
Chapter 1: Introduction
Page 6
What’s Different From the MPC60?
The MPC3000 contains many changes and improvements over the
MPC60. The major changes are listed below.
Sound Generator Changes
• Sampling resolution is increased from 12-bit non-linear to 16-bit
linear.
• Sampling rate is increased from 40 kHz to 44.1 kHz.
• Stereo sampling is supported.
• A digital sampling input is included for direct recording from
digital sources.
• Sound memory is increased: 2 megabytes standard (21.9 seconds
mono or 10.9 seconds stereo), expandable to 16 megabytes (188.3
seconds mono or 94.1 seconds stereo). The maximum sampling time
per sound is no longer limited to 5 seconds, but rather only by
available sound memory. Also, sampling no longer requires erasing
sequence memory.
• Total sound capacity is increased from 34 to 128 sounds.
• Number of playback voices is increased from 16 to 32.
• A dynamic lowpass filter with envelope generator (and resonance)
exists for each playback voice.
• A built-in effects generator permits versatile delay effects.
• The new programs system of sound assignment allows all sound
assignments to be instantly changed merely by changing the active
program number, instead of by loading a new SET file as in the
MPC60. There are 24 programs, each with a unique set of sound
assignments from a common bank of 128 sounds. Unlike Set files,
saving a program to disk only saves assignment and parameter
information; the sounds used by the program are saved as indi-
vidual sound files. This allows multiple programs to be saved to the
same disk without redundantly saving sound data as with SET files.
• Sounds are now assigned to MIDI note numbers instead of to pad
names. This permits simpler operation of the MPC3000 as a MIDI
sound module, eliminating the need to translate MIDI note numbers
into pad names as in the MPC60.
• New Mono Mode parameter causes a voice to restart, terminating
earlier plays. Also, any sound can be set to terminate any two other
sounds.
• Sample files from Akai S1000 & S3000 floppy disks may be loaded.
• Sample editing is enhanced. Now, any portion of a sound may be
copied or removed and then inserted into another sound at any
location. Also, any portion may be silenced or reversed.
• The Echo Mixer has been removed. It is replaced by the Individual
Outputs/Effects Mixer. This new mixer allows any sound to be
routed to any one of the individual outputs or the internal effects
generator, and the volume level of this assignment is adjustable
independently of the stereo volume.
Summary of Contents for MPC 3000
Page 2: ......
Page 3: ...MIDI PRODUCTION CENTER ...
Page 4: ......
Page 14: ......
Page 15: ...Chapter 1 Introduction Page 1 Chapter 1 Introduction ...
Page 26: ...Chapter 2 The Basics Page 13 Chapter 2 The Basics ...
Page 42: ...Chapter 3 Recording Sequences ...
Page 84: ...Page 71 Chapter 4 Editing Sequence Chapter 4 Editing Sequences ...
Page 120: ...Page 107 Chapter 5 Song Mode Chapter 5 Song Mode ...
Page 128: ...Page 115 Chapter 6 Creating and Editing Programs Chapter 6 Creating and Editing Programs ...
Page 146: ...Page 133 Chapter 7 The MIXER EFFECTS Key Chapter 7 The MIXER EFFECTS Key ...
Page 160: ...Page 147 Chapter 8 Creating and Editing Sounds Chapter 8 Creating and Editing Sounds ...
Page 175: ...Page 163 Chapter 9 Saving to and Loading from Disk Chapter 9 Saving to and Loading from Disk ...
Page 219: ...Page 207 Chapter 11 MIDI Function Chapter 11 MIDI Functions ...
Page 231: ...Page 219 Appendix Appendix ...
Page 243: ...Page 231 Index Index ...
Page 275: ......
Page 276: ...AKAI ELECTRIC CO LTD Electronic Musical Instrument Div 940912 Imprimé au Japan ...