30
Chapter 4 Introduction to Effects and Parameters
DELAY
This effect adds delayed sound to the direct sound, giving
more body to the sound or creating special effects.
Parameter/
Range
Explanation
On/Off
Off, On
Turns the DELAY Effect on/off.
Type
see below
This selects which type of delay.
Single
Delay sound of 0 to 1800 ms delay time.
Pan
This delay is specifically for stereo output. This allows you to obtain
the tap delay effect that divides the delay time, then deliver them to
L and R channels.
fig.04-050
Stereo
The direct sound is output from the left channel, and the effect sound
is output from the right channel.
Dual Series
This is a delay comprising two different delays connected in series.
Each delay time can be set in a range from 0 ms to 900 ms.
fig.04-051
* The FEEDBACK and LEVEL knobs at the top of the panel are enabled
for Delay 2.
Dual Parallel
This is a delay comprising two delays connected in parallel. Each de-
lay time can be set in a range from 0 ms to 900 ms.
fig.04-052
* The FEEDBACK and LEVEL knobs at the top of the panel are enabled
for delay 2.
Dual L/R
This is a delay with individual settings available for the left and right
channels. Delay 1 goes to the left channel, Delay 2 to the right.
fig04-053
* Although both the FEEDBACK and LEVEL knobs at the top of the
panel are enabled, “Delay 2” is indicated in the display.
Reverse
This produces an effect where the sound is played back in reverse.
Analog
This gives a mild analog delay sound. The delay time can be set with-
in the range of 0 to 1800 ms
Tape
This setting provides the characteristic wavering sound of the tape
echo. The delay time can be set within the range of 0 to 1800 ms.
INPUT
OUTPUT L
OUTPUT R
Feedback
Delay Time
Effect Level
DELAY
Tap Time
D1
D2
D1: Delay 1
D2: Delay 2
D1
D2
D1
D2
L
R
Warp
This simultaneously controls the delay sound’s feedback level and
volume to produce a totally unreal delay.
Modulate
This delay adds a pleasant wavering effect to the sound.
Hold
Up to 2.8 seconds of performance content is recorded, then played
back repeatedly. You can also layer this as you perform something
else, then record these together (overdub), allowing you to produce
what is called “sound-on-sound.”
* If you switch patches with the Type set to either Dual Series, Dual
Parallel, or Dual L/R and then begin to play immediately after the
patches change, you may be unable to attain the intended effect in the
first portion of what you perform.
* When the Type is switched from Modulate to Hold (or Hold to
Modulate), the following settings are switched to OFF and the held
sound is cleared.
• When FX (1 or 2) with FB (Feedbacker: p. 40) (OSC) selected is
ON
• When AR (Auto Riff: p. 46) Hold is ON
• When SH (Sound Hold: p. 49) Hold is ON
Delay Time
0 ms–1800 ms,
BPM
–BPM
This determines the delay time.
* When set to BPM, the value of each parameter will be set according to the
value of the Master BPM (p. 51) specified for each patch. This makes it
easier to achieve effect sound settings that match the tempo of the song
(synchronizing the time to twice or four times the time length of the BPM
when the set time is increased). When setting to BPM, press PARAMETER
[
] several times to display the Master BPM settings screen.
Tap Time
0%–100%
(Type = Pan)
Adjusts the delay time of the left channel de-
lay. This setting adjusts the L channel delay
time relative to the R channel delay time
(considered as 100%).
Feedback
0–100
Adjusts the amount of feedback.
“Feedback” is returning a delay signal to the input. A higher value
will increase the number of the delay repeats.
High Cut (High Cut Filter)
700 Hz–11.0 kHz, Flat
This sets the frequency at which the high cut
filter begins to take effect.
This allows you to get a mild effect sound by cutting the high-end
component above the set frequency. When it is set to “Flat,” the high
cut filter is off or has no effect.
Delay1 Time *1
0 ms–900 ms,
BPM
–BPM
This determines the delay time of the
Delay1.
* When set to BPM, the value of each parameter will be set according to the
value of the Master BPM (p. 51) specified for each patch. This makes it
easier to achieve effect sound settings that match the tempo of the song
(synchronizing the time to twice or four times the time length of the BPM
when the set time is increased). When setting to BPM, press PARAMETER
[
] several times to display the Master BPM settings screen.
Delay1 Feedback *1
0–100
Adjusts the amount of feedback of the Delay1.
A higher value will increase the number of the delay repeats.
Parameter/
Range
Explanation
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