Manual-0
Control Assignments for
Echo Effect
Delay Time is calibrated in BPM.
There are two ways to set the BPM
using encoder
P1
. The BPM may be
set continuously over a range of 40
to 240 BPM with a resolution of 0.1
BPM by rotating P1 or simply by tap-
ping P1 to the beat.
The Regenera-
tion is adjusted
using
P2
.
Regeneration is
the amount of
delayed signal
fed back into
the delay input.
Regeneration
may be adjusted
continuously
transforming with the control return-
ing to the set Wet/Dry ratio when the
control is at rest (in the center).
Tip: To build an Echo in the back-
ground, leave the Effect Cue on. To
empty the Echo memory, turn Effect
Cue (
B5
) and Effect (
B6
) off.
Tip: To share
an effect with
both PGM 1
and PGM 2,
insert the effect
in the Aux Bus
and use the
FlexFX switches.
Remember that
an effect in the
Aux Bus affects
the FlexFX, Mic
and Aux Inputs.
over a range of 10% to 94% in 256 steps. There
is no second function for P2 in the Echo Effect.
The BPM Multiplier is selected using
J1
.
Pressing J1 toggles between normal transform
operation and the BPM multiplier. If the green
mode indicator is lit, J1 adjusts the multiplier to
½, 1, 2, or 4.
A Wet / Dry control is provided for all effects
with
J2
. Pressing J2 toggles between transform
operation (indicator
off
) and Wet / Dry control
(indicator
on
). Left joystick movement is more
Dry, right movement is more Wet. Moving the
joystick up provides instant, momentary 100%
Wet. Moving the joystick down provides instant,
momentary 100% Dry. This allows Wet or Dry
Control Assignments for
LFO Filter Effect
Filter Cutoff Frequency is adjustable
from 40 Hz to 10.24 kHz with the
primary function of
P1
(green mode
indicator
off
).
LFO frequency (sweep rate of
modulating signal) is calibrated in
BPM by tapping the beat on
P1
. The
TAP may set the BPM over a range
of 24 to 240 beats per minute with a
resolution of
0.1 BPM.
Resonance
(filter Q) is
adjusted using
the primary
function of
P2
(green mode indicator
off
). Resonance or (Q) is
adjustable over a range of 0.7 to 15. Resonance
determines how peaked the cutoff of the filter is.
Depth is adjusted using the second function
of
P2
(green mode indicator
on
). The Depth is
adjustable from 0 to 4 octaves. Depth sets how
far the Filter Cutoff Frequency is moved from
the set value, at the LFO (low frequency oscilla-
tor) modulating frequency. One octave is 2x, so
if the Depth were set to 1 octave and the filter
frequency were set to 1 kHz, the filter would be
swept from a cutoff frequency of 500 Hz to 2
kHz at the LFO modulating rate.
The BPM Multiplier is selected with
J1
. Press-
ing J1 toggles between transform operation and
BPM multiplier. If the green mode indicator is
on
, J1 may adjust the multiplier to ½, 1, 2, or 4.
Wet / Dry control is provided
for all effects on
J2
. Pressing J2
toggles between transform operation
(indicator
off
) and Wet / Dry control
(indicator
on
). Left joystick movement
is more Dry, right movement is more
Wet. Moving the joystick up provides
instant momentary 100% Wet. Mov-
ing the joystick down provides instant
momentary 100% Dry. This allows
Wet or Dry
transforming
with the con-
trol returning
to the set Wet /
Dry ratio when
the control is
at rest (in the
center).
GROUP
DECK
P1
P2
J1
B1
B2
1
2
B3
B4
B5
B6
J2
TRANSFORM /
BPM x1
ECHO
PROCESSOR 1
DELAY IN BPM
ECHO REGENERATION
TAP BPM
LFO FILTER
PROCESSOR 2
2
4
PGM 1
PGM 2
AUX B
MAIN
ON
ON
INSERT
CUE
EFFECT
½
TRANSFORM /
ALL WET
MORE
DRY
ALL DRY
MORE
WET
GROUP
DECK
P1
P2
J1
B1
B2
1
2
B3
B4
B5
B6
J2
TRANSFORM /
BPM x1
ECHO
PROCESSOR 1
FILTER FREQUENCY
FILTER RESONANCE
FILTER DEPTH
TAP / LFO BPM
LFO FILTER
PROCESSOR 2
2
4
PGM 1
PGM 2
AUX B
MAIN
ON
ON
INSERT
CUE
EFFECT
½
TRANSFORM /
ALL WET
MORE
DRY
ALL DRY
MORE
WET
