background image

 

16

     2Bh   

Ax2 max val / scale   

0 >  64 > 127   

{ 5 } 

     2Ch  

Ax2 reset val   

 

0 >  64 > 127   

{ 5 } 

     2Dh    

Ax2 lfo cont #   

 

252 - 0 - 119 

 

{ 4 } 

     2Eh    

Ax2 lfo max val 

 

0 - 127 

     2Fh    

Ax2 lfo assign   

 

0 - 1 

 
     30h    

Ax3 Receive chan              

0 - 15          

 

{ 1 } 

     31h    

Ax3 Cont # 

 

 

239 > 0 > 119   

{ 6 } 

     32h    

Ax3 min val / fine tune  

0 >  64 > 127   

{ 5 } 

     33h    

Ax3 max val / scale   

0 >  64 > 127   

{ 5 } 

     34h    

Ax3 reset val   

 

0 >  64 > 127   

{ 5 } 

     35h    

Ax3 lfo cont #   

 

252 - 0 - 119 

 

{ 4 } 

     36h    

Ax3 lfo max val 

 

0 - 127 

     37h    

Ax3 lfo assign   

 

0 - 1 

 
     38h    

Ax4 Receive chan              

0 - 15           

 

{ 1 } 

     39h    

Ax4 Cont # 

 

 

239 > 0 > 119   

{ 6 } 

     3Ah    

Ax4 min val / fine tune  

0 >  64 > 127   

{ 5 } 

     3Bh    

Ax4 max val / scale   

0 >  64 > 127   

{ 5 } 

     3Ch    

Ax4 reset val   

 

0 >  64 > 127   

{ 5 } 

     3Dh    

Ax4 lfo cont #   

 

252 - 0 - 119 

 

{ 4 } 

     3Eh    

Ax4 lfo max val 

 

0 - 127 

     3Fh    

Ax4 lfo assign   

 

0 - 1 

 
     40h    

Ax5 Receive chan              

0 - 15           

 

{ 1 } 

     41h    

Ax5 Cont # 

 

 

239 > 0 > 119   

{ 6 } 

     42h    

Ax5 min val / fine tune  

0 >  64 > 127   

{ 5 } 

     43h    

Ax5 max val / scale   

0 >  64 > 127   

{ 5 } 

     44h    

Ax5 reset val   

 

0 >  64 > 127   

{ 5 } 

     45h    

Ax5 lfo cont #   

 

252 - 0 - 119 

 

{ 4 } 

     46h    

Ax5 lfo max val 

 

0 - 127 

     47h    

Ax5 lfo assign   

 

0 - 1 

 
     48h    

Ax6 Receive chan              

0 - 15           

 

{ 1 } 

     49h    

Ax6 Cont # 

 

 

239 > 0 > 119   

{ 6 } 

     4Ah    

Ax6 min val / fine tune  

0 >  64 > 127   

{ 5 } 

     4Bh    

Ax6 max val / scale   

0 >  64 > 127   

{ 5 } 

     4Ch   

Ax6 reset val   

 

0 >  64 > 127   

{ 5 } 

     4Dh    

Ax6 lfo cont #   

 

252 - 0 - 119 

 

{ 4 } 

     4Eh    

Ax6 lfo max val 

 

0 - 127 

     4Fh    

Ax6 lfo assign   

 

0 - 1 

 
     50h    

Ax1-6 pb range               

0 - 24 

 
     51h    

Lfo1 speed 

 

 

0 - 127 

     52h    

Lfo1 waveshape               

0 - 8            

 

{ 7 } 

     53h    

Lfo1 sync                       

0 - 96           

 

{ 8 } 

 
     54h    

Lfo2 speed 

 

 

0 - 127 

     55h    

Lfo2 waveshape                

0 - 8            

 

{ 7 } 

     56h    

Lfo2 sync 

 

 

0 -96   

 

{ 8 } 

 
     57h    

arp clk div                     

0 - 23           

 

{ 9 } 

     58h    

arp clk polarity   0 

  { 

10 

     59h    

cont = start                    

0 - 1            

 

{ 11 } 

 
     5Ah    

Poly Chan Active                

0 - 4           

 

0=mono, 1=2chans, 4=5chans 

     5Bh    

Poly Note Assign 

 

0 / 10h / 20h   

{ 12 } 

     5Ch    

A portamento type      

0 - 1            

 

0=rate, 1=time 

     5Dh    

B portamento type      

0 - 1            

 

0=rate, 1=time 

Summary of Contents for PRO-2000

Page 1: ...Pr r r ro o o o 2 2 2 20 0 0 00 0 0 00 0 0 0mkII mkII mkII mkII MULTI CHANNEL MIDI TO CV CONVERTER O O O Op p p pe e e er r r ra a a at t t ti i i in n n ng g g g m m m ma a a an n n nu u u ua a a al...

Page 2: ...nc This means that if MIDI sync is selected and is in operation the 2000 will automatically recalculate the LFO speed in order to fit a whole LFO waveform between MIDI clocks or multiples of clocks de...

Page 3: ...al which will hold the current note this is a design limitation of the Wasp itself KADI The KADI Kenton Auxiliary Digital Interface is a digital port This can be used to play the TR606 or TR808 drum s...

Page 4: ...ck output Channel A and B CV and Gate 3 5mm minijack outputs The six auxiliary 3 5mm minijack outputs Above these is space for the optional expansion port which if fitted is either a WASP KADI port or...

Page 5: ...s can be adjusted see CLOCK PULSE DIVIDE A 5 volt level will be output on the first MIDI clock after a MIDI start or continue if selected is received and thereafter dependent upon the CLOCK PULSE DIVI...

Page 6: ...et to Newest then the newest played note played takes precedence regardless CV x TRIGGER MODE Single Multiple default Multiple sets the whether the envelope on your synth will be retriggered when a ne...

Page 7: ...LFO depth for the CV out CV x LFO ASSIGN Use LFO number 1 to 2 default A 1 B 2 lets you assign which of the two inbuilt LFOs will modulate the CV outputs CV x Gate Select default 5v pull up you can se...

Page 8: ...ED or if the KADI WASP port is present it will say KADI selected or WASP selected you can change between the two modes using the inc dec buttons Using the KADI port with your modified TR606 808 Connec...

Page 9: ...27 default 63 sets the depth of the LFO at the controller maximum AUX x LFO ASSIGN Use LFO number 1 to 2 default 1 3 1 4 6 2 lets you assign which of the two inbuilt LFOs will modulate the auxiliary N...

Page 10: ...u may need to use the MULTIPLE 4 way socket connection to the bottom left of the ARP to do this If the ARP keyboard is not attached you may be able to connect using just one lead into the KBD CV Outpu...

Page 11: ...f the LFO per quarter note Note MIDI sends 24 clocks per quarter note Below is a table of values you can set the divide ratio to to obtain LFO cycles of various musical lengths Note type Divide ratio...

Page 12: ...are a few points to watch for Some MIDI mergers patch bays actually remove MIDI clock information from the MIDI data stream or you may have to enable it for the port you are using Users of CUBASE not...

Page 13: ...assigned to held notes the next note will use the lowest voice held More information about using Polyphonic Mode Note that if you assign any of the Auxes to be polyphonically controlled then you will...

Page 14: ...ows you to see what types of MIDI messages are being transmitted by your master keyboard sequencer making the PRO 2000 a useful diagnostic tool which can help you when you have a problem with your MID...

Page 15: ...hh high 4 bits of parameter address 9 0000uuuu where uuuu low 4 bits of data 10 0000hhhh where hhhh high 4 bits of data 11 0F7h end of exclusive The Pro 2000 mkII responds by changing the specified da...

Page 16: ...Bh A fine tune val 129 0 127 129 0 ve 0Ch A scale val 129 0 127 129 0 ve 0Dh A v o hzv 1 2v select 0 2 0Eh B Receive chan 0 15 1 0Fh B note priority 0 2 10h B trig retrig 0 1 11h B transpose 232 0 24...

Page 17: ...1 41h Ax5 Cont 239 0 119 6 42h Ax5 min val fine tune 0 64 127 5 43h Ax5 max val scale 0 64 127 5 44h Ax5 reset val 0 64 127 5 45h Ax5 lfo cont 252 0 119 4 46h Ax5 lfo max val 0 127 47h Ax5 lfo assign...

Page 18: ...02 20 0D 00 01 00 F7 Example SysEx string to change channel D to MIDI channel 16 F0 00 20 13 02 20 0E 01 0F 00 F7 PIN OUTS FOR DCB WASP Pro 2000 mkII CABLES Juno 60 and some Jupiter 8s connector 14 w...

Page 19: ...ound zero volts Pins 4 5 are not used CONNECTING YOUR MODIFIED TB303 5 SOCKET RETRO TO THE Pro 2000 mkII Pro 2000 mkII to TB303 CV CHANNEL A CV IN GATE CHANNEL A GATE IN AUX1 FILTER AUX2 SLIDE AUX3 AC...

Page 20: ...3FH LSB for values 0 31 64 40H Damper pedal sustain 65 41H Portamento 66 42H Sostenuto 67 43H Soft pedal 68 44H Undefined 69 45H Hold 2 70 79 46 4FH Undefined 80 83 50 53H General purpose controllers...

Page 21: ...onal Accessories DCB port with cable either 14 pin IEEE or 20 pin bump polarised KADI WASP port with cable either KADI or WASP cable Pair of ears for rack mounting Note The Kenton Electronics Pro 2000...

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