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INST Parameters > DYNAMIC SYNTH Parameters
Parameter
Value
Explanation
BEND CONTROL
0–100
Setting this to 0 makes
for no shift in pitch by
bend, and setting it to 100
produces shifting according
to the settings for BEND
DEPTH6–BEND DEPTH1
(LowB–HiC). Normally, this
pitch bend is set to 0, and
the setting 0–100 assigned
with Control Assign is used.
BEND DEPTH6–BEND
DEPTH1
*1
-24–+24
This sets the amount of
pitch shift in each string
when the BEND CONTROL is
set to 100.
The amount of pitch shift
from the current pitch is set
in semitone increments.
BEND DEPTH LowB,
BEND DEPTH 4th,
BEND DEPTH 3rd,
BEND DEPTH 2nd,
BEND DEPTH 1st,
BEND DEPTH HiC
*2
*1 Valid in the GUITAR MODE.
*2 Valid in the BASS MODE.
*3 Valid when the TUNING TYPE is set to USER.
*4 Valid when the INST TYPE is set to E.GUITAR, E.BASS, ACOUSTIC,
or AC BASS.
*5 Valid when the 12STR TYPE is set to USER.
DYNAMIC SYNTH Parameters
OSC
In the OSC section you specify the waveform that is the basis of the
synthesizer sound.
Parameter
Value
Explanation
WAVEFORM
Selects the waveform that is the basis of the sound.
SIN
Sine wave
SAW
Sawtooth wave
TRI
Triangle wave
SQR
Square wave
PWM
Pulse wave (asymmetrical
rectangular wave)
DETUNE SAW Two sawtooth waves of slightly
different pitch
NOISE
Noise
FEEDBACK
OSC
*1
A sound containing high overtones
similar to guitar feedback playing.
Suitable for creating crisply
aggressive tones that stand out.
SUPER SAW
*1
The sound of seven sawtooth
waves playing simultaneously.
Pitch-shifted sounds are added
to the center sound. This is
appropriate when creating rich
sounds such as strings.
INPUT
*2
The input signal is used without
modification.
When using a GK PATCH
The signal of the divided pickup is
used.
When using a NORMAL PATCH
The signal of the normal pickup is
used.
PITCH
-24–+24
Adjusts the pitch.
FINE
-50–+50
Specifies a finer adjustment than
PITCH.
PULSE WIDTH
*3
0–100
Specifies the pulse width. This
specifies the width of the upper
portion of the rectangular wave as
a percentage of the overall cycle.
Smaller values produce a narrower
pulse, approaching a square wave
(pulse width = 50%).
Larger values widen the pulse,
producing a more distinctive
sound.
PWM ENV
ATTACK
*3
-50–+50
Uses the dynamics of the input
signal to control the pulse width
of PWM.
Values in the positive direction
speed up the release of the pulse
width, and values in the negative
direction slow down the attack of
the pulse width.
PITCH ENV
DEPTH
*3
-50–+50
Specifies the depth to which PWM
is modulated by the dynamics of
the input signal.