26
INST Parameters > DYNAMIC SYNTH Parameters
Parameter
Value
Explanation
DETUNE
*4
-50–+50
Specifies the amount of detuning.
SHARPNESS
*5
0–100
Specifies the frequency range
of the noise that is heard. Larger
values strengthen the sense of
pitch.
FEEDBACK
*6
0–100
Adjusts the amount of feedback.
Larger values increase the amount
of feedback, changing the volume
of the harmonics.
HARMONICS
*6
0–100
Specifies the tonal character of the
harmonics.
S-SAW
DETUNE
*7
0–100
Specifies the amount of pitch
spread between the seven
sawtooth waves that are layered
within one oscillator.
P. ENV ATTACK
-50–+50
Uses the dynamics of the input
signal to control the pitch.
Values in the positive direction
speed up the pitch release, and
values in the negative direction
slow down the pitch attack.
P. ENV DEPTH
-50–+50
Specifies the depth to which pitch
is modulated by the dynamics of
the input signal.
P. BEND
DEPTH
-24–+24
Specifies the depth of bend.
P. BEND CTL
0–100
This parameter controls the bend.
Assign this when using a CTL pedal
or EXP pedal to control bend.
SYNC SW
*8 *9
OFF, ON
Switches oscillator sync on/off.
If this is ON, it generates a complex
waveform by forcibly resetting
INST2 and INST3 to the beginning
of their cycle in synchronization
with the INST1 frequency.
RING SW
*8
OFF, ON
Switches the ring modulator on/off.
If this is on, the signals of INST1
and INST2 (or INST1 and INST3)
are multiplied with each other to
produce a complex waveform.
*1 Setting available with GK PATCH.
*2 If INPUT is selected as WAVEFORM, there are no editable
parameters in the OSC block.
*3 Valid when the WAVEFORM is set to PWM.
*4 Valid when the WAVEFORM is set to DETUNE SAW.
*5 Valid when the WAVEFORM is set to NOISE.
*6 Valid when the WAVEFORM is set to FEEDBACK OSC.
*7 Valid when the WAVEFORM is set to SUPER SAW.
*8 Valid only when the INST1 TYPE (p. 23) is set to DYNAMIC
SYNTH.
*9 Valid when the WAVEFORM is set to other than NOISE or INPUT.
FILTER
Sound consists of numerous overtones at various frequencies. By
using a filter to pass or cut the overtones of specific frequency
regions, you can modify the brightness of the sound.
In the FILTER section you can modify the brightness of the sound
by changing the type of filter and applying various changes to the
output waveform.
Parameter
Value
Explanation
ON/OFF
OFF, ON
Switches filter on/off.
TYPE
Type of filter
LPF
The region above the cutoff
frequency will be cut, making the
sound more mellow.
HPF
The region below the cutoff
frequency will be cut, emphasizing
the high-frequency range.
BPF
It passes only the range of
frequencies in the region of the
cutoff frequency, cutting the other
frequencies.
PKG
Boosts the range of frequencies in
the region of the cutoff frequency.
LADDER LPF
A ladder-type low-pass filter.
LADDER HPF
A ladder-type high-pass filter.
SLOPE
*1
-12 dB, -24 dB Selects the slope (steepness) of the
low-pass filter.
CUTOFF
0–100
Adjusts the cutoff frequency.
RESONANCE
0–100
Resonance emphasizes the sound
in the region of the filter cutoff
frequency.
Increasing the resonance setting
will increase this emphasis,
producing a distinctive sound that
is characteristic of synthesizers.
F. ENV ATTACK
-50–+50
Specifies how the dynamics of the
input signal controls the filter.
Values in the positive direction
speed up the filter release. Values in
the negative direction slow down
the filter attack.
F. ENV DEPTH
-50–+50
Specifies the depth to which the
filter is modulated by the dynamics
of the input signal.
*1 Valid when the TYPE is set to LPF, HPF, BPF, PKG.
AMP
In the AMP section you can modify the sound by changing its volume
and dynamics.
Parameter
Value
Explanation
A. ENV
ATTACK
-50–+50
Specifies how the dynamics of the
input signal controls the amp.
LOW CUT
FLAT, 20.0
Hz–16.0 kHz
Cuts the frequency region below the
specified frequency. When FLAT is
selected, the low cut filter will have
no effect.
HIGH CUT
20.0 Hz–16.0
kHz, FLAT
Cuts the frequency region above the
specified frequency. When FLAT is
selected, the high cut filter will have
no effect.
