4 bits of data 10 0000hhhh where hhhh high 4 bits of data 11 0F7h end of exclusive The Pro 2000 mkII responds by changing the specified da...

Page 16: ...Bh A fine tune val 129 0 127 129 0 ve 0Ch A scale val 129 0 127 129 0 ve 0Dh A v o hzv 1 2v select 0 2 0Eh B Receive chan 0 15 1 0Fh B note priority 0 2 10h B trig retrig 0 1 11h B transpose 232 0 24...

Page 17: ...1 41h Ax5 Cont 239 0 119 6 42h Ax5 min val fine tune 0 64 127 5 43h Ax5 max val scale 0 64 127 5 44h Ax5 reset val 0 64 127 5 45h Ax5 lfo cont 252 0 119 4 46h Ax5 lfo max val 0 127 47h Ax5 lfo assign...

Page 18: ...02 20 0D 00 01 00 F7 Example SysEx string to change channel D to MIDI channel 16 F0 00 20 13 02 20 0E 01 0F 00 F7 PIN OUTS FOR DCB WASP Pro 2000 mkII CABLES Juno 60 and some Jupiter 8s connector 14 w...

Page 19: ...ound zero volts Pins 4 5 are not used CONNECTING YOUR MODIFIED TB303 5 SOCKET RETRO TO THE Pro 2000 mkII Pro 2000 mkII to TB303 CV CHANNEL A CV IN GATE CHANNEL A GATE IN AUX1 FILTER AUX2 SLIDE AUX3 AC...

Page 20: ...3FH LSB for values 0 31 64 40H Damper pedal sustain 65 41H Portamento 66 42H Sostenuto 67 43H Soft pedal 68 44H Undefined 69 45H Hold 2 70 79 46 4FH Undefined 80 83 50 53H General purpose controllers...

Page 21: ...onal Accessories DCB port with cable either 14 pin IEEE or 20 pin bump polarised KADI WASP port with cable either KADI or WASP cable Pair of ears for rack mounting Note The Kenton Electronics Pro 2000...

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