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This socket has several modes, which are selectable in software, you may have to adjust this to 
receive optimum performance from your synth, as some synths require S-Trig - S-Trig is used to control 
Moogs, Korgs etc. 
The tip of the jack is the trigger signal - if your synth has the CINCH/JONES connector with two flat pins, 
the narrower pin is the trigger signal and the wider one is ground. 

 
 

AUXILIARIES 1 to 6 (-12.6 to +12.6 volts) 

- a voltage output for connecting to an auxiliary input on a synth such as filter control or VCA volume. 
 
Connect this output to the input marked VCF in, VCF fcM, Filter, etc, on your synth to control the filter 
cut-off, or the input marked VCA, Volume, loudness, etc., to control volume. You could also connect 
this to inputs such as portamento, pulse width, high pass filter cut-off, etc. 
 

Cable Connections

 

All minijack outputs on the Pro-2000 mkII need standard 3.5mm mono minijack plug. The connection 
at the synth end of course depends on what synth you are using. Kenton are able to sell you cables 
for connecting to just about any synth, just visit our website. 

 

THE ARP CLOCK & SYNC 24 OUTPUTS 

 

CLOCK PULSE - (arpeggio clock) 

 

- this output provides a +5 volt clock pulse related to the incoming MIDI clock. The ratio of MIDI clocks 
to arpeggio pulses can be adjusted - (see CLOCK PULSE DIVIDE). 
 
A +5 volt level  will be output on the first MIDI clock after a MIDI start (or continue if selected) is 
received, and thereafter dependent upon the CLOCK PULSE DIVIDE ratio. 
 
You may for example connect this to an input marked Ext. Clock In on an analogue drum machine or 
sequencer. It could also be used to gate/trigger envelopes or Sample and Hold circuits in time with 
MIDI clock. 
 

SYNC 24 - (DIN 24 sync, used on SOME ROLAND equipment) 

 
- this output provides clock and stop/start signals. See later in the manual for pinout information. 
 

Cable Connections

 

MIDI leads may not be suitable for connecting to the SYNC 24 socket as they require different pins 
connected. Use a 5 pin DIN to 5 pin DIN audio lead available from  Kenton (or a HI-FI shop). 
  
Connect this output to the SYNC 24 input on a TR606/808, MC202, or TB303 to synchronize these 
instruments’ sequencers to MIDI clock. 

 

EDITING THE Pro-2000 mkII

 

 
The Pro-2000 mkII is very easy to use. It uses a standard system of editing. It has a clear and informative 
2x16 LCD with backlight, INCREMENT, DECREMENT, SELECT and ENTER buttons. 
 
To select the parameter you wish to edit, the parameter LED (the red light emitting diode), must be lit. 
If it is not, press the SELECT button. You can now scroll through the parameters using the INC and DEC 
buttons. 
 
To edit a value, press the SELECT button again. The value LED will light up. Now by pressing the INC 
and DEC buttons, the value can be edited. 
 

Summary of Contents for PRO-2000

Page 1: ...Pr r r ro o o o 2 2 2 20 0 0 00 0 0 00 0 0 0mkII mkII mkII mkII MULTI CHANNEL MIDI TO CV CONVERTER O O O Op p p pe e e er r r ra a a at t t ti i i in n n ng g g g m m m ma a a an n n nu u u ua a a al...

Page 2: ...nc This means that if MIDI sync is selected and is in operation the 2000 will automatically recalculate the LFO speed in order to fit a whole LFO waveform between MIDI clocks or multiples of clocks de...

Page 3: ...al which will hold the current note this is a design limitation of the Wasp itself KADI The KADI Kenton Auxiliary Digital Interface is a digital port This can be used to play the TR606 or TR808 drum s...

Page 4: ...ck output Channel A and B CV and Gate 3 5mm minijack outputs The six auxiliary 3 5mm minijack outputs Above these is space for the optional expansion port which if fitted is either a WASP KADI port or...

Page 5: ...s can be adjusted see CLOCK PULSE DIVIDE A 5 volt level will be output on the first MIDI clock after a MIDI start or continue if selected is received and thereafter dependent upon the CLOCK PULSE DIVI...

Page 6: ...et to Newest then the newest played note played takes precedence regardless CV x TRIGGER MODE Single Multiple default Multiple sets the whether the envelope on your synth will be retriggered when a ne...

Page 7: ...LFO depth for the CV out CV x LFO ASSIGN Use LFO number 1 to 2 default A 1 B 2 lets you assign which of the two inbuilt LFOs will modulate the CV outputs CV x Gate Select default 5v pull up you can se...

Page 8: ...ED or if the KADI WASP port is present it will say KADI selected or WASP selected you can change between the two modes using the inc dec buttons Using the KADI port with your modified TR606 808 Connec...

Page 9: ...27 default 63 sets the depth of the LFO at the controller maximum AUX x LFO ASSIGN Use LFO number 1 to 2 default 1 3 1 4 6 2 lets you assign which of the two inbuilt LFOs will modulate the auxiliary N...

Page 10: ...u may need to use the MULTIPLE 4 way socket connection to the bottom left of the ARP to do this If the ARP keyboard is not attached you may be able to connect using just one lead into the KBD CV Outpu...

Page 11: ...f the LFO per quarter note Note MIDI sends 24 clocks per quarter note Below is a table of values you can set the divide ratio to to obtain LFO cycles of various musical lengths Note type Divide ratio...

Page 12: ...are a few points to watch for Some MIDI mergers patch bays actually remove MIDI clock information from the MIDI data stream or you may have to enable it for the port you are using Users of CUBASE not...

Page 13: ...assigned to held notes the next note will use the lowest voice held More information about using Polyphonic Mode Note that if you assign any of the Auxes to be polyphonically controlled then you will...

Page 14: ...ows you to see what types of MIDI messages are being transmitted by your master keyboard sequencer making the PRO 2000 a useful diagnostic tool which can help you when you have a problem with your MID...

Page 15: ...hh high 4 bits of parameter address 9 0000uuuu where uuuu low 4 bits of data 10 0000hhhh where hhhh high 4 bits of data 11 0F7h end of exclusive The Pro 2000 mkII responds by changing the specified da...

Page 16: ...Bh A fine tune val 129 0 127 129 0 ve 0Ch A scale val 129 0 127 129 0 ve 0Dh A v o hzv 1 2v select 0 2 0Eh B Receive chan 0 15 1 0Fh B note priority 0 2 10h B trig retrig 0 1 11h B transpose 232 0 24...

Page 17: ...1 41h Ax5 Cont 239 0 119 6 42h Ax5 min val fine tune 0 64 127 5 43h Ax5 max val scale 0 64 127 5 44h Ax5 reset val 0 64 127 5 45h Ax5 lfo cont 252 0 119 4 46h Ax5 lfo max val 0 127 47h Ax5 lfo assign...

Page 18: ...02 20 0D 00 01 00 F7 Example SysEx string to change channel D to MIDI channel 16 F0 00 20 13 02 20 0E 01 0F 00 F7 PIN OUTS FOR DCB WASP Pro 2000 mkII CABLES Juno 60 and some Jupiter 8s connector 14 w...

Page 19: ...ound zero volts Pins 4 5 are not used CONNECTING YOUR MODIFIED TB303 5 SOCKET RETRO TO THE Pro 2000 mkII Pro 2000 mkII to TB303 CV CHANNEL A CV IN GATE CHANNEL A GATE IN AUX1 FILTER AUX2 SLIDE AUX3 AC...

Page 20: ...3FH LSB for values 0 31 64 40H Damper pedal sustain 65 41H Portamento 66 42H Sostenuto 67 43H Soft pedal 68 44H Undefined 69 45H Hold 2 70 79 46 4FH Undefined 80 83 50 53H General purpose controllers...

Page 21: ...onal Accessories DCB port with cable either 14 pin IEEE or 20 pin bump polarised KADI WASP port with cable either KADI or WASP cable Pair of ears for rack mounting Note The Kenton Electronics Pro 2000...

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