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9

Gate from Notes

 

- this allows the selected auxiliary output to give a voltage output in response to notes on any MIDI 
channel you select - the off and on levels can be changed by using the Min & Max (and Reset) level 
controls - Min sets the voltage when the gate is off and Max sets the level when the gate is on. For 
example if you set min to zero and Max to 25 you will have a 5v gate signal or if you set Min to 25 and 
Max to zero you will have an S-trig with +5v pullup. 
 

Trig Pulse A / B

      (mainly used for ARP-2600 & early Odysseys) 

 - this allows the selected auxiliary to give a trigger pulse for synths  requiring this extra signal in 
addition to the normal gate signal. To use this mode, select Trig Pulse A / B on any Aux and set the 
MIDI receive channel of that aux to be the same as the MIDI receive channel of the Synth Channel (A 
or B) you want it to work with - set min and max to be the off an on output voltages you want to use - 
see below for an     example of connecting to an ARP-2600. NOTE the Trig Pulse A/B mode only works 
in conjunction with Channels A/B. 
 
Example of using `Trig Pulse A / B' mode of the Pro-2000 mkII with an ARP-2600 synth from CHANNEL A 
for CV & Gate and Aux 1 for Trigger. The following example applies to the `Trig Pulse A / B' mode only, 
it DOES NOT apply to the "V/Oct from notes" or "Gate from notes" modes. 
             
1)    Connect CV CHANNEL A of Pro-2000 mkII to all 3 KBD CV inputs of the ARP-2600. You may need to   
       use the MULTIPLE 4 way socket connection to the bottom left of the ARP to do this. If the ARP  
       keyboard  is not attached you may be able to connect using just one lead into the KBD CV  
       Output on the ARP (it can be used as an input if the 2600 Keyboard is not connected). 
2)    Ensure CvA CV/HZ Select is set to Volt/oct scaling 
3)    Connect GATE CHANNEL A of the Pro-2000 mkII to the GATE input of the  2600 (located above the  
       right speaker volume control) 
4)    Set CvA Gate Select to "Gate 15v pullup" 
5)    Connect that AUX 1 to the TRIG input of the 2600 (located next to the gate input - see above) 
6)    Set parameter Ax1 Main Cntrllr to "Trig Pulse A / B" 
7)    Set AUX 1 to the same MIDI channel as Channel A 
8)    Ensure that Ax1 output level for cntl Min = 0 
9)    Ensure that Ax1 output level for cntl Max = +63 
10)  Store the settings (long press on SEL will take you to store page) 
11)  Everything should now be ready but note the following points:- 
 
The above can similarly apply to CHANNEL B and any of the AUXes 1-6 outputs if that Aux Main 
Controller is set to "Trig Pulse A / B". The selected AUX output will only give a trigger signal in the `Trig 
Pulse A / B' mode when it is set to the same MIDI channel as either CHANNEL A or CHANNEL B.  
 

Ensure that any aux output which is no longer required as a trigger output, is reset to another controller 
or "ignore controllers" as operation of gate A or B outputs on the same MIDI channel are affected when 
`Trig Pulse A / B" is in operation. 
 

LOW FREQUENCY OSCILLATORS

 

 

THERE ARE TWO INDEPENDENT LFOs, 1 & 2 (where x is the LFO number) 

 

LFO  x SPEED =

 (0 to 127, default: 80) 

- sets the speed of the LFO 

Summary of Contents for PRO-2000

Page 1: ...Pr r r ro o o o 2 2 2 20 0 0 00 0 0 00 0 0 0mkII mkII mkII mkII MULTI CHANNEL MIDI TO CV CONVERTER O O O Op p p pe e e er r r ra a a at t t ti i i in n n ng g g g m m m ma a a an n n nu u u ua a a al...

Page 2: ...nc This means that if MIDI sync is selected and is in operation the 2000 will automatically recalculate the LFO speed in order to fit a whole LFO waveform between MIDI clocks or multiples of clocks de...

Page 3: ...al which will hold the current note this is a design limitation of the Wasp itself KADI The KADI Kenton Auxiliary Digital Interface is a digital port This can be used to play the TR606 or TR808 drum s...

Page 4: ...ck output Channel A and B CV and Gate 3 5mm minijack outputs The six auxiliary 3 5mm minijack outputs Above these is space for the optional expansion port which if fitted is either a WASP KADI port or...

Page 5: ...s can be adjusted see CLOCK PULSE DIVIDE A 5 volt level will be output on the first MIDI clock after a MIDI start or continue if selected is received and thereafter dependent upon the CLOCK PULSE DIVI...

Page 6: ...et to Newest then the newest played note played takes precedence regardless CV x TRIGGER MODE Single Multiple default Multiple sets the whether the envelope on your synth will be retriggered when a ne...

Page 7: ...LFO depth for the CV out CV x LFO ASSIGN Use LFO number 1 to 2 default A 1 B 2 lets you assign which of the two inbuilt LFOs will modulate the CV outputs CV x Gate Select default 5v pull up you can se...

Page 8: ...ED or if the KADI WASP port is present it will say KADI selected or WASP selected you can change between the two modes using the inc dec buttons Using the KADI port with your modified TR606 808 Connec...

Page 9: ...27 default 63 sets the depth of the LFO at the controller maximum AUX x LFO ASSIGN Use LFO number 1 to 2 default 1 3 1 4 6 2 lets you assign which of the two inbuilt LFOs will modulate the auxiliary N...

Page 10: ...u may need to use the MULTIPLE 4 way socket connection to the bottom left of the ARP to do this If the ARP keyboard is not attached you may be able to connect using just one lead into the KBD CV Outpu...

Page 11: ...f the LFO per quarter note Note MIDI sends 24 clocks per quarter note Below is a table of values you can set the divide ratio to to obtain LFO cycles of various musical lengths Note type Divide ratio...

Page 12: ...are a few points to watch for Some MIDI mergers patch bays actually remove MIDI clock information from the MIDI data stream or you may have to enable it for the port you are using Users of CUBASE not...

Page 13: ...assigned to held notes the next note will use the lowest voice held More information about using Polyphonic Mode Note that if you assign any of the Auxes to be polyphonically controlled then you will...

Page 14: ...ows you to see what types of MIDI messages are being transmitted by your master keyboard sequencer making the PRO 2000 a useful diagnostic tool which can help you when you have a problem with your MID...

Page 15: ...hh high 4 bits of parameter address 9 0000uuuu where uuuu low 4 bits of data 10 0000hhhh where hhhh high 4 bits of data 11 0F7h end of exclusive The Pro 2000 mkII responds by changing the specified da...

Page 16: ...Bh A fine tune val 129 0 127 129 0 ve 0Ch A scale val 129 0 127 129 0 ve 0Dh A v o hzv 1 2v select 0 2 0Eh B Receive chan 0 15 1 0Fh B note priority 0 2 10h B trig retrig 0 1 11h B transpose 232 0 24...

Page 17: ...1 41h Ax5 Cont 239 0 119 6 42h Ax5 min val fine tune 0 64 127 5 43h Ax5 max val scale 0 64 127 5 44h Ax5 reset val 0 64 127 5 45h Ax5 lfo cont 252 0 119 4 46h Ax5 lfo max val 0 127 47h Ax5 lfo assign...

Page 18: ...02 20 0D 00 01 00 F7 Example SysEx string to change channel D to MIDI channel 16 F0 00 20 13 02 20 0E 01 0F 00 F7 PIN OUTS FOR DCB WASP Pro 2000 mkII CABLES Juno 60 and some Jupiter 8s connector 14 w...

Page 19: ...ound zero volts Pins 4 5 are not used CONNECTING YOUR MODIFIED TB303 5 SOCKET RETRO TO THE Pro 2000 mkII Pro 2000 mkII to TB303 CV CHANNEL A CV IN GATE CHANNEL A GATE IN AUX1 FILTER AUX2 SLIDE AUX3 AC...

Page 20: ...3FH LSB for values 0 31 64 40H Damper pedal sustain 65 41H Portamento 66 42H Sostenuto 67 43H Soft pedal 68 44H Undefined 69 45H Hold 2 70 79 46 4FH Undefined 80 83 50 53H General purpose controllers...

Page 21: ...onal Accessories DCB port with cable either 14 pin IEEE or 20 pin bump polarised KADI WASP port with cable either KADI or WASP cable Pair of ears for rack mounting Note The Kenton Electronics Pro 2000...

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