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POLY NOTE ASSIGN 

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Regular Cyclic, Memory Cyclic, Reset, default: Regular Cyclic

 

- This parameter sets how incoming MIDI notes are assigned to voices.  This setting only has any effect 
if polyphonic mode is active. Options are: 
 
Regular Cyclic Mode (default) 
Memory Cyclic 
Reset Mode 
 

Regular Cyclic Mode: 
Incoming MIDI notes are assigned the next free voice. (Even if it is the same note played repeatedly). 
If, for instance you have channels A+B+Aux12+34 set to poly, each time you play a note it will step 
through and assign channels A then B then Aux12 then Aux34 then back to A again as you play. 
If you hold a note, new notes will be assigned to the next voice in that order that is free. 
If all voices are already assigned to held notes, the next note will use the lowest voice held. 
 

Memory Cyclic: 
This mode is similar to the regular cyclic mode described above. However, a new note will be 
assigned to the same voice as before if that voice is not currently playing and has not been re-
assigned. For example if you play notes C D D C then they will be played by channels A B B A, rather 
than A B Aux12 Ax34 as they would in Regular Cyclic Mode. If all voices are already assigned to held 
notes, the next note will use the lowest voice held. 
 

Reset Mode: 
As you play, the lowest free voice (channel A being the lowest) is assigned to the new note. 
If all voices are already assigned to held notes, the next note will use the lowest voice held. 

 

 

More information about using Polyphonic Mode: 
 
Note that if you assign any of the Auxes to be polyphonically controlled, then you will  have to 
configure them as either CV or Gate outputs. It is recommended that you use the odd numbered  
Auxes for CV and the even numbered ones for Gate to preserve the pattern of CV followed by gate  
across the back panel, however this is not essential. 
 
In order for the Auxes to perform in a similar way to channels A and B, you will also have to  
change the following parameters on the auxes which are acting as CVs (the odd numbered ones). 
 
Ax1 LFO Dpth Ctl - set to:   1   Mod Wheel 

 

 

Ax1 LFO Dpth Amt - set to:   at Cntl Max    9   
 
The same changes for auxes 3 & 5 (Ax3 & Ax5) if they are also to be polyphonically controlled. 
This is so that use of the mod wheel will be the same as for channels A and B. 
 
Change the following parameters on the auxes acting as Gates (the even numbered ones). 
 
Ax2 LFO Dpth Ctl - set to:   Ignore Cntrllers 
 
The same changes for auxes 4 & 6 (Ax4 & Ax6) if they are also to be polyphonically controlled. 
This is so that the gate outputs will not be modulated too.  
 
When a channel (or pair of Aux outputs) is assigned as polyphonic, it becomes a slave to Channel A 
and takes its MIDI channel from Channel A. 
 
In Polyphonic Mode - Note priority for any active polyphonic channels is always set by the "Poly Note 
Assign" parameter. Individual channel note assignments are overridden. 
 
You may also need to set the Gate Voltage (and/or gate polarity) of any auxes used in poly mode 
 
 

Summary of Contents for PRO-2000

Page 1: ...Pr r r ro o o o 2 2 2 20 0 0 00 0 0 00 0 0 0mkII mkII mkII mkII MULTI CHANNEL MIDI TO CV CONVERTER O O O Op p p pe e e er r r ra a a at t t ti i i in n n ng g g g m m m ma a a an n n nu u u ua a a al...

Page 2: ...nc This means that if MIDI sync is selected and is in operation the 2000 will automatically recalculate the LFO speed in order to fit a whole LFO waveform between MIDI clocks or multiples of clocks de...

Page 3: ...al which will hold the current note this is a design limitation of the Wasp itself KADI The KADI Kenton Auxiliary Digital Interface is a digital port This can be used to play the TR606 or TR808 drum s...

Page 4: ...ck output Channel A and B CV and Gate 3 5mm minijack outputs The six auxiliary 3 5mm minijack outputs Above these is space for the optional expansion port which if fitted is either a WASP KADI port or...

Page 5: ...s can be adjusted see CLOCK PULSE DIVIDE A 5 volt level will be output on the first MIDI clock after a MIDI start or continue if selected is received and thereafter dependent upon the CLOCK PULSE DIVI...

Page 6: ...et to Newest then the newest played note played takes precedence regardless CV x TRIGGER MODE Single Multiple default Multiple sets the whether the envelope on your synth will be retriggered when a ne...

Page 7: ...LFO depth for the CV out CV x LFO ASSIGN Use LFO number 1 to 2 default A 1 B 2 lets you assign which of the two inbuilt LFOs will modulate the CV outputs CV x Gate Select default 5v pull up you can se...

Page 8: ...ED or if the KADI WASP port is present it will say KADI selected or WASP selected you can change between the two modes using the inc dec buttons Using the KADI port with your modified TR606 808 Connec...

Page 9: ...27 default 63 sets the depth of the LFO at the controller maximum AUX x LFO ASSIGN Use LFO number 1 to 2 default 1 3 1 4 6 2 lets you assign which of the two inbuilt LFOs will modulate the auxiliary N...

Page 10: ...u may need to use the MULTIPLE 4 way socket connection to the bottom left of the ARP to do this If the ARP keyboard is not attached you may be able to connect using just one lead into the KBD CV Outpu...

Page 11: ...f the LFO per quarter note Note MIDI sends 24 clocks per quarter note Below is a table of values you can set the divide ratio to to obtain LFO cycles of various musical lengths Note type Divide ratio...

Page 12: ...are a few points to watch for Some MIDI mergers patch bays actually remove MIDI clock information from the MIDI data stream or you may have to enable it for the port you are using Users of CUBASE not...

Page 13: ...assigned to held notes the next note will use the lowest voice held More information about using Polyphonic Mode Note that if you assign any of the Auxes to be polyphonically controlled then you will...

Page 14: ...ows you to see what types of MIDI messages are being transmitted by your master keyboard sequencer making the PRO 2000 a useful diagnostic tool which can help you when you have a problem with your MID...

Page 15: ...hh high 4 bits of parameter address 9 0000uuuu where uuuu low 4 bits of data 10 0000hhhh where hhhh high 4 bits of data 11 0F7h end of exclusive The Pro 2000 mkII responds by changing the specified da...

Page 16: ...Bh A fine tune val 129 0 127 129 0 ve 0Ch A scale val 129 0 127 129 0 ve 0Dh A v o hzv 1 2v select 0 2 0Eh B Receive chan 0 15 1 0Fh B note priority 0 2 10h B trig retrig 0 1 11h B transpose 232 0 24...

Page 17: ...1 41h Ax5 Cont 239 0 119 6 42h Ax5 min val fine tune 0 64 127 5 43h Ax5 max val scale 0 64 127 5 44h Ax5 reset val 0 64 127 5 45h Ax5 lfo cont 252 0 119 4 46h Ax5 lfo max val 0 127 47h Ax5 lfo assign...

Page 18: ...02 20 0D 00 01 00 F7 Example SysEx string to change channel D to MIDI channel 16 F0 00 20 13 02 20 0E 01 0F 00 F7 PIN OUTS FOR DCB WASP Pro 2000 mkII CABLES Juno 60 and some Jupiter 8s connector 14 w...

Page 19: ...ound zero volts Pins 4 5 are not used CONNECTING YOUR MODIFIED TB303 5 SOCKET RETRO TO THE Pro 2000 mkII Pro 2000 mkII to TB303 CV CHANNEL A CV IN GATE CHANNEL A GATE IN AUX1 FILTER AUX2 SLIDE AUX3 AC...

Page 20: ...3FH LSB for values 0 31 64 40H Damper pedal sustain 65 41H Portamento 66 42H Sostenuto 67 43H Soft pedal 68 44H Undefined 69 45H Hold 2 70 79 46 4FH Undefined 80 83 50 53H General purpose controllers...

Page 21: ...onal Accessories DCB port with cable either 14 pin IEEE or 20 pin bump polarised KADI WASP port with cable either KADI or WASP cable Pair of ears for rack mounting Note The Kenton Electronics Pro 2000...

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