185
Chapter 11: Reference Section
Z-PLANE FILTER DESCRIPTIONS
F040
Vow>Vow2
Morph:
Sweeps between ‘ee’ and ‘oh’.
Freq. Tracking:
Provides key tracking to fix partials.
Transform 2:
Provides volume and brightness control with velocity
and/or key position.
Comments:
Morphing sweeps between vowels- slight ‘E’ effect.
F041
YahYahs.4
Morph:
Sweeps between ‘eeya’ and ‘aa’.
Freq. Tracking:
Introduces frequencies two octaves higher for key
tracking and brightness control.
Transform 2:
Not used.
F042
YoYo.4
Morph:
Sweeps between ‘ee’ and ‘oh’ sounds.
Freq. Tracking:
Introduces frequencies two octaves higher for key
tracking and brightness control.
Transform 2:
Not used.
F043
VowelSpace
Dr. William Martens developed this filter cube, which allows any vowel to
be approximated with only two parameters.
Morph:
Sweeps the first formant of the vowel from 150Hz up to
850Hz.
Freq. Tracking:
Sweeps the second formant from 500Hz up to 2500Hz.
Transform 2:
Changes the vowel “stress.” Low stress means that all of
the vowel frequencies collapse to a relaxed “schwa” sound. Maximum
Transform produces the maximum excursion (stress) for all of the
vowel frequencies.
STANDARD
These filters are variations on traditional 2 and 4-pole filter models
F044
BrickWaLP.4
This filter features an extreme rolloff at the cutoff point, which moves from
100Hz to 3000Hz. Use this filter to produce low-resonance filter sweeps, or
to selectively filter out high frequencies in the source sound.
Morph:
Controls filter cutoff.
Freq. Tracking:
Controls filter depth and provides gentler roll-off
beginning
≈
3000Hz.
Transform 2:
Not used.
A “BRICKWALL” FILTER IS ONE
WITH AN EXTREMELY STEEP
SLOPE.
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