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Parameters List
C Electronic
Sounds that, while electronic, provide the same performance experience as an acoustic
instrument
NeoHarmoDrum
Based on the most basic HarmDrum, this is an electronic sound that expands the expressive potential by
using multiple timbres, as well as muting and pitch controlled by pressure.
DwarfOnGiant
Overdrive adds expression to the low sound of the main timbre, while the extreme high sound changes
dramatically in response to dynamics and pressure. Delay effect is applied only to the high sound.
ParticleDrum
A low sound with a distinctively metallic overtone structure is assigned to the main timbre, and pressure
controls the reverb send level for only the high sound. While playing this instrument, you can selectively
apply the reverb.
DrumDroid
This is a unique tone based on the extra timbre, producing an electronic sound that's like nothing you've
ever heard. It has limitless sound-design potential.
CrazyMetal
This consists only of a metallic overtone structure, with an extremely high Q value that's just short of
oscillation. It's a richly expressive sound that uses pressure to vary the timbre and pitch.
Fragile
This assigns similar sounds to two timbres and pans them to the left and right to create a chorus effect. For
even more expression, use pressure to expand the stereo position of the panning delay.
OverDriven
In addition to an ultra-low sound with overdrive applied by dynamics, a clap sound is assigned to the edge,
giving you a powerful EDM sound. You'll enjoy this new type of performance feel.
SpankEchoDrm
With a low sound assigned to the center and a noise-type sound assigned to the rim, you can use pressure
to apply a reverb effect only to the noise-type sound. This enables expressive possibilities that were until
now unavailable.
Micro Chat
By using pressure to control the manual parameter of the phaser, you can transform a normal Japanese
drum sound into an enjoyable, expressive, and humorus "talking" sound.
WowWah!
Pressure applies a touch-wah effect to an electric guitar-like interval of a fifth. This is an extremely sensi-
tive sound that changes dynamically when you scrape the instrument.
D Effect
Sample-type sounds where pressure controls the effect
CtrlRev-/SD
Pressure controls the level of the infinite reverb. You can mute the reverb by pressing. Try exchanging the
snare sound of the instrument with another instrument to create new sounds.
/BD
Pressure controls the reverb level. Since this sound applies reverb only while you are pressing, you can also
control it like gated reverb or reverse reverb.
CtrlDlyS/SD
Pressure controls the delay level. Delay is applied only while you press the striking surface. It is possible to
perform complex rhythms by controlling the delay.
CtrlDly-/SD
Pressure controls the delay time. Pressing the striking surface makes the delay time slower. You can pro-
duce a variety of effects by pressing after you strike, or by pressing, then striking and releasing.
/SD
Pressure controls the delay time. Pressing the striking surface makes the delay time shorter. Delay settings
can help create some unique sounds.
CtrlPhsM/SD
Pressure controls the manual parameter of the phaser. By using this to add expression to phrases, you can
enjoy an even wider range of sound-shaping potential. This can be applied to a variety of instruments.
CtrlFlgM/SD
Pressure controls the manual parameter of the flanger. This adds expressiveness to phrases, expanding the
sound-shaping potential. This can be applied to a variety of instruments.
CtrlWah/SD
Pressure produces a touch-wah effect. Wah played as a percussion instrument has distinctive expressive
power, and allows an extremely dynamic performance.
Chorus/Vib
Several types of extremely high-quality chorus are built-in, expanding the sound-creation possibilities.
Although this is a vibe-type sound, try it with a variety of instruments.
Naked
This is the sound of the striking surface itself. All sounds are created from here. By using EQ and skillful
mixing, you can create even more rawness.
Instrument List
