KDFX Reference
KDFX Algorithm Specifications
10-133
In the
QAlias
algorithms, we do not actually sample the incoming signal at a lower rate. Instead
we use a special modulation algorithm to simulate the effect of pitches falling when they should be rising.
The Pitch (coarse and
fi
ne) parameters roughly correspond to setting the Nyquist frequency. Higher
pitches result in modulating your input signal with higher frequencies. The LFO Depth parameter changes
the strength of the modulation. Larger values of LFO Depth produce a deeper modulation which may be
considered analogous to inputting a insuf
fi
ciently band-limited signal for sampling.
Parameters:
Page 1
Page 2
In/Out
When set to
In
, the quantizer and aliaser are active; when set to
Out
, the quantizer and
aliaser are bypassed.
Out Gain
The overall gain or amplitude at the output of the effect.
DynamRange
The digital dynamic range controls signal quantization, or how many bits to remove from
the signal data words. At
0 dB
the hottest of signals will toggle between only two bit (or
quantization) levels. Every 6 dB added doubles the number of quantization levels. If the
signal has a lot of headroom (available signal level before digital clipping), then not all
quantization levels will be reached.
Headroom
When the signal has a lot of headroom (available signal level before digital clipping),
turning down DynamRange can cause the amplitude of adjacent quantization levels to
exceed the input signal level. This causes the output to get very loud. Set Headroom to
match the amount of digital signal level still available (headroom). This is easily done by
fi
nding the DynamRange level at which the signal starts getting louder and matching
Headroom to that value.
dc Offset
Adds a positive DC offset to the input signal. By adding DC offset, you can alter the
position where digital zero is with respect to you signal. At low DynamRange settings,
adding DC offset can may the output sputter. dc Offset is expressed in decibels (dB)
relative to full-scale digital.
Alias W/D
Amount of aliaser output signal (wet) relative to aliaser input signal (dry) to send to the
fi
nal output. The dry signal here is taken to mean the output of the quantizer.
LFO Depth
The depth of the modulation, controlling how strong the modulation sounds. Larger
values produce a more extreme modulation effect.
In/Out
In or Out
Out Gain
Off, -79.0 to 24.0 dB
Quant W/D
0 to 100 %wet
DynamRange
0 to 144 dB
Alias W/D
0 to 100 %wet
dc Offset
-79.0 to 0.0 dB
Lowpass
8 to 25088 Hz
Headroom
0 to 144 dB
Pitch Crs
8 to 25088 Hz
Pitch Fine
-100 to 100 ct
LFO Depth
1 to 49 samp
Pitch C
Pitch F
Pitch sets the frequency (coarse and
fi
ne) at which the input signal is modulated. Higher
pitches produce a high frequency modulation.
Содержание K2661
Страница 18: ...2 4 LFOs LFO Shapes...
Страница 34: ...3 16 DSP Algorithms...
Страница 54: ...5 4 MIDI Note Numbers Note Numbers for Percussion Keymaps...
Страница 72: ...7 10 System Exclusive Protocol K2661 System Exclusive Implementation...
Страница 82: ...9 4 Upgrading Sample Memory Choosing and Installing a SIMM for K2661 Sample Memory...
Страница 334: ...10 252 KDFX Reference KDFX Algorithm Specifications...
Страница 340: ...11 6 Glossary...
Страница 382: ...12 42 Triple Modular Processing Alphanumeric Buttonpad Entries for DSP Functions...
Страница 392: ...B 6 SysEx Control of KDFX MSB and LSB...
Страница 442: ...D 20 Contemporary ROM Block Objects Controller Assignments Contemporary ROM Block...
Страница 490: ...H 12 General MIDI Standard Mode Controller Assignments...
Страница 492: ...I 2 Live Mode Objects Live Mode Programs...
Страница 498: ...K2661 Musician s Reference Index...
Страница 500: ......