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Table of Contents

Recording   . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 94
Second-take recording (Overdubbing) . . . . . . . . . . . . . . . . . . . . 96
Saving a Song   . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 96

Recording a new Song (MP3 file) . . . . . . . . . . . . . . . . . . . . . .98

Searching files and musical resources  . . . . . . . . . . . . . . .  100

How to use the Search function  . . . . . . . . . . . . . . . . . . . . . . . . . 100
Notes about searching  . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 102

Reference

Selecting elements   . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .  104

Style Select window  . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 104
Sound Select window . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 105
Performance Select window  . . . . . . . . . . . . . . . . . . . . . . . . . . . . 106
STS Select   . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 106
Pad Select window  . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 106
Song Select window  . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 107

Style Play   . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .  110

Start-up settings  . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 110
How Styles, Variations, Performances and STSs are 

linked together  . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 110

Styles and Pads  . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 110
Master Volume and Balance   . . . . . . . . . . . . . . . . . . . . . . . . . . . 110
Factory, Favorite and User Styles   . . . . . . . . . . . . . . . . . . . . . . . 110
Main page  . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 111
STS Name panel  . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 113
Volume panel  . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 113
Pad panel  . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 115
Split panel  . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 116
Sub-Scale panel . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 116
Mic panel . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 117
Edit menu  . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 117
Edit page structure . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 117
Mixer/Tuning > Volume/Pan   . . . . . . . . . . . . . . . . . . . . . . . . . . 118
Mixer/Tuning > FX Send  . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 119
Mixer/Tuning > EQ Gain  . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 119
Mixer/Tuning > EQ Control   . . . . . . . . . . . . . . . . . . . . . . . . . . . 120
Mixer/Tuning > Tuning  . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 120
Mixer/Tuning > Sub Scale   . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 121
Effects > A/B FX Configuration . . . . . . . . . . . . . . . . . . . . . . . . . 123
Effects > Master 1, 2 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 123
Track Controls > Mode . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 124
Track Controls > Drum Edit   . . . . . . . . . . . . . . . . . . . . . . . . . . . 125
Track Controls > Easy Edit . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 126
Keyboard/Ensemble > Key/Velocity Range  . . . . . . . . . . . . . . . 127
Keyboard/Ensemble > Ensemble . . . . . . . . . . . . . . . . . . . . . . . . 127
Keyboard/Ensemble > Keyboard Control   . . . . . . . . . . . . . . . . 128
Pad/Switch > Pad  . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 129
Pad/Switch > Switch   . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 129
Style Controls > Drum/Fill  . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 130
Style Controls > Keyboard Range On/Off / Wrap Around  . . 130
Page menu . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 131
Write Performance dialog box . . . . . . . . . . . . . . . . . . . . . . . . . . 132
Write Single Touch Setting dialog box  . . . . . . . . . . . . . . . . . . . 132
Write Current Style Settings dialog box  . . . . . . . . . . . . . . . . . . 133
The Favorite banks . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 133

Style/Pad Record   . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .  134

Recording Styles and Pads   . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 134
Style/Pad Import/Export . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 136
Entering the Style/Pad Record mode   . . . . . . . . . . . . . . . . . . . . 136
Exit by saving or deleting changes . . . . . . . . . . . . . . . . . . . . . . . 136
Listening to the Style while in Edit mode  . . . . . . . . . . . . . . . . . 136

List of recorded events  . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .137
Main page > Record 1   . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .137
Main page > Record 2/Cue  . . . . . . . . . . . . . . . . . . . . . . . . . . . . .141
Main page > Guitar Mode  . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .142
Style/Pad Record procedure  . . . . . . . . . . . . . . . . . . . . . . . . . . . .146
Edit menu   . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .148
Edit page structure  . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .148
Event Edit > Event Edit  . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .149
Event Edit > Filter . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .151
Style/Pad Edit > Quantize  . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .152
Style/Pad Edit > Transpose  . . . . . . . . . . . . . . . . . . . . . . . . . . . . .152
Style/Pad Edit > Velocity . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .153
Style/Pad Edit > Cut  . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .154
Style/Pad Edit > Delete   . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .154
Style/Pad Edit > Delete All   . . . . . . . . . . . . . . . . . . . . . . . . . . . . .155
Style/Pad Edit > Copy from Style  . . . . . . . . . . . . . . . . . . . . . . . .155
Style/Pad Edit > Copy from Pad . . . . . . . . . . . . . . . . . . . . . . . . .156
Style Element Track Controls > Sound/Expression   . . . . . . . .157
Style Element Track Controls > Keyboard Range  . . . . . . . . . .158
Style Element Track Controls > Noise/Guitar  . . . . . . . . . . . . .158
Pad Track Controls > Sound/Expression  . . . . . . . . . . . . . . . . .159
Style Element/Pad Chord Table > Chord Table . . . . . . . . . . . .160
Style Track Controls > Type/Trigger/Tension  . . . . . . . . . . . . .160
Import > Import Groove  . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .161
Import > Import SMF   . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .161
Export SMF  . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .164
Page menu  . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .165
Write Style/Pad dialog box  . . . . . . . . . . . . . . . . . . . . . . . . . . . . .166
Copy Key/Chord dialog box  . . . . . . . . . . . . . . . . . . . . . . . . . . . .166
Copy Sounds dialog box   . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .166
Copy Expression dialog box  . . . . . . . . . . . . . . . . . . . . . . . . . . . .167
Copy Key Range dialog box   . . . . . . . . . . . . . . . . . . . . . . . . . . . .167
Copy Chord Table dialog box . . . . . . . . . . . . . . . . . . . . . . . . . . .167
Overdub Step Recording window   . . . . . . . . . . . . . . . . . . . . . . .168

Song Play   . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .  169

Transport controls  . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .169
MIDI Clock  . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .169
Tempo Lock . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .169
Master Volume, Balance, X-Fader  . . . . . . . . . . . . . . . . . . . . . . .169
Track parameters  . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .169
Standard MIDI Files and Sounds  . . . . . . . . . . . . . . . . . . . . . . . .170
Keyboard, Pad and Player tracks  . . . . . . . . . . . . . . . . . . . . . . . .170
Main page (Normal view)  . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .171
STS Name panel  . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .173
Volume panel   . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .173
Pad panel  . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .174
Split panel   . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .174
Sub-Scale panel  . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .174
Jukebox panel   . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .174
Mic panel  . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .175
Edit menu   . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .175
Edit page structure  . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .175
Mixer/Tuning > Volume/Pan . . . . . . . . . . . . . . . . . . . . . . . . . . .176
Mixer/Tuning > FX Send   . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .176
Mixer/Tuning > EQ Gain  . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .176
Mixer/Tuning > EQ Control . . . . . . . . . . . . . . . . . . . . . . . . . . . .177
Mixer/Tuning > Tuning   . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .177
Effects > A/B FX Configuration  . . . . . . . . . . . . . . . . . . . . . . . . .177
Effects > Master 1, 2  . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .178
Track Controls > Mode  . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .178
Track Controls > Drum Edit . . . . . . . . . . . . . . . . . . . . . . . . . . . .178
Track Controls > Easy Edit  . . . . . . . . . . . . . . . . . . . . . . . . . . . . .178
Keyboard/Ensemble > Key/Velocity Range  . . . . . . . . . . . . . . .178

Pa3XLe User Manual v100 (English).book  Page 2  Thursday, May 29, 2014  5:42 PM

Summary of Contents for Pa3XLe

Page 1: ...Pa3X Le User s ManualENGLISH OS Version 1 0 2 E...

Page 2: ...dily accessible Mains powered apparatus shall not be exposed to dripping or splashing and no objects filled with liquids such as vases or cups shall be placed on the appara tus Install this product ne...

Page 3: ...www freetype org All rights reserved THE FCC REGULATION WARNING USA This equipment has been tested and found to comply with the limits for a Class B digital device pursuant to Part 15 of the FCC Rule...

Page 4: ...from the manufacturer s distributor s war ranty and liability This requirement is for your own protection and safety Service and user s assistance For service please contact your nearest Authorized Ko...

Page 5: ...g the startup parameters the My Setting Performance 50 Saving the startup parameters into the My Setting Performance 50 Drawbars 51 Choosing a Drawbars Preset 51 Editing the Drawbars Preset 52 Selecti...

Page 6: ...e while in Edit mode 136 List of recorded events 137 Main page Record 1 137 Main page Record 2 Cue 141 Main page Guitar Mode 142 Style Pad Record procedure 146 Edit menu 148 Edit page structure 148 Ev...

Page 7: ...Pitch EG 219 Filter Filter Type 221 Filter Filter Mod 222 Filter Filter LFO 223 Filter Filter EG 224 Amp Amp Level Pan 226 Amp Amp Mod 226 Amp Amp EG 227 LFO LFO1 229 LFO LFO2 230 Effects B FX Config...

Page 8: ...channel 316 MIDI Presets 316 Connecting Pa3XLe to a Master keyboard 317 Connecting Pa3XLe to a MIDI accordion 317 Connecting Pa3XLe to an external sequencer 318 Playing another instrument with Pa3XLe...

Page 9: ...troduction Assembling the ST SV1 BK stand 454 Shortcuts 457 Troubleshooting 458 Technical specifications 459 MIDI Implementation Chart 461 Index 463 Pa3XLe User Manual v100 English book Page 5 Thursda...

Page 10: ...6 Table of Contents Pa3XLe User Manual v100 English book Page 6 Thursday May 29 2014 5 42 PM...

Page 11: ...Pa3XLe User Manual v100 English book Page 7 Thursday May 29 2014 5 42 PM...

Page 12: ...ects Mastering Limiter and Final 4 band Parametric EQ Onboard sampling to create and edit new sounds and audio grooves 192 MB of Sample memory for User PCM Sam ples Styles and Songs Over 400 Factory S...

Page 13: ...ibutors Making a safety copy of your data Making a safety copy In case you like to customize your Musical Resources Sounds Performances and Styles we suggest you use the Media Utility Backup Resources...

Page 14: ...Media pages VALUE DIAL Turn the dial clockwise to increase the value of the selected parameter Turn it counter clockwise to decrease its value When used while pressing the MENU button this con trol al...

Page 15: ...nes connector ASSIGNABLE SWITCH Freely assignable switches that can be programmed in the Pad Assignable Switch Switch page of the Style Play or Song Play mode JOYSTICK This joystick triggers different...

Page 16: ...th the Song s In the main page Keyboard tracks are shown in the right half of the display You can recall the main page of this mode by pressing EXIT from any of the Song Play edit pages If you are in...

Page 17: ...point Lower and or the chords for the automatic accompaniment can kept in memory even when you raise your hand from the keyboard Off Both the sound and chord are released as soon as you raise your ha...

Page 18: ...or select any other Style Element Intro Variation Ending to exit from the loop ENDING 1 3 buttons These buttons trigger the corresponding Ending Ending 1 plays a sequence including a chord progression...

Page 19: ...syn chronized to the latest Player you set to play For example assume you pressed PLAYER 2 PLAY when pressing one of the PAD buttons it will play in sync with Player 2 Note There is no synchronizatio...

Page 20: ...see Start from on page 182 PLAY STOP Starts or stops the Song from the current Song Position In Song Play mode pressed while keeping SHIFT pressed starts both players at the same time X FADER In Song...

Page 21: ...he Legacy type are standard Factory Sounds allowing greater compatibility with older Pa Series instruments Factory Sounds of the GM type allow for compatibility with General MIDI sounds Sounds of the...

Page 22: ...p shown in the display but the MP3 will actually play 5 semitones lower Just Fourth Down Lowers the Master Transpose in steps of one semitone Raises the Master Transpose in steps of one semi tone You...

Page 23: ...on the Global Mic Harmony page will appear see Mic Harmony on page 450 PRESET Use this button to open the Voice Processor Preset Select win dow and select a Preset to be assigned to the microphone sig...

Page 24: ...on the control panel see Mic Setting Section on page 18 LEFT RIGHT Use these connectors to connect a line level input source such as a CD player or a synthesizer or a dynamic microphone The signal ro...

Page 25: ...loaded from our web site Video VIDEO OUT You can connect Pa3XLe to a TV or video monitor Pa3XLe is compatible with the NTSC PAL and SECAM TV standard When connecting a SECAM compliant TV set select th...

Page 26: ...long Keyboard Style Accompaniment and Song Volume By default the BALANCE knob balances the volume of the Keyboard KBD tracks against the Style s Accompaniment ACC Song and Pad tracks When in Style Pla...

Page 27: ...MIDI guitar a wind con troller a MIDI accordion or a digital piano You can also control other MIDI devices with Pa3XLe or con nect it to a computer for use with an external sequencer As an alternativ...

Page 28: ...d guide on the back of the Pa3XLe as shown in the illustration The music stand can be freely adjusted by sliding it to the left or the right of the standard central position If the optional PaAS Ampli...

Page 29: ...nt version of the others As you progress from Variation one to Variation four the arrangements will become more complex and more parts Tracks may be added This allows your performance to have a more d...

Page 30: ...Players let you playback your performances or any Standard MIDI File or MP3 file Like a DJ console you can mix two songs with the X Fader slider The LOGO decoder On the front panel of your Pa3XLe you...

Page 31: ...the lower area of the display Overlapping windows Several windows like the Style Select or Pad Select the Global the Media or the Lyrics overlap the current window After you select an item in the wind...

Page 32: ...nd Sequencer modes Editable names When the Text Edit button appears next to a name touch it to open the Text Edit window and edit the name The virtual keyboard works exactly as a personal computer s k...

Page 33: ...ifferent color code that helps you understand at first sight where you are Two special modes Global and Media overlap the current operating mode that remains active in the background The Record mode c...

Page 34: ...e Easy Mode on Touch the little rectangle on the top right corner of the display to open the page menu Touch the Easy Mode menu item to make the checkmark appear At this point the Easy Mode has been a...

Page 35: ...heard See page 41 Sounds assigned to the right hand UP1 to UP3 and to the left hand LOW Touch the Sound s name to open the Sound Select window and choose a different Sound Style name and info Touch t...

Page 36: ...pears the Sound is in mute and cannot be heard If the icon does not appear the Sound is in play and can be heard See page 41 Sounds assigned to the right hand UP1 to UP3 and to the left hand LOW Touch...

Page 37: ...Pa3XLe User Manual v100 English book Page 33 Thursday May 29 2014 5 42 PM...

Page 38: ...strument on a welcome screen is shown for some seconds then the main display appears 2 When you want to put Pa3XLe to standby keep the STANDBY button pressed for about one second and release it when t...

Page 39: ...Also this might be the only way to connect a third party Damper pedal that seems to work in reverse sustain ing the notes when they are not pressed 1 Connect the Damper pedal to the DAMPER connector...

Page 40: ...Pedal Footswitch Calibration dialog box appear 6 Fully press the Damper pedal down and while continuing to press touch the Push button to confirm the maximum value 7 When the following dialog box appe...

Page 41: ...Press the STYLE PLAY and SONG PLAY buttons together The LED of the two buttons will start blinking Pa3XLe will be set in Demo mode At this point if no other button is pressed all the Demo Songs will...

Page 42: ...stopping the Demo 3 Choose one of the Demo To stop it touch the STOP button on the display 4 Exit from the Demo mode by pressing any one of the MODE buttons Pa3XLe User Manual v100 English book Page...

Page 43: ...sound see also page 41 for how to mute tracks 2 If you want to play the Sound on the whole keyboard be sure the keyboard is in Full Upper mode i e the SPLIT LED is turned off If it is split in two pa...

Page 44: ...press the EXIT but ton only if you don t make any selection but want to close the window i The selected Sound is highlighted Touch a Sound s name to select it Touch one of the side tabs to select a d...

Page 45: ...n appears in the Upper 2 and Upper 3 status boxes These tracks will not be heard After touching in this area the icon disappears The Upper 2 track will be set to play and will be heard Note how the Da...

Page 46: ...8 Play the keyboard Note how the Strings Ens 2 GM Sound assigned to the Upper 3 track has been muted again Only tracks Upper 1 and Upper 2 can be heard at this time Note how the Dark Pad Sound assigne...

Page 47: ...and split the keyboard in the Lower left hand and Upper right hand parts 2 Be sure the Lower track is set to play 3 Play the keyboard Lower Upper If the Lower track is muted touch its icon to make it...

Page 48: ...the full keyboard playing mode by pressing the SPLIT button to turn its LED off 5 Play the keyboard Full Upper Note how the keyboard once again plays the Upper tracks over the entire length of the key...

Page 49: ...uch the Split Point parameter to select it and use the VALUE DIAL to select the new split point When you change the split point the Global parameter is automatically unchecked This is because you are...

Page 50: ...all Upper tracks at the same time Note The Octave Trans pose value for each of the keyboard track is shown under the Sound s name 2 Press both UPPER OCTAVE buttons together to reset the octave to the...

Page 51: ...ore all the settings for the Key board tracks Four STSs are supplied with each Style and SongBook Entry and can be selected with the four dedicated buttons under the display Please note that settings...

Page 52: ...nce The Sounds and Effects assigned to the Keyboard tracks together with the parameters you can access by pressing the MENU button while in Style Play and Song Play mode can be saved into a single Per...

Page 53: ...ke a backup of all your important data Touch the Text Edit symbol to open the Text Edit dialog box Use the alphabetic characters to enter text Use the and buttons or the DIAL to move the cursor Touch...

Page 54: ...ansposition or other parameters you can return to the startup situation by pressing the MY SETTING button in the control panel Press the MY SETTING button to recall the startup settings Saving the sta...

Page 55: ...awbars 1 Press the ORGAN button in the PERFORMANCE section to open the Performance Select window and choose the DWB Organ Y Performance While you could assign the DRAWBARS Sound to an Upper track choo...

Page 56: ...settings Select different param eters in this page and change their settings to see how each setting affects the sound Hint As an alternative to dragging the virtual sliders to change drawbar values y...

Page 57: ...ep one of the Performance but tons pressed to open the Write Performance window and save your settings to a Per formance 5 Press the EXIT button to go back to the main page Leakage from adja cent tone...

Page 58: ...an be triggered with the dedicated PAD buttons If the STS MODE LED is turned on the first of the four Single Touch Settings STS associated to the Style is also selected and Keyboard tracks Effects and...

Page 59: ...SPLIT LED and the Chord Recognition parameter see Global Mode Preferences Style 6 Press START STOP to stop the Style After pressing the EXIT button the Style Select window closes and the main screen...

Page 60: ...TEMPO or buttons to change the Tempo value Press the TEMPO and buttons together to recall the saved Tempo value As an alternative keep the SHIFT button pressed and use the VALUE DIAL to change the Tem...

Page 61: ...ress one of the INTRO buttons to set the corresponding Intro to play 3 Play the keyboard 4 While playing press one of the FILL buttons to select a Fill 5 Before the Fill ends press one of the VARIATIO...

Page 62: ...each of the Song Book Entries This allows for linking STSs to Songs Each Style may come with up to four Keyboard track settings called the STS short for Single Touch Settings STSs are very similar to...

Page 63: ...ongBook Entry can assign different sounds or patterns to the four PADS These sounds or patterns can be played along with the Keyboard and Style tracks 1 If you want to see which sounds or patterns are...

Page 64: ...yboard Balancing between the Keyboard and Style tracks may be useful to gently fade them and adjust their respective volume While the Style is playing use the BALANCE knob to balance between the Keybo...

Page 65: ...on again Turning the Style tracks on off You may easily turn on or off any Style track while you are playing For example try muting all accompaniment tracks while drums and bass continue to play Note...

Page 66: ...single Style track first press TRACK SELECT to switch to the Style Tracks view then repeat the above procedure 5 Press the TRACK SELECT button again to go back to the Normal view Mute the ACCOMP trac...

Page 67: ...le notes in the right hand 4 To select a different harmonization style keep the SHIFT button pressed and press the ENSEMBLE button to open the Ensemble page This is a fast shortcut to recall this page...

Page 68: ...ype has been selected press the EXIT button to go back to the main page 6 Press the ENSEMBLE button again to turn its LED off The automatic harmonization will be turned off While in an Edit page press...

Page 69: ...lso depends on the status of the Chord Recognition parameter Global Mode Preferences Style Hint You can avoid stop ping the Chord Sequencer after recording and immedi ately set the Sequence to play as...

Page 70: ...ther again to stop play back of the recorded Chord Sequence The last chord played by the Chord Sequence remains in memory The Chord Sequence will remain in memory up until you record a new Chord Seque...

Page 71: ...supported In addition to lyrics and chords with Standard MIDI Files and Karaoke files you can also see the score in traditional notation as well as the markers to quickly jump to any section of a Son...

Page 72: ...will automatically close the Song Select window i The selected Song is high lighted Touch a Song s name to select it Use the scroll bar or the VALUE DIAL to see all the Songs in the list Keep SHIFT p...

Page 73: ...n the end of the Song is reached After pressing the PLAY STOP button the but ton s LED turns on and the measure counter begins to show the current measure number Press the REWIND button once to go bac...

Page 74: ...he Virtual Sliders on the display to adjust each track s volume Use the TRACK SELECT button to cycle between track groups 3 In Normal view you can adjust each Keyboard track s volume Hint As an altern...

Page 75: ...ew 6 Press TRACK SELECT again to return to the Normal view Keyboard tracks 7 Press the PLAY STOP button to start the Song 8 While listening to the Song switch from Normal view to Track 1 8 and Track 9...

Page 76: ...ying back a Standard MIDI File you may wish to mute one or more tracks for example to sing along with the Song or play an instrumental part live on the keyboard To mute unmute Song tracks you simply t...

Page 77: ...page by keeping the SHIFT button pressed and pressing one of the ASSIGNABLE SWITCHES 1 Program the Assignable Switches as the Song Melody and Vocal Remover switches Press the MENU button and choose t...

Page 78: ...r and let the original lead singer s voice appear again 5 Stop the Player Choosing a different Melody track You can choose a different Melody track in case the Standard MIDI Files does not use a stand...

Page 79: ...button pressed and press any of the two PLAY STOP buttons to start both Players at the same time Hint You don t need to start both players at the same time You can start the first Song then start the...

Page 80: ...wn Entries to the SongBook as well as edit the existing ones Korg already supplies some hundred Entries as standard Furthermore the SongBook allows you to create various custom lists that may suit you...

Page 81: ...e recalled Any TXT file associated with the Entry can be seen in the Lyrics page A Voice Processor Preset is also recalled The selected Style MID KAR or MP3 file will be shown in the top area of the s...

Page 82: ...earching for Entries The SongBook database may be really huge You can however look for say specific artists or song titles using the filtering functions 1 Touch the Filter button in the display to ope...

Page 83: ...og box The entered text is now the search criteria 4 Touch OK to close the Filter dialog box and return to the SongBook page Once the Filter dialog box has been closed by touching OK the Filtered chec...

Page 84: ...tyle tracks the way you prefer by selecting different Sounds and Effects or editing any other relevant parameter Please note that changes to Standard MIDI File tracks will not be saved as SongBook dat...

Page 85: ...nature and Key of the Song You can specify a Tempo value matching the Song s Tempo by using the TEMPO controls and a Master Transpose value by using the TRANSPOSE controls on the control panel Name of...

Page 86: ...the same way of ordinary Lyrics in the display or in the external monitor Synchro for Style and Memory for Style and Songs On Off status Entry s name By default it is the same name of the associated...

Page 87: ...open the List Edit page and touch the New List button to create a new blank list 3 Touch the Book tab to open the Book page and see the full database Use the various sorting searching and filtering o...

Page 88: ...selected Entry Touch New List to create a new Custom List Touch Del List to delete the current Custom List Warning Del List will delete the current Custom List Touch Write to save the current Custom L...

Page 89: ...own SongBook Editor to edit single entries the SongBook database and the Custom Lists on a Windows PC You can also use BauM Software s SongBook for iPad or Zubersoft s MobileSheets for Android to syn...

Page 90: ...Audio Video button in the display then touch the Audio In tab to reach the Audio In page Be sure the Input Routing is set to Right In to Voice Processor 2 Press the EXIT button to return to the main s...

Page 91: ...al Setup page by pressing the GLOBAL button then touching the Mic button in the display and then if it is not selected the Global Setup tab The Global Setup page appears in the display 2 To filter out...

Page 92: ...e main screen 5 Then adjust the Equalization settings Use the EQ controls to adjust your tone Increasing the High band gain adds an airy brightness or sizzle to your voice it can also increase sibilan...

Page 93: ...y change While a Global VP Preset is assigned globally a local VP Preset can be assigned to each Perfor mance Style or SongBook Entry When selecting one of these elements the VP Preset may change chan...

Page 94: ...ased on them and sing along with the chords you play on the keyboard Harmonizing will add chord notes to the note you are singing 4 Stop the Style 5 Press the HARMONY button again to turn its LED off...

Page 95: ...in the Mic panel of the main page By default this control is also assigned to the ASSIGNABLE KNOB 4 Set the voice effects level by using the dedicated FX LEVEL knob Soloing your voice Talk Sometimes...

Page 96: ...Style and Sounds with which to record your Song 1 Select a Style with which you want to record 2 Select the Sounds by choosing a Performance or STS That s all You are ready to access Record mode Acce...

Page 97: ...t dialog box 3 Select the Backing Sequence Quick Record option and touch OK to enter the Backing Sequence Record mode Press the RECORD button to open the Song Record Mode Select dialog box After havin...

Page 98: ...TOP to stop the Style and press it again to start the Style again Please remember that while recording in Backing Sequence Record mode you cannot use the SYNCHRO TAP TEMPO RESET BALANCE controls Touch...

Page 99: ...in the PLAYER 1 section to listen to the recorded Song The Backing Sequence Song has been converted to an ordinary Song in Standard MIDI File or MID format If you like it you can save it You can then...

Page 100: ...d the Ch Acc track to Play 3 Press the START STOP button to start recording the selected track With the above example chords will play as recorded you can record what you play on the key board and the...

Page 101: ...s selected highlighted it will be overwritten If no Song is selected a new Song file will be cre ated on the target device To deselect a selected Song touch anywhere else in the Song list or select th...

Page 102: ...files recorded with lower sampling rates may not sound very good This is a problem that cannot be avoided with MP3 files 2 Choose the preferred MP3 audio quality option by means of the Quality pop up...

Page 103: ...file length and the remaining space on disk Maximum recording time depends on the available space in the selected device 8 Touch Stop to stop recording After touching Stop recording will stop and the...

Page 104: ...rent types of data Styles Songs Lyrics There are some pages where the Search function is not available since there are no relevant data to search for that page for example the pages of the Global mode...

Page 105: ...dow and carry on other operations The search will continue in the back ground After you have touched the Search button its name changes to Stop If needed touch this button to stop the ongoing search T...

Page 106: ...EARCH but ton Notes about searching Wildcards During search the string entered will be search as a whole word or as part of a word For example if you entered love Pa3XLe will find Love and LoveSong or...

Page 107: ...Pa3XLe User Manual v100 English book Page 103 Thursday May 29 2014 5 42 PM...

Page 108: ...ommand to select it Touch anywhere in the display to close the menu without selecting a command Copy and Paste Use this command to copy the selected Style to a different loca tion 1 Select the Style t...

Page 109: ...r tabs to the left or the right when additional tabs are available but cannot be seen in the display Sounds Touch one of these buttons in the display to select a Sound Unless the Display Hold paramete...

Page 110: ...the display in order to select a different page Performances Touch one of these buttons in the display to select a Perfor mance Unless the Display Hold parameter see page 254 is turned on the window a...

Page 111: ...back to the main page of the Song Play operating mode without selecting a Song While in this page you can select a Standard MIDI File Kara oke MP3 or Jukebox file Directory This is the list of the sel...

Page 112: ...the Song retrieval when you are using an hard disk filled with midifiles While in the Song Select window press the SELECT button in the corresponding PLAYER section to open the keypad and enter the nu...

Page 113: ...e root of any device or inside any other generic folder You can t create a SET folder with this command since this type of folder is reserved to the Save operations and can be created with the New SET...

Page 114: ...with the Perfor mance Current track settings can be saved either to a Performance an STS or the Style Settings depending on the Write command you select StylesandPads Each Style includes four Pads Eac...

Page 115: ...hords are recognized by using the CHORD SCAN buttons and the Chord Recognition parameter in the Global Style page see page 258 Page menu icon Touch the page menu icon to open the menu See Page menu on...

Page 116: ...using the SOUND SELECT button on the control panel For more information about the Sound Select window see Sound Select window on page 105 Keyboard track octave transpose Non editable Octave transpose...

Page 117: ...splay You can also change the volume by touching a track s slider then using the VALUE DIAL Changing the Play Mute status Play mute status of the current track Select the track then touch this area to...

Page 118: ...tyle Settings or the ones saved in each Style Element Note When assigning a Sound to a Style track the Original Style Sounds parameter is automatically turned off to allow its use Note This parameter...

Page 119: ...e see page 120 Sound bank s icon This picture illustrates the bank the current Sound belongs to Touch an icon a first time to select the corresponding track detailed information are shown on the Selec...

Page 120: ...T button to close the message with no changes Global There is a global split point and a local one that can be mem orized into a Performance Style or SongBook Entry On You are editing the global split...

Page 121: ...in the Talk section of the Global Mic Global Setup page see Mic Global Setup on page 454 Off Release this switch to return to the original set tings Harmony Level Use this knob to adjust the level of...

Page 122: ...Off When changing the volume of one of the Upper tracks only that track s volume is changed The other Upper tracks are left unchanged Dry Use this checkbox to turn the dry direct track signal on or of...

Page 123: ...to switch from Keyboard to Style tracks and vice versa FX Group This indicates the FX group A or B assigned to the group of tracks shown Send level Master 1 Master 2 0 127 Level of the track direct s...

Page 124: ...assing through the equalizer Extreme equalization values can overload the audio circuits and lead to distortion This control lets you set equalization as desired and at the same time avoid overloading...

Page 125: ...y note you want to lower a quarter tone down making a big dot appear on the detuned note in the diagram Touch the note again to make the dot disappear Scale alteration made in this page is momentary a...

Page 126: ...function with a footswitch or Assignable Switch You can assign the Quarter Tone function to a footswitch or an Assignable Switch to program a custom scale in realtime for example to allow for those su...

Page 127: ...effected Dry signal coming from the track MFX2 to MFX1 Amount of the MFX2 effect going back to the input of the MFX1 effect M T Modulating Track Source track for modulating MIDI messages You can modul...

Page 128: ...area the numeric key pad appears instead of the Sound Select window You can enter the Control Change Program Change bundle shown above separating the three parts with a dot Both The track plays both...

Page 129: ...re sponding to the selected track turns green Reset Family Touch this button to reset all changes to the selected family Reset Track Touch this button to reset all changes to percussive instrument vol...

Page 130: ...he selected track Reset All Tracks Touch this button to reset all changes to Sound parameters in all tracks Play Mute icon Track s play mute status Play status The track can be heard Mute status The t...

Page 131: ...board Ensemble Ensemble This page lets you program the Ensemble function This func tion harmonizes the right hand melody played in realtime using the recognized chords played by the left hand The Ense...

Page 132: ...notes but not the original note Play Mute icon Track s play mute status Play status The track can be heard Mute status The track cannot be heard Keyboard Ensemble Keyboard Control This page lets you e...

Page 133: ...Pad track direct signal sent to the effect processor EQ Gain dB Hi Mid Low Equalization for each of the four Pad tracks 18 0 0 0 18 0 Gain value of the High Middle or Low band Pad lock icon This lock...

Page 134: ...uded in each Style tracks Keyboard Range On Off This parameter is an on off switch for the Key Range parameter memorized inside each Style Element track On The Keyboard Range is considered provided it...

Page 135: ...le effect Master 1 Master 2 or both effects of an FX group A or B You can copy them between different elements for example between Styles and Performances or STSs and Songs or Sounds Note This operati...

Page 136: ...f the STS buttons pressed for about one second or by choosing the Write Single Touch Setting item from the page menu Here you can save Keyboard track settings and the Assignable Switch programming to...

Page 137: ...nal storage memory Even if different bank names can appear in the display these files have fixed names Creating the Favorite banks There are various ways to create the Favorite banks While in Style Pl...

Page 138: ...Then depending on the selected Style Element it determines which Chord Variation CV should be played for the scanned chord Which Chord Variation corresponds to each scanned chord is a setting of the S...

Page 139: ...the arranger triggers single notes strumming and arpeggios on a virtual guitar keeping care of the way notes are played on the guitar fretboard Note that inside a Guitar track you can also have some p...

Page 140: ...y listen to the Style This delay is higher with a Style containing more MIDI events Note While in Record mode the footswitch is disabled On the contrary volume expression type pedals can be used Exit...

Page 141: ...cted Style Record Pad Record Page header This line shows the current operating mode and transposition Operating mode name Name of the current operating mode Master Transpose Master Transpose value in...

Page 142: ...uantization value means triplet Pad Sync Pad only This parameter allows you to set a synchronization mode for the Pad s pattern Off No synchronization The sequence will start as soon as you press the...

Page 143: ...before you begin recording anything Selected track info area This line lets you see the Sound assigned to the selected track Track name Name of the selected track Drum Acc5 Style track Sound name Sou...

Page 144: ...te in CMaj C is transposed to the missing notes Parallel Fifth The 5th note in CMaj G is transposed to the missing notes Parallel i Series All original patterns must be programmed on the Maj7 or min7...

Page 145: ...Style only Under the sliders a label for each track is shown Drum Acc5 Shown Style tracks Main page Record 2 Cue Style only While in the main page touch the Record 2 Cue tab to see this page Most par...

Page 146: ...e sure the Guitar tracks is associated to the right channel Go to the Global MIDI MIDI IN Channels page and assign the corresponding Style track usually Acc1 Acc5 to the same channel of the Guitar tra...

Page 147: ...strings and RX Noises you can choose a Capo capotasto Note that this might pre vent some single strings to sound depending on the composed chord You can always see which strings are playing and which...

Page 148: ...3 Strings Bass IV VI 1 39 3 Strings Bass IV VI 2 40 3 Strings Bass IV VI 3 41 3 Strings Bass IV VI 4 42 3 Strings Bass IV VI 5 43 3 Strings MiddleBas III V 0 44 3 Strings MiddleBas III V 1 45 3 String...

Page 149: ...listening during recording During playback in Style Play mode the chord will follow chord recognition Capo Fret A capo from the Italian capotasto head of fingerboard is a movable bar attached to the f...

Page 150: ...keyboard and not from the arranger 10 At this point if you want to do a Realtime Recording go on reading Realtime Record procedure below Otherwise if you prefer to do a Step Record jump to Step Record...

Page 151: ...s reached the End of Loop event is shown and the recording restarts from the 001 01 000 position Any note exceeding the pattern length inserted at its end will be reduced to fit the total length of th...

Page 152: ...e Transpose Velocity Delete to the other pages or vice versa the Style if in play is automatically stopped Edit page structure Most edit pages share some basic elements Other pages have a slightly dif...

Page 153: ...uch this icon to open the page menu See Page menu on page 165 Page sub header This area shows some performing info on the Song Selected track Style only Name of the track in edit Use the Track pop up...

Page 154: ...Use this pop up menu to select the track to edit inside the cur rent Chord Variation Drum Acc5 Style track Go Meas While the Style is not running touch this button to open the Go to Measure dialog bo...

Page 155: ...and to cancel all changes Touch the Text Edit button to enter the Text Edit dialog box Enter a name and confirm by selecting OK Select a target memory location where to save the Style Pad The name of...

Page 156: ...lect the same note as the Bottom and Top parameters you can select a single percussive instrument in a Drum or Percussion track Note These parameters are available only when a Drum or Per cussion trac...

Page 157: ...ll be changed Drum Acc5 Selected track E CV Style Element Chord Variation Use these parameters to select the Style Element Style only and Chord Variation for editing Value Velocity change value 127 St...

Page 158: ...measure use the Cut function see Style Pad Edit Cut on page 154 After setting the various parameters touch Execute Track Style only Use this parameter to select a track All All tracks selected After...

Page 159: ...All All Style Elements i e the whole Style When E Track All and CV All the whole Style is deleted and all parameters are set to the default status Var1 CountIn Single Style Element V1 CV1 CI CV2 Singl...

Page 160: ...o fit the remaining 2 measures Note Avoid copying to a Chord Variation with a different meter time signature for example a 4 4 Chord Variation onto a 3 4 one Style Pad Edit Copy from Pad Here you can...

Page 161: ...track of them and let you access Event Edit only on the tracks containing the messages Press the START STOP button to start playback and look at the indicators When one of them lights up you can enter...

Page 162: ...the control panel to select a Style Element VARIATION1 ENDING3 To copy the settings of this page to another Style Element use the Copy Keyboard Range command from the page menu see Copy Key Range dia...

Page 163: ...repitching notes already playing There will be no break in the sound This is very useful on Guitar and Bass tracks Track Type Use this parameter to set the type of the Pad track Drum Drum track This t...

Page 164: ...s type of track cannot be transposed and is used for Drum Kit made of Percussion sounds It is NOT affected by the Drum Mapping Bass Bass track This type of track always plays the root when changing ch...

Page 165: ...be imported must be pro grammed as if it was one of Pa3XLe s Chord Variations When importing an SMF parameters like CV Length Meter Tempo Changes Program Changes and Expression are recog nized These p...

Page 166: ...tion 1 Varia tion 2 etc each one separated by a Marker the same events used in Song Play mode 1 While in this page touch the Select button and choose the Standard Midi File to be imported 2 Keep the S...

Page 167: ...aced inside the SMF At the end of this page you can find a screenshot of a test file cre ated in Steinberg Cubase just as an example of how a SMF sepa rated by Markers can look like Considering analog...

Page 168: ...rd Variations to indi vidual Standard MIDI Files you can export a whole Style as an SMF separated by Markers i e a single SMF containing all the Chord Variations Variation 1 Variation 2 etc each one s...

Page 169: ...hile the Style Element Track Control edit section is selected use this command to open the Copy Expression dialog box and copy all Expression values assigned to the current Style Element tracks to a d...

Page 170: ...ither the User or the Favorite banks Copy Key Chord dialog box Style only Open this window by choosing the Copy Key Chord item from the page menu Here you can copy Key Chord settings of the currently...

Page 171: ...from the page menu Here you can copy all Key board Range values for the current Style Element tracks to a dif ferent Style Element From Style Element Non editable Currently selected Style Element To S...

Page 172: ...mode before actually starting recording see step 6 on page 146 for more information Free Memory Remaining memory for recording Duration Relative duration of the inserted note The percentage is always...

Page 173: ...General Controls page see Clock Source on page 265 While in this mode Pa3XLe can not receive MIDI Clock messages from the MIDI IN Pa3XLe only transmits to the MIDI OUT and USB port the MIDI Clock mess...

Page 174: ...le in Sequencer mode then manually reassign the non matching Sounds replac ing them with similar Sounds on the Pa3XLe Finally save the Standard MIDI File again and you will be able to play it in Song...

Page 175: ...lobal see General Controls Lock on page 255 Recognized chord This displays the recognized chord when you play a chord on the keyboard If no chord abbreviation is shown it means that no chord recogniti...

Page 176: ...in minutes seconds of the selected MP3 file Elapsed time This parameter only appears when an MP3 file has been selected Elapsed time in minutes seconds of the MP3 file currently in play Tempo variati...

Page 177: ...select by touching the corresponding tabs See more infor mation in the relevant sections starting from page 173 STS Name panel Select this panel to see the name of the four available STSs See STS Name...

Page 178: ...st and touch the Select button in the display to select a Song to play This way you can select any Song in the list as your starting Song and manually change the order of the Songs to play Note A Juke...

Page 179: ...1 of the cur rent Song If the Jukebox panel is open you can select the Song from which to start See Jukebox panel above Mic panel Touch the Mic tab to select this panel Parameters are the same seen fo...

Page 180: ...ing FX processor for the Keyboard tracks Use the TRACK SELECT button to switch from Keyboard to Song tracks and vice versa Note When you stop then start the Song again or select a differ ent Song the...

Page 181: ...groups You can use the FX A and FX B side tabs to switch from one group to the other one Songs created in Sequencer mode on a Pa Series instrument can also use the B FX group The effect types and the...

Page 182: ...signed to the tracks Easy Sound Edit parameters The parameters shown in this page are the same already seen for the Style Play mode See Track Controls Easy Edit on page 126 for details Note Song track...

Page 183: ...gs to a list When this button is pressed a standard file selec tor opens up in the display Note A Jukebox list can include only Songs contained in the same folder Hint Instead of a single Song you can...

Page 184: ...er assigned to each Song the file names the total number of files in the list For the correct display and printing of the list on a personal com puter use a fixed size i e non proportional character i...

Page 185: ...ncer mode For this just two settings are needed Select the Song track where you are recording chords for the Voice Processor see Song Control on page 272 Select the desired Voice Processor Preset Sequ...

Page 186: ...ode Use this menu to select the Tempo change mode Manual In this mode you can change Tempo by using the TEMPO buttons The Song will be played back using the manually selected tempo Auto Tempo recorded...

Page 187: ...tton to switch between tracks 1 8 and 9 16 Entering Record mode To enter Record mode press the RECORD button while you are in Sequencer mode The following dialog box will appear Select one of the thre...

Page 188: ...At least one track must already be recorded Start from When checked the measure shown by this parameter is a tem porary start point of the song instead of measure 1 When you press the PLAY STOP button...

Page 189: ...track Record mode Now you can prepare your recording parameters For more details see Record mode Multitrack Sequencer page on page 184 3 Be sure the Overdub or Overwrite recording options is selected...

Page 190: ...sures on page 200 Free Memory Available memory for recording Duration Relative duration of the inserted note The percentage is always referred to the step value 50 Staccato 85 Ordinary articulation 10...

Page 191: ...delete the previ ously inserted event and set the step in edit again 7 When finished recording touch the Done button in the display A dialog box appears asking you to either cancel discard or save the...

Page 192: ...e Page menu icon on page 181 Page sub header See Page sub header on page 184 Recording parameters area Style This parameter shows the selected Style Either touch it or press the STYLE button in the SE...

Page 193: ...des the four Key board tracks and the four Pads After finishing recording they will be saved as Song tracks 1 8 as in the following table Tempo Metronome Tempo Select this parameter and use the VALUE...

Page 194: ...the PLAY or MUTE status when you don t want to delete it For example if you are recording a keyboard part on an existing Style track set the Ch Acc parameter to PLAY and the Kbd Pad track to REC 6 Sta...

Page 195: ...th Pa3XLe internal players feature a resolution of 384 ticks per quar ter Style This is the latest selected Style To insert a Style change at the current position touch the Style name to open the Styl...

Page 196: ...001 01 192 location If an event exists on M001 01 010 the button stops to the M001 01 010 location Previous or Next Measure Use these buttons to move to the previous or following measure Done button D...

Page 197: ...ouch ing the Done button in the display 6 Press PLAY STOP in the PLAYER 1 section to lis ten to the result of your editing If it is fine save the Song to a storage device Edit menu From any page press...

Page 198: ...and Pad tracks the B group to the Keyboard tracks However Songs created in Sequencer mode could also assign the B group to the Song tracks Parameters All parameters in this page are the same found in...

Page 199: ...atus The track cannot be heard Effects A B FX Configuration This page allows you to select the effects for the A Song and B Keyboard FX groups You can use the FX A and FX B side tabs to switch from on...

Page 200: ...ter beat 384 ticks You can edit this parameter to move the event to a different posi tion You can edit a position in either of the following ways a select the parameter and use the VALUE DIAL to chang...

Page 201: ...he display to delete the event selected in the display Note The End of Track event cannot be deleted Event Edit procedure Here is the general event editing procedure 1 While in the Event Edit page pre...

Page 202: ...e Note RX Noise Notes and RX Noises Program Program Change events Control Control Change events Tempo Meter Tempo and Meter time signature changes Mas ter Track only After Touch Mono Channel Aftertouc...

Page 203: ...ity Here you can change the Velocity value for the notes An Advanced mode is available allowing you to select a velocity curve for the selected range This is useful to create fade ins or fade outs Aft...

Page 204: ...o delete All All events Measures will not be removed from the Song and will remain empty Note All notes in the selected range Dup Note All duplicate notes When two notes with the same pitch are encoun...

Page 205: ...re 1 and To Measure 4 the first four measures are copied To Measure This parameter is the first of the target measures Repeat Times Number of times the copy must be executed Copies will be con secutiv...

Page 206: ...g Select this command to save the new or edited Song to a storage device as a Standard MIDI File The file is automatically added the MID extension After selecting this command the Save Song page appea...

Page 207: ...on page 107 for details Save Song window The recorded Song is lost when the instrument enters standby The Song is also lost when you overwrite it in Record mode or if you confirm the warning message w...

Page 208: ...the Master Transpose is a global parameter loading a Song with a non standard transposition may result in unwanted transposing when loading other Songs that do not contain their own transposition data...

Page 209: ...nnot be selected Sounds Drum Kits Digital Drawbars Pa3XLe features three different types of Sounds Ordinary Sounds These are normal instrument Sounds like pianos strings basses Drum Kits These are dru...

Page 210: ...f the Vibrato LFO LFO Speed Speed of the Vibrato LFO LFO Delay Delay time before the Vibrato LFO begins after the sound starts Resonance Use the Filter Resonance to boost the cutoff fre quency Voice A...

Page 211: ...und to the attack segment of the organ sound Rotary adds the effect of a rotating speaker On Off Use this parameter to turn percussion on or off Foot Use this parameter to select a percussion register...

Page 212: ...edit pages share some basic elements Operating mode This indicates that the instrument is in Sound mode Edit section This identifies the current edit section corresponding to one of the items of the...

Page 213: ...layed repeatedly the pre vious note will be silenced before the next note is sounded so that the notes do not overlap Off When the same note is played repeatedly the pre vious note will not be silence...

Page 214: ...each sample No Attack The initial portion of the multisample is ignored AMS Activates the Alternate Modulation Source see below PseudoRandom Only works when more than one Offset point is available in...

Page 215: ...2 As the above for use with a different and paral lel group of Oscillators Having two Cycle Trig ger Modes allows for cycling stereo multisamples Random As the above but with a random selection of Osc...

Page 216: ...ini mum and maximum value are scaled accordingly As a consequence you can create an RX Sound of guitar by assigning the guitar fret noise to the 10 20 velocity range When a dynamics value between 10 2...

Page 217: ...fects the Normal Damper mode It has no effect on the Resonance Halo mode C 1 G9 Note starting from which the Damper is always pressed down In an acoustic piano this is usually set to G6 Basic Damper T...

Page 218: ...rcussive sample for each key and layer Drum Kits use only one oscillator Key Key Key in edit To select a key you can press a key on the keyboard while this parameter is selected Layers Number of layer...

Page 219: ...ial portion of the multisample is ignored AMS Activates the Alternate Modulation Source see below PseudoRandom Only works when more than one Offset point is available in the multisample Randomly selec...

Page 220: ...you edit a Drum Kit Here you can set various parameters for the different percussive sample assigned to the selected key and layer Key See Key on page 214 Voice Assign Mode Single Trigger Use this par...

Page 221: ...se as you play higher notes and neg ative values will cause the pitch to fall as you play higher notes With a value of 0 there will be no change in pitch and the C4 pitch will sound regardless of the...

Page 222: ...value Pitch EG The Pitch EG Envelope Generator is unique to all oscillators Velocity Intensity This parameter specifies the depth and direction of the modula tion that the pitch EG specified on Pitch...

Page 223: ...ount of pitch change will depend on the Intensity AMS1 2 Intensity parameter see below For example with an Inten sity setting of 12 00 a Level setting of 99 would raise the pitch one octave and a Leve...

Page 224: ...list on page 233 Intensity AMS Intensity This parameter specifies the depth and direction of the effect that AMS will have on the Time parameters With a setting of 0 the pitch EG times will be just a...

Page 225: ...ty This parameter specifies the depth and direction of the effect that Res Mod by AMS Resonance modulated by AMS will have on the resonance level specified by Resonance Resonance A For example if Velo...

Page 226: ...e keyboard location pitch 99 99 Parameter value Filter EG Velocity to A This parameter specifies the depth and direction of the effect that velocity will have on the time varying changes created by th...

Page 227: ...rce that will control modulation of the filter A cutoff frequency see AMS Alternate Modulation Source list on page 233 Intensity Intensity to AMS2 Specifies the depth and direction of the effect that...

Page 228: ...nge in cutoff frequency at the time of note on 99 99 Level value Attack This parameter specifies the change in cutoff frequency after the attack time has elapsed 99 99 Level value Break Break Point Th...

Page 229: ...horten the EG times The direction of change is specified by At Attack Time Swing Dc Decay Time Swing Sl Slope Time Swing and Rl Release Time Swing With a setting of 0 the times specified by Frequency...

Page 230: ...mber positive values of this parameter will cause the sound to move toward the right as the note numbers increase beyond the C4 note i e as you play higher and toward the left as the note numbers decr...

Page 231: ...time varying changes in the vol ume of the selected oscillator Diagram The diagram on top of the page shows the Amplitude envelope line Level These parameters are the level of the envelope segment Sta...

Page 232: ...ulation Intensity This parameter specifies the depth and direction of the effect that AMS1 will have For example if AMS1 T is Amp KTrk the Amp Keyboard Track settings see Keyboard Track ing on page 22...

Page 233: ...set to 0 Here are offset settings and pitch change produced by vibrato 99 99 Offset value Key Sync This parameter specifies if the LFO is synchronized to key strokes On The LFO will start each time yo...

Page 234: ...lues you specified for Frequency see page 229 and Frequency Modulation see page 229 will be ignored Base Note When MIDI Tempo Sync is On these parameters set a note length relative to q Tempo and the...

Page 235: ...ed the Solo OSC n indicator n oscillator number blinks on the page header While in this sit uation you can select a different oscillator to be soloed Swap LFO Select this command to replace LFO1 with...

Page 236: ...Edit but ton next to the name to open the Text Edit window Sound Bank Target bank of Sounds Use the VALUE controls to select a dif ferent bank Sound Target Sound location in the selected bank Use the...

Page 237: ...yboard tracking within the same oscillator Amp KTrk 0 Amp Keyboard Track 0 Amp keyboard tracking within the same oscillator Note Number Note number Velocity Velocity Poly AT Poly After Touch Polyphoni...

Page 238: ...ch 2 The effect will be controlled by the joystick Y vertically down ward and by after touch In this case the effect of after touch will be only half of the specified intensity Note Number Amp Key Low...

Page 239: ...he relevant Audio Input s on the rear of the Pa3XLe When the source has been connected raise the MASTER VOLUME control to a position other than zero 2 Go to the Audio Video Audio In page of the Global...

Page 240: ...nd save the Sound to an empty User location 9 If you want so assign the new Sound to a track then select the Write Performance Write Current Style Settings or Write STS command from the page menu to s...

Page 241: ...ty User location Assigning the Audio Groove to Styles or Pads Sounds based on the Audio Groove can be used in Styles or Pads 1 Assign the new Sound to a Style track preferably the Drum or Percussion t...

Page 242: ...ample Start point This parameter usually differs from the Sam ple Start in ordinary sounds i e a guitar a piano a voice End Sample Loop End This is the sample and loop end point in samples You may edi...

Page 243: ...ited separately On When the Loop S or End parameter is edited the other one will be automatically adjusted so that the distance between them i e the loop length does not change This is convenient when...

Page 244: ...olume has dropped in the middle of the crossfade curve In such cases use Power Sample Edit Sampling Info Use this page to see detailed info on the sample in edit General information for the RAM memory...

Page 245: ...an connect a microphone to the Right Audio Input Use the MIC GAIN knob to set the input level Record Mode Use this parameter to choose between the mono or stereo sam pling mode by selecting one or bot...

Page 246: ...ng you can select the Write command from the page menu to save the Sound based on sliced samples and the MIDI Groove containing the corresponding MIDI sequence The Sound will be saved to the selected...

Page 247: ...it to loop seamlessly Time Slice See The Time Slice procedure on page 244 for more information Release Adjust the value of this parameter to change the number of rec ognized attacks by varying the sp...

Page 248: ...uddenly Normal This option is most suitable for percussive sound with a short but not immediate decay The tail envelope is linear and the level decays fast Long This option is most suitable for cymbal...

Page 249: ...rt it to an internal Style pattern by using the Import function of the Style or Pad Record mode before turning the instrument off To improve the quality of the slices use the Extend func tion see Exte...

Page 250: ...l speed up the programming The note set with this parameter is also shown in red in the vir tual keyboard diagram Level Relative level of the selected zone This value can only be nega tive Pitch Fine...

Page 251: ...ny residual noise Cut Select this command to cut the selected part of the sample inside the Start and End points Trim Crop Select this command to cut all parts of the sample out of the selected range...

Page 252: ...ave all Samples renamed as Piano_001 Piano_002 and so on Hint If you get a messages warning there isn t enough mem ory to load all Samples or resources return to the main Sam pling page and choose the...

Page 253: ...save to a new loca tion Select Save to to overwrite an existing location Warning The older multisample at the same location will be deleted Write Slice dialog box Open this dialog box by selecting the...

Page 254: ...es not assigned to a different multisample By checking this option all samples assigned to the multi sample you are deleting and all samples not assigned to a different multisample will be deleted Not...

Page 255: ...a series of KSF files Korg s proprietary file format for samples inside the same directory Note When exporting a stereo multisample be careful to assign a different name to the Left and Right channel...

Page 256: ...ps of parameters in the Lock page of the Global mode see General Controls Lock on page 255 Main page There is no main page in the Global edit mode When pressing EXIT you exit the Global mode and the u...

Page 257: ...de In Out function Fade In Time Time for a full fade in from zero to maximum volume after you press the FADE IN OUT button 5 20 Fade time in seconds Fade Out Time Time for a full fade out from maximum...

Page 258: ...efault this parameter is turned on Note Program Change numbers are always shown in the various Track Info areas Track Activity Show Use this parameter to turn on off the Track Activity display When it...

Page 259: ...racks Octave Transpose will be automatically set to 0 When turning the SPLIT button on Split keyboard mode the Upper tracks Octave Transpose will be automatically set to 1 Control pane Assignable Swit...

Page 260: ...acks volume do not change when a different Style is selected This is useful when you create your own User Styles and prefer to dynamically adjust the vol ume by using the sliders as in a mixer It is n...

Page 261: ...to input the year Time Use these numeric fields to input the time in the hour min ute second format Apply After having edited all calendar and time fields touch this but ton to apply the changes Auto...

Page 262: ...music This type of chord recognition is very useful to play piano chords typical of jazz piano players You don t always need to play the root note doubling the note already played by the bass track V...

Page 263: ...balance between the Drum Percussion Bass and Accompaniment tracks For exam ple if you prefer Drums and Bass to be prominent to make them have more punch you can lower the grouped Accompaniment tracks...

Page 264: ...nd Pad banks A Save All procedure also saves the Factory Style and the Factory Pad banks Note This parameter is automatically set to On when the instru ment enters standby Note Should you accidentally...

Page 265: ...Kbd tracks against the Style Accompani ment Song and Pad tracks Acc Song Volume While in Style Play and Song Play mode the BALANCE knob controls the volume of the Style Accompaniment Song and Pad trac...

Page 266: ...the instrument Global Tuning Master Tuning This is the master tuning of the instrument in cents of a semi tone Use it to adapt your keyboard tuning to an acoustic instru ment for example an acoustic p...

Page 267: ...ed all notes are trans posed immediately before they enter the internal tone generator or are sent to the MIDI OUT but after the Scale For example if you altered an E and set the Master Transpose to 1...

Page 268: ...llows you to select a MIDI Preset and set global parameters for the MIDI communication MIDI Preset Preset MIDI channels can be automatically configured by selecting a MIDI Preset Each of them lets you...

Page 269: ...erformed by the internal Player in the RX Noises range are recognized and converted to RX Noises When off notes are not recognized Note This parameter is automatically turned on when the instru ment i...

Page 270: ...tes received over this note are not recognized B 1 G9 Highest note In Note Range Low This is the lowest note that can be received by the Harmony sec tion of the Voice Processor Notes received under th...

Page 271: ...izer from the Pa3XLe using the Lower track to play chords even if the track is muted Control On this special channel MIDI messages are sent when choosing a SongBook Entry See Song Book Entries and the...

Page 272: ...imiter Presets and automatically reconfigure the EQ parameters On Off This is the on off switch for the Limiter section Ratio Sets the signal compression ratio Compression is applied only when the sig...

Page 273: ...e audio entering and coming out of the Master EQ If the input level is too high decrease the level of the Input Trim parameter If the output level is too high decrease the level of the Gain controls K...

Page 274: ...to show in the monitor connected to the Video Out port Text Only Only Lyrics and Chords if any are shown in the external display Mirror The internal display of Pa3XLe is duplicated mirrored to the ext...

Page 275: ...ge 280 The saved Preset will appear in the list of the available Presets Harmony Voices On Off These are switches for the voices generated by the Harmony section V1 V3 These checkboxes allow turning e...

Page 276: ...source different than the Chord Scan ning area This way you can continue sending chords to the Arranger with your left hand while for example sending notes to the Harmony module with your right hand S...

Page 277: ...2 bass voicing which give the lowest note received Root2 and Bass2 are the higher pitch Root and Bass settings Shift Mode Presets In this mode the voices are shifted relative to the input note The val...

Page 278: ...to fine adjust in milliseconds the current delay time Feedback Delay feedback amount Src Source Use this parameter to set the source of the tempo for the delay MIDI Tempo is received from MIDI Manual...

Page 279: ...an be used when having to address the audi ence speaking over the background music Mic Talk button On off switch for the Talk function This is the same switch you can find in the Mic panel of the Styl...

Page 280: ...et into describing the more complex harmony modes we ll be showing you examples based on the C major scale If you are unfamiliar with this scale we ve shown C major here Notes Mode In this mode you pr...

Page 281: ...notes for the C major scale with a voicing selection of a C major chord and a single one above Root C Chord Type Maj Voicing Up1 Black Lead Grey Harmony You might have noticed that each harmony note...

Page 282: ...best in the key of G try running the song through Voice Processor to hear for yourself Setting the scale can also take a bit of practice for songs centered around the third or root of the scale it mig...

Page 283: ...rd so a third above harmony voice actually varies between three and four semitones above the lead note where the chromatic harmony would stay exactly four semitones a major 3rd above each note To reca...

Page 284: ...he cur rent page All other Write Global options are greyed out Write Quarter Tone SC Preset Choose this command to open the Write SC Preset dialog box and save the current scale settings in one of the...

Page 285: ...ings Write Limiter Preset dialog box Open this dialog box by selecting the Write Limiter Preset item from the page menu Here you can save current settings for the Limiter edit section see starting fro...

Page 286: ...or Preset item from the page menu Here you can save current settings for the VP Preset in the Mic edit section see starting from page 271 Name Name of the VP Preset to be saved Touch the Text Edit but...

Page 287: ...play you can select any item by touching it The selected item is highlighted You can deselect all items in any of the following ways Touch an empty area in the file list if available Touch the Device...

Page 288: ...lobal Setup VOC Voice Processor Presets QTP Quarter Tone Scale Presets MPR MIDI Presets AUD Limiter and Master EQ Presets PRF Performance PCG Sound Korg Pa Series KMP Multisample PCM Sample AIF AIFF a...

Page 289: ...ll Strings BANK PRF BANK8 PRF 8 1 Rock Brass 8 40 Rock Strings SONGBOOK LISTDB SBL SONGDB SBD SOUND USER01 PCG USERDK PCG STYLE BANK01 STY 1 1 Pop 1 1 40 Pop 40 BANK STY USER01 STY U1 1 User 1 U1 40 U...

Page 290: ...the scrollbar to scroll the list Touching the arrows will scroll one step at a time while touching the bar will scroll one page at a time Touching the arrows while SHIFT is kept pressed jumps to the p...

Page 291: ...is inside another folder select this latter and touch the Open button to open it Touch the Close button to go back to the parent folder 4 Select the SET folder containing the data you wish to load an...

Page 292: ...r or Favorite User Style banks in memory In the example above the previously selected Style bank will be loaded into the bank USER 1 in memory The Styles already existing in memory will be deleted and...

Page 293: ...ROGRAM folder Note It is not possible to load Pa3XLe data into these instruments Loading i Series data Pa3XLe is compatible with the Styles of the older i Series instru ments You can load them as if t...

Page 294: ...Edit window Enter the name then touch OK to confirm and close the Text Edit window Note The SET file name extension is added automatically 4 Touch OK to create the new folder and exit the dialog box...

Page 295: ...to a storage device 6 Touch OK to confirm or Cancel to abort After confirm ing the data in memory is merged with the data in the tar get folder Data not existing in memory is left unchanged in the tar...

Page 296: ...can Touch the New SET button and create a new SET folder see Creating a new SET folder on page 290 or Select an existing SET folder and touch Save to con firm 7 A dialog box appears asking you to sel...

Page 297: ...ve pages in this page you may see all types of files and not only Pa Series supported files assuming the Hide Unknown Files option is turned off see page 260 Copying a folder s content If nothing is s...

Page 298: ...n option for the SHIFT button To select more files or folders consecutively 1 Touch the Mode button to choose the option for the SHIFT button 2 Select the first file or folder to be selected 3 Press a...

Page 299: ...ame of the internal volume When formatting the internal disk the label cannot be edited Touch the Text Edit button to open the Text Edit window Enter the name then touch OK to confirm and close the Te...

Page 300: ...ckup file Touch the Text Edit button to open the Text Edit window Enter the name and confirm by touching OK 6 Touch OK to start the backup 7 When finished save the removable storage device in a safe p...

Page 301: ...ating System version From time to time check our web site www korg com to see if a newer free version has been released USB Use this page to enable or disable the USB Device port for file transfer The...

Page 302: ...sappears from the computer s desktop touch the Disable button on the display of Pa3XLe Caveat Do not disconnect the USB communication before the personal computer has really finished transferring file...

Page 303: ...like hard drives or USB memory sticks connected to the USB Host port Here are some precautions when handling these devices Internal memory write protection You can protect your internal memory from wr...

Page 304: ...ess the RECORD button to access the Sam pling mode 2 While in Sampling mode choose the Delete command from the page menu Choose the All Samples MultiSam ple DrumSamples option and touch OK to delete a...

Page 305: ...ith any TXT lined to the entry Also a Voice Processor Preset the STSs and Pads may be recalled List Header The List Header may change depending on the type of data associated with the selected entry W...

Page 306: ...appears in reversed text over a green blue background While in this situation the song is highlighted but not yet loaded When you touch the Select button in the display the song will be loaded The ba...

Page 307: ...of the highlighted entry in the list After touching this button the name of the selected entry appears on the left upper side of the display N List Edit This page is only available after checking the...

Page 308: ...to the SongBook Entry and choose to save STSs and a Voice Processor Preset to the Entry Hint Use the Filter in the Book page to quickly find an entry to be edited The Book Edit 1 page with a Style bas...

Page 309: ...ter is automatically checked and cannot be modified A reference to the associated resource will be saved with the new entry STS Write Current When saving a SongBook Entry and this parameter is checked...

Page 310: ...event is included with the associated resource You can change this value by using the TEMPO buttons on the control panel Any change will be shown after saving the Entry Note The starting value of a S...

Page 311: ...tch This section of the Book Edit 3 page contains two buttons Reset Touch this buttons to unlink the text file from the entry Browse Touch this button to open a standard File Selec tor and select a TX...

Page 312: ...es are selected Select this command to open the Export dialog box and save the Song Book or Custom List as a text file The selected filtering will be applied to the exported list assuming the Filter b...

Page 313: ...nel the NRPN Control Change messages 99 MSB with value 2 and 98 LSB with value 64 in fast succession as an initial ization string This string must be sent only once unless another NRPN control is sen...

Page 314: ...es and MP3 files on page 312 Lyrics contained in a TXT file linked to the latest selected SongBook Entry see Linked TXT on page 307 When no lyrics data is contained in the Song or linked to a SongBook...

Page 315: ...les only Current measure number STS Name of the four selected Single Touch Settings STS Touch one of them to select it Chord If this button is depressed chords are shown above lyrics in the display pr...

Page 316: ...the SHIFT button pressed and touch the center of the dis play A standard file selector will appear and will let you look for a TXT file to be loaded Hint You can use the Search function to search a TX...

Page 317: ...see SMF Melody Track on page 259 If your song has the melody part assigned to the same track you can mute or unmute it by using this button or the assigned switch pedal Selected track Touch here to op...

Page 318: ...in the display to save all markers If you are not in the Lyrics Score page choose the Save Song Marker command from the page menu The markers will be saved into the Standard MIDI File Auto Scroll Che...

Page 319: ...has been released In some cases a Note On with value 0 is used instead Together with the Note On message a Velocity value is always sent This value tells the instrument how loud the note must play Pit...

Page 320: ...d for the chord recog nition of the automatic accompaniment If the SPLIT LED is turned on only the notes below the split point will be used These notes will be combined with the ones of the special Ch...

Page 321: ...that this MIDI Preset will be remain unchanged even when the instrument enters standby Note Settings may change when new Global data is loaded from disk To protect settings from loading use the Global...

Page 322: ...song played by its sequencer are sent through the MIDI OUT of the MIDI interface to the MIDI IN connector of Pa3XLe or from the USB port of the computer to the USB port of Pa3XLe The Local Off When Pa...

Page 323: ...expander or sequencer connected to the MIDI OUT of Pa3XLe To only hear the expander s sounds you can lower the MASTER VOLUME control on the Pa3XLe or set the Keyboard tracks to the External status see...

Page 324: ...320 MIDI Playing another instrument with Pa3XLe Pa3XLe User Manual v100 English book Page 320 Thursday May 29 2014 5 42 PM...

Page 325: ...Pa3XLe User Manual v100 English book Page 321 Thursday May 29 2014 5 42 PM...

Page 326: ...Oriental Ballad 23 Blue Ballad 24 Groove Ballad Bank Ballroom 1 Quick Step 2 Paso Dance 3 Jive 1 4 Jive 2 5 Argentina Tango 6 Modern Tango 7 Slow Fox 8 Organ Foxtrot 9 Slow Waltz 1 10 Slow Waltz 2 11...

Page 327: ...ltz 6 Musette Waltz 7 French Waltz 8 Irish Waltz 9 Laendler Waltz 10 German Polka 11 Italian Polka 1 12 Italian Polka 2 13 Italian Polka 3 14 Italian Mazurka 1 15 Italian Mazurka 2 16 Italian Mazurka...

Page 328: ...fle 15 Modern Gospel 1 16 Modern Gospel 2 17 Al Swing 18 Groove 19 Groove Funk 20 Jazz Funk 21 Motown Shuffle 1 22 Motown Shuffle 2 23 Cool Vocal 24 70 s Beat Groove 25 Al Funk 26 Urban Funk Bank Worl...

Page 329: ...21 36 4 Wurly Amp 121 38 4 Wurly Clean 1 121 39 4 Wurly Clean 2 121 41 4 Reed EP Clean 121 37 4 Wurly AmpChorus 121 40 4 Natural Wurly 121 44 4 Wurly RX Noise 121 42 4 VPM E Piano 121 17 5 Digi E Pian...

Page 330: ...8 BX3 Gospel V 121 21 16 Sound Name CC00 CC32 PC Jimmy Organ V 121 10 18 Gospel Organ V 121 13 16 Drawbars Slow V 121 19 16 Drawbars Fast V 121 18 16 Drawbars Organ 121 14 16 Jazz Organ 121 8 16 Organ...

Page 331: ...21 5 27 L R E Guitar 1 121 9 27 R R Guitar 121 4 28 Sound Name CC00 CC32 PC Power Chords 121 4 30 Mute Monster 121 5 30 Disto Mute 121 9 28 Steel Gtr DNC 121 44 25 Nylon Gtr RX1 121 12 24 Nylon Gtr RX...

Page 332: ...Soft Trb DNC 121 16 57 JazzCornet 1 DNC 121 25 56 Sound Name CC00 CC32 PC JazzCornet 2 DNC 121 29 56 Trb Expr DNC 121 17 57 Trombone DNC 121 13 57 Trumpet Expr 1 121 15 56 Trumpet Expr 2 121 4 56 Corn...

Page 333: ...x Expr 1 121 7 66 Jazz Tenor 121 10 66 Baritone Growl 121 1 67 Real Sax Ens RX 121 15 65 Sound Name CC00 CC32 PC Cool Sax Ens 121 11 65 Sax Ensemble 121 2 65 Reed of Power 121 11 66 Breath Key RX 121...

Page 334: ...121 17 89 Next Analog 121 16 89 Double Sweep 121 9 95 Sound Name CC00 CC32 PC S H Pad DNC 121 10 96 Factory Synth Lead Bass Phat Saw 121 12 87 Old Portamento 121 3 80 Power Saw 121 5 81 Octo Lead 121...

Page 335: ...P Bass 121 23 33 Sound Name CC00 CC32 PC Vintage P Pick 121 12 34 Picked Jazz Bass 121 13 34 MM Fretless B RX 121 8 35 Woofer Pusher 1 121 9 35 Finger Bass DNC 121 16 33 Dark Bs Slp DNC 121 7 36 Acous...

Page 336: ...121 3 18 Sound Name CC00 CC32 PC Killer B 121 2 18 BX3 Short Decay 121 7 17 Super BX Perc 121 6 18 Gospel Organ 121 9 16 Old Wheels 121 3 17 Dark Organ 1 121 7 16 Dark Organ 2 121 5 16 Rotary Organ 12...

Page 337: ...5 63 Brass Pad 121 3 63 Netherland Hit 121 8 55 Legacy Sax Folk Sax 121 5 66 Sound Name CC00 CC32 PC Breathy Baritone 121 2 67 Alto Breath 121 1 65 Tenor Breath 121 3 66 Breathy Alto Sax 121 3 65 Alto...

Page 338: ...tadium 121 6 126 Castanets Plus 121 2 115 Timpani 121 1 47 Sound Name CC00 CC32 PC Woodblock 121 3 115 Footstep Walk 121 7 126 GM Piano AcousticPiano GM 121 0 0 Ac Piano Wide 121 1 0 Ac Piano Dark 121...

Page 339: ...9 GM Strings Violin GM 121 0 40 Slow Att Violin 121 1 40 Viola GM 121 0 41 Sound Name CC00 CC32 PC Cello GM 121 0 42 Contrabass GM 121 0 43 Tremolo Str GM 121 0 44 Pizzicato Str GM 121 0 45 Harp GM 12...

Page 340: ...r Theme GM 121 0 103 GM Ethnic Sitar GM 121 0 104 Sound Name CC00 CC32 PC Sitar 2 121 1 104 Banjo GM 121 0 105 Shamisen GM 121 0 106 Koto GM 121 0 107 Taisho Koto 121 1 107 Kalimba GM 121 0 108 Bag Pi...

Page 341: ...ming 121 2 126 Punch 121 3 126 Heart Beat 121 4 126 Footsteps 121 5 126 Gun Shot GM 121 0 127 Machine Gun 121 1 127 Laser Gun 121 2 127 Explosion 121 3 127 User 01 121 64 0 127 User 02 121 65 0 127 Us...

Page 342: ...azz Kit RX3 120 0 35 Techno Kit RX 120 0 73 House Kit RX1 120 0 30 House Kit RX2 120 0 31 Power Kit RX1 120 0 18 Power Kit RX2 120 0 19 Dance Kit RX 120 0 74 Analog Kit 120 0 123 Jungle Kit 120 0 10 E...

Page 343: ...127 0 16 Electro Kit XG 127 0 24 Analog Kit XG 127 0 25 Jazz Kit 1 XG 127 0 32 Jazz Kit 2 XG 127 0 33 Brush Kit XG 127 0 40 Classic Kit XG 127 0 48 User DK 120 64 0 127 Sound Name CC00 CC32 PC Pa3XLe...

Page 344: ...Harm Up Pick Crunch Gtr DNC 2 121 3 29 5st Smth Slide U Mute Harm Feedback Vibrato Chorus Gtr DNC 2 121 34 27 5st Smth Slide U Mute Harm Feedback Jazz Gtr 1 DNC 3 121 7 26 4st Smth Slide U Harm Bend...

Page 345: ...on KR Breath Soprano Sax DNC 2 121 5 64 9st Smth 9st RU RD GU RD Breath JazzBaritone DNC 3 121 5 67 9st Smth 9st RU RD GU Grace Oct FD on KR Breath Bright Factory Woodwind RealClarinet DNC 1 121 14 7...

Page 346: ...n Ens Ensemble Bend Bending Shk Shake Stacc Staccato Mord Mordente Frull Frullato flutter tongue Body NZ Body Noise Cut NZ Cut Noise Harm Harmonics Bright Brightness Det Detune Vol Volume Finger Bass...

Page 347: ...Piano Stage HardLP 44 E Piano Vintage pp 45 E Piano Vintage p 46 E Piano Vintage mf 47 E Piano Vintage f 48 E Piano Vintage ff 49 E Piano Vintage fff 50 E Piano Vintage Koff 51 E Piano Wurly Soft 52 E...

Page 348: ...i High 181 Bottle 182 Bottlizer 183 Shanai GM 184 Recorder 185 Ocarina 186 Clarinet 1 Vibrato p 187 Clarinet 1 Vibrato f 188 Clarinet 1 GlissUp 189 Clarinet 1 Fall 190 Clarinet 2 191 Clarinet 3 192 Do...

Page 349: ...Shakes 314 Trumpet WDH Shakes Atk 315 Trumpet WDH Shakes Rel 316 Trumpet Doit 317 Trumpet Fall 318 2 Trumpets mp L 319 2 Trumpets mp R 320 2 Trumpets f L 321 2 Trumpets f R 322 Brass Ensemble Stereo...

Page 350: ...2 dw2 451 Stra Pos2 dw3 452 Stra Pos2 dw4 453 Stra Pos2 dw5 454 Stra Pos2 up1 455 Stra Pos2 up2 456 Stra Pos2 up3 457 Stra Pos2 up4 458 Stra Pos2 up5 459 Stra Pos2 SlideHT p 460 Stra Pos2 SlideHT f 46...

Page 351: ...ar 573 E Bass4 LH Mute 574 E Bass4 RH Mute 575 E Bass5 Finger 576 E Bass6 Finger 577 E Bass6 FingerLP 578 E Bass7 Finger 579 E Bass8 Pick 580 E Bass9 Pick Muted1 581 E Bass9 Pick Muted2 582 E Bass9 Pi...

Page 352: ...ll4 716 DWGS Clav 717 DWGS Digi1 718 DWGS Digi2 719 DWGS Wire1 720 DWGS Wire2 721 DWGS Sync1 722 DWGS Sync2 723 DWGS Sync3 724 Orchestra Hit 1 725 Orchestra Hit 2 726 Orchestra Hit GM L 727 Orchestra...

Page 353: ...Kangaroo 814 DJ Eddie Set 815 Claps Natural Set1 L 816 Claps Natural Set1 R 817 Claps Natural Set2 L 818 Claps Natural Set2 R 819 Claps Natural Set3 L 820 Claps Natural Set3 R 821 Snare Ghost 822 Ster...

Page 354: ...Drum 70 BD Soul5 Long Bass Drum 71 BD Soul6 Bass Drum 72 BD Dance1 Bass Drum 73 BD Dance2 Bass Drum 74 BD Dance3 Bass Drum 75 BD House1 Bass Drum 76 BD House2 Bass Drum 77 BD House3 Bass Drum 78 BD Ho...

Page 355: ...D LdwBB2 Roll2 Snare Drum 223 SD LdwBB2 Roll3 Snare Drum 224 SD LdwBB2 Roll4 Snare Drum 225 SD LdwSup Std p Snare Drum 226 SD LdwSup Std mf Snare Drum 227 SD LdwSup Std f Snare Drum 228 SD LdwSup Std...

Page 356: ...2 Snare Drum 380 SD J center p Snare Drum 381 SD J center f Snare Drum 382 SD J edge1 Snare Drum 383 SD J edge2 Snare Drum 384 SD J edge3 Snare Drum 385 SD J edge4 Snare Drum 386 SD J std p Snare Drum...

Page 357: ...4 Rim2 m Hall Snare Drum 535 Rim3 m Hall Snare Drum 536 Rim4 m Hall Snare Drum 537 Rim1 st Hall Snare Drum 538 Rim2 st Hall Snare Drum 539 Rim3 st Hall Snare Drum 540 Rim4 st Hall Snare Drum 541 Rim1...

Page 358: ...ed mf Hi Hat 698 HH2 Closed f Hi Hat 699 HH2 Closed ff Hi Hat 700 HH2 Foot p Hi Hat 701 HH2 Foot f Hi Hat 702 HH2 Open p Hi Hat 703 HH2 Open f Hi Hat 704 HH3 Closed1 Hi Hat 705 HH3 Closed2 Hi Hat 706...

Page 359: ...mba Open1 f Latin Perc 870 Tumba Open2 mf Latin Perc 871 Tumba Open2 f Latin Perc 872 Tumba Open Flam Latin Perc 873 Tumba Glissando Latin Perc 874 Tumba Basstone Latin Perc 875 Tumba O Slap Flam mf L...

Page 360: ...20 Timbales1 Lo Paila f Ethnic Perc 1021 Timbales1 Hi Open Latin Perc 1022 Timbales1 Hi Edge Latin Perc 1023 Timbales1 Hi Edge GM Latin Perc 1024 Timbales1 Hi RimShot mf Latin Perc 1025 Timbales1 Hi R...

Page 361: ...Perc 1179 Udu Bell a Latin Perc 1180 Udu Bell b Latin Perc 1181 WD Brazillia1 Snare Drum 1182 WD Brazillia2 Snare Drum 1183 WD Ethno SD1 Snare Drum 1184 WD Ethno SD2 Snare Drum 1185 WD Ethno SD3 Snar...

Page 362: ...333 Car Stop SFX 1334 Car Pass SFX 1335 Car Crash SFX 1336 Train SFX 1337 Helicopter SFX 1338 Gun Shot1 SFX 1339 Gun Shot2 SFX 1340 Machine Gun SFX 1341 Laser Gun SFX 1342 Explosion SFX 1343 Thunder S...

Page 363: ...lice5 SFX 1498 Grv Slice6 SFX 1499 Grv Slice7 SFX 1500 Grv Slice8 SFX 1501 Grv Slice9 SFX 1502 Grv Slice10 SFX 1503 Grv Slice11 SFX 1504 Grv Slice12 SFX 1505 Grv Slice13 SFX 1506 Grv Slice14 SFX 1507...

Page 364: ...om 1599 99 Tom Mid Tom 1600 99 Tom Low Tom 1601 99 Claps Latin Perc Name Family 1602 99 Guiro1 Latin Perc 1603 99 Guiro2 Latin Perc 1604 99 Ride Cymbal 1605 99 Ride Dance Cymbal 1606 99 Crash1 Cymbal...

Page 365: ...ik 2 10 Timpani 4 11 Sticks 11 Cuica 2 11 Darbuka 8 11 Rik 3 11 Orchestra Tutti 12 Rim Shot 12 Jingle Bell 12 Davul 12 Sagat 1 12 13 Hi Tom Flam 13 Long Guiro 13 Douf Rim Ak 13 Sagat 2 13 14 Mid Tom F...

Page 366: ...p 2 3 Drum 8 Bt Easy 3 Perc Latin 1 3 Grv Brush 3 Bass Pick Busy 3 Piano Accomp 3 4 Drum 8 Bt Medium 4 Perc Latin 2 4 Grv Jazzy 4 Bass Finger Easy 4 Piano Accomp 4 5 Drum Rock 1 5 Perc Latin 3 5 Grv L...

Page 367: ...4 4 11 Synth Seq 11 11 Nature River 12 Gtr Steel Mute 1 12 French Horns 1 12 Solo Gtr Funk 12 Synth Portam 1 12 Nature Storm 13 Gtr Steel Mute 2 13 French Horns 2 13 Solo Piano 1 13 Synth Portam 2 13...

Page 368: ...27 Black Chorus Flanger 28 St HarmonicChorus 29 St Biphase Mod 30 Multitap Cho Delay 31 Ensemble 32 Polysix Ensemble 33 Stereo Flanger 34 St Random Flanger 35 St Env Flanger 36 Stereo Phaser 37 St Ran...

Page 369: ...Exciter Phaser 98 Exciter Mt Delay 99 OD HG Amp Sim 100 OD HG Cho Flng 101 OD HG Phaser 102 OD HG Mt Delay 103 Wah Amp Sim 104 Decimator Amp 105 Decimator Comp 106 AmpSim Tremolo 107 Cho Flng Mt Dly...

Page 370: ...cur at each note on In the case of Gate 1 and Gate 1 Dmpr the trigger occurs only for the first note on Modulation source Note Off No modulation Gate1 Gate1 Dmpr Gate2 Gate2 Dmpr Note Nr Note Number V...

Page 371: ...e High EQ g Output Level 0 100 Sets the output level of the compressor Src Off Tempo Selects the modulation source for the compressor output level Amt 100 100 Sets the modulation amount for the compre...

Page 372: ...range mid range and high range in a different way from the EQ e Low Offset dB f Mid Offset dB g High Offset dB These parameters set the gain of the trigger signal For example if you do not want to app...

Page 373: ...ntrol or use the input signal as a trigger b Envelope Select L R Mix L Only R Only Selects the control signal left and right linked left only or right only Src Off Tempo Selects the source that will c...

Page 374: ...enter frequency of Band 3 Q 0 5 10 0 Sets the bandwidth of Band 3 Gain dB 18 0 18 0 Sets the gain of Band 3 h Band4 Cutoff Hz 500 20 00k Sets the center frequency of Band 4 Q 0 5 10 0 Sets the bandwid...

Page 375: ...Delay L msec 0 0 50 0 Sets the delay time for the Enhancer left channel d Enhancer Delay R msec 0 0 50 0 Sets the delay time for the Enhancer right channel e Enhancer Depth 0 100 Sets the determines t...

Page 376: ...e Auto D mod LFO Selects the control from auto wah modulation source and LFO Src Off Tempo Selects the modulation source for the wah when Sweep Mode D mod Respon 0 100 Sets the response speed when Swe...

Page 377: ...of notes that specify the LFO speed Times x1 x32 Sets the number of notes that specify the LFO speed h Output Level 0 100 Sets the output level of the effect sound Src Off Tempo Selects the modulation...

Page 378: ...ff Tempo Selects the modulation source of the cutoff Amt 100 100 Sets the modulation amount of the cutoff c Resonance 0 100 Sets the resonance amount Src Off Tempo Selects the source that will modulat...

Page 379: ...harmonics are added e Envelope Sens 0 100 Sets the sensitivity with which very low harmonics are added Envelope Shape 100 100 Sets the oscillator s volume envelope curve f Wet Dry Dry 1 99 99 1 Wet B...

Page 380: ...x Voice Bottom Voice Center Voice Top U I A A O E JS X Ribbon JS Y JS Y etc Zero Max Talking Modulator Control a Pre LPF Off On Selects whether the harmonic noise caused by a decrease in sampling freq...

Page 381: ...ulation sources on page 366 Amt 100 100 Amount of modulation source Left Right FX Amt FX Amt Stereo In Stereo Out Analog Record Simulation Pre EQ Pre EQ EQ Trim EQ Trim a Wah Off On Switches Wah on of...

Page 382: ...the signal level input to the 3 Band EQ If clipping occurs at the 3 Band EQ adjust the Output Level parameter 19 St Guitar Cabinet Stereo Guitar Cabinet This simulates the acoustical character of a g...

Page 383: ...ifier type LA STUDIO An amp that is typical of the LA sound JAZZ A combo amp favored by jazz bassists GOLD PANEL An amp distinctive for its eye catching gold panel and clean sound SCOOPED An amp typic...

Page 384: ...00 100 Amount of modulation source Amp Type Cabinet Type LA STUDIO LA 4x10 LA 1x18 JAZZ JAZZ 1x15 GOLD PANEL MODERN 4x10 SCOOPED METAL 4x10 VALVE2 CLASSIC 8x10 VALVE CLASSIC 8x10 CLASSIC COMBI 1x12 1x...

Page 385: ...ose setting is the closest mic position and the Far setting is the farthest Mic Pre Amp Saturation In Out Saturation 0 Saturation 50 Saturation 100 Bias 0 In Out Satulation 50 Bias 0 Bias 50 Bias 100...

Page 386: ...he number of notes that specify the LFO speed d L Pre Delay msec 0 0 50 0 Sets the delay time for the left channel R Pre Delay msec 0 0 50 0 Sets the delay time for the right channel e Depth 0 100 Set...

Page 387: ...the low and high range g Feedback 100 100 Sets the feed back amount of the chorus block High Damp 0 100 Sets the high range damping amount of the chorus block h Low Level 0 100 Sets the low range outp...

Page 388: ...p4 270 msec 0 1000 Sets the Tap4 LFO phase 270 degrees delay time Depth 0 30 Sets the Tap4 chorus depth Level 0 30 Sets the Tap4 output level Pan L6 L1 C R1 R6 Sets the Tap4 stereo image f Tap1 Feedba...

Page 389: ...100 Amount of modulation source Polysix Ensemble Left Right FX Amt FX Amt FX Amt 100 Mono In Mono Out FX Amt 0 Stereo In Stereo Out a Delay Time msec 0 0 50 0 Sets the delay time from the original so...

Page 390: ...MIDI Sync Off On When this is on the LFO speed is set by BPM Base Note and Times instead of Frequency BPM MIDI 40 00 300 00 MIDI syncs to the system tempo 40 300 sets the tempo manually for this indi...

Page 391: ...0 Sets the modulation amount of the LFO modulation depth h Resonance 100 100 Sets the resonance amount High Damp 0 100 Sets the resonance damping amount in the high range j Wet Dry Wet 1 99 Dry 99 1 W...

Page 392: ...Table Dynamic Modulation sources on page 366 Amt 100 100 Amount of modulation source EG Attack Decay EG D mod Sweep Mode D mod Phaser Phaser Left Right Resonance FX Amt FX Amt High Damp Stereo In Ste...

Page 393: ...O Frequency Hz 1 0 Amount 3 0 LFO Frequency 1 0 3 0 4 0Hz LFO Frequency 1 0Hz Gate1 Signal AUTOFADE Fade In Dealy a AUTOFADE Src Off Tempo Selects the modulation source that starts AutoFade Fade In De...

Page 394: ...esonance intensity LFO D mod Invert Off On Reverses the Voice 1 and 2 control when LFO D mod is selected b LFO Frequency Hz 0 02 20 00 Sets the speed of the LFO D mod Src Off Tempo Selects the modulat...

Page 395: ...f LFO speed d MIDI Sync Off On When this is on the LFO speed is set by BPM Base Note and Times instead of Frequency BPM MIDI 40 00 300 00 MIDI syncs to the system tempo 40 300 sets the tempo manually...

Page 396: ...Sample Cycle Hz Duration sets the length of the sampled grain and the LFO Sample Cycle controls how often a new grain is sampled In between Sample Cycles the current grain is repeated continu ously M...

Page 397: ...hen this is on the LFO speed is set by BPM Base Note and Times instead of Frequency BPM MIDI 40 00 300 00 MIDI syncs to the system tempo 40 300 sets the tempo manually for this individual effect Base...

Page 398: ...tween the wet and dry signal Src Off Tempo Table Dynamic Modulation sources on page 366 Amt 100 100 Amount of modulation source Left Right FX Amt FX Amt Stereo In Stereo Out LFO Phase LFO Shape Pan Pa...

Page 399: ...t and dry signal Src Off Tempo Table Dynamic Modulation sources on page 366 Amt 100 100 Amount of modulation source a OSC Mode Fixed Note Key Follow Switching between specifying the oscillator frequen...

Page 400: ...back 100 100 Sets the feedback amount High Damp 0 100 Sets the damping amount in the high range d Input Level Dmod 100 100 Sets the modulation amount of the input level Src Off Tempo Selects the modul...

Page 401: ...Over OVER Displays an error message when the delay time exceeds the upper limit e Delay Base Note r w Selects the type of notes to specify the delay time Times x1 x32 Sets the number of notes to speci...

Page 402: ...odulation source that will control vibrato depth Amt 100 100 Sets the modulation amount for controlling the vibrato depth f Custom Speed Hz 0 02 20 00 Sets the vibrato speed Src Off Tempo Selects the...

Page 403: ...es darker and lighter as it feeds back g Spread This parameter sets the pan width of the effect sound The stereo image is widest with a value of 50 and the effect sound of both channels is output from...

Page 404: ...i Spread 50 50 Sets the width of the stereo image of the effect sound j Wet Dry Dry 1 99 99 1 Wet Balance between the wet and dry signal Src Off Tempo Table Dynamic Modulation sources on page 366 Amt...

Page 405: ...peed is set by BPM Base Note and Times instead of Frequency BPM MIDI 40 00 300 00 MIDI syncs to the system tempo 40 300 sets the tempo manually for this individual effect Base Note r w Selects the typ...

Page 406: ...channel L Feedback 100 100 Sets the feedback amount for the left channel b R Delay Time msec 0 0 1360 0 Sets the delay time for the right channel R Feedback 100 100 Sets the feedback amount for the ri...

Page 407: ...output level Pan L 1 99 R Sets the stereo image of tap2 FB Amt 100 100 Sets the Tap2 feedback amount f Tap3 Level 0 100 Sets the Tap3 output level Pan L 1 99 R Sets the stereo image of tap3 FB Amt 10...

Page 408: ...Time Reverse Time Envelope Select Input Reverse Reverse a BPM MIDI 40 00 300 00 MIDI syncs to the system tempo 40 300 sets the tempo manually for this individual effect b Rhythm Pattern x eee 3 Selec...

Page 409: ...dulation source for the input level h Spread 0 50 Sets the width of the stereo image of the effect sound i Wet Dry Dry 1 99 99 1 Wet Balance between the wet and dry signal Src Off Tempo Table Dynamic...

Page 410: ...elay Delay Feedback Tap1 Level Mode Mode 1 2 1 2 Tap1 1 Tap2 2 a Modulation Mode LFO D mod Switches between LFO modulation control and modulation source control b D mod Modulation L R L R Reversed L R...

Page 411: ...the right channel delay time Feedback 100 100 Sets the feedback amount for the right channel d High Damp 0 100 Sets the damping amount in the high range Low Damp 0 100 Sets the damping amount in the...

Page 412: ...Tap 1 delay time the depth of pitch variation e Tap3 Position 0 100 Sets the position of Tap 3 relative to the Tap 1 delay time the depth of pitch variation f Tap1 Level 0 100 Sets the Tap1 output le...

Page 413: ...simulate nuances such as the type of walls of a room a Reverb Time sec 0 1 10 0 Sets the reverberation time High Damp 0 100 Sets the damping amount in the high range b Pre Delay msec 0 200 Sets the d...

Page 414: ...gain of High EQ h Wet Dry Dry 1 99 99 1 Wet Balance between the wet and dry signal Src Off Tempo Table Dynamic Modulation sources on page 366 Amt 100 100 Amount of modulation source Left Right FX Amt...

Page 415: ...s the order of the parametric equalizer and wah connection b E B1 Cutoff Hz 20 1 00k Sets the center frequency of Band 1 Q 0 5 10 0 Sets the bandwidth of Band 1 Gain dB 18 18 Sets the gain of Band 1 c...

Page 416: ...the chorus flanger j Wet Dry Dry 1 99 99 1 Wet Balance between the wet and dry signal Src Off Tempo Table Dynamic Modulation sources on page 366 Amt 100 100 Amount of modulation source Left Right FX A...

Page 417: ...Dynamic Modulation sources on page 366 Amt 100 100 Amount of modulation source Left Right FX Amt FX Amt FX Amt 100 Mono In Mono Out FX Amt 0 Stereo In Stereo Out Trim Parametric 4Band EQ Multitap Del...

Page 418: ...rive Hi Gain Switches between overdrive and high gain distortion Drive 1 100 Sets the degree of distortion d O Output Level 0 50 Sets the overdrive output level Src Off Tempo Selects the modulation so...

Page 419: ...parametric EQ i Wet Dry Dry 1 99 99 1 Wet Balance between the wet and dry signal Src Off Tempo Table Dynamic Modulation sources on page 366 Amt 100 100 Amount of modulation source Left Right FX Amt F...

Page 420: ...ce Left Right FX Amt FX Amt FX Amt 100 Mono In Stereo Out FX Amt 0 Stereo In Stereo Out Routing Compressor LEQ HEQ EQ Trim Comp Output Level Envelope Control Phaser Phaser Resonance LFO Tri Sine Phase...

Page 421: ...18 Sets the gain of Band 1 f E B2 Cutoff Hz 50 5 00k Sets the center frequency of Band 2 Q 0 5 10 0 Sets the bandwidth of Band 2 Gain dB 18 18 Sets the gain of Band 2 g E B3 Cutoff Hz 300 10 00k Sets...

Page 422: ...dulation sources on page 366 Amt 100 100 Amount of modulation source Left Right FX Amt FX Amt FX Amt 100 Mono In Stereo Out FX Amt 0 Stereo In Stereo Out Routing Chorus Flanger Feedback Cho Flng FX Am...

Page 423: ...he order of the limiter and multitap delay i Wet Dry Dry 1 99 99 1 Wet Balance between the wet and dry signal Src Off Tempo Table Dynamic Modulation sources on page 366 Amt 100 100 Amount of modulatio...

Page 424: ...ter Exciter Limiter Limiter Gain Adjust Envelope Control EXCITER a X Exciter Blend 100 100 Sets the intensity depth of the Exciter effect b X Emphasis Frequency 0 70 Sets the frequency range to be emp...

Page 425: ...Left Right FX Amt FX Amt FX Amt 100 Mono In Stereo Out FX Amt 0 Stereo In Stereo Out LEQ HEQ EQ Trim Exciter Exciter Phaser Phaser Resonance LFO Tri Sine Phaser FX Amt Normal Wet Invert Output Mode E...

Page 426: ...Gain Switches between overdrive and high gain distortion Drive 1 100 Sets the degree of distortion b O Output Level 0 50 Sets the overdrive output level Src Off Tempo Selects the modulation source fo...

Page 427: ...s on page 366 Amt 100 100 Amount of modulation source Left Right FX Amt FX Amt FX Amt 100 Mono In Stereo Out FX Amt 0 Stereo In Stereo Out Routing Overdrive Hi Gain 3 Band PEQ Output Level Mode Overdr...

Page 428: ...e wah and amp simulation g Wet Dry Dry 1 99 99 1 Wet Balance between the wet and dry signal Src Off Tempo Table Dynamic Modulation sources on page 366 Amt 100 100 Amount of modulation source FX Amt Le...

Page 429: ...en the wet and dry signal Src Off Tempo Table Dynamic Modulation sources on page 366 Amt 100 100 Amount of modulation source Left Right FX Amt FX Amt FX Amt 100 Mono In Mono Out FX Amt 0 Stereo In Ste...

Page 430: ...EQ HEQ EQ Trim Multitap Delay Feedback High Damp Delay 2 1 Chorus Flanger Cho Flng FX Amt Mt Dly FX Amt Chorus Flanger Feedback LFO Tri Sine PHASER a P LFO Frequency Hz 0 02 20 00 Sets the speed of th...

Page 431: ...verb Balance 0 100 Sets the reverb effect balance d R PreLEQ Fc Low Mid Low Selects the cutoff frequency low or mid low of the low range equalizer Pre HEQ Fc High Mid High Selects the cutoff frequency...

Page 432: ...which the compressor is applied c Attack 1 100 Sets the attack time d Release 1 100 Sets the release time e Low Offset dB 40 0 Sets the low range gain of trigger signal f Mid Offset dB 40 0 Sets the m...

Page 433: ...nt of the dry sound mixed to the distortion Speaker Simulation Off On Switches the speaker simulation on off j Wet Dry Dry 1 99 99 1 Wet Balance between the wet and dry signal Src Off Tempo Table Dyna...

Page 434: ...BLACK 2x12 TWEED 1x12 TWEED 1x12 TWEED 4x10 TWEED 4x10 a Amp Type Selects the type of the amplifier STUDIO COMBO A tube combo ideal for the Motown sound VOX AC100 A 100W tube amp AC100 made by Vox UK...

Page 435: ...e Tap3 LFO phase 60 degrees delay time Depth 0 30 Sets the Tap3 chorus depth Status Always On Always Off On Off Dm Off On Dm Selects on off or modulation source for the control of Tap3 output e Tap4 2...

Page 436: ...lay Pitch Shifter Delay Pitch Shifter a Mode Slow Medium Fast Switches Pitch Shifter mode L R Pitch Normal Up Down Determines whether or not the L R pitch shift amount is inverted b Pitch Shift 1 2ton...

Page 437: ...w quickly the horn rotation speed changes Horn Ratio Stop 0 50 2 00 Adjusts the high frequency horn rotation speed Standard value is 1 00 Stop stops the rotation h Rotor Acceleration 0 100 Sets how qu...

Page 438: ...the high range g Low Damp 0 100 Sets the damping amount in the low range h Input Level Dmod 100 100 Sets the modulation amount of the input level Src Off Tempo Selects the modulation source for the i...

Page 439: ...has been set to Auto the loop time is also reset The effect is off when a value for the modulation source specified for the RST Control Src parameter is 63 or smaller and the effect is on when the val...

Page 440: ...R Feedback 100 100 Sets the feedback amount for the right channel R Amt 100 100 Sets the modulation amount of the right channel feedback f High Damp 0 100 Sets the damping amount in the high range g L...

Page 441: ...rol panel buttons with the same name STS1 STS2 STS3 STS4 STS Up Selects the next STS STS Down Selects the previous STS Perform Up Selects the next Performance Perform Down Selects the previous Perform...

Page 442: ...e control panel buttons with the same name Pad 2 Pad 3 Pad 4 Pad Stop Sound Controller 1 To be used as triggers for two DNC parameter transmit CC 80 or CC 81 When these func tions are assigned to the...

Page 443: ...t select a User scale in Global mode Function Meaning Off No function assigned Ritardando Progressively increases the Tempo value Accelerando Progressively decreases the Tempo value Style Up Selects t...

Page 444: ...e T T T T T Major 2 note 4 note T T Major 6th 3 note T 4 note T T Major 7th 2 note T T constituent notes of the chord can be used as tension 3 note T T Sus 4 2 note 3 note Sus 2 3 note T T T T 2 note...

Page 445: ...te T 3 note T T Diminished 4 note Diminished 7th 4 note T T Diminished Major 7th 4 note T T T Minor 7th 5 3 note T T Augmented 4 note T T T T Augmented 7th 4 note T T T T Augmented Major 7th No 3rd no...

Page 446: ...brato speed 77 Lfo1 Dpt Vibrato depth 78 Lfo1 Dly Vibrato initial delay 79 FilterEg 80 Gen pc 5 Sound Controller 1 81 Gen pc 6 Sound Controller 2 82 Gen pc 7 83 Gen pc 8 84 Port ctl 85 90 Undef ctl 91...

Page 447: ...dix The following NRPN messages are recognized by Pa3XLe in Style Play and Song Play mode only NRPN CC 99 MSB CC 98 LSB CC 06 Data Entry SongBook Entry 2 64 0 99 Pa3XLe User Manual v100 English book P...

Page 448: ...hange messages on the Control channel see MIDI MIDI In Channels on page 266 If a Style is already selected just send the Program Change message Note The above Control Change and Program Change numbers...

Page 449: ...Upper 2 Upper 2 Ply Tr 2 Upper 2 Ply Tr 2 Ply Tr 2 3 Upper 3 Upper 3 Ply Tr 3 Upper 3 Ply Tr 3 Ply Tr 3 4 Lower Lower Ply Tr 4 Lower Ply Tr 4 Ply Tr 4 5 Ply Tr 5 Ply Tr 5 Ply Tr 5 6 Ply Tr 6 Ply Tr 6...

Page 450: ...le only after having installed the KORG USB MIDI Driver Tools 1 Insert the included Accessory DVD into the optical drive of your Windows PC 2 Open the folder DVD ROM USB MIDI Driver Win KORG USB MIDI...

Page 451: ...r installation the following ports will be shown in you MIDI application e g sequencer among the other MIDI devices Pa3XLe KEYBOARD This allows for reception of MIDI mes sages from Pa3XLe keyboard and...

Page 452: ...s components touch an unpainted metallic component before proceeding with the installation Installation For installation you will need a cross point and a flat head screw drivers not supplied 1 Discon...

Page 453: ...battery Installation Appendix 6 Replace the cover b to the original position Attach the cover to the back of the instrument by fastening the fixing screw a Pa3XLe User Manual v100 English book Page 44...

Page 454: ...onent before proceeding with the installation Installation For installation you will need a cross point and a flat head screwdrivers not supplied 1 Disconnect the instrument from the AC plug 2 From th...

Page 455: ...w a Accessing the microSD card Once the microSD Key is installed restart your Pa3XLe You can access the microSD card from any Media page by using the Device selector and choosing the SD KORG SD storag...

Page 456: ...f the instrument a by gently pulling it and making it turn down 2 Now locate the front d1 and the rear d2 side of the speaker box to be sure you will place it in the right way 3 Lift the speaker box d...

Page 457: ...he stop pers delimiters and the fixing pin j is over the corre sponding hole k on the back of the instrument a tilt down the speaker box d to make the fixing pin j enter the hole k 6 Use the SPEAKER L...

Page 458: ...packing carton and take out the contents Remove the stand B from the package by grabbing it by the four brackets a Lay it on the ground with the legs on top see illustration 2 Remove the protective sh...

Page 459: ...under the instrument line up to the concave side of the bracket f and the screw l under the instrument with the space left on the side of the convex side of the bracket m Align the holes n under the p...

Page 460: ...s and re assemble the instrument and stand Loosening of the screws After assembly the various screws and bolts of the stand may loosen as time goes by causing the stand to wobble If this occurs re tig...

Page 461: ...er Tuning Tuning page Style Record mode Assignable Knob When the Sound Expression page is shown Adjusts the Expression level Tempo When the Sound Expression page is shown Adjusts the Expression level...

Page 462: ...e Clock parameter is set to Internal If you are using the MIDI Clock of another device you must set the MIDI Clock parameter to MIDI or USB depending on the port the Pa3XLe is hooked to the other devi...

Page 463: ...external video monitor Markers Jukebox function MP3 Player Recorder Double MP3 Player and MP3 Recorder Real Time Transpose 6 5 semitones Tempo change 30 Vocal Remover Record MP3 files including Style...

Page 464: ...le range 80 mm 2 Tweeters Dual Coil Subwoofer 130 mm Aluminum case with Bass Reflex System Extremely Simple Connection Power and the audio signal from the Pa3XLe are via a special connector that is au...

Page 465: ...81 O O Sound Controller 1 2 1 98 99 O O NRPN LSB MSB 1 2 100 101 O O RPN LSB MSB 1 3 120 121 X O All sounds off Reset all controllers 1 Program Change O 0 127 O 0 127 1 True 0 127 System Exclusive O...

Page 466: ...462 MIDI Implementation Chart Pa3XLe User Manual v100 English book Page 462 Thursday May 29 2014 5 42 PM...

Page 467: ...l Drawbars 207 Display contrast 10 Double Player 16 Drum tracks 124 125 130 E Effects Copy 131 180 203 231 Sequencer mode 194 195 Song Play mode 176 177 Style Play mode 119 123 195 Ending 14 Ensemble...

Page 468: ...Selecting 106 Writing 132 Pitch 218 Pitch Bend 121 195 Pitch EG 220 Player Transport controls 16 Portamento AMS 233 Program Change 318 Q Quarter Tone 116 121 R Resonance 221 RX 201 S Sampling 235 251...

Page 469: ...ameter 210 U Upper Volume Link 118 USB 297 V Variation 14 Velocity AMS 233 Velocity Intensity Amp Mod 227 Velocity Filter EG 222 Velocity Curve 261 Video Interface 21 270 Voice Processor Harmony Track...

Page 470: ...466 Index Pa3XLe User Manual v100 English book Page 466 Thursday May 29 2014 5 42 PM...

Page 471: ...Pa3XLe User Manual v100 English book Page III Thursday May 29 2014 5 42 PM...

Page 472: ...KORG Italy 2014 All rights reserved Address KORG ITALY SpA Via Cagiata 85 I 60027 Osimo An Italy Web www korg com Pa3XLe User Manual v100 English book Page IV Thursday May 29 2014 5 42 PM...

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