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CHANNEL  C, MIDI channel filter 

 
This is used to rechannelize or filter MIDI data. 
 
Connect the synth to the Pro-2000 mkII MIDI out socket, and set the MIDI filter receive channel to the 
MIDI channel data you want your old synth to respond to. Only data received on that channel will be 
sent out of the Pro-2000 mkII MIDI out, and any other channels will be filtered out. These data can be 
sent out on a different channel if required (see rechannellizing above). An example of rechannelizing 
might be to change the transmit channel of early DX7s, for instance, that can only transmit on MIDI 
channel 1, to another MIDI channel, say 2. An example of filtering might be on an early MIDI synth 
that can only receive in Omni mode (receive on all MIDI channels at the same time), the Jupiter 6, for 
instance. 
 

CHANNEL  D, the Optional Expansion Port

 

 

This channel is a digital output for controlling a range of other synthesizers, which do not use CV and 
gate as their method of control. It can be fitted with a DCB port or a KADI/WASP port (but not both at 
the same time) If it is fitted with the KADI/WASP port, it can be programmed for either KADI or WASP. 
can be done either by us, or by you, call us for details and pricing. 
 

WASP -

 

Note, the Wasp responds to three octaves of notes only - on a DX7 or other 61 note keyboard, this 
corresponds to bottom C#, to C, three octaves above. The Wasp does not respond to pitchbend - or 
indeed any other controls except sustain pedal, which will hold the current note, this is a design 
limitation of the Wasp itself. 

 

KADI -

 

The KADI (Kenton Auxiliary Digital Interface) is a digital port. This can be used to play the TR606 or 
TR808 drum sounds over MIDI, although a small modification will have to be made to the drum 
machine. 
It is also there for any other possible future expansion. 
 

DCB - 

 

DCB (digital communications bus) is an early digital interface which Roland fitted on their Juno 60 & 
some Jupiter 8 synths. This is a polyphonic interface which sends note  & program change information, 
however Juno synths only respond to notes whereas Jupiter 8s also respond to program changes. 
 
Note, special cables are needed to use the Wasp, DCB & KADI ports. These are available direct from 
Kenton. 
 

SYNC 24 & Clock Pulse  

 
The Pro-2000 mkII has a Roland SYNC 24 clock output. Instruments having a SYNC 24 input, such as the 
TB-303, TR-808, TR-606, MC-202, can be connected to the Pro-2000 mkII. If the Pro-2000 mkII is receiving 
MIDI clock, these instruments will play their internal patterns in time to MIDI clock. 
 
The Pro-2000 mkII also has a clock pulse (arpeggio output). This can be used to synchronize drum 
machines, analogue sequencers, and arpeggios to MIDI clock. 
 

FRONT PANEL 

 

Each channel, A and B, has LED indicators to indicate when that channel`s Gate is on. 
 
There are three more LED status indicators; 
One is marked DATA. This illuminates when the Pro-2000 mkII is receiving MIDI data. 
The other two are marked PARAMETER and VALUE. These indicate which mode the Pro-2000 mkII is in, 
and are toggled by the SELECT button.  
 
Four buttons; SELECT, ENTER and INC and DEC.  - These are for editing the Pro-2000 mkII. 

Summary of Contents for PRO-2000

Page 1: ...Pr r r ro o o o 2 2 2 20 0 0 00 0 0 00 0 0 0mkII mkII mkII mkII MULTI CHANNEL MIDI TO CV CONVERTER O O O Op p p pe e e er r r ra a a at t t ti i i in n n ng g g g m m m ma a a an n n nu u u ua a a al...

Page 2: ...nc This means that if MIDI sync is selected and is in operation the 2000 will automatically recalculate the LFO speed in order to fit a whole LFO waveform between MIDI clocks or multiples of clocks de...

Page 3: ...al which will hold the current note this is a design limitation of the Wasp itself KADI The KADI Kenton Auxiliary Digital Interface is a digital port This can be used to play the TR606 or TR808 drum s...

Page 4: ...ck output Channel A and B CV and Gate 3 5mm minijack outputs The six auxiliary 3 5mm minijack outputs Above these is space for the optional expansion port which if fitted is either a WASP KADI port or...

Page 5: ...s can be adjusted see CLOCK PULSE DIVIDE A 5 volt level will be output on the first MIDI clock after a MIDI start or continue if selected is received and thereafter dependent upon the CLOCK PULSE DIVI...

Page 6: ...et to Newest then the newest played note played takes precedence regardless CV x TRIGGER MODE Single Multiple default Multiple sets the whether the envelope on your synth will be retriggered when a ne...

Page 7: ...LFO depth for the CV out CV x LFO ASSIGN Use LFO number 1 to 2 default A 1 B 2 lets you assign which of the two inbuilt LFOs will modulate the CV outputs CV x Gate Select default 5v pull up you can se...

Page 8: ...ED or if the KADI WASP port is present it will say KADI selected or WASP selected you can change between the two modes using the inc dec buttons Using the KADI port with your modified TR606 808 Connec...

Page 9: ...27 default 63 sets the depth of the LFO at the controller maximum AUX x LFO ASSIGN Use LFO number 1 to 2 default 1 3 1 4 6 2 lets you assign which of the two inbuilt LFOs will modulate the auxiliary N...

Page 10: ...u may need to use the MULTIPLE 4 way socket connection to the bottom left of the ARP to do this If the ARP keyboard is not attached you may be able to connect using just one lead into the KBD CV Outpu...

Page 11: ...f the LFO per quarter note Note MIDI sends 24 clocks per quarter note Below is a table of values you can set the divide ratio to to obtain LFO cycles of various musical lengths Note type Divide ratio...

Page 12: ...are a few points to watch for Some MIDI mergers patch bays actually remove MIDI clock information from the MIDI data stream or you may have to enable it for the port you are using Users of CUBASE not...

Page 13: ...assigned to held notes the next note will use the lowest voice held More information about using Polyphonic Mode Note that if you assign any of the Auxes to be polyphonically controlled then you will...

Page 14: ...ows you to see what types of MIDI messages are being transmitted by your master keyboard sequencer making the PRO 2000 a useful diagnostic tool which can help you when you have a problem with your MID...

Page 15: ...hh high 4 bits of parameter address 9 0000uuuu where uuuu low 4 bits of data 10 0000hhhh where hhhh high 4 bits of data 11 0F7h end of exclusive The Pro 2000 mkII responds by changing the specified da...

Page 16: ...Bh A fine tune val 129 0 127 129 0 ve 0Ch A scale val 129 0 127 129 0 ve 0Dh A v o hzv 1 2v select 0 2 0Eh B Receive chan 0 15 1 0Fh B note priority 0 2 10h B trig retrig 0 1 11h B transpose 232 0 24...

Page 17: ...1 41h Ax5 Cont 239 0 119 6 42h Ax5 min val fine tune 0 64 127 5 43h Ax5 max val scale 0 64 127 5 44h Ax5 reset val 0 64 127 5 45h Ax5 lfo cont 252 0 119 4 46h Ax5 lfo max val 0 127 47h Ax5 lfo assign...

Page 18: ...02 20 0D 00 01 00 F7 Example SysEx string to change channel D to MIDI channel 16 F0 00 20 13 02 20 0E 01 0F 00 F7 PIN OUTS FOR DCB WASP Pro 2000 mkII CABLES Juno 60 and some Jupiter 8s connector 14 w...

Page 19: ...ound zero volts Pins 4 5 are not used CONNECTING YOUR MODIFIED TB303 5 SOCKET RETRO TO THE Pro 2000 mkII Pro 2000 mkII to TB303 CV CHANNEL A CV IN GATE CHANNEL A GATE IN AUX1 FILTER AUX2 SLIDE AUX3 AC...

Page 20: ...3FH LSB for values 0 31 64 40H Damper pedal sustain 65 41H Portamento 66 42H Sostenuto 67 43H Soft pedal 68 44H Undefined 69 45H Hold 2 70 79 46 4FH Undefined 80 83 50 53H General purpose controllers...

Page 21: ...onal Accessories DCB port with cable either 14 pin IEEE or 20 pin bump polarised KADI WASP port with cable either KADI or WASP cable Pair of ears for rack mounting Note The Kenton Electronics Pro 2000...

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