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EFFECT Parameters > EQ 1, EQ2
Value
Explanation
BLUES OD
This is a crunch sound of the BOSS BD-2.
This produces distortion that faithfully reproduces
the nuances of picking.
OD-1
This models the sound of the BOSS OD-1.
This produces sweet, mild distortion.
T-SCREAM
This models an Ibanez TS-808.
TURBO OD
This is the high-gain overdrive sound of the BOSS
OD-2.
DIST
This gives a basic, traditional distortion sound.
CENTA OD
This models a KLON CENTAUR.
RAT
This models a Proco RAT.
GUV DS
This models a Marshall GUV’NOR.
DIST+
This models the sound of the MXR DIS.
METAL ZONE
This models the sound of the BOSS MT-2.
It produces a wide range of metal sounds, from
old style to slash metal.
HM-2
This models the sound of the BOSS HM-2.
It produces distinctive cranked-up distortion
sound with compression.
METAL CORE
This models the sound of the BOSS ML-2.
It produces a sound that is ideal for high-speed
metal riffs.
’60S FUZZ
This models a FUZZFACE.
It produces a fat fuzz sound.
MUFF FUZZ
This models an Electro-Harmonix Big Muff π.
BASS OD
Overdrive tuned especially for use with basses.
BASS DS
Distortion tuned especially for use with basses.
BASS MT
Wild, radical distortion sound.
BASS FUZZ
Fuzz tuned especially for use with basses.
HI BAND DRIVE
With this effect, distortion is applied only to the
high frequency sounds, and not to the sounds
in the low frequency range. It is distinctive for
producing a strong low-end even when intensely
distorted.
X-BASS OD
This effect uses MDP to provide ideal distortion in
all pitch ranges of the bass, from low to high.
BASS DRV
This models a TECH21 SANSAMP BASS DRIVER DI.
BASS DI
This models a MXR Bass D.I.+.
EQ 1, EQ2
You can adjust the tone character in four bands.
Parameter
Value
Explanation
ON/OFF
OFF, ON
Turns this effect on/off.
LOW CUT
FLAT, 20.0
Hz–16.0 kHz
This sets the frequency at which the
low cut filter begins to take effect.
When FLAT is selected, the low cut
filter will have no effect.
LOW GAIN
-20–+20 dB
Adjusts the tone for the low
frequency range.
LOW-MID
FREQ
20.0 Hz–16.0
kHz
Specifies the center of the frequency
range that will be adjusted by the
LOW-MID GAIN.
LOW-MID Q
0.5–16
Adjusts the width of the area
affected by the EQ centered at the
LOW-MID FREQ. Higher values will
narrow the area.
LOW-MID
GAIN
-20–+20 dB
Adjusts the low-middle frequency
range tone.
HIGH-MID
FREQ
20.0 Hz–16.0
kHz
Specifies the center of the frequency
range that will be adjusted by the
HIGH-MID GAIN.
HIGH-MID Q
0.5–16
Adjusts the width of the area
affected by the EQ centered at the
HIGH-MID FREQ. Higher values will
narrow the area.
HIGH-MID
GAIN
-20–+20 dB
Adjusts the high-middle frequency
range tone.
HIGH GAIN
-20–+20 dB
Adjusts the tone for the high
frequency range.
HIGH CUT
20.0 Hz–16.0
kHz, FLAT
This sets the frequency at which the
high cut filter begins to take effect.
When FLAT is selected, the high cut
filter will have no effect.
LEVEL
-20–+20 dB
Adjusts the overall volume level of
the equalizer.
VARIATION
PATCH, 01–10
EQ settings can be saved/loaded as
ten variations.
A saved VARIATION can be loaded
into a different patch, which is
convenient when you’re creating
sounds.
These variations are shared with the
PARAMETRIC EQ setting in FX1–FX3.