![background image](http://html.mh-extra.com/html/e-mu/ultraproteus/ultraproteus_operation-manual_518577234.webp)
213
Chapter 11: Reference Section
F190
Bonk>CO
A series of highly resonant peaks alternating with notches are spaced at
intervals of about an octave. The Morph Offset parameter is used to control
‘Q’ — modulating the Morph Offset upward causes the curve to flatten out.
Frequency Tracking can be used to tune the peaks/notches; higher values
move the peaks/notches into higher frequency ranges. Transform 2 also
tunes the filter, but higher values cause the notches to move down in
frequency, slightly. The overall effect of the filter can be very vocal, depend-
ing on the source material.
Morph:
Controls resonance.
Freq. Tracking:
Tunes the filter.
Transform 2:
Subtly tunes the filter.
F191
Speaker
Groups of unevenly spaced bumps and dips in the frequency spectrum are
used to simulate a number of speaker cabinet responses. Use Morph Offset,
Frequency Tracking, and Transform 2 to vary the tuning and depth of the
bumps and dips to simulate different speaker cabinet types.
All Axes:
Vary center frequency and amount of boost/cut for the
various filter bands.
F192
Expander
Frequency Tracking and Transform 2 provide a range of fairly broad-band
boosts and cuts at various frequencies, with higher values generally provid-
ing thinner, brighter sounds. These can be used to add a measure of
expressiveness to the source material — route ‘Key’ to control Frequency
Tracking, for example, and ‘Vel’ to control Transform 2. Increasing the
value for Morph Offset has the effect of flattening the curve, providing you
with a filter depth control.
Morph:
Use to control filter depth.
Freq. Tracking:
Higher values produce thinner, brighter sounds.
Transform 2:
Higher values produce thinner, brighter sounds.
F193
Separator
This filter features three inharmonically related resonant peaks, which can
be swept via the Morph parameter, producing a metallic set of overtones.
Applied to the noise waves, this can sound like whistling wind; applied to
pitch sounds, it can produce anything from a hollow, metallic resonances
to accentuated high-frequency attack transients.
Morph:
Use to sweep the resonant peaks.
Freq. Tracking:
Tunes the filter.
Transform 2:
Controls filter resonance.
Z-PLANE FILTER DESCRIPTIONS
Содержание Ultraproteus
Страница 1: ......
Страница 11: ...Chapter 1 Basic Setup 1 UltraProteus INTRO BASIC SETUP ...
Страница 12: ...UltraProteus Operation Manual 2 ...
Страница 20: ...UltraProteus Operation Manual 10 ...
Страница 21: ...11 Chapter 2 Basic Operation UltraProteus BASIC OPERATION ...
Страница 27: ...27 Chapter 4 Midimap Menu UltraProteus MIDIMAP MENU ...
Страница 28: ...28 UltraProteus Operation Manual ...
Страница 37: ...37 Chapter 5 Effects Section UltraProteus EFFECTS SECTION ...
Страница 38: ...38 UltraProteus Operation Manual ...
Страница 57: ...37 Chapter 5 Effects Section UltraProteus EFFECTS SECTION ...
Страница 58: ...38 UltraProteus Operation Manual ...
Страница 77: ...57 Chapter 6 Hyperpreset Menu UltraProteus HYPERPRESET MENU ...
Страница 78: ...58 UltraProteus Operation Manual ...
Страница 87: ...83 Chapter 7 Preset Programming PRESET PROGRAMMING ...
Страница 103: ...67 Chapter 7 Preset Programming PRESET PROGRAMMING UltraProteus PRESET PROGRAMMING ...
Страница 104: ...68 UltraProteus Operation Manual PRESET PROGRAMMING ...
Страница 120: ...99 Chapter 8 Preset Menu UltraProteus PRESET MENU ...
Страница 121: ...100 UltraProteus Operation Manual ...
Страница 149: ...128 UltraProteus Operation Manual ...
Страница 150: ...129 Chapter 9 Copy Menu COPY MENU UltraProteus COPY MENU ...
Страница 151: ...130 UltraProteus Operation Manual COPY MENU ...
Страница 158: ...137 Chapter 10 Step by Step STEP BY STEP UltraProteus STEP BY STEP ...
Страница 159: ...138 UltraProteus Operation Manual STEP BY STEP ...
Страница 307: ...286 UltraProteus Operation Manual NOTES ...