Bowers & Wilkins CDS6 S3 Owner'S Manual Download Page 5

English

Limited Warranty

Dear customer, 

Welcome to B&W.

This product has been designed and
manufactured to the highest quality
standards. However, if something does go
wrong with this product, B&W
Loudspeakers and its national distributors
warrant free of charge labour (exclusion
may apply) and replacement parts in any
country served by an official B&W
distributor.

This limited warranty is valid for a period of
five years from the date of purchase or two
years for electronics including amplified
loudspeakers.

Terms and Conditions

1

The warranty is limited to the repair of
the equipment. Neither transportation,
nor any other costs, nor any risk for
removal, transportation and installation
of products is covered by this warranty.

2

This warranty is only valid for the
original owner. It is not transferable.

3

This warranty will not be applicable in
cases other than defects in materials
and/or workmanship at the time of
purchase and will not be applicable:

a.

for damages caused by incorrect
installation, connection or packing,

b.

for damages caused by any use other
than correct use described in the user
manual, negligence, modifications, or
use of parts that are not made or
authorised by B&W,

c.

for damages caused by faulty or
unsuitable ancillary equipment,

d.

for damages caused by accidents,
lightning, water, fire heat, war, public
disturbances or any other cause
beyond the reasonable control of B&W
and its appointed distributors,

e.

for products whose serial number has
been altered, deleted, removed or
made illegible,

f.

if repairs or modifications have been
executed by an unauthorised person.

4

This guarantee complements any
national/regional law obligations of
dealers or national distributors and
does not affect your statutory rights as
a customer.

How to claim repairs under 
warranty

Should service be required, please follow
the following procedure:

1

If the equipment is being used in the
country of purchase, you should
contact the B&W authorised dealer
from whom the equipment was
purchased.

2

If the equipment is being used outside
the country of purchase, you should
contact B&W national distributor in the
country of residence who will advise

where the equipment can be serviced.
You can call B&W in the UK or visit our
web site to get the contact details of
your local distributor.

To validate your warranty, you will need to
produce this warranty booklet completed
and stamped by your dealer on the date of
purchase. Alternatively, you will need the
original sales invoice or other proof of
ownership and date of purchase.

Owner’s manual

Introduction

Thank you for choosing Bowers & Wilkins.

We are confident that you will enjoy many
years of listening pleasure from your
speakers, but please read this manual fully
before installing them. It will help you
optimise their performance.

B&W maintains a network of dedicated
distributors in over 60 countries who will be
able to help you should you have any
problems your dealer cannot resolve.

Unpacking 

(figure 1)

• Fold the carton flaps right back and

invert the carton and contents.

• Lift the carton clear of the contents and

remove the inner packaging from the
speakers.

We suggest you retain the packing for
future use.

Operation

The CDS6 S3 is specifically designed as an
in-wall surround speaker for multi-channel
audio and home theatre installations.

Surround speakers generally fall into two
main types – those that one might describe
as 'normal' speakers – so-called
monopoles, where the sound comes from a
set of drive units mounted on the front of
the enclosure – and those that give a more
diffuse sound field, such as dipoles. Each
type has its advantages.

Most multi-channel music is recorded with
home entertainment in mind and is
monitored using monopole surround
speakers, whatever the multi-channel
recording format. This enables better
location of side and rear images, although
the formation of such images is never quite
as precise as it is between the front
speakers.

Most films are originally balanced for
cinemas, where a large number of speakers
spread around the auditorium are used to
create the surround sound field. In that
case there are more surround speakers
than there are discrete channels of
information and a less precise image is
created that gives an all-enveloping effect.
Dipoles and similar diffuse speakers are
better at recreating this type of sound field
in the home, but using fewer speakers to
do it. Image positioning with these types of
speaker is never as precise as it can be
with monopoles. However, they do have the 

advantage of making it easier to balance
the system for a larger listening area.

You may well receive conflicting advice
from different sources on the best type of
surround speaker to use. The truth is that
there is no one perfect solution for all
situations and the final choice for any given
application will be influenced by several
criteria, some of which may have a degree
of conflict. The CDS6 S3 has the
advantage of offering a choice of both
monopole and dipole operation via a switch
located on the front baffle, behind the
removable grille. You may therefore choose
whichever type of operation best suits the
conditions of the listening room, the size of
audience and the type of programme being
played. Indeed, you may even change the
characteristic for different types of
programme and, as the total energy into
the room is the same in both modes, no
recalibration of the installation is necessary
when switching between them.

In monopole mode, only the two drive units
on the front face operate. In dipole mode,
the front tweeter is disconnected; the two
side firing drivers are brought into operation
and the crossover frequency to the bass
unit is lowered. The side units are
connected out of phase with one another,
which creates a wedge-shaped null zone at
right angles to the wall. If the listeners sit
within this zone, they become less aware of
the location of the speakers and hear more
reflected sound; hence the diffuse nature of
the sound field.

Positioning

Ascertain the optimum position for the
speakers before permanently fixing them in
place.

In order to successfully enable both modes
of operation, the speakers should be
placed so that the listeners sit within the
null zone of dipole operation.

5.1 format

(figure 2)

Place each of the speakers to the side and
slightly behind the centre of the listening
area.

6.1 and 7.1 formats

(figure 3)

We recommend the use of 4 surround
speakers, even when using a 6.1 format.

Place the side speakers in line with the
centre of the listening area.

Place the rear speakers behind the listening
area within the angle limits shown in the
diagram.

All formats 

The surround speakers will normally be
placed approximately 60cm (2 ft) above ear
height. (figure 4) Higher positions may be
used if necessary and the CDS6 S3 may
readily be fitted into a cavity ceiling if
desired.

The speakers are handed in terms of which
side the positive and negative dipole lobes
are projected. Indication is via an arrow on
the label at the back of the speaker, which
points towards the positive lobe. (figure 5)

To optimise the smoothness of sounds
panning from the front of the room to the

2

Summary of Contents for CDS6 S3

Page 1: ...CDS6 S3 Owner s Manual and Warranty...

Page 2: ...MARK AROUND INSIDE OF SLOT OUTSIDE OF WALL FRAME MARK AROUND INSIDE OF SLOT MARK AROUND INSIDE OF SLOT Figure 5 Figure 7 Figure 8 40 40 60cm 2 ft 40 40 CDS6 S3 Serial No 0000001 100W 8 B W Loudspeake...

Page 3: ...15cm 6 Figure 10 Figure 12 Figure 9 Figure 11a Figure 11b...

Page 4: ...Manual do utilizador 10 Italiano Garanzia limitata 11 Manuale di istruzioni 12 Nederlands Beperkte garantie 13 Handleiding 14 Dansk Begr nset garanti 15 Brugervejledning 15 Svenska Begr nsad garanti...

Page 5: ...et of drive units mounted on the front of the enclosure and those that give a more diffuse sound field such as dipoles Each type has its advantages Most multi channel music is recorded with home enter...

Page 6: ...to paint the speaker baffle The combination of a black grille frame in front of a black baffle ensures that the cross pattern of the grille frame is least visible even with white cloth Connect the ca...

Page 7: ...lusieurs choix de fonctionnement monop le ou dip le via un commutateur plac sur la face avant derri re la grille amovible Vous pouvez ainsi tout moment choisir le mode de fonctionnement optimal en fon...

Page 8: ...nies Les grilles frontales sont simplement mises en place par pression sur le baffle mais avant de faire cela n oubliez pas de suivre les instructions de l lectronique et de choisir le mode d sir mono...

Page 9: ...er der Abdeckung befindet ber ihn kann die Box von einem Diffus in einen Direktstrahler und umgekehrt umgeschaltet werden Sie k nnen also kurzfristig entscheiden welche Betriebsart am besten zu den Be...

Page 10: ...e den Schalter der sich an der Ger tefront unter der Abdeckung befindet um zwischen den beiden Betriebsarten umzuschalten In der Position arbeitet der Lautsprecher als Direktstrahler in der Position a...

Page 11: ...de diferentes fuentes con respecto a cual es el mejor tipo de caja ac stica de efectos que puede utilizar La verdad es que no hay una soluci n perfecta para todas las situaciones y que la elecci n fi...

Page 12: ...l sonido se ver a afectado negativamente Le recomendamos asimismo que no intente pintar el panel frontal La combinaci n de una rejilla de color negro delante de un panel negro asegura que la estructur...

Page 13: ...rontal por tr s da grelha remov vel Poder no entanto escolher qual o tipo de funcionamento que melhor condiz com as condi es da sala de audi o o tamanho da audi ncia e o tipo de programa a ser reprodu...

Page 14: ...das as colunas surround monopolares Colunas laterais dipolares colunas traseiras monopolares Todas as colunas surround dipolares Ser pouco usual mas n o imposs vel definir as colunas laterais como mon...

Page 15: ...odalit unipolare sono attivi solo i due altoparlanti sul pannello frontale In modalit dipolare il tweeter frontale viene disattivato vengono attivati gli altoparlanti laterali e la frequenza di crosso...

Page 16: ...azioni tipiche sono Tutti i diffusori surround unipolari Diffusori laterali dipolari diffusori posteriori unipolari Tutti i diffusori surround dipolari E anche possibile ma abbastanza insolito imposta...

Page 17: ...e eenheden aan de zijkant worden onderling uit fase gezet wat een trogvormig gebied zonder geluid geeft haaks op de wand Luisteraars die daar zitten horen minder van de positie van de luidspreker en h...

Page 18: ...forkert installering tilslutning eller indpakning b skader for rsaget af anden brug end den i brugermanualens anf rte og korrekte brug fors mmelighed modifikationer eller brug af reservedele der ikke...

Page 19: ...imeligt h jt lydtryk i nogle timer f r du begynder at lytte kritisk til dem eller sammenligne dem med andre h jttalere Regn med ca 50 timers tilspilningstid f r h jttalerne har n et deres optimale lyd...

Page 20: ...nv nds Detta ger en b ttre ljudbild p sidan och bakom lyssnaren ven om den aldrig blir lika exakt som den r mellan fronth gtalarna De flesta filmer har ljud som r gjorda f r biografer d r ett stort an...

Page 21: ...ast den i v ggen Detta g r du genom att skruva p kl mmorna F rsta skruvtaget g r att kl mmorna flyttas ut i position och n r du forts tter att skruva s dras de n rmare mot baksidan av v ggen Vid efter...

Page 22: ...s B W 60 1 CDS6 S3 surround surround surround studios format Dolby Surround DTS surround surround surround balance surround CDS6 S3 CDS6 S3 tweeter crossover frequency CDS6 S3 5 1 2 6 1 7 1 3 4 surrou...

Page 23: ...5 6 7 B W swing out clamps 8 PMK 9 15 10 swing out swing out PMK 11 k 12 k surround tweeter 20...

Page 24: ...B W B W Loudspeakers B W 1 2 3 B W B W B W 4 1 B W 2 B W B W Bowers Wilkins B W 60 1 CDS6 S3 DS6 S3 21...

Page 25: ...5 1 2 6 1 7 1 3 4 6 1 60 4 CDS6 S3 5 6 0 5 7 8 9 15 10 11 A V 1 22...

Page 26: ...o nikowe d wi ku otaczaj cego zapewniaj c odtwarzanie d wi k w w wielokana owych systemach audio oraz instalacjach kina domowego Kolumny g o nikowe d wi ku otaczaj cego generalnie mo na podzieli na d...

Page 27: ...wana lecz tynki wykonywane z paneli lub p yty gipsowo kartonowej jeszcze nie zosta y zamontowane to nale y za o y zestawy monta owe PMK zgodnie z instrukcj do czon do tych zestaw w rysunek 9 Nast pnie...

Page 28: ...budov n do st n jako sou sti v cekan lov dom c sestavy Efektov reprosoustavy se obecn d l na dva typy sm rov reprosoustavy jejich pojet se asi nejv ce bl b n konstrukci b n ch reprosoustav a dip ly je...

Page 29: ...zatla uj na ozvu nici je t p_ed t m ale podle instrukc k V mi pou van mu procesoru zvolte sm rov i dip lov re im uvedeno n e P_ep n n re im obr zek 12 Pou ijte p_ep na na p_edn stran ozvu nice pro v b...

Page 30: ...ost prostora ter na vrsto programa ki ga predvajate Vsekakor boste imeli mo nost spremeniti tudi karakteristike posameznih programov saj je celotna energija v sobi enaka za oba na ina Poleg tega med p...

Page 31: ...omeni da ste izbrali dipolni na in delovanja S pomo jo posku anja poi ite namestitev ki kar najbolje ustreza va im potrebam in zahtevam Tipi na kombinacija je slede a Vsi surround zvo niki kot monopol...

Page 32: ...t Molempien k ytt toimintojen menestyksellist hy dynt mist varten kaiuttimet tulisi sijoittaa siten ett kuuntelijat istuvat nollavy hykkeen sis ll dipolik yt n aikana 5 1 formaatti kuva 2 Sijoita joka...

Page 33: ...ohjeita ja valitse toimintatilaksi joko dipoli tai monopoli katso alla Toiminnon valinta kuva 12 K yt etulevyss olevaa kytkint monopoli ja dipoli toiminnon v liseen valintaan asennossa kaiutin on mono...

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Page 39: ...ss midrange 6dB at 63Hz and 42kHz monopole mode 6dB at 63Hz and 15kHz dipole mode 85Hz 22kHz 3dB on reference axis monopole mode 85Hz 10kHz 3dB power averaged over front hemisphere dipole mode Monopol...

Page 40: ...s and Service T 44 1903 221 500 E uksales bwspeakers com B W Loudspeakers of America T 1 978 664 2870 E marketing bwaudio com B W Loudspeakers Asia Ltd T 852 2 790 8903 E bwahome bwspeakerasia com hk...

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