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KETRON SD9 Manual & Tutorial
88
4 Arrangers (A, B, C & D):-
This can vary between 2 – 16 measures max, however, the standard length is usually 8
measures long.
4 Fill ins (A, B, C & D):-
Each fill in is associated with it’s respective Arranger part (so Fill A is associated with
Arranger A .. etc) and is a maximum of 1 measure long.
4 Breaks (A, B, C & D):-
Each break is associated with its respective Arranger part (so Break A is associated with
Arranger A .. etc) and is a maximum of 1 measure long.
Intro/Ending:-
The length of the 3 Intros and 3 Endings varies depending on the style and is at the discretion of the
user. In each of these however, if you want to maintain the format used by the factory style, please proceed as
follows:-
Intro1:- The shortest intro phrase, usually just 1 measure long.
End 1:- Immediate ending in general of about 2-3 measures long – depending
on the style and BPM of music.
Intro2:- Usually just 2 measures long, recorded in the key of C major or C
minor, with no chord changes and no melody line(s).
End2:- Just 2 measures, recorded in the key of C major or C minor, with no
chord changes and no melody line(s).
Intro3 – End 3:- Written in the key of C major and C minor, but with free
harmonic chord changes within and may include melody line(s).
Each section within the Midifile has to be characterized by a marker which must have the following categorical
names (corresponding to the style part and chord format – Maj = Major; MIN=Minor; SEV=Seventh):
ARRA_MAJ
FILA_MAJ
BRKA_MAJ
INT1_MAJ
END1_MAJ
ARRB_MAJ
FILB_MAJ
BRKB_MAJ
INT2_MAJ
END2_MAJ
ARRC_MAJ
FILC_MAJ
BRKC_MAJ
INT3_MAJ
END3_MAJ
ARRD_MAJ
FILD_MAJ
BRKD_MAJ
ARRA_MIN
FILA_MIN
BRKA_MIN
INT1_MIN
END1_MIN
ARRB_MIN
FILB_MIN
BRKB_MIN
INT2_MIN
END2_MIN
ARRC_MIN
FILC_MIN
BRKC_MIN
INT3_MIN
END3_MIN
ARRD_MIN
FILD_MIN
BRKD_MIN
ARRA_SEV
FILA_SEV
BRKA_SEV
INT1_SEV
END1_SEV
ARRB_SEV
FILB_SEV
BRKB_SEV
INT2_SEV
END2_SEV
ARRC_SEV
FILC_SEV
BRKC_SEV
INT3_SEV
END3_SEV
ARRD_SEV
FILD_SEV
BRKD_SEV
The marker has to be positioned exactly at the beginning of the measure and precede every other event of that
section.
The control change (volume, pan, reverb, chorus and exchange programs) must be positioned exactly at the
beginning of the measure and precede every other type of event notes and continuous control (modulation, Pitch