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Yamaha RS7000 Ver.1.2, Owner'S Manual

Introducing the Yamaha RS7000 Ver.1.2 Addendum! Enhance your music production experience with this versatile device. To make the most of its capabilities, we offer a free downloadable manual, exclusively available at manualshive.com. Elevate your creativity now with the Yamaha RS7000 Ver.1.2 and unlock its full potential with our user-friendly manual.

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1. Recording Samples (Sampling)

236

RS7000

2

METER

........................................................ [F1] 

→

 [Knob 1]

[Settings] 1/16 ~ 16/16, 1/8 ~ 16/8, 1/4 ~ 8/4

Specifies the meter (time signature) of the sample.

3

SUB DIVID (Sub Divide)

..................................[Knob 2]

[Settings]

When METER = 1 ~ 8/4 

........ quarter note (1/1), 8

th

 note (1/2), 

8

th

 note triplet (1/3), 16

th

 note (1/4), 

16

th

 note triplet (1/6), 32

nd

 note (1/8), 

32

nd

 note triplet (1/12)

When METER = 1 ~ 16/8 

........ 8

th

 note (1/1), 16

th

 note (1/2), 

16

th

 note triplet (1/3), 32

nd

 note (1/4), 

32

nd 

note triplet (1/6)

When METER = 1 ~ 16/16 

........ 16

th

 note (1/1), 32

nd

 note (1/2), 

32

nd

 note triplet (1/3)

The METER parameter sets the basic slice unit, and SUB
DIVID specifies even finer resolution for phrases containing
regions with shorter notes
In the example below METER = 4/4 and SUB DIVID = 1/2.

This parameter is not available when the slice type is BEAT
1~2, and the sample will be sliced on the transients, as shown
below.

4

SLICE TYPE

......................................................... [Knob 3]

[Settings] BEAT 1~3, PHRASE 1~4, QUICK

BEAT 1~3 .........This slice type is suited for percus-

sive phrases such as drums or bass 

with a fast attack and short decay. 3 

variations are provided.

PHRASE 1~4  ...Ideal for phrases containing cymbals 

or other instruments with a long 

decay. 4 variations are provided.

QUICK...............Regardless of the phrase content, the 

sample is divided at the specified 

note sub divisions. The number of 

slices per measure = (the METER 

numerator) 

×

 (the SUB DIVID denomi-

nator).

Specifies how the sample is sliced, and to some extent the
resulting sound quality. Select the type that best suits the
original phrase.
See below for tips on selecting the appropriate slice type.

[Slice Type Selection Tips]

●

When slicing percussive phrases with short 
decay

• First try slicing using the BEAT1 type. Try adjusting the slice

sensitivity for finer control.

• If the result has a weak attack or the release portions of the

phrase seem to overlap, try again using the BEAT2 type. Try
adjusting the slice sensitivity for finer control.

• If after using BEAT1 the attack portions overlap or the rhyth-

mic feel is degraded, try again using BEAT3. Adjust the SUB
DIVID parameter for broad control of the slice fineness, and
use Sens for final adjustment.

●

When slicing phrases with a long decay.

• First try slicing using the PHRASE1 type. Adjust the SUB

DIVID parameter for broad control of the slice fineness, and
use Sens for final adjustment.

NOTE

• The time signature specified here defines the

basic number of slices per measure for sam-
ple slicing.

• The maximum slice resolution for stereo sam-

ples is 64 slices, and for mono samples 128
slices.

• When the number of slices exceeds 100, the

101st and higher samples will be assigned to
the keyboard beginning at C-2.

METER = 4/4, SUB DIVID = 1/2 results in 8 slices.

1 measure

1 measure

NOTE

The maximum slice resolution for stereo sam-
ples is 64 slices, and for mono samples 128
slices.

Summary of Contents for RS7000 Ver.1.2

Page 1: ......

Page 2: ... years When replacement becomes nec essary contact a qualified service representative to perform the replacement Warning Do not attempt to recharge disassemble or incinerate this type of battery Keep all batteries away from children Dispose of used batteries promptly and as regu lated by applicable laws Note In some areas the servicer is required by law to return the defective parts However you do...

Page 3: ...appear to be caused by it immediately turn off the power switch disconnect the electric plug from the outlet and have the instrument inspected by qualified Yamaha service personnel CAUTION Always follow the basic precautions listed below to avoid the possibility of physical injury to you or others or damage to the instrument or other property These precautions include but are not limited to the fo...

Page 4: ...rument has a built in lithium backup battery When you unplug the power cord from the AC outlet the system setup data Utilitey mode Page 255 and other settings is retained However if the backup battery fully discharges this data will be lost When the backup battery is running low the display indicates Backup Battery Low In this case immediately save the data to a Memory Card SmartMedia a SCSI disk ...

Page 5: ...your body Note that even a slight amount of electrostatic discharge may cause damage to these components It is recommended that you wear gloves to protect your hands from metallic projections on the RS7000 SIMMs an option board and other components Touching leads or connectors with bare hands may cause finger cuts and may also result in poor electrical contact or electrostatic damage Take care to ...

Page 6: ...he depth and real time control required by professional applications In order to take maximum advantage of the many advanced features and capabilities offered by the RS7000 we urge you to read the manual carefully and keep it in a safe readily accessi ble location for future reference The company names and product names in this Owner s Manual are the trademarks or registered trademarks of their re...

Page 7: ...via MIDI Advanced Sampling and Editing Features In addition to directly loading sample data in a variety of popular formats the RS7000 allows you to record your own samples from CDs or any line level or microphone source Once your samples are recorded they can be trimmed sliced looped and otherwise prepared for playback with the power and flexibility you d expect from a stand alone sampler And whe...

Page 8: ...ands on creative control is real time loop remix a powerful and easy way to remix your sampled loops while monitoring them in real time Then there are jobs to automatically create glides rolls crescendos and other subtleties that can make a huge difference to the musical mood If you can image it the RS7000 can probably do it And when you want to really make detailed refinements the EDIT mode gives...

Page 9: ... number The chapter numbers and titles are also listed in the right most margin of each spread The header the top margin displays the title of the information included in the page This information can help you find information while flipping through the manual pages The following symbols are used through the manual to indicate different types of information Important information Read this to ensur...

Page 10: ...ry Display 68 Initializes the Master Effect settings 68 Undo Redo 68 Auto Repeat 68 Auto Load 68 Chapter 2 The Pattern Mode 69 About the Pattern Mode 70 1 Pattern Playback 72 2 Combining Phrases to Create Patterns Patch 75 3 Phrase Recording 77 Record Standby 78 Real Time Recording 80 Step Recording 80 Grid Step Recording 83 4 Adding Groove to a Pattern 85 5 Play Effects 87 6 MIDI Delay 90 7 Adjus...

Page 11: ...ampling Mode 227 About the Sampling Mode 228 1 Recording Samples Sampling 229 2 The Real Time Loop Remix Function 239 3 Sample Editing 241 4 The Sample Jobs 244 Chapter 6 The Utility Mode 255 About the Utility Mode 256 1 System 257 2 MIDI Setup 260 3 MIDI Filter 262 Chapter 7 Other Information 263 1 MIDI Basics 264 2 MIDI Events Handled by the RS7000 266 Appendix 271 1 Installing Optional Equipmen...

Page 12: ...ntrol sampling via the RS7000 INPUT L and R connectors and allow editing of recorded samples The Controls Connectors MASTER VOLUME SAMPLING MASTER EFFECT REAL TIME REC VOLUME STANDBY START STOP MULTI COMP RING MOD V DIST LO FI SLICE CTRL DELAY D FILTER ISOLATION BEAT STRETCH GATE TIME CLOCK SHIFT MIDI DELAY SWING VELOCITY SPEED WAVE F1 F2 F3 NUM F4 PITCH BEND PORTAMENTO TIME PORTAMENTO TYPE DEPTH ...

Page 13: ...ns and switch between display pages When more than one parameter is assigned to a single function knob Knob 1 Knob 4 the corresponding function button can be used to select the parameter to be edited When a function knob is active i e it can be used to per form a function the corresponding indicator will light When a numeric parameter is to be edited in some cases the SUB MODE buttons can be used ...

Page 14: ...ettings this knob provides real time control of the volume of the currently selected track 0 LFO Knobs In addition to the functions described here these knobs are fully assignable and can be set up to control a wide range of functions and parameters Since the knobs allow continuous parameter control for the selected track they can be used for creative real time per formance sound control 3 functio...

Page 15: ...ontrol The default assignments for these knobs are the PITCH BEND and PORTAMENTO TIME parameters PITCH BEND Knob Page 101 With the initial default settings this knob provides real time control of PITCH BEND PORTAMENTO TIME Knob Page 100 With the initial default settings this knob provides real time control of the PORTAMENTO TIME parameter PORTAMENTO TYPE Button Page 100 Selects the PORTAMENTO type...

Page 16: ...D display also briefly displays the current value set by a knob while the knob is operated Whether the LED display normally shows BPM or the mea sure number is determined by the setting in the UTILITY mode System page Page 258 F1 F2 F3 NUM F4 TRACK 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 SYSTEM MIDI SETUP MIDI FILTER SAVE EXPORT RENAME DELETE FORMAT GRID GROOVE LFO PORTAMENTO PITCH EG FILTER ARPEGG...

Page 17: ...he various dis play pages provided MIXER Button Selects the MIXER sub mode and the various display pages provided VOICE EDIT Button Selects the VOICE EDIT sub mode and the various display pages provided EFFECT Button Selects the EFFECT sub mode and the various display pages provided SETUP Button Selects the SETUP sub mode and the various display pages provided MASTER Button Selects the MASTER sub ...

Page 18: ...nd OCT UP buttons allow the pitch of the keyboard to be shifted down or up in octave steps Press both buttons simultaneously to return to normal pitch The current amount of octave shift is indicated on the LCD display Page 73 O TRANSPOSE Button Page 73 Used in conjunction with the keyboard to transpose the overall pitch Transposition is set by holding the TRANS POSE button and pressing the key on ...

Page 19: ...the CONTRAST control to achieve the best LCD dis play visibility LCD visibility varies with viewing angle 7 INPUT L and R Jacks Analog mono or stereo signals can be connected here for sampling recording Connect mono signals to either the L or R jack 8 OUTPUT L MONO R Jacks These are the main stereo outputs from the RS7000 When a plug is inserted into only the L MONO output the left and right chann...

Page 20: ...ed in the internal memory in order to be played The RS7000 comes equipped with 4 MB of memory which allows up to 46 seconds of monaural sample recording or play back at the maximum 44 1 kHz sampling frequency Additional memory SIMM can be installed to allow much longer sample recording and playback If you need longer sample recording and playback time or want to keep a large number of samples in m...

Page 21: ...same capacity A single SIMM will not work The RS7000 comes with 4 megabytes of pre installed sample memory Thus if you install a pair of 16 megabyte SIMMs 32 megabytes total you will have 36 megabytes 32 4 megabytes of sample memory However since the maximum allowable sample memory for the RS7000 is 64 megabytes if you install a pair of 32 megabyte SIMMs 64 mega bytes total the initial 4 megabytes...

Page 22: ...t is to be used as listed on the rear panel Connecting the unit to the wrong AC supply can cause serious damage to the internal circuitry and may even pose a shock haz ard Use only the AC power cord supplied with the RS7000 If the supplied cord is lost or damaged and needs to be replaced contact your Yamaha dealer The use of an inappropriate replacement can pose a fire and shock hazard The type of...

Page 23: ...S7000 to a mixer or similar device set the mixer channels to Line Input sensitivity SW CONTRAST R R INPUT OUTPUT L L MONO PHONES SCSI THAT MAY CAUSE UNDESIRED OPERATION FOOT SW CONTRAST R R INPUT OUTPUT L L MONO PHONES MASTER VOLUME SAMPLING MASTER EFFECT REAL TIME REC VOLUME STANDBY START STOP MULTI COMP RING MOD V DIST LO FI SLICE CTRL DELAY D FILTER ISOLATION BEAT STRETCH GATE TIME CLOCK SHIFT ...

Page 24: ...grated Sampling Sequencer MUSIC PRODUCTION STUDIO MIDI IN MIDI OUT Multi track Recorder MASTER VOLUME SAMPLING MASTER EFFECT REAL TIME REC VOLUME STANDBY START STOP MULTI COMP RING MOD V DIST LO FI SLICE CTRL DELAY D FILTER ISOLATION BEAT STRETCH GATE TIME CLOCK SHIFT MIDI DELAY SWING VELOCITY SPEED WAVE F1 F2 F3 NUM F4 PITCH BEND PORTAMENTO TIME PORTAMENTO TYPE DEPTH SELECT EFFECT ON OFF LOOP REM...

Page 25: ... DOWN OCT UP and STORE buttons Restoring the Initial Factory Settings When the factory settings are restored all the voice and sequence data you created as well as the system setup data will be erased Be sure to save all important data to memory card Smart Media or SCSI disk Page 114 166 204 before performing this procedure D ARPEGGIO ON STORE MUTE SCENE 1 OCT DOWN OCT UP POWER ON OFF ...

Page 26: ...Restoring the Initial Factory Settings 26 RS7000 ...

Page 27: ... time Sound Control 38 A quick detour to try out some of the RS7000 s awesome real time control capabilities 4 Recording Original Phrases 39 Record an original phrase and add it to the basic pattern we created in sec tion 2 5 Add Samples 43 Record a new sample and add it to our pattern 6 Finalizing Your Sound 46 The final mix fine tuning the groove and adding effects Please note that the tutorial ...

Page 28: ...eyboard and velocity sensitive pads that allow voices and samples to be played in real time as well as switching between sequence sections and tracks and controlling the track mute and solo functions Scene and mute memory functions can be used to take snapshots of track mute setups or com plete panel control setups for instant recall when needed In addition to directly loading sample data in a var...

Page 29: ... the musical mood If you can image it the RS7000 can probably do it And when you want to really make detailed refinements the EDIT mode gives you direct access to individual note and event parameters Sequences phrases and samples can be conveniently stored on compact high capacity memory cards or on a variety of external SCSI storage media hard disk MO ZIP etc connected to the RS7000 s SCSI port Y...

Page 30: ...nitions sidebar above that you want to record STYLE numbers range from 01 through 64 For our tutorial select STYLE 01 2 Assemble a Pattern Using Preset Phrases TRACK 1 Phrase 1 e g bass drum TRACK 2 Phrase 2 snare or percussive effect TRACK 3 Phrase 3 synth bass TRACK 4 Phrase 4 sampled loop TRACK 16 PATTERN MODE PATTERN SONG UTILITY PATT CHAIN MASTER VOLUME SAMPLING MASTER EFFECT REAL TIME REC VO...

Page 31: ...cator is out press the KEYBOARD button if it is lit the black keys on the RS7000 key board can be used to directly select sections A through J note the labels above the black keys 4 Set the Pattern s METER if necessary Meter is another term for time signature Since our tutorial pattern is in 4 4 time the default there s no need to set the meter but when you do want to create pattern in a different...

Page 32: ...I DELAY SWING VELOCITY SPEED WAVE F1 F2 F3 NUM F4 PITCH BEND PORTAMENTO TIME PORTAMENTO TYPE DEPTH SELECT EFFECT ON OFF LOOP REMIX SAMPLE EDIT IN OUT A OUT B DRY VARI DELAY CHO REVERB TRACK VOLUME ATTACK DECAY SUSTAIN CUTOFF RESONANCE ENV DEPTH TYPE LPF24 LPF18 LPF12 HPF BPF BEF RELEASE S H PGM USER AMP FILTER PITCH FINGERED FULL TIME OFF TRACK 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 SYSTEM MIDI SE...

Page 33: ...AD 2 SPACE DEL 1 8 9 16 TRANSPOSE TRANSPOSE STORE MUTE SCENE 1 2 3 4 5 BPM MODE SUB MODE STOP SECTION A B C D E F G H I J SEQUENCE PLAY FX LFO PITCH EFFECT SEND VOLUME EG FILTER OCT DOWN OCT UP TAP GROOVE PLAY FX MIDI DELAY MIXER VOICE EDIT EFFECT SETUP MASTER SAVE LOAD JOB EDIT GROOVE PLAY FX MIDI DELAY MIXER VOICE EDIT EFFECT SETUP MASTER SAVE LOAD JOB EDIT PATTERN SONG UTILITY UTILITY PATT CHAI...

Page 34: ...ck 1 in step 10 above C Select the Phrases for the Remaining Tracks Just two more tracks to go Select the tracks and phases listed below by repeating steps 11 and 12 above The Phrase Selections for STYLE 01 SECTION A D Create a New Section Now you know the procedure create a new section which uses phrases listed in the chart below rather than those we used in section A Select section B for the new...

Page 35: ... TR TR 7 8 9 4 5 6 0 1 2 3 ENTER PAD ASSIGN PAD 1 PAD 2 SPACE DEL 1 8 9 16 TRANSPOSE TRANSPOSE STORE MUTE SCENE 1 2 3 4 5 BPM MODE SUB MODE STOP SECTION A B C D E F G H I J SEQUENCE PLAY FX LFO PITCH EFFECT SEND VOLUME EG FILTER OCT DOWN OCT UP TAP GROOVE PLAY FX MIDI DELAY MIXER VOICE EDIT EFFECT SETUP MASTER SAVE LOAD JOB EDIT GROOVE PLAY FX MIDI DELAY MIXER VOICE EDIT EFFECT SETUP MASTER SAVE L...

Page 36: ... trip CAUTION The supplied memory card contains style data when initially shipped Use a separate memory card or save the style data to an external SCSI disk if you want to keep this style data MASTER VOLUME SAMPLING MASTER EFFECT REAL TIME REC VOLUME STANDBY START STOP MULTI COMP RING MOD V DIST LO FI SLICE CTRL DELAY D FILTER ISOLATION BEAT STRETCH GATE TIME CLOCK SHIFT MIDI DELAY SWING VELOCITY ...

Page 37: ...tatus prior to pressing the F1 button step 5 above 9 Press EXIT twice to return to the PATTERN Play or Patch display 7 8 9 4 5 6 0 1 2 3 ENTER SUB MODE GROOVE PLAY FX MIDI DELAY MIXER VOICE EDIT EFFECT SETUP MASTER SAVE LOAD JOB EDIT PATTERN SONG UTILITY PATT CHAIN EXIT MASTER VOLUME SAMPLING MASTER EFFECT REAL TIME REC VOLUME STANDBY START STOP MULTI COMP RING MOD V DIST LO FI SLICE CTRL DELAY D ...

Page 38: ...n an analog synthesizer these knobs apply LFO Low Frequency Oscillator modulation to the selected track Use the WAVE button to select an LFO waveform then use the SPEED and DEPTH knobs to adjust the LFO effect as required SEQUENCE PLAY FX These knobs directly control a number of the RS7000 s PLAY FX parameters Play Effects function at the sequencing stage to provide harmonization as well as note a...

Page 39: ...OP MASTER VOLUME SAMPLING MASTER EFFECT REAL TIME REC VOLUME STANDBY START STOP MULTI COMP RING MOD V DIST LO FI SLICE CTRL DELAY D FILTER ISOLATION BEAT STRETCH GATE TIME CLOCK SHIFT MIDI DELAY SWING VELOCITY SPEED WAVE F1 F2 F3 NUM F4 PITCH BEND PORTAMENTO TIME PORTAMENTO TYPE DEPTH SELECT EFFECT ON OFF LOOP REMIX SAMPLE EDIT IN OUT A OUT B DRY VARI DELAY CHO REVERB TRACK VOLUME ATTACK DECAY SUS...

Page 40: ...t your needs you can change the number of count in measures via the UTILITY mode REC COUNT function described on page 257 8 Stop Recording Press the STOP button to stop recording 9 Play and Check the Results Press the PLAY button to play back the pattern and check the results 0 Apply Quantization Optional If your timing is perfect or you want to retain a human feel in your pattern you might not ne...

Page 41: ...SEND LEVEL JOB LIST MIDI DELAY FEEDBACK MASTER EQ MASTER EFFECT EDIT CHANGE VIEW FILTER TIME SHIFT CAPS SOLO K L M N O P Q R S T U V _ W X Y Z MUTE REC KEY BOARD TRACK SELECT ARPEGGIO ON PLAY TRANSPOSE ALL TR TR 7 8 9 4 5 6 0 1 2 3 ENTER PAD ASSIGN PAD 1 PAD 2 SPACE DEL 1 8 9 16 TRANSPOSE TRANSPOSE STORE MUTE SCENE 1 2 3 4 5 BPM MODE SUB MODE STOP SECTION A B C D E F G H I J SEQUENCE PLAY FX LFO P...

Page 42: ...ase is shaping up Press STOP to stop playback and continue entering notes in the step mode 6 Stop recording and return to the PATTERN Play or PATTERN Patch mode by pressing the STOP button Step Recording REC PLAY STOP MASTER VOLUME SAMPLING MASTER EFFECT REAL TIME REC VOLUME STANDBY START STOP MULTI COMP RING MOD V DIST LO FI SLICE CTRL DELAY D FILTER ISOLATION BEAT STRETCH GATE TIME CLOCK SHIFT M...

Page 43: ...rcussive vocal sound Hah Yo Boo whatever works You might be able to get some neat distorted sounds by cupping the mic right up against your mouth as you record You can also use the RS7000 s sophisticated effects to process the sound later Use your imagi nation 5 Add Samples The Source 7 8 9 4 5 6 0 1 2 3 ENTER SUB MODE GROOVE PLAY FX MIDI DELAY MIXER VOICE EDIT EFFECT SETUP MASTER SAVE LOAD JOB ED...

Page 44: ... OUT A OUT B DRY VARI DELAY CHO REVERB TRACK VOLUME ATTACK DECAY SUSTAIN CUTOFF RESONANCE ENV DEPTH TYPE LPF24 LPF18 LPF12 HPF BPF BEF RELEASE S H PGM USER AMP FILTER PITCH FINGERED FULL TIME OFF TRACK 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 SYSTEM MIDI SETUP MIDI FILTER SAVE EXPORT RENAME DELETE FORMAT GRID GROOVE LFO PORTAMENTO PITCH EG FILTER ARPEGGIO A D SETUP KNOB ASSIGN MIDI OUT CH LOAD IMPOR...

Page 45: ...lay back with the pattern in precisely the location it was recorded this is because the KIT NOTE sample type was selected You might also want to loop slice or modify the way your sample plays back in other ways Refer to Chapter 5 The Sampling Mode beginning on page 227 for complete information on all of the sam ple editing functions provided by the RS7000 REC VOLUME MASTER VOLUME SAMPLING MASTER E...

Page 46: ... Shifts the timing of the specified beat s forward or backward in clock increments there are 480 clocks per quarter note up to a maximum of plus or minus 120 clocks i e a 16th note GATE OFFSET Adjusts the gate time length of the selected beat s Positive settings make the note s longer and negative settings make them shorter 6 Finalizing Your Sound Grid Groove 7 8 9 4 5 6 0 1 2 3 ENTER SUB MODE GRO...

Page 47: ...NOB ASSIGN MIDI OUT CH LOAD IMPORT SCSI SETUP SCSI COMM HARMONIZE NOTE EFFECT TYPE VARIATION DELAY REVERB VOICE SELECT VOL PAN OUT EQ EFFECT SEND LEVEL JOB LIST MIDI DELAY FEEDBACK MASTER EQ MASTER EFFECT EDIT CHANGE VIEW FILTER TIME 7 8 9 4 5 6 0 1 2 3 ENTER MODE SUB MODE GROOVE PLAY FX MIDI DELAY MIXER VOICE EDIT EFFECT SETUP MASTER SAVE LOAD JOB EDIT GROOVE PLAY FX MIDI DELAY MIXER VOICE EDIT E...

Page 48: ...ect the pattern we ve cre ated Procedure 1 Turn the MASTER EFFECT Stage ON Press PATTERN to select the PATTERN Play page then press the EFFECT ON OFF button so that its indicator lights to turn the MASTER EFFECT stage ON DRY VARI DELAY CHO REVERB TRACK VOLUME EFFECT SEND VOLUME MASTER VOLUME SAMPLING MASTER EFFECT REAL TIME REC VOLUME STANDBY START STOP MULTI COMP RING MOD V DIST LO FI SLICE CTRL ...

Page 49: ...ur knobs above the display adjust the parameters listed directly below them Other parameters are available in the MASTER sub mode Page 111 Experiment with the various effects and their parameters while playing back the pattern to get a feel for what the RS7000 master effects can do for your sound MASTER EFFECT MULTI COMP RING MOD V DIST LO FI SLICE CTRL DELAY D FILTER ISOLATION EFFECT ON OFF MULTI...

Page 50: ...6 Finalizing Your Sound 50 RS7000 ...

Page 51: ...RS7000 51 Chapter 1 Basic 1 RS7000 System Overview 52 2 RS7000 Internal Structure 58 3 Basic Operation 64 ...

Page 52: ...N mode is engaged PATTERN Patch PATTERN Page 75 Phrases are combined to create patterns Phrase Recording REC Page 77 Original phrases can be created by recording to user phrases Groove GROOVE Page 85 Allows groove and feel variations to be applied to individual tracks Play Effects PLAY FX Page 87 Add depth and harmony to individual tracks MIDI Delay MIDI DELAY Page 90 Adds a special MIDI based del...

Page 53: ...dd depth and harmony to individual tracks MIDI Delay MIDI DELAY Page 193 Adds a special MIDI based delay effect to individual tracks Mixer MIXER Page 194 Individually adjusts the volume effect level and other param eters for each track Voice Edit VOICE EDIT Page 196 Edits the voices assigned to each track Effect EFFECT Page 198 Sets the effects for the REVERB DELAY CHORUS and VARIATION effect stag...

Page 54: ...l time Sample Edit SAMPLE EDIT Page 241 Allows samples to be edited The sample jobs are also included in this sub mode NOTE A sample is digitally recorded wave data that includes sample parameter data which defines the way it is to be triggered and played back NOTE The REAL TIME LOOP REMIX function divides up the performance data in the selected track and randomly rearranges part of it to create a...

Page 55: ...rt P 120 Rename P 122 Delete P 123 Format P 124 Load LOAD Load P 126 Import P 129 SCSI Setup P 131 SCSI Communication P 132 Job JOB Job List P 133 00 Undo Redo P 134 01 Quantize P 135 02 Modify Velocity P 136 03 Modify Gate Time P 137 04 Crescendo P 138 05 Transpose P 138 06 Glide P 138 07 Create Roll P 139 08 Chord Sort P 139 09 Chord Separate P 140 10 Shift Clock P 140 11 Copy Event P 141 12 Era...

Page 56: ...r EQ P 202 Master Effect P 203 Save SAVE Save P 205 Export P 206 Rename P 206 Delete P 207 Format P 207 Load LOAD Load P 208 Import P 210 SCSI Setup P 211 SCSI Communication P 211 Job JOB Job List P 212 00 Undo Redo P 213 01 Quantize P 214 02 Modify Velocity P 214 03 Modify Gate Time P 214 04 Crescendo P 215 05 Transpose P 215 06 Glide P 215 07 Create Roll P 216 08 Chord Sort P 216 09 Chord Separa...

Page 57: ...73 05 Convert to Song P 173 06 Copy Chain P 174 07 Clear Chain P 174 08 Chain Name P 174 Pattern Chain Edit EDIT Edit List P 175 Utility UTILITY P 256 System P 257 MIDI Setup P 260 MIDI Filter P 262 SAMPLING P 228 Sampling STANDBY START STOP Sampling Setup P 231 Sampling Standby P 232 Trim P 234 Slice P 235 Real Time Loop Remix REAL TIME LOOP REMIX Real Time Loop Remix P 239 Sample Edit SAMPLE EDI...

Page 58: ... in the form of MIDI data and the sequencer buttons control pattern or song playback Arpeggiator Page 63 This function automatically plays notes and chords played on the keyboard as arpeggios In addition to driving the tone generator block arpeggio data can be sent to the sequencer block and recorded as sequence data to a phrase or song or transmitted to external equipment via the MIDI OUT connect...

Page 59: ...P for a total of 1024 patterns 64 16 1024 Pattern Chains A pattern chain is basically a number of patterns played sequentially to produce a complete song Pattern chains can be created to automatically switch styles and sections In addition to a pattern track which contains the data for pattern switching there is a scene mute which allows scene and mute memories to be recalled as well as specific t...

Page 60: ...r Since the voices are preset they are ready for use as soon as the power is turned on Sample voices are samples recorded using the RS7000 sam pling function or imported from other sources The sample voice memory is always empty when the power is first turned on Normal Voices Drum Voices Voices are further divided into two types normal voices and drum voices Normal voices are played normally via t...

Page 61: ...he maximum total number of sample voices local for all songs styles as well as common that can be stored in the RS7000 memory at any one time is 256 Voice Banks Voice banks organize the RS7000 voices into related categories and are selected by MIDI Bank Select MSB and LSB data The RS7000 has 5 main voice categories further divided into 15 voice banks A maximum of 128 voices can be stored in each b...

Page 62: ...formance note data to the sequencer and tone generator blocks the RS7000 keyboard can be used in conjunction with the KEYBOARD TRACK SELECT MUTE and TRANSPOSE buttons for section switching track selection muting transposition and more Assignable Knobs The assignable knobs can be used for real time control of play effects voice parameters and mixer parameters allowing hands on creative control over...

Page 63: ...ator block Three effect stages are provided reverb delay chorus and variation and different effects can be applied to each track Reverb Effect This effect stage is especially for reverb It can add a natural sense of ambience and space to the sound 12 types of reverb are provided See the Effect List on Page 313 for details Delay Chorus Effects 25 delay and chorus effects are provided See the Effect...

Page 64: ...b modes that can be accessed by using the appropriate SUB MODE buttons or the REC button The EXIT button can be used to exit from the sub modes GROOVE Allows groove and feel variations to be applied to individual tracks PLAY FX Selects the PLAY FX Harmonize Note and Time pages MIDI DELAY Selects the MIDI DELAY MIDI Delay and Feedback pages MIXER Selects the MIXER Voice Select Vol Pan Out EQ and Ef...

Page 65: ...n One Button Accesses Several Pages Some modes and sub modes have more than one display page In such cases the various pages provided can be accessed in sequence by pressing the related button You can move backward through the pages by using the EXIT button Immediately to the left of the MODE and SUB MODE buttons are a number of dots that indicate the number of pages accessed by that button The ac...

Page 66: ...buttons can be used as a numeric keypad for direct numeric data entry while the SHIFT and related function button F1 F4 is held After entering the desired value press the EDIT ENTER button to actually enter the value it will stop flashing on the display This entry method is not available for all parameters Command Selection and Execution Command selection and execution is carried out using the F1 ...

Page 67: ... cursor position 3 Press F4 to actually enter the selected character Track Selection Hold the TRACK SELECT button and press the white key on the keyboard corresponding to the track to be selected The corre sponding key indicator will flash The track numbers are listed above the white keys Tracks can also be selected by using the black TR and TR keys while holding the TRACK SELECT button Groups of ...

Page 68: ...e corresponding direction Auto Load If the power is turned on while holding one of the white keys on the keyboard as listed below the Auto Load function will be acti vated and the corresponding file will be loaded automatically Files to be loaded using the Auto Load function must initially be created and saved via the appropriate mode SAVE page with the file name AUTOLOAD_1 AUTOLOAD_9 using the AL...

Page 69: ...ern 85 5 Play Effects 87 6 MIDI Delay 90 7 Adjusting Level and Effects for Each Track Mixer 93 8 Changing the Sound of Voices Voice Edit 97 9 Adding Effects 104 10 Arpeggio Assignable Knob Settings Setup 107 11 Master EQ and Effects 111 12 Saving to Memory Card or Disk 114 13 Loading From Memory Card or Disk 126 14 Pattern Phrase Editing The Pattern Jobs 133 15 Phrase Editing 154 ...

Page 70: ...pears first when the PATTERN mode is engaged PATTERN Patch Page 75 Phrases are combined to create patterns Phrase Recording Page 77 Original phrases can be created by recording to user phrases Groove Page 85 Allows groove and feel variations to be applied to individual tracks Play Effects Page 87 Add depth and harmony to individual tracks MIDI Delay Page 90 Adds a special MIDI based delay effect t...

Page 71: ...he arpeggiator knob assignment MIDI chan nel and AD input setting Master Page 111 Provides access to the master EQ and master effect settings Save Page 114 Saves data to memory card or disk Load Page 126 Loads data from memory card or disk Job Page 133 Accesses the pattern and phrase editing jobs Phrase Edit Page 154 Allows editing or insertion of new data in recorded phrases ...

Page 72: ...the meter time signature for the pattern Use F1 to move the cursor to the meter parameter and then use Knob 1 to set as required 5 MEAS Measure Knob 3 SHIFT F3 Numeric Keypad 6 LENGTH F3 Knob 3 SHIFT F3 Numeric Keypad Settings Measure 001 Length Length 001 256 MEAS shows the current measure number during playback Knob 3 can be used to change the measure number and thus the playback position LENGTH...

Page 73: ...ide of the key will flash To transpose by more than an octave first press the OCT DOWN or OCT UP button and then the keyboard 0 Track Settings 01 16 Shows the track numbers The currently selected track number is highlighted Track Selection Procedure Hold the TRACK SELECT button and press the white key on the keyboard corresponding to the track to be selected The corresponding key indicator will fl...

Page 74: ...will flash Additional white keys can be pressed to mute multiple tracks Solo When a white key is pressed to solo a track the corre sponding key indicator will flash When a different white key is pressed the solo function switches o the new track only one track can be soloed at a time 3 When the MUTE button is pressed so that its indicator goes out the solo function is disengaged and all tracks wil...

Page 75: ...Knob 1 and Knob 2 The phrase boxes on the display indicate the following A user phrase which contains no data The phrase is shorter than the specified length of the pattern The phrase is longer than the specified length of the pattern The phrase is shorter than the specified length of the pattern 5 PHRASE METER PHRASE LENGTH Displays the meter and length in measures of the phrase assigned to the c...

Page 76: ...ss F3 to move the cursor to the LENGTH parameter and use Knob 3 LENGTH to set the length of the pattern 4 Press F1 to move the cursor to the METER parameter and use Knob 1 METER to select the desired meter 5 Press the PATTERN button again to go to the PATTERN Patch page 6 Select a track to which you want to assign a phrase Page 67 7 Use Knob 1 PHRASE CAT and Knob 2 PHRASE NO to select the phrase t...

Page 77: ...ime Record Replace Page 80 Any previous data in the recorded track will be erased over written and replaced by the new performance data This is handy when you need to re record the same part several times Real time Record Overdub Page 80 This mode allows material to be added to existing material on a track Previous performance data will not be erased This makes it easy to create parts by recording...

Page 78: ...de For more details on each record mode see 3 Phrase Record ing on the previous page 3 REC QUANTIZE Record Quantize Knob3 F3 Knob 3 SHIFT F3 Numeric Keypad Settings VALUE OFF 60 32nd note 80 16th note triplet 120 16th note 160 8th note triplet 240 8th note 320 1 4 note triplet 480 1 4 note SWING OFF when VALUE OFF 50 75 when VALUE 60 120 240 480 66 83 when VALUE 80 160 320 Record quantize aligns t...

Page 79: ...am Number 001 128 depends on the voice bank Selects a voice for the phrase to be recorded Voice banks organize voices in voice type categories and are selected using MIDI bank select MSB and LSB data For more details on voice banks refer to Chapter 1 Basics page 61 The program number parameter selects the individual voices in each bank To access the BANK LSB press F1 to move the cursor to the LSB ...

Page 80: ... Press PATTERN to switch to the PATTERN Patch mode 4 Select a track and a user phrase Page 75 5 Press REC to engage the Rec Standby mode PATTERN Patch 6 Use Knob 1 BANK and Knob 2 PGM to select a voice for the phrase If necessary also use Knob 3 TRANS ON OFF to turn transposition ON or OFF 7 Press PATTERN to switch to the PATTERN Play Rec Standby mode 8 Use Knob 2 REC TYPE to select the STEP recor...

Page 81: ...uring step recording When the meter is 4 4 the display is divided into 4 beats one measure Each diamond shaped marker in the display repre sents 1 32nd beat each 1 4 note division is divided into 8 32nd beats For example if the following rhythmic pattern is entered in 4 4 time the display will appear like the one shown below 2 POINTER Knob 1 SHIFT F1 Numeric Keypad Settings 001 01 000 Pattern Leng...

Page 82: ...me The point will move ahead to the next data entry position Rests do not appear on the display 7 TIE F2 When F2 is pressed to enter a tie the preceding note is length ened to the full step time For example in the following phrase note 1 is entered with 1 4 note step time If the step time is then changed to an 8th note and F2 is pressed note 2 is entered Dotted notes can also be entered using the ...

Page 83: ... voice for the phrase If necessary use Knob 3 TRANS ON OFF to turn transposition ON or OFF 7 Press PATTERN to switch to the PATTERN Play Rec Standby mode 8 Use Knob 2 to select the GRID record type 9 Press PLAY and the Grid Step record display will appear 10 Set the pitch of the notes to be entered via Knob 1 NOTE If necessary also use Knob 2 GATE TIME to set the gate time and Knob 3 VELOCITY to s...

Page 84: ...es to be entered In addition to using Knob 1 the pitch can be specified by pressing a key on the keyboard while holding the SHIFT button 2 GATE TIME Knob 2 SHIFT F2 Numeric Keypad Settings 001 999 Sets the gate time as a percentage of the grid s 16th note steps Settings below 99 result in note lengths shorter than full 16th notes producing a staccato effect Settings higher than 101 increase the no...

Page 85: ...e No extra save procedure is necessary Your groove settings are saved with the style data and are automatically recalled whenever a style is selected If MEMORY PROTECT is ON however Page 257 the groove settings will not be saved and will be erased when a different style is selected Grid Groove Procedure 1 Press GROOVE while in the PATTERN Play or Patch mode to access the Grid Groove display page 2...

Page 86: ...e has been applied the following procedure can be used to actually record the groove settings to the track 1 Set up the GROOVE parameters as required 2 Press PATTERN to go to the PATTERN Play page 3 Press REC to engage the Rec Standby mode 4 Use Knob 2 REC TYPE to select the OVERDUB record type 5 Use Knob 3 REC QUANTIZE to set the REC QUANTIZE value to OFF OFF 6 Press PLAY to begin recording 7 Whe...

Page 87: ...ver effect you use the maximum 62 note polyphony of the RS7000 is not exceeded For more informa tion on maximum polyphony refer to Chapter 1 Basics page 62 Different play effect settings can be made for each track The play effect settings for all 16 tracks are memo rized with the style No extra save procedure is necessary Your play effect set tings are saved with the style data and are automatical...

Page 88: ...to create an even thicker sound PATTERN PLAY FX 2 1 NOTE OFFSET Knob 1 Settings 99 99 Shifts the notes in the phrase or down in semitone incre ments 2 GATE TIME Knob 2 Settings 000 200 Alters the gate time of notes in the phrase by the specified percentage 3 VELOCITY Velocity Offset Knob 3 Settings 127 127 Increases or decreases the velocity of notes in the phrase by the specified offset value 1 H...

Page 89: ...C TYPE to select the OVERDUB record type 5 Press PLAY to begin recording 6 When the entire phrase has played through once press the STOP button to stop recording The play effect settings have now been recorded along with the phrase and the play effect settings for that track are initialized 3 Timing Page NOTE Notes cannot be shifted to a position that is before the beginning of the phrase If a clo...

Page 90: ...ay however the delay time can be set in clock increments so the delays will always be locked to the play back tempo MIDI delay uses polyphony Since MIDI delay uses the tone generator stage to produce the delay sound it uses 1 note 2 if a 2 element voice is used of the RS7000 s maximum polyphony Be sure that whatever effect you use the maximum 62 note polyphony of the RS7000 is not exceeded For mor...

Page 91: ...es For example if the velocity of the original data is 100 and the FB VELOCITY value is set to 10 if the velocity of the first repeat is 60 the second repeat will be 70 the third 80 and so on 2 FB NOTE Feedback Note Knob 2 Settings 24 24 RDN When MIDI delay is set up to produce multiple repeats changes in the pitch of the repeats can be produced in semi tone or whole tone increments For example if...

Page 92: ...t will be 120 clocks the second repeat will be 60 clocks the third 30 clocks and so on Recording the MIDI Delay Settings to a Phrase Using the Overdub Record Mode If a user phrase is assigned to the track to which MIDI delay been applied the following procedure can be used to actual record the MIDI delay settings to the track 1 Set up the MIDI DELAY parameters as required 2 Press PATTERN to go to ...

Page 93: ...d Absolute and relative parameters Absolute parameters are parameters which directly control the corresponding function Relative parameters on the other hand function more like offset values which shift some other value by a specified amount In the mixer sub mode only the RANDOM PAN DEPTH parameter is relative Mixer Setup Procedure 1 Press MIXER while in the PATTERN Play or Patch mode to access th...

Page 94: ...IXER 2 1 VOLUME Knob 1 Settings 000 127 Sets the volume level of the selected track 2 PAN Knob 2 Settings L63 L01 C R01 R63 Sets the stereo pan position of the selected track 3 RANDOM PAN Knob 3 Settings 64 0 63 Sets the depth of random pan for the selected track When set to 0 no panning occurs Other values produce a random pan position each time a note is played 4 OUTPUT SEL Output Select Knob 4 ...

Page 95: ...ered at the specified EQ frequency below 3 FREQUENCY Knob 3 Settings 139 7 Hz 12 9 kHz Sets the center or cutoff frequency of the frequency band to be equalized 4 GAIN Output Select Knob 4 Settings 32 32 Specifies the amount of boost or cut to be applied to the EQ frequency band 5 LOW FREQ Low Frequency Knob 3 Settings 50 1 Hz 2 00 kHz Sets the cutoff frequency for the EQ band adjusted by the LOW ...

Page 96: ...7 Sets the reverb effect send level from the selected track and thus the depth of the reverb effect for that track 4 DRY LEVEL Knob 4 Settings 000 127 Specifies the dry line send level for each track The dry line is a direct connection to the outputs which does not go through the system effects In other words an effect bypass circuit It is a stereo line in order to maintain the stereo pan position...

Page 97: ...other value by a specified amount All voice edit parameters other than those listed above are relative In the sections that follow the absolute or relative status of each parameter is listed beside the parameter name Voice edit parameters are not saved when a pattern is saved to memory card or disk as an SMF Stan dard MIDI File file Voice Edit Procedure 1 Press VOICE EDIT while in the PATTERN Play...

Page 98: ...nd 1 2 note whole 3 whole note triplet 2nd dotted 1 2 note 4th 4 4th 8 one LFO cycle per 4 8 1 4 notes Specifies the LFO speed for vibrato wow tremolo and other LFO based effects When BPM SYNC is OFF the LFO speed is specified as a number When BPM SYNC is ON the LFO speed is specified as the type or number of beats per cycle 4 LFO PHASE Knob 4 Absolute Settings 0 90 120 180 240 270 Specifies the p...

Page 99: ... be used to connect only steps which decrease in amplitude This produces composite falling saw tooth type waveforms UP DOWN Slopes connect all steps The result is a composite triangular waveform Determines whether or not the steps of a user waveform will be connected by slopes 0 STEP TOTAL Knob 2 F2 Knob 2 Absolute Settings STEP 1 TOTAL STEP TOTAL 2 3 4 5 6 8 12 16 STEP selects the step in the use...

Page 100: ...IT 2 1 MONO POLY Knob 1 Absolute Settings MONO POLY Selects the MONO only one note can be played at a time or POLY multiple notes can be played at a time mode 2 PORTAMENTO SW Portamento Switch Knob 2 Absolute Settings OFF FINGERED FULL TIME OFF Portamento is OFF FINGERED Portamento is only applied to legato notes i e the first note is still held when the second note is played FULL TIME Portamento ...

Page 101: ... at which the envelope will con tinue while a note is held after the initial attack and decay 4 AEG RELEASE Amplitude Envelope Genera tor Release Knob 4 Relative Settings 64 63 Determines how fast the envelope falls from the sustain level to zero when a note is released The lower the value the faster the release FEG Page 1 FEG ATTACK Filter Envelope Generator Attack Knob 1 Relative Settings 64 63 ...

Page 102: ... 2 Relative Settings 64 63 Determines how fast the envelope falls from the normal pitch of the voice to the sustain level pitch The smaller the value the faster the decay Press F2 to switch to this parameter 4 PEG SUS Pitch Envelope Generator Sustain Knob 3 Relative Settings 64 63 Sets the sustain level pitch which will be maintained while a note is held 5 PEG RLS Pitch Envelope Generator Release ...

Page 103: ... cut off Three cutoff slopes are provided 24 dB oct 18 dB oct and 12 dB oct each with its own distinct sound HPF High pass filter Frequencies lower than the cutoff frequency are cut off BPF Band pass filter Frequencies around the center frequency are passed while all other frequencies are blocked BEF Band elimination filter Frequencies around the center frequency are blocked while all other freque...

Page 104: ...the effect settings will not be saved and will be erased when a different style is selected Voice Edit Procedure 1 Press EFFECT while in the PATTERN Play or Patch mode to access the Effect Type page 2 Use Knob 1 Knob 3 to make the required settings 3 Press EFFECT to go to the Variation Parameter page 4 Use Knob 1 Knob 4 to make the required settings 5 Press EFFECT to go to the Delay Chorus Paramet...

Page 105: ...NTER R63 Adjusts the stereo pan position of the signal output from the VARIATION effect stage PATTERN EFFECT 3 1 4 EFFECT PARAMETERS Knob 1 Knob 4 Allow adjustment of the detailed parameters for each effect The parameters available are different for each effect For information on the individual parameters refer to the Appendix page 315 5 SEND DELAY TO REVERB Knob 2 Settings 000 127 Adjusts the sig...

Page 106: ...idual parameters refer to the Appendix page 315 5 RETURN LEVEL Knob 3 Settings 000 127 Adjusts the signal level sent from the REVERB effect stage the effect or wet sound sent to the RS7000 stereo outputs 6 PAN Reverb Pan Knob 4 Settings L63 CENTER R63 Adjusts the stereo pan position of the signal output from the REVERB effect stage 4 Reverb Page 3 4 1 2 Knob 1 Knob 3 Knob 4 F4 Knob 2 6 5 2 1 F1 Kn...

Page 107: ...ings will not be saved and will be erased when a different style is selected Setup Procedure 1 Press SETUP while in the PATTERN Play or Patch mode to access the Arpeggio Setting page 2 Use Knob 1 Knob 4 to make the required settings 3 Press SETUP to go to the A D Setup page 4 Use Knob 1 Knob 4 to make the required settings 5 Press SETUP to go to the Knob Assign page 6 Use Knob 1 Knob 4 to make the...

Page 108: ... notes will be sorted by pitch or not When ON the arpeggio notes are sorted and played from low est to highest or highest to lowest This is the normal way to play arpeggios When OFF the arpeggio notes are not sorted by pitch Instead the notes are played in sequence from the first key pressed to the last or vice versa producing different arpeg gios depending on how the chord is played 3 HOLD Knob 3...

Page 109: ...s 0 127 Adjusts the level of the signal sent to the VARIATION effect stage 0 produces the dry signal only and 127 produces the variation sound only 8 PAN 1 2 Knob 4 Settings L63 CENTER R53 Adjusts the stereo pan position of the A D input signal PATTERN SETUP 3 This knob allows a range of parameters and tracks to be assigned to the panel knobs The 4 LFO DEPTH and EG knobs can be independently set f...

Page 110: ...ropriate key on the keyboard while holding the TRACK SELECT button NOTE When a knob is operated during pattern play back playback of the style data corresponding to the parameter assigned to that knob will stop For example if a knob assigned to reverb send is operated during pattern playback the reverb send style data will stop playing back Playback will resume normally after playback is stopped t...

Page 111: ...ch can be used to adjust the sound at the final output stage of the RS7000 The Master EQ allows the type of response control shown in the graph below via 3 parameter pages GAIN FRE QUENCY and Q Master Effect Master Effects provide a number of sophisticated sound process ing options at the final output stage of the RS7000 A block diagram of the Master Effects is given below Display Parameters PATTE...

Page 112: ...th i e a wider range of fre quencies will be boosted or cut 0 MID 1 Q Knob 2 Settings 0 01 12 0 Sets the Q bandwidth of the low mid EQ band Lower val ues produce a broader bandwidth i e a wider range of fre quencies will be boosted or cut A MID 2 Q Knob 3 Settings 0 01 12 0 Sets the Q bandwidth of the high mid EQ band Lower val ues produce a broader bandwidth i e a wider range of fre quencies will...

Page 113: ...ndependently assigned for each effect type 4 KNOB 3 ASSIGN Knob 3 Settings Effect parameter 1 16 Refer to the Effect Parameter List on page 315 Specifies the parameter to be controlled by CONTROL KNOB 3 The parameters which can be assigned depend on the selected effect type The effect parameter to be controlled by the control knob can be independently assigned for each effect type 5 KNOB 4 ASSIGN ...

Page 114: ...arefully insert the Memory Card into the slot slowly pushing it all the way in until it is fitted in place Don t insert the Memory Card in wrong direction Don t insert anything other than a Memory Card in the slot To remove a Memory Card Before removing the Memory Card be sure to confirm that the Memory Card is not in use see the following note or it is not being accessed by the instrument Then pu...

Page 115: ...t data stick the write protect seal provided in the Memory Card package onto the designated area within a circle of the Memory Card Conversely speaking to save data on the Memory Card make sure to remove the write protect seal from the Card Do not reuse the seal that is peeled off Data Backup For maximum data security Yamaha recommends that you keep two copies of important data on separate Memory ...

Page 116: ... pattern is saved to a format 0 standard MIDI file WAV Wave The selected sample is saved in WAV format ALL All data in the RS7000 memory is saved as a single file ALL files include the following data All style data Style 01 64 including 16 pat terns and 256 phrases per style All pattern chain data Pattern chain 01 20 All song data Song 01 20 All sample voices Local sample voices 001 128 and common...

Page 117: ... A4000 A3000 Sample From SCSI disk SU700 Sample From SCSI disk Computer AIFF file AIF WAV file WAV from SCSI disk or memory card 8 16 bit linear mono stereo NOTE When the style to be loaded includes common sample voices if common sample voices with the same numbers already exist in the internal memory the ALL SKIP and RENUMBER options become available When ALL SKIP is selected common sample voices...

Page 118: ...o save to a memory card or disk 5 Press F1 OK to go to the save execution page 6 Use Knob 1 FILE NAME and the keyboard to enter a file name 7 Use Knob 3 to select the folder to which the file is to be saved Select CurrentDir at the top of the list to save to the cur rently selected folder As necessary use F3 F4 OPEN to move between folders or F2 NEW to create a new folder 8 Press F1 SAVE to execut...

Page 119: ...e saved When CARD is selected and a properly formatted memory card is in the card slot a memory card icon will appear along with the available memory on the card When SCSI is selected and a properly formatted disk is con nected to the SCSI connector a disk icon will appear along with the disk description SCSI ID number partition name and amount of available space in the partition 4 OK F1 Switches ...

Page 120: ...elect the track which uses the sample to be saved 5 If the sample assigned to the selected track is a sample kit voice use Knob 3 NOTE to select the note to which the sample to be exported is assigned 6 Press F4 CARD SCSI to specify whether you want to save to a memory card or disk 7 Press F1 OK to go to the save execution page 8 Use Knob 1 FILE NAME and the keyboard to enter a file name 9 Use Kno...

Page 121: ...A memory card inserted in the card slot Selects the disk or card to which the data is to be exported When CARD is selected and a properly formatted memory card is in the card slot a memory card icon will appear along with the available memory on the card When SCSI is selected and a properly formatted disk is con nected to the SCSI connector a disk icon will appear along with the disk description S...

Page 122: ...folder Rename Procedure 1 Press the SAVE button 3 times from the PATTERN Play or Patch mode to go to the Rename page 2 Press F1 CARD SCSI to specify whether you want to rename a file on a memory card or disk 3 Use F2 and F3 OPEN to select a folder 4 Use Knob 2 to select the folder and file to be renamed 5 Press F4 RENAME to go to the name entry dialog page 6 Use Knob 2 FILE NAME and the keyboard t...

Page 123: ...ecify whether you want to delete a file from a memory card or disk 3 Press SAVE 3 times to go to the Delete page 4 Use F1 and F2 OPEN to select a folder 5 Use Knob 1 to select the folder to be deleted 6 Press F4 to delete the file 7 The Are you sure NO F2 YES F3 confirmation message will appear Press F3 if it is OK to delete the file Press F2 to abort the delete operation 8 Press EXIT 4 times to r...

Page 124: ...The hard disk ZIP disk or other SCSI disk connected to the SCSI connector CARD A memory card inserted in the card slot Selects the disk or memory card to be formatted When CARD is selected and a properly formatted memory card is in the card slot a memory card icon will appear When SCSI is selected and a properly formatted disk is con nected to the SCSI connector a disk icon will appear along with ...

Page 125: ...n an already formatted disk This option does not affect partitions other than the one selected for formatting Selects the type of formatting to be used when a SCSI disk is selected 3 PARTITION Knob 4 Settings 1 4 Selects the partition to be formatted when the FORMAT TYPE is set to PARTITION 4 FORMAT F4 Executes the format operation initializing the selected card or disk NOTE Disks formatted to DOS...

Page 126: ...ERN Play or Patch mode to go to the Load page 2 Use Knob 2 FILE TYPE to select the type of file you want to load 3 Press F1 CARD SCSI to specify whether you want to load from a memory card or disk 4 Press F4 OK to go to the load execution page 5 Use Knob 1 to select the file to be loaded If the file to be loaded is inside a folder Use F1 and F2 OPEN to move to the folder containing the file 6 Use ...

Page 127: ...ory including the system setup data is overwrit ten SMPL A specified sample from multiple sample voices included in a PATT R2P SONG RS2 or ALL R2A type file can be loaded to the speci fied sample voice number Specifies the type of data file to be loaded For details about the various file types see About File Types on page 116 2 SCSI CARD F1 Settings SCSI CARD SCSI The hard disk ZIP disk or other S...

Page 128: ... sample voice number will be displayed and EMPTY will appear to indicate that the sample will be loaded to empty memory 6 UP F1 Moves to the next highest folder in the folder hierarchy 7 OPEN F2 Opens the selected folder moving down one level in the folder hierarchy When the FILE TYPE is set to PATT or SMPLE ALL R2A and PATT R2P only when FILE TYPE SMPL files can be opened like folders to allow in...

Page 129: ...o overwrite the corresponding memory contents Press F2 to abort the import operation and return to the sta tus of the RS7000 prior to pressing the F1 button 9 Press EXIT twice to return to the PATTERN Play or Patch mode Display Parameters PATTERN LOAD 2 CARD or DISK CARD CARD or DISK SCSI 1 FILE TYPE Knob 2 Settings SAMPLE SMF RM1x PATT SAMPLE Sample data WAV files WAV and AIFF files AIF can be lo...

Page 130: ... folder containing the file 5 TRACK Knob 3 Settings 01 16 Selects the track to which the data will be imported when the FILE TYPE is SAMPLE 6 TYPE Knob 4 Settings PITCHED KIT C 2 G8 Selects the sample voice to be imported when the file type is set to SAMPLE The available settings will depend on the type of sample voice assigned to the selected track When a pitched sample is assigned to the selecte...

Page 131: ...y or Patch mode Display Parameters PATTERN LOAD 3 1 MOUNT ID Knob 1 F1 Settings 0 7 the current SCSI SELF ID number cannot be selected Selects and mounts the SCSI device disk which will be used for file transfer Use Knob 1 to select the SCSI ID number then press F1 to mount the selected device Once the selected device is mounted it will be possible to select a partition on the device 2 MOUNT PARTI...

Page 132: ...he track to which the edited wave data from TWE will be returned 2 TYPE Knob 2 Settings PITCHED KIT C 2 G8 Selects the type of sample data to be received from TWE The available settings will depend on the type of sample voice assigned to the selected track When a pitched sample is assigned to the selected track Two choices will be available PITCHED SAMPLE and SAMPLE KIT When SAMPLE KIT is selected...

Page 133: ...Copy Event Copies all data from a specified source range to a specified destination location P 141 12 Erase Event Clears all specified events from the specified range P 141 13 Extract Event This job moves all instances of specified event data from a specified range of a phrase to the same range in a different phrase P 142 14 Create Continuous Data Creates continuous pitch bend or control change da...

Page 134: ...job cancel Undo and restores the changes Undo Redo can also be executed in the Play screen etc by press ing SHIFT JOB Track Category 27 Copy Track Copies all data of the selected type from specified source track to specified destina tion track P 148 28 Exchange Track Exchanges the content of two tracks P 149 29 Clear Track This job deletes all data of the selected type from the selected pattern tr...

Page 135: ...ote triplet 8th note and 8th note triplet Selects the quantize value note timing to which the note data will be aligned 4 Strength Settings 000 100 The Strength value sets the strength by which note events are pulled toward the nearest quantize beats A setting of 100 produces exact timing A setting of 0 results in no quantization 5 SwingRate Settings If quantize value is or 50 75 If quantize value...

Page 136: ...otes to enhance the swing feel When a triplet quantize value is used the gate time of the last note of each triplet is adjusted When the quantize value is or the gate time of the even numbered or beats will be adjusted A setting of 100 retains the original gate time If the resultant gate time 0 or less it will be set to 1 This job alters the velocity values of the specified range of notes Velocity...

Page 137: ...Settings Off 0 0001 9999 Sets the gate times of all target notes to the same fixed value When set to OFF the Set All parameter has no effect When set to a value other than OFF the Rate and Offset parameters are unavailable and appear as on the dis play 4 Rate Settings 000 200 Specifies the percentage by which the gate time of the target notes will be changed Settings below 100 shorten the notes an...

Page 138: ...ndo A setting of 0 produces no effect Transposes notes in the specified range in semitone increments 1 Phrase Settings 001 256 2 Range Settings Measure Beat Clock 001 1 000 257 1 000 Note C 2 G8 Sets the range of measures beats clocks and note pitches over which the job is applied 3 Transpose Settings 127 127 Transposes notes in the specified range in semitone incre ments A setting of 12 transpose...

Page 139: ... keyboard 4 Step Clock Settings Start 001 999 End 001 999 Specifies the size of the step i e the number of clocks between each note in the roll Both the starting and ending clock values can be specified making it easy to create rolls in which the step size varies from note to note 5 Velocity Settings Start 001 127 End 001 127 Specifies the velocity of the notes in the roll Both the starting and en...

Page 140: ... 2 Range Settings Measure Beat Clock 001 1 000 257 1 000 Sets the range of measures beats clocks over which the job is applied 3 Clock Settings 000 999 Sets the number of clock cycles inserted between adjacent chord notes Shifts all data events in the specified range forward or backward by the specified number of clocks 1 Phrase Settings 001 256 2 Range Settings Measure Beat Clock 001 1 000 257 1 ...

Page 141: ...asures beats clocks over which the job will be applied 3 Event Settings Note Note events PC Program change PB Pitch bend CC Control change 000 127 ALL CAT Channel aftertouch PAT Polyphonic aftertouch EXC System exclusive ALL All events Sets the event type to be cleared erased All events are cleared when ALL is selected Individual control change numbers can be specified when erasing control change ...

Page 142: ...Measure Beat Clock 001 1 000 257 1 000 Sets the range of measures beats clocks over which the job will be applied 3 Event Type Settings PB Pitch bend CC Control change 000 127 CAT Channel aftertouch EXC System exclusive Selects the event type to be created 4 Times Settings 01 99 Specifies the number of times the data creation is to be repeated For example if data is created in the range M001 1 000...

Page 143: ...0 127 ALL CAT Channel aftertouch PAT Polyphonic aftertouch Selects the event type to be thinned Changes the values of a specified type of control change data pitch bend control change aftertouch etc in the spec ified range The data value is calculated as follows Value original data Rate Offset If the resultant value exceeds the allowable range it will be set to the maximum or minimum value 1 Phras...

Page 144: ...at Clock 001 1 000 257 1 000 Sets the range of measures beats clocks over which the job will be applied 3 Time Settings 025 400 Sets the amount of time expansion or compression as a per centage Settings higher than 100 produce expansion and settings below 100 produce compression Copies a selected phrase to the designated destination phrase 1 Source style Settings 01 64 Specifies the style containi...

Page 145: ...ify phrase a 3 Style b 4 Phrase b Settings Style b 01 64 Phrase b 001 256 Specify phrase b NOTE When there is no memory available in the destination style for local sample voice data Too Many Load Sample Voices will appear on the display and the sample voice data will not be copied If this occurs use Sample Job 02 Delete Page 246 to delete unused local samples then try again Undo Redo Page 134 can...

Page 146: ...re the specified split measure will remain and the section following the split mea sure will be moved to the split destination phrase 6 3 Meter Settings 1 16 16 16 1 8 16 8 1 4 8 4 Sets the meter of the split phrase segments after the split operation The phrase meter can be changed later 21 Append Phrase NOTE If this job is applied to phrases which use sam ple voices the sample voices will not be ...

Page 147: ...ed to the destination style as local sam ple voices and are assigned to destination phrase This parameter has no effect when no sample voice is used by the source track Copies a selected user phrase into a specified area of a selected song 1 Source Phrase Settings Phrase category US User Preset Phrase see the Appendix Page 313 for information on the phrase categories Phrase Number 001 256 The avai...

Page 148: ... selected type from specified source track to specified destination track NOTE When there is no memory available in the des tination song for local sample voice data Too Many Local Voices will appear on the display and the sample voice data will not be copied If this occurs use Sample Job 02 Delete Page 246 to delete unused local samples then try again Undo Redo Page 134 can be used after a sample...

Page 149: ... style and section 1 Track 2 Track Settings 01 16 Specify the two tracks between which data will be exchanged 3 Data Type Settings SEQ EVENT All events in the track PLAY FX GROOVE MIDI DELAY The track s PLAY FX GROOVE and MIDI DELAY set tings MIXER VOICE EDIT The track s mixer and voice edit settings Determine the type s of data to be exchanged When a checkbox is checked the corresponding data typ...

Page 150: ... will not apply to the sample voice When the Sample box is checked and the F4 DO button is pressed the Are You Sure Cancel F2 OK F3 confirmation prompt will appear F3 will execute the Clear Track job 1 2 Knob 2 Knob 3 F4 30 Normalize Play Effect NOTE After the Normalize Play Effect job is exe cuted the PLAY FX GROOVE and MIDI DELAY parameters for the track are initial ized The style and section ca...

Page 151: ...o the user phrase Determine the type s of data to be copied When a checkbox is checked the corresponding data type will be copied Appends one pattern to the end of another to create one longer pattern 32 Copy Pattern 1 Knob 3 F4 Knob 2 1 2 3 Knob 2 Knob 3 F4 NOTE When there is no memory available in the destination style for local sample voice data Too Many Local Voices will appear on the display ...

Page 152: ...be moved to the split destination pattern When the split destination style or section are OFF the mea sures following the split measure are erased The scene mute memory data will only be copied when the split destination style is empty or if SAMPLE box is checked 4 Split Data Type Settings KEEP ORIGINAL PHRASE If the checkbox is empty the phrases that make up pat tern a are appended to the phrases...

Page 153: ...ed local samples then try again Undo Redo Page 134 can be used after a sample voice copy operation but will not apply to the sample voice When the Sample box is checked and the F4 DO button is pressed the Are You Sure Cancel F2 OK F3 confirmation prompt will appear F3 will execute the Copy Pattern job When the KEEP ORIGINAL PHRASE check box is checked this job requires twice the number of empty us...

Page 154: ... parameters refer to Chapter 7 Other Information page 263 The measure beat and clock can be edited to change the location of an event as required While an event is flashing being edited you can use the SUB MODE buttons as a numeric keypad to directly enter parameter values 5 When the parameter has been edited as required press ENTER to confirm and enter the edit the event will stop flashing If the...

Page 155: ...own the event list to select an event for editing 6 Cursor and Knob 2 Moves the cursor left or right to select the parameter to be edited for the current event 7 DELETE F2 Deletes the currently selected event 8 INSERT F3 Inserts a new event 9 VALUE Knob 4 Adjusts the value of the selected parameter When the entire event line is flashing after operating Knob 4 the value can be directly entered by h...

Page 156: ...hrase EDIT View Filter page 3 Use Knob 1 Knob 4 to make the required settings 4 Press EXIT twice to return to the PATTERN Play or Patch mode Display Parameters 1 Event Checkboxes Knob 3 Knob 4 Settings ON OFF Only events with checked boxes i e ON will appear in the event edit list 2 View Filter Icon This icon will appear if any event is not checked 1 i e if one or more events is OFF 3 CTRL NO Cont...

Page 157: ...e 158 1 Sequential Pattern Playback Pattern Chain Play 159 2 Creating Pattern Chains Pattern Chain Recording 161 3 Master EQ and Effects 164 4 Saving to Memory Card or Disk 166 5 Loading from Memory Card or Disk 169 6 The Pattern Chain Jobs 171 7 Pattern Chain Editing 175 ...

Page 158: ...he following display will always appear when the PATTERN CHAIN mode is first selected PATTERN CHAIN Recording REC Page 161 Record pattern changes BPM changes scene mute changes and other elements of a pattern chain Master MASTER Page 164 Provides access to the master EQ and master effect settings Save SAVE Page 166 Saves data to memory card or disk Load LOAD Page 169 Loads data from memory card or...

Page 159: ...umeric Keypad 4 SECTION F2 Knob 2 1 Sequential Pattern Playback Pattern Chain Play NOTE Refer to 2 Pattern Chain Recording on page 161 for details on recording pattern chains NOTE The parameters in the PATTERN CHAIN Play display page can be edited during pattern chain playback Changes made during play back are temporary and will not overwrite the pattern chain data Refer to 2 Pattern Chain Recordi...

Page 160: ...playback Transposition is set in semitone increments A setting of 12 transposes by one octave Procedure The transpose procedure is the same as in the PATTERN mode Page 73 0 Track Shows the track numbers and indicates whether the corre sponding track contains data as well as the mute or solo sta tus of the track The three track types available in the PATTERN CHAIN mode PATT SCENE and BPM as well as...

Page 161: ...ettings PATT BPM SCENE PATT PATTERN track BPM BPM track SCENE SCENE MUTE track Selects the track to be recorded 2 STYLE Knob 2 SHIFT F2 Numeric Keypad 3 SECTION F2 Knob 2 4 STYLE NAME Settings Style Number OFF 01 64 END Section A B C D E F G H I J K L M N O P Style Name Display only 2 Creating Pattern Chains Pattern Chain Recording NOTE Events recorded in real time can be edited and new events ind...

Page 162: ...ct the REPLACE record mode 6 Use Knob 4 to set the BPM 7 If the pattern track is to be recorded in real time use Knob 2 STYLE and F2 Knob 2 SECTION to set the style and section for the first measure 8 Press PLAY so that its indicator flashes then start recording after the count in 9 Operate Knob 2 STYLE F2 Knob 2 SECTION Knob 4 BPM F4 Knob 4 BPM the keyboard and scene mute memory buttons as requir...

Page 163: ...ers 1 Beat Graph This is the display in which events are placed during step recording When the meter is 4 4 the display is divided into 4 beats one measure Each diamond shaped marker in the display repre sents 1 32nd beat each 1 4 note division is divided into 8 32nd beats 2 POINTER Knob 1 SHIFT F1 Numeric Keypad Sets the data entry position The triangular pointer above the beat graph indicates th...

Page 164: ...ttons Press the MASTER button from the PATTERN Chain mode to go to the MASTER mode Details are the same as in the PATTERN mode Page 111 Display Parameters PATT CHAIN MASTER 1 LOW GAIN Knob 1 2 MID1 GAIN Knob 2 3 MID2 GAIN Knob 3 4 HIGH GAIN Knob 4 5 LOW FREQUENCY Knob 1 6 MID1 FREQUENCY Knob 2 7 MID2 FREQUENCY Knob 3 8 HIGH FREQUENCY Knob 4 9 LOW Q Knob 1 0 MID1 Q Knob 2 A MID2 Q Knob 3 B HIGH Q K...

Page 165: ...b 1 A Effect Parameter 6 Knob 2 B Effect Parameter 7 Knob 3 C Effect Parameter 8 Knob 4 D Effect Parameter 9 Knob 1 E Effect Parameter 10 Knob 2 F Effect Parameter 11 Knob 3 G Effect Parameter 12 Knob 4 H Effect Parameter 13 Knob 1 I Effect Parameter 14 Knob 2 J Effect Parameter 15 Knob 3 K Effect Parameter 16 Knob 4 2 Master Effect Page 4 5 1 2 3 8 9 6 7 B C 0 A F G D E J K H I Knob 1 Knob 2 Knob...

Page 166: ...ayback or recording The SAVE sub mode includes the following display pages Save Page 167 Saves data from the internal memory to memory card or disk Export Page 167 Export functions are not available from the Pattern Chain mode Rename Page 167 Changes the file name of a file stored on memory card or disk Delete Page 168 Deletes a specified file from memory card or disk Format Page 168 Formats a mem...

Page 167: ...annot be changed For descriptions of the various file types see About File Types on page 116 2 SCSI CARD F4 3 OK F1 Save Execution Page PATT CHAIN SAVE F1 4 FILE NAME Knob 1 5 Folder Select Knob 3 6 NEW F2 7 SAVE F1 PATT CHAIN SAVE 2 The export functions are not available from the PATTERN Chain mode Changes the name of a file or folder Details are the same as for the PATTERN mode SAVE page Page 11...

Page 168: ...HAIN SAVE 4 1 FILE Knob 1 2 UP F1 3 OPEN F2 4 DELETE F4 Formats memory cards and disks Display Parameters PATT CHAIN SAVE 5 CARD or DISK SCSI CARD or DISK CARD 1 SCSI CARD F1 2 FORMAT TYPE Knob 3 3 PARTITION Knob 4 4 FORMAT F4 4 Delete Page 1 2 4 3 Knob 1 F1 F2 F4 5 Format Page 1 2 4 3 Partition Name Disk Type Icon F1 F4 Knob 3 Knob 4 SCSI ID 1 4 F1 F4 ...

Page 169: ... 170 This import functions are not available from the PATTERN chain mode SCSI Setup Page 170 Provides access to a number of SCSI settings Loads data to internal memory from a memory card or disk Details are the same as for the PATTERN mode LOAD page Page 126 Only parameters that are different from the PAT TERN mode will be introduced here Display Parameters PATT CHAIN LOAD CARD or DISK CARD CARD o...

Page 170: ...ils about the various file types see Chapter 2 The Pattern Mode page 116 2 SCSI CARD F1 3 OK F4 Load Execution Page PATT CHAIN LOAD F4 4 File Select Knob 1 5 UP F1 6 OPEN F2 7 LOAD F4 The import functions are not available from the PATTERN chain mode Provides access to a number of SCSI settings Details are the same as for the PATTERN mode LOAD page Page 126 Display Parameters PATT CHAIN LOAD 3 1 M...

Page 171: ... Redo Category 00 Undo Redo Undo cancels the changes made by the most recent opera tion restoring the data to its previous state while Redo restores the undone change P 172 Event Category 01 Copy Event Copies all data from a specified source range to a specified destination location P 172 02 Erase Event Clears all events from the specified range P 172 Measure Category 03 Create Measure Creates emp...

Page 172: ... and the Undo Redo function cannot be executed This job copies all data from a specified source range to a speci fied destination location 1 Source Range Settings Measures 001 999 Specify the source range from which the data will be copied 2 Destination Location Settings Measures 001 999 Specifies the location to which the data will be copied 3 Times Settings 01 99 Specifies the number of times th...

Page 173: ... moved forward accordingly If the insert point is set after the last measure containing data only the meter data at that point is set without actually inserting the mea sures 001 004 005 016 001 004 005 012 013 024 The inserted 8 measures 8 measures inserted at measure 5 Original data 1 2 3 Knob 2 Knob 3 F4 04 Delete Measure NOTE Measure and meter data following the deleted measures are moved back...

Page 174: ... copy source and destination pattern chain num bers This job deletes all data from the selected pattern chain 1 Chain Settings 01 20 Selects the pattern chain to be deleted Use this job to enter or change a pattern chain name The name can be up to 16 characters long 1 Chain Name Refer to Chapter 1 Basics page 67 for details on name entry 06 Copy Chain 1 2 Knob 2 Knob 3 F4 1 2 Knob 2 Knob 3 F4 07 C...

Page 175: ...MODE buttons as a numeric keypad to directly enter parameter values 6 When the parameter has been edited as required press ENTER or F3 DO to confirm and enter the edit the event will stop flashing If the cursor is moved to a new event while the current event is still flashing editing of the current event is cancelled 7 Press F2 DELETE to delete the event at the cursor posi tion 8 Press F3 INSERT g...

Page 176: ... Mute Memory 1 5 Recalls a mute memory Track Mute Track Mute Track mute on off events Tracks 1 16 are displayed in order from left to right indicates that mute is off indicates that mute is on Displays the type of each event For details about the event types and their parameters refer to Chapter 7 Other Information page 263 4 Cursor and Knob 1 Moves the cursor up or down the event list to select a...

Page 177: ...5 Recalls a scene memory Mute Memory Number Mute Memory 1 5 Recalls a mute memory Track Mute Track Mute Track mute on off events Tracks 1 16 are displayed in order from left to right indicates that mute is off indicates that mute is on Selects the type of event to be inserted For details about the event types and their parameters refer to Chapter 7 Other Information page 263 2 Measure Beat and Clo...

Page 178: ...7 Pattern Chain Editing 178 RS7000 ...

Page 179: ...ffects 192 5 MIDI Delay 193 6 Adjusting Level and Effects for Each Track Mixer 194 7 Changing the Sound of Voices Voice Edit 196 8 Adding Effects 198 9 Arpeggio Assignable Knob Settings Setup 200 10 Master EQ and Effects 202 11 Saving to Memory Card or Disk 204 12 Loading from Memory Card or Disk 208 13 The Song Jobs 212 14 Song Editing 225 ...

Page 180: ...ode is engaged Song Recording Page 184 Original songs are recorded in this mode Groove Page 191 Allows groove and feel variations to be applied to individual tracks Play Effects Page 192 Add depth and harmony to individual tracks MIDI Delay Page 193 Adds a special MIDI based delay effect to individual tracks Mixer Page 194 Individually adjusts the volume effect level and other parameters for each ...

Page 181: ...es access to the arpeggiator knob assignment and channel settings Master Page 202 Provides access to the master EQ and master effect settings Save Page 204 Saves data to memory card or disk Load Page 208 Loads data from memory card or disk Job Page 212 Accesses the song editing jobs Song Edit Page 225 Allows editing or insertion of new data in recorded songs ...

Page 182: ...meric Keypad Settings OFF 001 999 Specifies the measure to which the song position will jump when playback is stopped Press STOP while holding SHIFT to set the current mea sure for jump location This can be turned OFF by pressing or while holding SHIFT 5 Measure Knob 3 SHIFT F3 Numeric Keypad 6 Beat Settings Measure 001 999 Beat 01 16 display only Show the current measure number and beat during pl...

Page 183: ...dure is the same as in the PATTEN mode Page 73 0 Track Settings BPM SCENE 1 16 BPM BPM Track SCENE Scene Mute Track 1 16 Sequence Track Shows the track type and numbers The currently selected track number is highlighted Track Selection Procedure Except for BPM track and SCENE MUTE track functions the track selection procedure is the same as in the PATTERN mode Page 73 The BPM track and SCENE MUTE ...

Page 184: ... Real time Record Punch Page 187 Real time recording is carried out between specified punch in and punch out points This allows you to record a specified sec tion of a previously recorded track without having to re record the entire track This recording mode overwrites any data previ ously in the recorded range Step Record Page 187 This mode allows notes to be entered one at a time Step record ing...

Page 185: ... STEP GRID Selects the record mode For more details on each record mode see 2 Song Record ing on the previous page 3 REC QUANTIZE Record Quantize Knob 3 F3 Knob 3 SHIFT F3 Numeric Keypad Settings VALUE OFF 60 32nd note 80 16th note triplet 120 16th note 160 8th note triplet 240 8th note 320 1 4 note triplet 480 1 4 note 1 2 3 4 Knob 1 Knob 2 Knob 3 F3 SHIFT F3 Knob 4 F4 SHIFT F4 5 Knob 3 F3 SHIFT ...

Page 186: ...en the STEP record type is selected this parameter specifies the type of event to be recorded Settings NOTE PITCH BEND CC 000 CC 119 Control Change BPM Change when the BPM track is selected NOTE note data is recorded PITCH BEND pitch bend change data is recorded CC 000 CC 119 the corresponding control change data is recorded vol ume pan expression etc BPM tempo change data is recorded Specifies th...

Page 187: ...e Knob 1 POINTER to move the pointer to the position at which you want to enter a note Knob 2 STEP to set the note length Knob 3 VELOCITY to set the note velocity and Knob 4 GATE TIME to set the gate time 10 Enter the note by pressing the appropriate key on the key board Press F1 REST to enter a rest or F2 TIE to enter a tie The F3 DELETE and F4 BACK DELETE buttons can be used to delete entered no...

Page 188: ...he display is divided into 4 beats one measure Each diamond shaped marker in the display represents 1 32nd beat each 1 4 note division is divided into 8 32nd beats For example if the following rhythmic pattern is entered in 4 4 time the display will appear like the one shown below 2 POINTER Knob 1 SHIFT F1 Numeric Keypad Sets the data entry position The triangular pointer above the beat graph indi...

Page 189: ...e data entry position is specified via the keyboard This method is particularly useful for entering drum patterns or sequences which use several consecutive notes of the same pitch Record Procedure 1 Press SONG to enter the SONG Play mode 2 Use Knob 1 SONG to select the song to be recorded 3 Press REC to engage the Rec Standby mode 4 Use Knob 1 REC TRACK to select the track to be recorded 5 Press ...

Page 190: ...g the SHIFT button 2 GATE TIME Knob 2 SHIFT F2 Numeric Keypad Settings 001 999 Sets the gate time as a percentage of the grid s 16th note steps Settings lower then 99 produce notes which are shorter then 16th notes for a more staccato feel Setting of 101 or higher produce a slur 3 VELOCITY Knob 3 SHIFT F3 Numeric Keypad Has the same effect as the step recording parameter Refer to page 188 in the S...

Page 191: ...ongs over a wide range Give dry sounding pat terns more drive and in general make your grooves more musical Press the GROOVE button while in the SONG Play mode to access the Grid Groove display page The Groove features are the same as in the PATTERN mode Page 85 Display Parameters SONG GROOVE 1 NOTE OFFSET Knob 1 2 CLOCK SHIFT Knob 2 3 GATE OFFSET Knob 3 4 VELO OFFSET Velocity Offset Knob 4 5 TR T...

Page 192: ...hile in the SONG Play mode to access the play effects The Play Effect features are the same as in the PATTERN mode Page 87 Display Parameters SONG PLAY FX 1 UNISON Knob 1 2 OCTAVER Knob 2 3 HARMONIZE 1 Knob 3 4 HARMONIZE 2 Knob 4 SONG PLAY FX 2 1 NOTE OFFSET Knob 1 2 GATE TIME Knob 2 3 VELO OFFSET Velocity Offset Knob 3 SONG PLAY FX 3 1 BEAT STRETCH Knob 1 2 CLOCK SHIFT Knob 2 3 SWING Knob 3 4 Pla...

Page 193: ...ects however Two display pages are provided MIDI Delay and Feedback From the SONG Play mode press the MIDI DELAY button to access the MIDI delay pages The MIDI Delay features are the same as in the PATTERN mode Page 90 Display Parameters SONG MIDI DELAY 1 DELAY TIME Knob 1 2 DELAY LEVEL Knob 2 3 REPEAT TIMES Knob 3 1 FB VELOCITY Feedback Velocity Knob 1 2 FB NOTE Feedback Note Knob 2 3 FB GATE TIM...

Page 194: ...d F4 buttons Press the MIXER button from the SONG Play mode to go to the MIXER Voice Select page The Mixer features are the same as in the PATTERN mode Page 93 Display Parameters SONG MIXER 1 BANK MSB Voice Bank MSB Knob 1 2 PROGRAM Program Number Knob 3 3 HOLD Voice Parameter Hold Knob 4 SONG MIXER 2 1 VOLUME Knob 1 2 PAN Knob 2 3 RANDOM PAN Knob 3 4 OUTPUT SEL Output Select Knob 4 6 Adjusting Le...

Page 195: ... 2 3 FREQUENCY Knob 3 4 GAIN Output Select Knob 4 5 LOW FREQ Low Frequency Knob 3 6 LOW GAIN Knob 4 7 HIGH FREQ High Frequency Knob 2 8 HIGH GAIN Knob 3 SONG MIXER 4 1 VARIATION Knob 1 2 DELAY Knob 2 3 REVERB Knob 3 4 DRY LEVEL Knob 4 3 Equalizer Page 1 2 3 4 Knob 1 Knob 4 Knob 2 Knob 3 5 6 Knob 3 Knob 4 F4 7 8 Knob 2 Knob 3 F1 4 Effect Send Page 1 2 3 4 Knob 1 Knob 2 Knob 3 Knob 4 ...

Page 196: ...he same as in the PATTERN mode Page 97 Display Parameters SONG VOICE EDIT 1 KEY ON RESET Knob 1 2 BPM SYNC BPM Synchronization Knob 2 3 LFO SPEED Knob 3 4 LFO PHASE Knob 4 5 PITCH DEPTH Knob 1 6 FILTER DEPTH Knob 2 7 AMP DEPTH Knob 3 8 LFO WAVE Knob 4 9 SLOPE Knob 1 0 STEP TOTAL Knob 2 F2 Knob 2 A STEP VALUE Knob 3 B TEMPLATE Knob 4 C RANDOM F4 SONG VOICE EDIT 2 1 MONO POLY Knob 1 2 PORTAMENTO SW ...

Page 197: ...ator Sus tain Knob 3 4 FEG RELEASE Filter Envelope Generator Release Knob 4 PEG Page 1 PEG INIT LEVEL Pitch Envelope Generator Initial Level Knob 1 2 PEG ATK Pitch Envelope Generator Attack Knob 2 3 PEG DCY Pitch Envelope Generator Decay F2 Knob 2 4 PEG SUS Pitch Envelope Generator Sustain Knob 3 5 PEG RLS Pitch Envelope Generator Release F3 Knob 3 6 PEG RLS LEVEL Pitch Envelope Generator Release ...

Page 198: ...arameters are available on 3 sub pages accessible via the F1 and F4 buttons Press the EFFECT button from the SONG Play mode to go to the EFFECT mode The Effect features are the same as in the PATTERN mode Page 104 Display Parameters SONG EFFECT 1 VARIATION TYPE Knob 1 2 DELAY TYPE Knob 2 3 REVERB TYPE Knob 3 SONG EFFECT 2 1 4 EFFECT PARAMETERS Knob 1 Knob 4 5 SEND VAR TO DELAY Knob 1 6 SEND VAR TO...

Page 199: ... 6 RETURN LEVEL Knob 3 7 PAN Delay Pan Knob 4 SONG EFFECT 4 1 4 EFFECT PARAMETERS Knob 1 Knob 4 5 RETURN LEVEL Knob 3 6 PAN Reverb Pan Knob 4 3 Delay Chorus Parameter Page 1 2 4 3 Knob 1 Knob 2 Knob 3 Knob 4 F4 5 7 6 Knob 2 Knob 3 Knob 4 F1 4 Reverb Parameter Page 1 4 2 3 Knob 1 Knob 2 Knob 3 Knob 4 F4 6 5 F1 Knob 3 Knob 4 ...

Page 200: ...o to the SETUP mode Features and details are the same as in the PATTERN mode Page 107 Display Parameters y SONG SETUP 1 TYPE Knob 1 2 SORT Knob 2 3 HOLD Knob 3 4 OCT RANGE Knob 4 SONG SETUP 2 1 INPUT GAIN Knob 1 2 MONO STEREO Knob 2 3 VOLUME 1 Knob 3 4 VOLUME 2 Knob 4 5 REVERB SEND LEVEL 1 2 Knob 1 6 DELAY SEND LEVEL 1 2 Knob 2 7 VARIATION DRY BALANCE 1 2 Knob 3 8 PAN 1 2 Knob 4 9 Arpeggio Assigna...

Page 201: ...0 201 4 The Song Mode SONG SETUP 3 1 KNOB SELECT Knob 1 2 PARAMETER MIDI OUT Knob 2 3 TRACK Knob 4 SONG SETUP 4 1 OUT SELECT Knob 3 2 OUT CHANNEL Knob 4 3 TR Track 3 Knob Assign Page 4 Out Channel Page 3 1 2 Knob 1 Knob 4 Knob 2 1 2 3 Knob 3 Knob 4 ...

Page 202: ... settings effect all styles and songs The Master EQ and Effect features and details are the same as in the PATTERN mode Page 111 Display Parameters SONG MASTER 1 LOW GAIN Knob 1 2 MID1 GAIN Knob 2 3 MID2 GAIN Knob 3 4 HIGH GAIN Knob 4 5 LOW FREQUENCY Knob 1 6 MID1 FREQUENCY Knob 2 7 MID2 FREQUENCY Knob 3 8 HIGH FREQUENCY Knob 4 9 LOW Q Knob 1 0 MID1 Q Knob 2 A MID2 Q Knob 3 B HIGH Q Knob 4 10 Mast...

Page 203: ...ffect Parameter 6 Knob 2 B Effect Parameter 7 Knob 3 C Effect Parameter 8 Knob 4 D Effect Parameter 9 Knob 1 E Effect Parameter 10 Knob 2 F Effect Parameter 11 Knob 3 G Effect Parameter 12 Knob 4 H Effect Parameter 13 Knob 1 I Effect Parameter 14 Knob 2 J Effect Parameter 15 Knob 3 K Effect Parameter 16 Knob 4 2 Master Effect Page 4 5 1 2 3 Knob 1 Knob 2 Knob 3 Knob 4 F4 8 9 6 7 Knob 1 Knob 2 Knob...

Page 204: ...Structure The SAVE sub mode includes the following display pages Save Saves data from the internal memory to memory card or disk Export Saves the selected sample or song to memory card or disk in a standard format SMF or WAV that can be handled by a per sonal computer Rename Changes the file name of a file stored on memory card or disk Delete Deletes a specified file from memory card or disk Forma...

Page 205: ...ile to be saved For descriptions of the various file types see About File Types on page 116 2 SONG Knob 2 Settings 01 20 Selects the song to be saved This parameter is not available when the FILE TYPE param eter is set to ALL 3 SCSI CARD F4 4 OK F1 Save Execution Page SONG SAVE F1 5 FILE NAME Knob 1 6 Folder Select Knob 3 7 NEW F2 8 UP F3 9 OPEN F4 0 SAVE F1 1 Save Page 1 2 5 4 3 Knob 1 Knob 2 F1 ...

Page 206: ...FILE TYPE Knob 1 2 TRACK Knob 2 3 NOTE Knob 3 4 SCSI CARD F4 5 OK F1 Export Execution Page SONG SAVE 2 F1 6 FILE NAME Knob 1 7 Folder Select Knob 3 8 NEW F2 9 UP F3 0 OPEN F4 A EXPORT F1 Changes the name of a file or folder Features and details are the same as in the PATTERN mode page 122 2 Export Page 1 3 2 4 5 Sample Number Sample Name Available Space Icon Knob 1 Knob 2 Knob 3 F1 F4 1 5 2 4 Knob...

Page 207: ...rameters SONG SAVE 4 1 FILE Knob 1 2 UP F1 3 OPEN F2 4 DELETE F4 Formats memory cards and disks Features and details are the same as in the PATTERN mode Page 124 Display Parameters SONG SAVE 5 CARD or SCSI SCSI CARD or SCSI CARD 1 SCSI CARD F1 2 FORMAT TYPE Knob 3 3 PARTITION Knob 4 4 FORMAT F4 4 Delete Page 1 2 3 4 5 Knob 2 F2 F3 F4 F1 1 2 4 3 Knob 1 F1 F2 F4 5 Format Page 1 2 4 3 Partition Name ...

Page 208: ... other equip ment or saved to memory card or disk by a computer SCSI Setup Provides access to a number of SCSI settings SCSI Communication Allows communication with the YAMAHA TWE Wave Editor application running on a personal computer Loads data to internal memory from a memory card or disk Features and details are the same as in the PATTERN mode Page 126 In this section we ll describe only parame...

Page 209: ...on Page SONG LOAD F4 FILE TYPE SONG FILE TYPE ALL ALL SYSTEM FILE TYPE SMPL 4 File Select Knob 1 5 SONG TRACK Knob 4 Settings Song Select when FILE TYPE SONG 01 20 Track Select when FILE TYPE SMPL 01 16 When the selected FILE TYPE is SONG Selects the song to which the data will be loaded The name of the selected song is displayed When the selected FILE TYPE is SMPL Selects the track to which the d...

Page 210: ...n be loaded into the currently selected RS7000 song Specifies the type of data file to be imported Some imported samples may play at an unexpected pitch loop playback may change or the sound quality may vary When an RM1x SONG file is imported the voice edit and effect settings will not be reproduced Some voices may also change For details about the various file types see About File Types on page 1...

Page 211: ...e Page 131 Display Parameters SONG LOAD 3 1 MOUNT ID Knob 1 F1 2 MOUNT PARTITION Knob 2 3 SCSI SELF ID Knob 4 4 NEXT PREV F3 Allows communication with the YAMAHA TWE Wave Editor application running on a personal computer Features and details are the same as in the PATTERN mode Page 132 Display Parameters SONG LOAD 4 1 TRACK Knob 1 2 TYPE Knob 2 3 SCSI Setup Page 4 8 Knob 1 F2 Song Number 2 1 3 4 F...

Page 212: ...location P 217 12 Erase Event Clears all specified events from the specified range P 217 13 Extract Event This job moves all instances of specified event data from a specified range of a song to the same range in a different song P 218 14 Create Continuous Data Creates continuous pitch bend or control change data over the specified range P 218 15 Thin Out Thins out the specified type of continuous...

Page 213: ...ect data from the 1st beat of the 1st measure up to the 4th last beat of the 3rd measure The specifiable beat range will depend on the meter 1 4 can be specified if the meter is 4 4 1 8 can be specified if the meter is 8 4 etc Details are the same as the PATTERN mode Undo Redo job Page 134 The following parameters are the same as in the PATTERN mode Page 135 1 Undo Redo Indication 2 Undo Redo targ...

Page 214: ...d as follows Adjusted velocity original velocity Rate Offset If the result is 0 or less the value is set to 1 If the result is higher than 127 the value is set to 127 Details are the same as the PATTERN mode Page136 1 Track Settings 01 16 ALL 2 Range Settings Measure Beat Clock 001 1 000 999 16 479 The following parameters are the same as in the PATTERN mode Page 136 3 Set All 4 Rate 5 Offset This...

Page 215: ...Details are the same as the PATTERN mode Page 138 1 Track Settings 01 16 ALL 2 Range Settings Measure Beat Clock 001 1 000 999 16 479 Note C 2 G8 The following parameters are the same as in the PATTERN mode Page 138 3 Transpose Replaces all notes following the first note in the specified seg ment with pitch bend data producing smooth glides from note to note This job is ideal for producing guitar ...

Page 216: ...lock 001 1 000 999 16 479 The following parameters are the same as in the PATTERN mode Page 139 3 Type 4 Grid This job slightly separates notes in chords within the specified range inserting a specified number of clocks between each note Use this job after the Chord Sort job above to create guitar like upstroke or downstroke effects Details are the same as the PATTERN mode Page 140 1 Track Setting...

Page 217: ...ecified events from the specified range effectively producing a segment of silence Details are the same as the PATTERN mode Page 141 1 Track Settings 01 16 BPM SCENE ALL 2 Source Range Settings Measure Beat Clock 001 1 000 999 16 479 3 Event Settings When Track is 01 16 ALL Event Type Range Note Note events PC Program change PB Pitch bend CC Control change 000 127 ALL CAT Channel aftertouch PAT Po...

Page 218: ...are the same as the PATTERN mode Page 142 1 Track Settings 01 16 BPM ALL 2 Range Settings Measure Beat Clock 001 1 000 999 16 479 3 Event Type Settings When Track is 01 16 Event Type Range PB Pitch bend CC Control change 000 127 ALL CAT Channel aftertouch EXC System exclusive When Track is BPM Event Type Range BPM Tempo 5 Data Settings 000 127 8192 8191 for pitch bend data 1 0 300 0 for BPM data T...

Page 219: ... Adjusted gate time original gate time Rate Offset If the result is outside the allowable range the value will be set to minimum or maximum Details are the same as the PATTERN mode Page 143 1 Track Settings 01 16 BPM ALL 2 Range Settings Measure Beat Clock 001 1 000 999 16 479 3 Event Type Settings When Track is 01 16 All Event Type Range PB Pitch bend CC Control changer 000 127 ALL CAT Channel af...

Page 220: ... Specifies the number of empty measures to be created and inserted Deletes the specified measures 17 Beat Stretch NOTE Only MIDI data is affected by this job Sample voices are not expanded or compressed However for samples recorded using the SLICE SEQ feature the Beat Stretch job expands or compresses the timing of the note data step times and gate times that control playback of the sliced samples...

Page 221: ...d tracks in the current style and section NOTE Measure and meter data following the deleted measures are moved backward accordingly When sample voices are used in the deleted measures the note events which trigger the sample voice will be erased so that the sam ple voice does not sound but the sample voice itself is not erased 20 Copy Track CAUTION The copy operation overwrites any data previously...

Page 222: ...rack PLAY FX GROOVE MIDI DELAY The track s PLAY FX GROOVE and MIDI DELAY set tings MIXER VOICE EDIT The track s mixer and voice edit settings SAMPLE The sample voice assigned to the selected track Determine the type s of data to be cleared When a checkbox is checked the corresponding data type will be cleared This job rewrites the data in the selected track so that it incorpo rates the current Pla...

Page 223: ...a basis for patterns NOTE After the Normalize Play Effect job is executed the PLAY FX GROOVE and MIDI DELAY parameters for the track are initialized 25 Divide Drum Track CAUTION Any previous data in tracks 1 8 will be overwritten 1 Knob 3 F4 1 Knob 2 Knob 3 F4 26 Copy Song NOTE When there is no memory available in the destination song for local sample voice data Too Many Local Sample Voices will a...

Page 224: ... by the specified songs will not be cleared Use this job to enter or change a song name The name can be up to 16 characters long 1 SONG NAME Enters the song name Refer to Chapter 1 Basics page 67 for details on name entry NOTE When there is no memory available in the destination style for local sample voice data Too Many Local Sample Voices will appear on the display and the sample voice data will...

Page 225: ...o change the value as required An edited event will flash on the display The measure beat and clock of an even can be edited to change its location While an event is flashing being edited you can use the SUB MODE buttons as a numeric keypad to directly enter parameter values 6 When the parameter has been edited as required press ENTER to confirm and enter the edit the event will stop flashing If t...

Page 226: ...ccess this page 1 Event 2 Measure Beat and Clock 3 Parameter 4 Cursor and Knob 2 5 DO F3 6 VALUE Knob 4 Display Parameters 1 Event Checkboxes Knob 3 Knob 4 2 View Filter Icon 3 CTRL NO Control Number Knob 1 SHIFT F1 Numeric Keypad 4 Cursor and Knob 2 5 CLEAR ALL F3 6 CHECK ALL F4 Edit Change Page Insert Page 1 3 4 2 7 8 9 5 6 Knob 2 Knob 4 F2 Knob 1 F3 3 2 4 5 6 1 Knob 2 F3 Knob 4 View Filter Page...

Page 227: ...RS7000 227 Chapter 5 The Sampling Mode About the Sampling Mode 228 1 Recording Samples Sampling 229 2 The Real Time Loop Remix Function 239 3 Sample Editing 241 4 The Sample Jobs 244 ...

Page 228: ...s Sample Edit SAMPLE EDIT Page 241 Allows recorded samples to be edited About the Sampling Mode NOTE Samples are digitally recorded audio waveform data complete with sample parameters which define how the sample will play back NOTE The Real Time Loop Remix function divides the performance data on the selected track and rearranges a part of the data to create new variations This is effective when a...

Page 229: ...ed sample is not only saved as a sample voice but the note data required to play the sample back is automatically created as well For example if a vocal sample is recorded while listening to playback of other tracks the recorded sample will be played back exactly as it was recorded in relation to the other tracks just like a multitrack recorder Since what was actually recorded was the vocal sample...

Page 230: ...ampling standby page Depending on the selected sampling type if the selected sequencer track already contains data Sequence or Sample exists Cancel F2 Replace F3 will appear on the display Press F3 to overwrite the existing sample 8 Use Knob 3 TRIGGER MODE and Knob 4 TRIGGER LEVEL PUNCH IN OUT to set the trigger mode and trig ger level or punch in out measures as required Use the REC VOLUME contro...

Page 231: ...les is created automat ically PITCH The recorded sample is saved as a Pitched Voice Determines the type of sample voice created when a sample is recorded and whether the note data required to play the recorded sample will be created automatically 2 FREQUENCY Knob 2 Settings 44 1 k 44 1 kHz 22 kLo 22 05 kHz Lo Fi 11 kLo 11 025 kHz Lo Fi 5 kLo 5 5125 kHz Lo Fi Specifies the sampling frequency The 22...

Page 232: ...t the specified punch in measure and end at the specified punch out measure MANUAL Sampling will begin as soon as the STANDBY START STOP button is pressed Specifies the method by which sampling will be triggered NOTE The DIGITAL and OPTICAL settings can only be effective when the optional AIEB2 I O Expansion Board is installed When DIGITAL or OPTICAL is selected the digital input signal will simul...

Page 233: ...ple voices 7 Sampling Time Displays the available sampling time 8 Sampling Frequency Mono Poly Displays the sampling frequency and mono stereo settings made in the Sampling Setup page Page 231 9 Level Meter Displays the level of the input signal A clipping indicator will appear to the right of the level meter if the input signal is too large This display appears while waiting for the sampling trig...

Page 234: ...SLICE SEQ sampling type is selected The trim function makes it possible to specify the beginning and end points of a measure within a sample to allow appropriate slic ing Data prior to the specified beginning of the measure and data after the specified end of the measure will be deleted thus reduc ing the overall data size The Trim page is automatically selected after sampling when the SLICE SEQ s...

Page 235: ... divided in to a number of slices the size of which is determined by the specified note length When the SLICE SEQ sample type is selected this page can be selected from the Trim page by pressing F4 OK The Initial Slice Display The Display After Slice Has Been Executed 1 MEAS Measure Knob 1 Settings 1 8 Specifies the number of measures in the sample to be sliced When the slice operation is executed...

Page 236: ... the METER numerator the SUB DIVID denomi nator Specifies how the sample is sliced and to some extent the resulting sound quality Select the type that best suits the original phrase See below for tips on selecting the appropriate slice type Slice Type Selection Tips When slicing percussive phrases with short decay First try slicing using the BEAT1 type Try adjusting the slice sensitivity for finer...

Page 237: ...n Wave Memory Required for Slice Operations Individual wave data slices created through slice operations required approximately 1 5 times the original memory because a tail section is automatically added and fade in and fade out sec tions are automatically created at the beginning and end of the wave data This helps to maintain maximum sound quality when the BPM is increased and results in smoothe...

Page 238: ...led for stereo samples With the memory expanded to the maximum 64 megabytes for example if the entire memory is empty and a 44 1 kHz sample is sliced to 32 slices the longest possible sampling time will be approximately BEAT1 3 PHRASE1 4 approx 138 seconds mono 47 sec onds stereo QUICK approx 253 seconds mono 126 seconds stereo ...

Page 239: ...Procedure 1 Press LOOP REMIX to go to the Real Time Loop Remix page 2 Use Knob 1 TYPE and Knob 2 VARIATION to select the remix type and variation 3 Press F1 REMIX to remix the data and change the arrangement of the pattern being played back 4 Press F4 CREATE and the new sequence data created by the Real Time Loop Remix function will be saved in the cur rent track Display Parameters LOOP REMIX 1 TY...

Page 240: ... Since the remixed data is saved as a new phrase and assigned to the current track the original phrase data remains as an unas signed phrase When the track uses a sample voice and VARIATION REVERSE 1 16 PITCH 1 16 Overwrite Sample Voice Cancel F2 OK F3 will appear Press F3 to execute CRE ATE and overwrite the original sample voice with the new data Press F2 to abort Memory Protected will appear wh...

Page 241: ... that its indicator lights and then press the key on the keyboard corresponding to the sample you want to edit 4 Use Knob 1 Knob 4 to change the settings as required 5 Press SAMPLE EDIT to go to the Sample Parameter page 6 Use Knob 1 Knob 4 to change the settings as required 7 Press EXIT to go back to the Trim page and then again to return to the original display Display Parameters SAMPLE EDIT 3 S...

Page 242: ...PLAY MODE is set to ATK LOOP this button switches the parameter to be adjusted by Knob 2 The but ton alternately selects the START ATCK and START LOOP parameters START ATCK Sets the initial playback start point for the sample START LOOP Sets the point at which the sample loop begins 7 AUDITION F4 The sample will loop between the specified START and END points while this button is held This lets yo...

Page 243: ...en the START LOOP point and the END point Specifies the sample playback mode 5 AUDITION F4 The sample will loop between the specified START and END points while this button is held This lets you hear pre cisely how the settings are affecting the sample 6 VOICE Sample Voice Number This is the same parameter as in the Trim page Page 241 7 Sample Information These are the same as in the Trim page Pag...

Page 244: ...do sample edit operations FILE Category 01 COPY Copies the specified sample voice to another sample voice P 245 02 DELETE Deletes the selected sample or sample voice P 246 03 EXTRACT Deletes the portions of the sample prior to the specified start point and after the specified end point P 246 04 MOVE Moves a sample or sample voice to a different sample voice number P 246 PROCESS Category 05 NORMALI...

Page 245: ... a Sample Kit Voice a key number selection page will appear in which Knob 2 can be used to select the key number Pressing F3 OK then overwrites the sample 10 Press EXIT 4 times to return to the original display page Copies the specified sample to a different sample number When the target is a Sample Kit Voice samples assigned to each key number can be copied individually 1 SAMPLE Source Sample Num...

Page 246: ...LL is selected the extract job is applied to the entire sample voice 3 AUDITION F2 Plays the specified sample 4 DO F4 Executes the job Moves the specified sample to a different sample or sample voice number 02 DELETE NOTE This parameter is not available when the specified sample is a Pitched Voice When the last remaining sample in a Sample Kit Voice is deleted the entire sample voice is deleted 03...

Page 247: ...ipping maximum digital signal level Settings below 100 reduce the level of the sample accord ingly Settings higher than 100 will raise the sample level above the maximum producing deliberate clipping 4 AUDITION F2 Plays the specified sample Plays the normalized sample if pressed after F4 DO is pressed to normalize the sample 5 DO F4 Executes the job 6 CREATE F3 Saves the processed sample to the ta...

Page 248: ...he sound quality or rhythmic feel of the time stretched sample will be emphasized 5 AUDITION F2 Plays the specified sample Plays the time stretched sample if pressed after F4 DO is pressed to stretch the sample 6 DO F4 Executes the job 7 CREATE F3 Saves the processed sample to the target sample number overwriting the original sample If the original sample is a Pitched Sample it will be overwritten...

Page 249: ...O Destination Key Number Knob 2 Settings C 2 G8 Specifies the key number to which the processed sample will be saved 9 OK F3 Saves the pitch converted sample to the specified destination key number Varies the level of the sample to produce a fade in or fade out 1 SAMPLE Sample Number Knob 1 Settings 001 128 C001 C128 Specifies the sample voice to which the fade in or fade out is to be applied 2 KE...

Page 250: ... C 2 G8 Specifies the key number to which the processed sample will be saved 9 OK F3 Saves the processed sample to the specified destination key number Halves the sampling frequency of the specified sample This can be used to convert hi fi samples to a lo fi sound and reduce the sample size by half 1 SAMPLE Sample Number Knob 1 Settings 001 128 C001 C128 Specifies the sample voice to be converted ...

Page 251: ...onvert the sample 5 DO F4 Executes the job 6 CREATE F3 Saves the processed sample to the target sample number overwriting the original sample If the original sample is a Pitched Sample it will be overwrit ten at this point If the original sample is part of a Sample Kit Voice a key number selection page will appear 7 CREATE TO Destination Key Number Knob 2 Settings C 2 G8 Specifies the key number t...

Page 252: ...riginal sample is part of a Sample Kit Voice a key number selection page will appear 8 CREATE TO Destination Key Number Knob 2 Settings C 2 G8 Specifies the key number to which the processed sample will be saved 9 OK F3 Saves the processed sample to the specified destination key number The sample is divided into a number of slices the size of which is determined by the specified note length At the...

Page 253: ...cifies the track to which the sliced sample and note data will be saved A OK F3 Saves the sliced sample and note data to the specified desti nation track Allows a name to be entered for the selected sample voice 1 SAMPLE Sample Number Knob 1 Settings 001 128 C001 C128 Specifies the sample voice to be named 2 NAME Knob 3 Enters a name of up to 8 characters for the sample voice Use Knob 3 to move th...

Page 254: ...4 The Sample Jobs 254 RS7000 ...

Page 255: ...RS7000 255 Chapter 6 The Utility Mode About the Utility Mode 256 1 System 257 2 MIDI Setup 260 3 MIDI Filter 262 ...

Page 256: ...ch settings and other overall system parameters are available via this page 3 additional pages can be accessed by using the F1 and F4 buttons for a total of 4 Sys tem pages MIDI Setup Page 260 MIDI synchronization echo back and other MIDI related setup parameters 1 additional page can be accessed by using the F1 and F4 buttons for a total of 2 MIDI Setup pages MIDI Filter Page 262 Specifies which ...

Page 257: ...note Specifies whether style and section changes will be made on measure boundaries or 1 2 note 1 16 note boundaries 4 MEMORY PROTECT Knob 4 Settings OFF ON OFF It is possible to record or edit pat terns songs and sample voices ON It is not possible to record or edit pat terns songs and sample voices Determines whether the memory containing patterns songs and samples will be protected or not 5 CLI...

Page 258: ...tch to the BPM value stored with each style when a new style is selected dur ing playback B LCD MODE Knob 4 Settings POSI NEGA POSI The normal display mode NEGA An inverse negative display mode Selects normal or inverse display on the LCD C TG MUTE MODE Knob 1 Settings AUDIO MIDI Determines whether the MIDI sequence data or the tone gen erator audio output will be muted when a track is muted When ...

Page 259: ...l be automatically recalculated NOTE Operations which manipulate recorded samples in memory adding or deleting samples for example can result in non continuous blocks of data in memory Sufficient continuous free memory is required for sample recording or loading If you want to record a 20 second sam ple for example but the available memory is broken down into one 10 second and two 5 second blocks ...

Page 260: ...MIDI OUT A OUT B MIDI control is transmitted via MIDI OUT B OUT A B MIDI control is transmitted via MIDI OUT A and B IN OUT A MIDI control is received and transmit ted via MIDI OUT A IN OUT B MIDI control is received and transmit ted via MIDI OUT B IN OUT A B MIDI control is received and transmit ted via MIDI OUT A and B Specifies whether and via which MIDI outputs MIDI control signals start conti...

Page 261: ...stored with each song or style are recalled when a different song or style is selected Determines whether or not the mixer voice edit and effect parameters stored with each style or song will be recalled when a style or song is selected 7 MTC START OFFSET Knob 4 F4 Settings Hour Minute Second Frame Hour 00 23 Minute 00 59 Second 00 59 Frame 00 29 Specifies the time code time from which sequence pl...

Page 262: ...ANGE CONTROL CHANGE CHANNEL AFTER TOUCH POLY AFTER TOUCH EXCLUSIVE The display shows whether the corresponding MIDI events will be transmitted or not The corresponding MIDI event will not be transmitted The corresponding MIDI event will be transmitted Use F1 and F2 to move the cursor and F4 to check or un check the boxes 3 MIDI Filter NOTE When an IN box is disabled the corresponding MIDI event wi...

Page 263: ...RS7000 263 Chapter 7 Other Information 1 MIDI Basics 264 2 MIDI Events Handled by the RS7000 266 ...

Page 264: ...receiving device s via a MIDI cable Only a MIDI device set to receive on the same channel as a transmitting device will be con trolled by that device 3 Multi timbre and Single timbre Tone Generators MIDI tone generators can be grouped into two main types according to the number of channels that can simultaneously receive on Multi timbre and Single timbre Single timbre tone generators can receive a...

Page 265: ...ook at the various parameters available will give you a good idea of the many parameters provided for each part These type of parameters are commonly known as part parameters 5 Parts and Tracks In the RS7000 the performance data recorded on each of its 16 tracks plays the corresponding tone generator parts Although the default track to part relationship is that track 1 plays part 1 track 2 plays p...

Page 266: ...y pitch bend wheel operation on an external keyboard The data is a numerical representation of pitch bend wheel position The bar graph to the right is a graphic representation of the value Settings Data 8192 0000 8191 3 Program Change PC Program change events select voices The bank select MSB and LSB parameters are actually included in the Control Change category below but since in the RS7000 thes...

Page 267: ...3 Expression Control Number 011 Sets the expression for each individual part No sound is pro duced when the value is 0 and 127 produces maximum volume This parameter produces volume variations during playback Sustain Hold 1 Control Number 064 This MIDI message represents sustain pedal ON OFF opera tions Notes playing when the pedal is pressed will be sus tained When the value is 0 63 sustain is OF...

Page 268: ...ing the parameter using the RPN MSB and RPN LSB Once an RPN is specified the following data entry message received on the same channel is processed as the value of that RPN Prevent operational errors by transmitting an Null mes sage 7FH 7FH after using these messages to perform a con trol operation Refer to 7 RPN for information about the parameter Page 269 All Sound Off Control Number 120 Turns a...

Page 269: ...e RS7000 Data Entry LSB 38 is added to this and the resulting group of control change events is handled as one Once an RPN is specified the following data entry message received on the same channel is processed as the value of that RPN Prevent operational errors by transmitting an Null mes sage 7FH 7FH after using these messages to perform a con trol operation The RS7000 tone generator section all...

Page 270: ...ges internal tone generator settings such as voice and effect settings remote switch control tone generator mode switching and others via MIDI The 2nd byte is a manufacturer ID number and there is no data compatibility between manufacturers This type of event is used to control RS7000 specific functions The cursor can be used to scroll through the data if the data size is greater than 17 bytes Set...

Page 271: ...ions 282 3 Troubleshooting 286 4 Error Message List 288 5 Voice List Normal voice 291 6 Drum Voice List 295 7 Phrase Category List 313 8 Effect Type List 313 9 Effect Parameter List 315 10 Effect Data Value Table 323 11 MIDI Data Format 325 12 Glossary 334 13 Index 343 ...

Page 272: ... sure to wear gloves so that your hands are not scratched by the metal cover or other metal parts 2 Switch off the RS7000 power and unplug the power cord from the wall outlet 3 Remove the screws holding the bottom cover in place Set the RS7000 upside down on the workbench and use a Phillips screwdriver to unscrew the 12 screws from the bottom see illus tration below 4 Holding both sides of the bot...

Page 273: ...n the bottom cover 3 Carefully turn the unit right side up Replacing the Bottom Cover IMPORTANT IMPORTANT When replacing the bottom cover be sure that you do not get cables caught or pulled between the cover and main unit This could cause broken connections or malfunctions CAUTION Do not use screws other than those removed in step 3 Page 272 Other screws can damage the unit Holes B in the diagram ...

Page 274: ... 36 bit parity type SIMMs When purchasing SIMMs make sure that the SIMM design does not utilize more than 18 memory chips per module SIMMs comprised of more than 18 chips do not operate correctly on the RS7000 SIMMs must be installed as a pair of the identical capacity It is not possible to add just a single SIMM The RS7000 ships with 4 MB of memory installed This means that if for example you ins...

Page 275: ...ill install the SIMM into Hold the SIMM with its cutout part facing the rear panel and set the SIMM into the socket at an angle as shown in the figure below 1 Then push the SIMM upright until it clicks into the position shown in figure 2 locking it into place 1 2 Repeat this step for the other SIMM If you need to remove a SIMM from a socket hold open the two hooks on the socket one at each end pus...

Page 276: ...e will help prevent scratching Gloves Be sure to wear gloves so that your hands are not scratched by the metal cover or other metal parts 2 Remove the bottom cover Page 272 3 Remove the three screws B from the rear panel and remove the I O cover Installing the AIEB2 I O Expansion Board IMPORTANT IMPORTANT Before performing the installation please read precautions Handling and Installation of Optio...

Page 277: ...lat cable Connect the flat cable from the I O expansion board the thin flat cable to the corresponding connector on the RS7000 s circuit board marked C in the illustration below CN16 The connector is keyed so that it will only go in one way 6 Insert the AIEB2 I O expansion board Support the I O expansion board as shown in the illustration below and fasten it to the rear panel by screwing in the th...

Page 278: ...ustration below CN7 3 pin Make sure that the direction is correct and do not try to force the connection 8 Connect the other red white cable 4 wire in the same way Connect the cable to the connector shown below CN2 4 pin 9 Secure the cables to the bundle tie Run the 3 wire and 4 wire cables through the bundle tie see illustration below and secure them CN 7 CN 6 CN 1 CN 4 CN 2 CN 7 CN 6 CN 1 CN 4 C...

Page 279: ...tration below 10 Replace the bottom cover Page 273 11 Plug in the power cord CAUTION Make sure that the cables are bundled below the circuit board If any cables are pinched between the cover and I O expansion circuit board when the bottom cover is replaced broken connections or malfunctions may occur Bundle tie Correct Incorrect ...

Page 280: ...es be sure to turn off the power of the RS7000 and all connected equip ment If the power is on while connections are being made the RS7000 or SCSI devices can be damaged Including the RS7000 each SCSI device is distinguished by a number from 0 7 called the SCSI ID If two or more devices have the same SCSI ID number the SCSI devices will not function correctly When shipped from the factory the RS70...

Page 281: ...SI bus operates stably only if all the connected SCSI devices are operating correctly If any of the devices are producing noise the other devices will also produce errors and in the worst case the boot block of a drive can be destroyed All data in that drive will be lost Also there are cases in which a system on which data appears to have saved may not have actually saved the data resulting in dat...

Page 282: ...e track Patterns Patterns 1024 64 styles 16 sections Measures 256 maximum Phrases Preset Phrases 5980 User Phrases 256 per style Pattern Chains 20 chains Songs 20 songs Edit Phrase edit Pattern Chain edit Song edit Jobs Pattern Jobs 37 Pattern Chain Jobs 9 Song Jobs 30 Grid Groove Note Offset Clock Shift Gate Time Offset Velocity Offset Play Effects Harmonize Unison Octaver Harmonize 1 2 Note Note...

Page 283: ...ard installed Optical I O When optional AIEB2 I O Expansion Board installed A D Conversion 20 bit 64 oversampling D A Conversion 24 bit 128 oversampling Sampling Types Slice Sequence Kit Kit Note Pitch Sample Data Bits 16 Sampling Frequency 44 1 kHz MONO STEREO 22 05 kHz 11 025 kHz 5 5125 kHz LO FI mode MONO STEREO Digital Inputs When optional AIEB2 I O Expansion Board installed 48 kHz 44 1 kHz 32...

Page 284: ...ITCH PORTAMENTO TYPE TYPE FILTER Exit Button EXIT Sequencer Buttons REC STOP PLAY Shift Button SHIFT Arpeggio Button ARPEGGIO ON Mute Scene Buttons STORE MUTE SCENE MEMORY 1 MEMORY 5 Octave Buttons OCT DOWN OCT UP Keyboard Mode Buttons KEYBOARD TRANSPOSE MUTE TRACK SELECT Keyboard Pads 26 Tap Button TAP Velocity Pads 2 PAD 1 PAD 2 Display LCD 64 240 dot graphic LCD with backlighting and contrast c...

Page 285: ... phone jack OUTPUT Standard phone jack 2 L MONO R INPUT Standard phone jack 2 L R FOOT SWITCH MIDI IN MIDI OUT 2 A B CARD SLOT 3 3 V SmartMedia SCSI 50 pin half pitch AC INLET AC power Dimensions W D H 440 mm 363 mm 134 mm Weight 7 kg Supplied Accessories Power cord CD ROM 1 SmartMedia 8 MB 1 Sound Sequence data Owner s Manual Set Options I O Expansion Board AIEB2 Expansion Memory use a pair of Id...

Page 286: ...ssion settings appropriate Page 154 225 267 Is the groove or playback effect velocity offset set too low Page 86 88 191 192 Sample Related Causes Is the sample volume set to an appropriate level Page 243 Is the Original Key parameter set properly Page 243 Distorted Sound Overall System Causes Is the MASTER VOLUME set so high that clipping is occurring Page 13 Is the Out Level set too high Page 258...

Page 287: ...ned on Page 257 Can t Record Samples Have you exceeded the maximum allowable number of sample voices Page 61 229 Is there enough free sample memory Page 68 Is the source input set properly Page 231 Is the A D level set properly Page 108 200 Memory is Full Even Though There Are Avail able Patterns or Songs The total RS7000 memory capacity determines the number of patterns phrases and songs that can...

Page 288: ...hort Sample The sample length is too short and the Frequency Convert job cannot be exe cuted Too Low Freq The sampling frequency is too low and the Frequency Convert job cannot be executed Digital In Unlocked The DIGITAL OPTICAL input is unlocked Check the connections and the out put from the source device Backup Battery Low The internal backup battery is running low Have the battery replaced by y...

Page 289: ...rite to a read only medium such as CD ROM Bad File An unusable file has been loaded Can t Change File Name When executing a Rename operation a file or folder with the same name already exists in the specified folder Illegal File The file specified for loading is unusable by the RS7000 No Data When executing a save operation the specified song or style contains no data and cannot be saved Too Long ...

Page 290: ...e data on the card or disk and this message con firms whether it is OK to continue Press F2 or F3 as required Overwrite Sample Voice Cancel F2 OK F3 When executing Create after Realtime Loop Remix this message confirms whether it is OK to overwrite the sample voice in the current track Press F3 to overwrite or F2 to abort Saving xxxxxxxx Abort F3 Appears when a file is being saved Press F3 to abor...

Page 291: ...ri Sax 2 AsiaFlut 2 Hitchhik 2 DubBas3 2 31 Dist Gtr 2 XP Bass 2 EP Pad2 2 Digi11 A 1 Organ3 2 Oboe 2 Bagpipe 1 Digger 2 FatLoBas 2 32 GtrHarmo 1 PizzBass 2 EthnoPad 2 Digi12 A 1 Organ4 2 Eng Horn 2 Sho 2 Propelr1 2 FTekBass 2 33 Aco Bass 1 TalkBass 2 Angels 2 Saw1 B 1 HousOrg1 2 Bassoon 2 Digeridu 2 Propelr2 2 BL Saw5 1 34 FngrBass 1 VocoBas1 2 NewAgePd 2 Saw2 B 1 ThinOrgn 2 Clarinet 1 Koukin1 2 ...

Page 292: ...Note on off 32 ArpTech 2 LFOSyc32 2 PsychKtN Note on off 33 Unbell 2 LFOSyc33 2 AcidKitN Note on off 34 HappyMan 2 LFOSyc34 2 TeknoKtN Note on off 35 Ibiza 2 LFOSyc35 1 AmbntKtN Note on off 36 Orange 2 LFOSyc36 2 HardKitN Note on off 37 CheapRes 1 LFOSyc37 2 HousKt1N Note on off 38 HouseChd 2 LFOSyc38 1 BreakKtN Note on off 39 Lizzy 2 LFOSyc39 2 JunglKtN Note on off 40 PolySaw1 2 LFOSyc40 2 D B Ki...

Page 293: ...nSdStk1 1 Laugh 1 TeknoMan 2 92 ChoirPad 2 Vox Bell 2 Digi8 C 1 DpChorEP 2 AnSdStk2 1 Scream 1 TechLead 2 93 BowedPad 2 ColdStab 1 Digi9 C 1 MelloEP2 2 AnSdStk3 1 Punch 1 BigSyn1 2 94 MetalPad 2 Kick Hit 1 Digi10 C 1 Digi EP1 2 AnSdStk4 1 Heart 1 BigSyn2 2 95 Halo Pad 2 BrasHit1 1 Digi11 C 1 Digi EP2 2 MelodTom 1 Footstep 1 EleCarpt 2 96 SweepPad 2 Syn Stab 1 Digi12 C 1 Digi EP3 2 Syn Drum 2 Appla...

Page 294: ... 1 90 Zap2 1 91 Zoom 1 92 Alarm 1 93 Vox Go 1 94 VoxWhoa 1 95 Vox Yo 1 96 VoxAhhh 1 97 Vox Huh 1 98 Vox Muh 1 99 Vox Tah 1 100 Vox Buh 1 101 Vox Hit 1 102 Vocd Ahh 1 103 VoxDrum1 1 104 VoxDrum2 1 105 Scratch2 1 106 ScrtchDr 1 107 ScrtchVx 1 108 RvSyMetl 1 109 RvRebond 2 110 RevZap1 1 111 RevZap2 1 112 RevZoom 1 113 RevAlarm 1 114 RvVoxGo 1 115 RvVxWhoa 1 116 RvVoxYo 1 117 RvVxAhhh 1 118 RvVxHuh 1 ...

Page 295: ...alog 90 1 29 F 0 BD Analog 91 Hi Hat Open 90 1 Snare Analog 91 Tom Analog 90 2 30 F 0 BD Analog Deep Hi Hat Open 90 2 Snare Analog 91 Q Tom Analog 90 3 31 G 0 BD Analog Hard 2 Hi Hat Closed 90 Snare Analog Gate Tom Analog 90 4 32 G 0 BD Analog Hard 1 Hi Hat Open 90 1 Snare Synth 1 Tom Analog 90 5 33 A 0 BD Analog Blip 1 Hi Hat Open 90 2 Snare Synth 2 Tom Analog 90 6 34 A 0 BD Analog Rubber 1 Hi Ha...

Page 296: ...Finger Cymbal 31 G 0 Conga L 95 B 5 Reverse BD Analog 70 Ride Cymbal Light 32 G 0 Conga H Mute 96 C 6 Reverse BD Analog 81 Ride Cymbal Light Brush 33 A 0 Conga H Open 97 C 6 Reverse BD Dry Crash Cymbal Light 34 A 0 Bongo L 98 D 6 Reverse BD Soft Crash Cymbal Light Brush 35 B 0 Bongo H 99 D 6 Reverse BD Room 2 Splash Cymbal 3 36 C 1 Bongo RX5 L 100 E 6 Reverse BD Break Lo fi 2 Chinese Cymbal 37 C 1...

Page 297: ...Short 97 C 6 Snare Hip Rim 8 Tom RX5 4 Guiro Analog DM 98 D 6 Side Stick Electro Tom RX5 5 Guiro Analog 70 99 D 6 Side Stick Tom RX5 6 Vibraslap 100 E 6 Snare Hip Rim 1 Tom Ambience 1 Vibraslap Synth 101 F 6 Side Stick RX5 Tom Ambience 2 Vibraslap Analog 102 F 6 Snare Hip Rim 4 Tom Ambience 3 Samba Whistle L 103 G 6 Snare Hip Rim 5 Tom Ambience 4 Samba Whistle H 104 G 6 Snare Hip Rim 9 Tom Ambienc...

Page 298: ...om Analog 90 1 Tom Analog 80 1 Tom Analog 80 1 Tom Electro 1 1 42 F 1 Hi Hat Closed 90 2 Hi Hat Closed Analog 81 1 2 Hi Hat Closed Analog 70 1 Hi Hat Closed Synth 2 43 G 1 Tom Analog 90 2 Tom Analog 80 2 Tom Analog 80 2 Tom Electro 1 2 44 G 1 Hi Hat Open 90 1 2 Hi Hat Open Analog 81 2 2 Hi Hat Open Analog 70 1 1 Hi Hat Open Synth 1 2 45 A 1 Tom Analog 90 3 Tom Analog 80 3 Tom Analog 80 3 Tom Elect...

Page 299: ...nare Analog Gate Snare Analog 91 Snare FX Noise 41 F 1 Tom SFX 1 Tom Hard 1 Tom Analog 90 1 Tom Analog 80 1 42 F 1 Hi Hat Closed SE 2 Hi Hat Closed Analog 81 2 Hi Hat Closed Analog 81 2 Hi Hat Closed Lo fi 2 43 G 1 Tom SFX 2 Tom Hard 2 Tom Analog 90 2 Tom Analog 80 2 44 G 1 Hi Hat Open SE 1 2 Hi Hat Closed 90 2 Hi Hat Closed 90 2 Hi Hat Open Lo fi 2 45 A 1 Tom SFX 3 Tom Hard 3 Tom Analog 90 3 Tom ...

Page 300: ...alog Distortion 1 Tom Analog 90 1 Tom Soft 1 42 F 1 Hi Hat Closed Analog 80 2 Hi Hat Closed 90 2 Hi Hat Closed Analog 81 2 Hi Hat Closed Break 2 43 G 1 Tom Analog 80 2 Tom Analog Distortion 2 Tom Analog 90 2 Tom Soft 2 44 G 1 Hi Hat Open Analog 81 2 Hi Hat Open 90 1 2 Hi Hat Open 90 1 2 Hi Hat Pedal Break 1 2 45 A 1 Tom Analog 80 3 Tom Analog Distortion 3 Tom Analog 90 3 Tom Soft 3 46 A 1 Hi Hat O...

Page 301: ...1 F 1 Tom Soft 1 Tom Hard 1 Tom Ambience 1 Tom Soft 1 42 F 1 Hi Hat Closed Light 2 Hi Hat Closed Tight 2 Hi Hat Closed Heavy 2 Hi Hat Closed R B 2 43 G 1 Tom Soft 2 Tom Hard 2 Tom Ambience 2 Tom Soft 2 44 G 1 Hi Hat Pedal Light 2 Hi Hat Pedal Break 2 2 Hi Hat Closed Heavy 2 Hi Hat Pedal R B 2 45 A 1 Tom Soft 3 Tom Hard 3 Tom Ambience 3 Tom Soft 3 46 A 1 Hi Hat Open Light 2 Hi Hat Open Break 2 Hi H...

Page 302: ...h 1 Tabla Open 42 F 1 Hi Hat Closed Heavy 2 Hi Hat Closed Light 2 Hi Hat Closed Light Brush 2 Maracas Analog 80 43 G 1 Tom Dry 2 Tom Soft 2 Tom Brush 2 Tabla Mute 44 G 1 Hi Hat Pedal Heavy 2 Hi Hat Pedal Light 2 Hi Hat Pedal Light 2 Shaker Analog 45 A 1 Tom Dry 3 Tom Soft 3 Tom Brush 3 Tabla High 46 A 1 Hi Hat Open Heavy 2 Hi Hat Open Light 2 Hi Hat Open Light Brush 2 Cabasa 47 B 1 Tom Dry 4 Tom S...

Page 303: ...RX5 1 Tom SFX 1 Tom Electro 2 1 Tom Soft 1 42 F 1 Hi Hat Closed RX5 2 Hi Hat Closed Analog 80 2 Hi Hat Closed 90 2 Hi Hat Closed Break 2 43 G 1 Tom RX5 2 Tom SFX 2 Tom Electro 2 2 Tom Soft 2 44 G 1 Hi Hat Open RX5 1 2 Hi Hat Open Analog 81 2 Hi Hat Open 90 1 2 Hi Hat Pedal Break 1 2 45 A 1 Tom RX5 3 Tom SFX 3 Tom Electro 2 3 Tom Soft 3 46 A 1 Hi Hat Open RX5 2 2 Hi Hat Open Analog 80 2 Hi Hat Open...

Page 304: ...3 G 1 Tom Analog 81 2 Tom Soft 2 Tom Human 2 Tom Dry 2 44 G 1 Hi Hat Closed Analog 70 2 Hi Hat Pedal Light 2 Scratch Vox 2 B 2 Hi Hat Pedal Light 1 45 A 1 Tom Analog 81 3 Tom Soft 3 Tom Human 3 Tom Dry 3 46 A 1 Hi Hat Open Analog 80 2 Hi Hat Open Light 2 Hi Hat Open Lo fi 2 Hi Hat Open Light 1 47 B 1 Tom Analog 81 4 Tom Soft 4 Tom Human 4 Tom Dry 4 48 C 2 Tom Analog 81 5 Tom Soft 5 Tom Human 5 Tom...

Page 305: ...om Analog 90 1 Tom Analog 80 1 Tom Analog 80 1 Tom Electro 1 1 42 F 1 Hi Hat Closed 90 Hi Hat Closed Analog 81 1 Hi Hat Closed Analog 70 Hi Hat Closed Synth 43 G 1 Tom Analog 90 2 Tom Analog 80 2 Tom Analog 80 2 Tom Electro 1 2 44 G 1 Hi Hat Open 90 1 Hi Hat Open Analog 81 2 Hi Hat Open Analog 70 1 Hi Hat Open Synth 1 45 A 1 Tom Analog 90 3 Tom Analog 80 3 Tom Analog 80 3 Tom Electro 1 3 46 A 1 Hi...

Page 306: ... Gate Snare Analog 91 Snare FX Noise 41 F 1 Tom SFX 1 Tom Hard 1 Tom Analog 90 1 Tom Analog 80 1 42 F 1 Hi Hat Closed SE Hi Hat Closed Analog 81 Hi Hat Closed Analog 81 Hi Hat Closed Lo fi 43 G 1 Tom SFX 2 Tom Hard 2 Tom Analog 90 2 Tom Analog 80 2 44 G 1 Hi Hat Open SE 1 Hi Hat Closed 90 Hi Hat Closed 90 Hi Hat Open Lo fi 45 A 1 Tom SFX 3 Tom Hard 3 Tom Analog 90 3 Tom Analog 80 3 46 A 1 Hi Hat O...

Page 307: ...log Distortion 1 Tom Analog 90 1 Tom Soft 1 42 F 1 Hi Hat Closed Analog 80 Hi Hat Closed 90 Hi Hat Closed Analog 81 Hi Hat Closed Break 43 G 1 Tom Analog 80 2 Tom Analog Distortion 2 Tom Analog 90 2 Tom Soft 2 44 G 1 Hi Hat Open Analog 81 Hi Hat Open 90 1 Hi Hat Open 90 1 Hi Hat Pedal Break 1 45 A 1 Tom Analog 80 3 Tom Analog Distortion 3 Tom Analog 90 3 Tom Soft 3 46 A 1 Hi Hat Open Analog 80 Hi ...

Page 308: ...Tom Soft 1 Tom Hard 1 Tom Ambience 1 Tom Soft 1 42 F 1 Hi Hat Closed Light Hi Hat Closed Tight Hi Hat Closed Heavy Hi Hat Closed R B 43 G 1 Tom Soft 2 Tom Hard 2 Tom Ambience 2 Tom Soft 2 44 G 1 Hi Hat Pedal Light Hi Hat Pedal Break 2 Hi Hat Closed Heavy Hi Hat Pedal R B 45 A 1 Tom Soft 3 Tom Hard 3 Tom Ambience 3 Tom Soft 3 46 A 1 Hi Hat Open Light Hi Hat Open Break Hi Hat Open Heavy Hi Hat Open ...

Page 309: ...2 F 1 Hi Hat Closed Heavy on Hi Hat Closed Light Hi Hat Closed Light Brush Maracas Analog 80 43 G 1 Tom Dry 2 on Tom Soft 2 Tom Brush 2 Tabla Mute 44 G 1 Hi Hat Pedal Heavy on Hi Hat Pedal Light Hi Hat Pedal Light Shaker Analog 45 A 1 Tom Dry 3 on Tom Soft 3 Tom Brush 3 Tabla High 46 A 1 Hi Hat Open Heavy on Hi Hat Open Light Hi Hat Open Light Brush Cabasa 47 B 1 Tom Dry 4 on Tom Soft 4 Tom Brush ...

Page 310: ... 80 Hi Hat Closed 90 43 G 1 Reverse Tom Analog 90 2 Tom RX5 2 Tom SFX 2 Tom Electro 2 2 44 G 1 Reverse Hi Hat Closed 90 Hi Hat Open RX5 1 Hi Hat Open Analog 81 Hi Hat Open 90 1 45 A 1 Reverse Tom Analog 90 3 Tom RX5 3 Tom SFX 3 Tom Electro 2 3 46 A 1 Reverse Hi Hat Open 90 Hi Hat Open RX5 2 Hi Hat Open Analog 80 Hi Hat Open 90 2 47 B 1 Reverse Tom Analog 90 4 Tom RX5 4 Tom SFX 4 Tom Electro 2 4 48...

Page 311: ...og 81 1 Tom Soft 1 Tom Human 1 42 F 1 Hi Hat Closed Break Hi Hat Closed Analog 80 Hi Hat Closed Light Hi Hat Open Lo fi 43 G 1 Tom Soft 2 Tom Analog 81 2 Tom Soft 2 Tom Human 2 44 G 1 Hi Hat Pedal Break 1 Hi Hat Closed Analog 70 Hi Hat Pedal Light Scratch Vox 2 B 45 A 1 Tom Soft 3 Tom Analog 81 3 Tom Soft 3 Tom Human 3 46 A 1 Hi Hat Open Lo fi Hi Hat Open Analog 80 Hi Hat Open Light Hi Hat Open Lo...

Page 312: ...in VoxDrum1 55 G 2 Hndrail1 Helicptr VoxDrum2 56 G 2 Hndrail2 RevBurst RvVoxGo 57 A 2 Hitchhik RevLowNz RvVxWhoa 58 A 2 Digger Laugh RvVoxYo 59 B 2 Propelr1 Scream RvVxAhhh 60 C 3 Propelr2 Punch RvVxHuh 61 C 3 Greeting Heart RvVxMuh 62 D 3 Safari Footstep RvVxTah 63 D 3 Sesame Applause RvVxBuh 64 E 3 Buddha BrthNoiz RvVoxHit 65 F 3 Wah Seq1 Gunshot RvVxDrm2 66 F 3 Wah Seq2 Bomb Scrtch2C 67 G 3 Bit...

Page 313: ...Y L C R DELAY LCR 02 00 9 DELAY L R DELAY LR 02 10 18 10 ECHO ECHO 02 20 25 11 CROSS DELAY CROSS DLY 02 30 24 12 CONTROL DELAY MONO CTRLDLY M 02 40 19 13 CONTROL DELAY STEREO CTRLDELAY 02 48 20 14 3 TEMPO DELAY MONO TMP DLY 1 02 50 21 15 TEMPO DELAY STEREO TMP DLY 2 02 58 22 16 TEMPO CROSS DELAY TMP C DLY 02 60 23 17 EARLY REFLECTION EARLY REFLECTION 1 ER 1 03 00 18 EARLY REFLECTION 2 ER 2 03 01 1...

Page 314: ... 0A 50 69 4 MULTI COMPRESSOR 2 MULTICMP2 0A 51 70 PITCH CHANGE PITCH CHANGE 1 PTCH CNG1 0B 00 71 PITCH CHANGE 2 PTCH CNG2 0B 01 72 WAH AUTO WAH AUTO WAH 0C 00 73 AUTO WAH DIST A WAH DST 0C 01 74 AUTO WAH OVERDRIVE A WAH ODR 0C 02 75 TOUCH WAH TOUCH WAH 0C 10 76 TOUCH WAH DIST T WAH DST 0C 11 77 TOUCH WAH OVERDRIVE T WAH ODR 0C 12 78 WAH DIST DELAY WAH DT DL 0C 40 79 WAH OVERDRIVE DELAY WAH OD DL 0...

Page 315: ...Hz 4 40 6 3 7 EQ Low Gain 12dB 12dB 52 76 7 8 EQ High Frequency 500Hz 16 0kHz 28 58 8 3 9 EQ High Gain 12dB 12dB 52 76 9 No Parameter Range Value MIDI Parameter Number Table 1 LFO Speed 16th 8th 3 16th 8th 4th 3 8th 4th 2th 3 4th 2nd Whole 3 2nd 4thx4 4thx5 4thx6 4thx7 4thx8 5 21 1 2 LFO Depth 0 127 0 127 2 3 Feedback Level 63 63 1 127 3 4 Delay Offset 0 0ms 50 0ms 0 127 4 2 5 LFO Phase Difference...

Page 316: ...Hz 8 0kHz 0 52 5 3 6 LPF Cutoff Frequency 1 0kHz 20 0kHz 34 60 6 3 7 Diffusion 0 10 0 10 7 8 Density 0 4 0 4 8 9 Feedback Level 63 63 1 127 9 10 Feedback High Damp 0 1 1 0 1 10 10 No Parameter Range Value MIDI Parameter Number Table 1 Lch Delay Time 0 1ms 1486 0ms 1 14860 1 2 Rch Delay Time 0 1ms 1486 0ms 1 14860 2 3 Cch Delay Time 0 1ms 1486 0ms 1 14860 3 4 Feedback Time 0 1ms 1486 0ms 1 14860 5 ...

Page 317: ... Gain 12dB 12dB 52 76 6 7 EQ High Frequency 500Hz 16 0kHz 28 58 7 3 8 EQ High Gain 12dB 12dB 52 76 8 9 EQ Mid Frequency 100Hz 10 0kHz 14 54 9 3 10 EQ Mid Gain 12dB 12dB 52 76 10 11 EQ Mid Width 0 1 12 0 1 120 11 12 Input Mode mono stereo 0 1 12 No Parameter Range Value MIDI Parameter Number Table 1 LFO Speed 0 0Hz 39 70Hz 0 127 1 1 2 LFO Depth 0 127 0 127 2 3 Delay Offset 0 0ms 50 0ms 0 127 3 2 4 ...

Page 318: ...0 EQ Low Frequency 32Hz 2 0kHz 4 40 13 3 11 EQ Low Gain 12dB 12dB 52 76 14 12 EQ High Frequency 500Hz 16 0kHz 28 58 15 3 13 EQ High Gain 12dB 12dB 52 76 16 No Parameter Range Value MIDI Parameter Number Table 1 LFO Speed 0 0Hz 39 70Hz 0 127 1 1 2 AM Depth 0 127 0 127 2 3 PM Depth 0 127 0 127 3 4 LFO Phase Difference 180deg 180deg 4 124 4 5 EQ Low Frequency 32Hz 2 0kHz 4 40 5 3 6 EQ Low Gain 12dB 1...

Page 319: ... 52 76 10 9 EQ Mid Width 0 1 12 0 1 120 11 No Parameter Range Value MIDI Parameter Number Table 1 Threshold 48dB 6dB 79 121 1 2 Ratio 1 20 0 0 7 2 10 3 Attack 1ms 40ms 0 19 3 8 4 Release 10ms 680ms 0 15 4 9 5 Drive 0 127 0 127 5 6 LPF Cutoff Frequency 1 0kHz 20 0kHz 34 60 6 3 7 Output Level 0 127 0 127 7 8 Edge 0 127 0 127 8 9 EQ Low Frequency 32Hz 2 0kHz 4 40 9 3 10 EQ Low Gain 12dB 12dB 52 76 10...

Page 320: ... 5 3 5 EQ Low Gain 12dB 12dB 52 76 6 6 EQ High Frequency 500Hz 16 0kHz 28 58 7 3 7 EQ High Gain 12dB 12dB 52 76 8 8 Drive 0 127 0 127 9 9 Drive LPF Cutoff Freq 1 0kHz 20 0kHz 34 60 10 3 10 Drive Low Gain 12dB 12dB 52 76 11 11 Drive Mid Gain 12dB 12dB 52 76 12 12 Drive Output Level 0 127 0 127 15 No Parameter Range Value MIDI Parameter Number Table 1 Wah Sensitive 0 127 0 127 1 2 Wah Cutoff Frequen...

Page 321: ...able 1 On off SW off on 0 1 1 2 Low Level 64 63 0 127 2 3 Mid Level 64 63 0 127 3 4 High Level 64 63 0 127 4 5 Low Mute off on 0 1 5 6 Mid Mute off on 0 1 6 7 High Mute off on 0 1 7 No Parameter Range Value MIDI Parameter Number Table 1 Divide Type 4th 8th 16th 0 2 1 2 Gate Time 0 100 0 100 2 3 Divide Min Level 0 127 0 127 3 4 Drive 0 127 0 127 4 5 Pan AEG Type A E 0 4 5 6 Pan AEG Min Level 0 127 ...

Page 322: ... 63 1 127 5 6 Feedback High Damp 0 1 1 0 1 10 6 7 Dry Wet Balance D63 W D W D W63 1 127 7 8 EQ Low Frequency 32Hz 2 0kHz 4 40 9 3 9 EQ Low Gain 12dB 12dB 52 76 10 10 EQ High Frequency 500Hz 16 0kHz 28 58 11 3 11 EQ High Gain 12dB 12dB 52 76 12 No Parameter Range Value MIDI Parameter Number Table 1 Type Normal Low Mid High Low High Low Mid Mid High Full Bit Wild Attacky Low End Hard 0 11 1 2 Low Ga...

Page 323: ...22 1 57 89 8 100 157 5 15 23 7 58 91 4 101 159 1 16 25 3 59 93 0 102 160 6 17 26 9 60 94 5 103 162 2 18 28 4 61 96 1 104 163 8 19 30 0 62 97 7 105 165 4 20 31 6 63 99 3 106 166 9 21 33 2 64 100 8 107 168 5 22 34 7 65 102 4 108 170 1 23 36 3 66 104 0 109 171 7 24 37 9 67 105 6 110 173 2 25 39 5 68 107 1 111 174 8 26 41 0 69 108 7 112 176 4 27 42 6 70 110 3 113 178 0 28 44 2 71 111 9 114 179 5 29 45...

Page 324: ...0 4 0k Table 19 Compressor Attack Time Data Value Data Value Data Value 0 1 43 900 86 3100 1 2 44 950 87 3200 2 5 45 1000 88 3300 3 10 46 1050 89 3400 4 15 47 1100 90 3500 5 20 48 1150 91 3600 6 30 49 1200 92 3700 7 40 50 1250 93 3800 8 50 51 1300 94 3900 9 60 52 1350 95 4000 10 70 53 1400 96 4100 11 80 54 1450 97 4200 12 90 55 1500 98 4300 13 100 56 1550 99 4400 14 110 57 1600 100 4500 15 120 58 ...

Page 325: ...d by foot switch operations If the SETUP Knob Assign parameter assigns this to a knob 1 31 knob operations will transmit c 1 119 except 32 Control numbers received c 0 BANK SEL MSB v 0 GM VOICE 63 RS7000 VOICE 64 RS7000 SAMPLE VOICE 126 RS7000 DRUM VOICE 127 GM DRUM c 32 BANK SEL LSB v 0 127 3 c 1 MODULATION v 0 127 c 5 PORTAMENTO TIME v 0 127 2 c 6 DATA ENTRY MSB v 0 127 1 c 38 DATA ENTRY LSB v 0...

Page 326: ... l Data Value First designate the RPN MSB and RPN LSB to specify the parameter that you wish to control Then use Data Entry to set the value of the specified parameter RPN D ENTRY LSB MSB MSB LSB PARAMETER NAME DATA RANGE 00H 00H mmH PITCH BEND SENSITIVITY 00H 18H 0 24 semitones 01H 00H mmH llH MASTER FINE TUNE mmH llH 00H 00H 40H 00H 7FH 7FH 8192 100 8192 0 8192 100 8192 02H 00H mmH MASTER COARSE...

Page 327: ...Y PRESSURE CONTROL CHANGE PROGRAM CHANGE CHANNEL PRESSURE PITCH BEND CHANGE 9nH AnH BnH CnH DnH EnH SW3 CHANNEL MODE MESSAGE ALL SOUND OFF RESET ALL CON TROLLERS LOCAL CONTROL OMNI MODE OFF OMNI MODE ON MONO MODE ON POLY MODE ON BnH 78H BnH 79H BnH 7AH BnH 7CH BnH 7DH BnH 7EH BnH 7FH SW5 TIMING CLOCK F8H SW2 SYSTEM REALTIME MESSAGE START CONTINUE STOP FAH FBH FCH SYSTEM COMMON MESSAGE SONG POSITIO...

Page 328: ...PARAMETER 6 MSB 00 00 00 7F REVERB PARAMETER 6 LSB 0E 2 00 7F REVERB PARAMETER 7 MSB 00 04 00 7F REVERB PARAMETER 7 LSB 10 2 00 7F REVERB PARAMETER 8 MSB 00 32 00 7F REVERB PARAMETER 8 LSB 12 2 00 7F REVERB PARAMETER 9 MSB 00 08 00 7F REVERB PARAMETER 9 LSB 14 2 00 7F REVERB PARAMETER 10 MSB 00 40 00 7F REVERB PARAMETER 10 LSB 16 1 00 7F REVERB RETURN LEVEL dB 0dB 6dB 0 64 127 40 17 1 01 7F REVERB...

Page 329: ...RUS dB 0dB 6dB 0 64 127 00 Address Size Data H Parameter Description Default Value H H M L 01 40 00 1 28 58 EQ LOW GAIN 24 24 dB 40 01 1 0A 28 EQ LOW FREQUENCY 63 2000 Hz 0E 02 1 01 78 EQ LOW Q 0 1 12 0 0A 03 1 NOT USED 04 1 NOT USED 05 1 NOT USED 06 1 NOT USED 07 1 NOT USED 08 1 34 4C EQ MID1 GAIN 12 12 dB 40 09 1 0E 36 EQ MID1 FREQUENCY 100 10 0 kHz 1A 0A 1 01 78 EQ MID1 Q 0 1 12 0 0A 0B 1 NOT U...

Page 330: ...L 64 63 40 3D 1 NOT USED 10 pp 40 1 00 7F LFO SPEED BPM Sync off only 64 63 40 41 1 NOT USED 42 1 NOT USED 43 1 NOT USED 44 1 NOT USED 45 1 00 02 LFO KEY ON RESET OFF EACH KEYON FIRST KEYON 00 46 1 NOT USED 47 1 NOT USED 48 1 NOT USED 49 1 NOT USED Address Size Data H Parameter Description Default Value H H M L 11 pp 30 1 00 7F LFO AMP MOD DEPTH 64 63 40 31 1 00 7F LFO FILTER MOD DEPTH 64 63 40 32...

Page 331: ...USED 09 1 NOT USED 0A 1 NOT USED 0B 1 NOT USED 0C 1 NOT USED 0D 1 00 7F VOLUME 0 127 5A 0E 1 00 7F PAN L63 C R63 40 0F 1 NOT USED 10 2 NOT USED 12 1 00 7F REVERB SEND 0 127 00 13 1 00 7F DELAY CHORUS SEND 0 127 00 14 1 00 7F DRY VARIATION BALANCE 0 127 00 15 1 NOT USED 16 1 NOT USED 17 1 NOT USED 18 1 NOT USED 19 1 NOT USED 1A 1 NOT USED 1B 1 NOT USED 1C 1 NOT USED 1D 1 NOT USED 1E 1 NOT USED 70 1...

Page 332: ...0 121 o o Control Change Prog o 0 127 o 0 127 Change True System Exclusive o o Song Pos o 1 o 1 Common Song Sel o 1 o 1 Tune x x System Clock o 2 o 3 Real Time Commands o 1 o 1 Aux All Sound OFF o o Reset All Cntrls o o Local ON OFF o o All Notes OFF x x Mes Active Sense x x sages Reset x x Notes 1 if MIDI control in out is enabled send MMC stop differed play locate if sync mode is MTC 2 if MIDI c...

Page 333: ... o o 0 24 semi 0 o o Bank Select MSB 1 5 7 10 11 o 16 19 o 32 o o Bank Select LSB Control 38 o 64 o o Sustain Switch Change 65 66 o Prog o 0 127 o 0 127 Change True 0 127 System Exclusive o o Song Pos x x Common Song Sel x x Tune x x System Clock x x Real Time Commands x x Aux All Sound OFF x o Reset All Cntrls x o Local ON OFF x x All Notes OFF x o 123 125 Mes Active Sense o o sages Reset x x Not...

Page 334: ...propriate program change number Beat When playing back or recording a song one beat a rhythmic subdivision of a measure BPM Beats Per Minute Another term for tempo determining the speed of playback BPM Track A sequencer track dedicated to the recording and play back of BPM changes Breakbeats Originally this term referred to a section of a song in which all other instruments stop playing while only...

Page 335: ... to pass and cutting the remainder of the signal This frequency is referred to as the cutoff frequency D Data Entry A type of MIDI control change data control change number 6 generally used to set RPN specified parame ters Delay An effect or device that delays an audio signal The RS7000 s variation effects include delay effects Depth The amount or degree to which an effect changes the original sou...

Page 336: ...h and the FEG controls the filter Equalizer A circuit or device that divides the frequency spectrum into multiple bands which can be boosted or cut as required to tailor the overall frequency response Event A single piece of the data such as Note On Off or Pro gram Change messages which makes up a sequence Exclusive See the entry for System Exclusive Expression A MIDI control change message used t...

Page 337: ...ital Interface a standard for transferring data between musical instru ments Most electronic musical instruments today implement the MIDI specification and provide MIDI con nectors Such instruments can be connected together to create remote performance or automatic perfor mance systems MIDI Channel 16 MIDI channels are provided 1 16 and the transmitting and receiving devices must be set to the sam...

Page 338: ...of digital audio signals Optimize The process of de fragmenting the sample memory so that the largest possible contiguous segment of mem ory is available for sampling Overdub A method of real time recording in which new material is recorded without erasing previously recorded data P Pan The parameter that sets the stereo location of a sound when it is played back in stereo The pan parameters found...

Page 339: ...s Portamento An effect that smoothly changes the pitch from one note to another note Higher Portamento Time values will produce a slower change and there will be no effect with a setting of 0 Portamento Switch MIDI control change number 65 turns the portamento effect on or off Preset An item provided in the internal memory In the RS7000 a substantial number of phrases are provided as pre sets Punc...

Page 340: ... C 2 through G8 Sample kit voices allow different samples to be played individually or simultaneously via different keys on the keyboard Sample Voice A voice based on a sample created by using the sam pling function Sampling Frequency Specifies the number of samples taken of an analog signal each second The individual samples are con verted to digital values which represent the amplitude of the si...

Page 341: ...evice such as another sequencer or a rhythm machine System effect An effect which can be applied to all parts by adjusting the Send Levels and Return Level System effects allow reverb or chorus etc to be applied to the overall music The RM1x provides Reverb and Chorus as system effects The Variation effect can also be used as a sys tem effect System Exclusive Message A type of MIDI message used to...

Page 342: ...lically modulates the tone The RS7000 produces this effect by using an LFO signal to modulate the cutoff frequency of a filter Wah effects are included in the Variation effect stage Wave A digitally recorded instrument waveform Wet Sound The audio signal that is processed by an effect Nor mally when using an effect not all of the audio signal is passed through the effect Rather the degree of the e...

Page 343: ...Aftertouch 155 CAT Channel aftertouch 143 217 218 219 CATEGORY 134 171 213 CC 83 141 142 CC Control Change 155 CC Control change 143 217 218 219 CC Control changer 219 CD ROM drive 280 CHAIN 159 Chain Name 159 174 CHANNEL AFTER TOUCH 262 Channel Aftertouch CAT 269 Chord Separate 140 216 Chord Sort 139 216 Clear Chain 174 Clear Pattern 153 Clear Phrase 148 Clear Song 224 Clear Track 150 222 CLICK B...

Page 344: ... FB GATE TIME Feedback Time 92 FB NOTE Feedback Note 91 FB VELOCITY Feedback Velocity 91 193 Feedback 91 193 FEG ATTACK Filter Envelope GeneratorAttack 101 197 FEG DECAY Filter Envelope Generator Decay 101 197 FEG RELEASE Filter Envelope Generator Release 102 197 FEG SUSTAIN Filter Envelope Generator Sustain 102 197 FILE 123 FILE NAME 119 121 167 205 206 FILE TYPE 119 121 127 129 167 170 205 206 2...

Page 345: ...D1 FREQUENCY 112 164 202 MID1 GAIN 111 164 202 MID1 Q 112 164 202 MID2 FREQUENCY 112 164 202 MID2 GAIN 112 164 202 MID2 Q 112 164 202 MIDI 264 MIDI Channel 264 MIDI CLOCK OUT 260 MIDI CONTROL 260 MIDI DELAY 13 17 MIDI Delay 90 193 MIDI Event 266 MIDI event 262 MIDI Filter 262 MIDI IN connector 19 MIDI IN OUT Indicator 13 MIDI OUT A and B connectors 19 MIDI Setup 260 MIDI SYNC 260 Mix Phrase 145 Mi...

Page 346: ...Pitch Envelope Generator Initial Level 102 197 PEG RLS Pitch Envelope Generator Release 102 197 PEG RLS LEVEL Pitch Envelope Generator Release Level 102 197 PEG SUS Pitch Envelope Generator Sustain 102 197 PGM Program Number 79 PHONE 19 22 Phrase 75 PHRASE CAT Phrase Category 75 Phrase Edit 154 Phrase Name 148 PHRASE NO Phrase Number 75 Phrase Recording 77 PITCH 15 230 231 239 Pitch 100 197 PITCH ...

Page 347: ...10 SEC Section 75 SECTION 72 159 161 Section 59 177 SELECT 14 SEND DELAY TO REVERB 105 199 SEND VAR TO DELAY 105 198 SEND VAR TO REVERB 105 198 Sens Slice Sensitivity 237 SEQUENCE PLAY FX 13 Sequencer 16 59 Sequencer Button 63 SETUP 17 Setup 107 200 SEXC System Exclusive 155 SHIFT 16 Shift Clock 140 216 SIMM 20 274 SIMM expansion memory 272 SLICE 252 Slice 235 SLICE TYPE 236 253 SLICE SEQ 229 231 ...

Page 348: ...8 130 132 200 211 251 252 TYPE Destination Type 245 TYPE Sampling Type 231 U Undo Redo 68 134 172 213 UNISON 88 192 User Memory 63 UTILITY 17 UTILITY mode 53 Utility Mode 256 V VALUE 82 189 VARIATION 96 195 252 VARIATION Remix Variation 239 Variation Effect 63 Variation Parameter 105 198 VARIATION SEND 109 VARIATION TYPE 104 198 VARIATION DRY BALANCE 200 VELO OFFSET Velocity Offset 86 191 192 VELO...

Page 349: ... INFORMATION U S A This applies only to products distributed by YAMAHA CORPORATION OF AMERICA class B IMPORTANT NOTICE FOR THE UNITED KINGDOM Connecting the Plug and Cord WARNING THIS APPARATUS MUST BE EARTHED IMPORTANT The wires in this mains lead are coloured in accordance with the following code GREEN AND YELLOW EARTH BLUE NEUTRAL BROWN LIVE As the colours of the wires in the mains lead of this...

Page 350: ...lled in locations that do not seriously contribute to their oper ating temperature Placement of this product close to heat sources such as radiators heat registers etc should be avoided 8 This product was NOT designed for use in wet damp loca tions and should not be used near water or exposed to rain Exam ples of wet damp locations are near a swimming pool spa tub sink or wet basement 9 This produ...

Page 351: ...g Sweden Tel 031 89 34 00 DENMARK YS Copenhagen Liaison Office Generatorvej 8B DK 2730 Herlev Denmark Tel 44 92 49 00 FINLAND F Musiikki Oy Kluuvikatu 6 P O Box 260 SF 00101 Helsinki Finland Tel 09 618511 NORWAY Norsk filial av Yamaha Scandinavia AB Grini Næringspark 1 N 1345 Østerås Norway Tel 67 16 77 70 ICELAND Skifan HF Skeifan 17 P O Box 8120 IS 128 Reykjavik Iceland Tel 525 5000 OTHER EUROPE...

Page 352: ...ation 2001 Yamaha Corporation V702090 202CRCP12 2 03C0 Printed in Japan Yamaha Web Site English only www yamahasynth com Yamaha Manual Library English versions only http www2 yamaha co jp manual english This document is printed on chlorine free ECF paper with soy ink ...

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