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KETRON SD9 Manual & Tutorial
89
Bend, etc.)
The first measure of the Midi file must have only one marker on the first tick. The marker must have the following
name “Audya Style 1.0”.
You can now start recording the events/notes of the style from the second measure.
The sequence order of the Midi parts of each section and of the marker is at the discretion of the user.
(Ex.
ARRA_MAJ, INT3_MIN, FILLC_MAJ, etc.). There is no fixed order to arrange these parts, as they will
automatically be assigned to the appropriate style parts in the SD9 PRO.
All sections and related markers should be written back to back - without leaving any empty measures or spaces
within the midifile.
STYLE PARTS AND RELATED MIDI CHANNELS:-
In each section, it is possible to program the midi parts
associated with each part. Here are the recommended style parts, midi channels and instruments to use:-
Style Part
Midi Ch.
Instrument
Note(s)
DRUM1
Ch 10 Drum Set
DRUM2
Ch 9 Groove
BASS
Ch 5 Bass
CHORD1
Ch. 6
El Piano / Ac Piano
(suggested)
CHORD2
Ch. 7
Ac Gtr / El Gtr
(suggested)
CHORD3
Ch. 8
Strings / Pad
(suggested)
CHORD4
Ch. 11 Synth
(suggested)
CHORD5
Ch. 12 Lead
(suggested)
To get you up to speed quickly, we have attached to this tutorial a sample midifile (70’s POP.mid) which you can
use as a template to start. This is a template of an existing style in the SD9 PRO so you can see how we programmed
it.
By loading and opening this file in your sequencer, you will be able to immediately realize the structure and
different sections used to create this Ketron style.
You can then replace the parts and notes of this template with yours utilizing your sequencer.
It is very important that you also comply with the following rules:-
1) The Arrangement parts (A-D), Fill ins and Breaks must be programmed in C Major. With built in Chord
algorithms, the SD9 PRO can then automatically generate all other chords played on the arranger so long as this