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THE HASSELBLAD MANUAL
is enhanced not only by opening the aperture but also with longer focal length lenses. If you
want to keep backgrounds reasonably sharp, use a shorter focal length; if you want to blur
backgrounds more, change to a telephoto. Everything that has been discussed about back-
ground sharpness also applies to foreground subjects, which can often visually enhance an
image by adding a touch of color to a photograph (Figure 16-14).
Figure 16-14
Background and foreground sharpness. A 120 mm lens at the maximum lens
aperture blurred the background suffi ciently to be undistracting but still recognizable to
establish the location. Exposure based on the background area. Fill fl ash left). The completely
blurred leaves in the foreground added a touch of color to this scene and created a nice
contrast to the blue color on the water surface in the background (right). (Photos by Ernst
Wildi.)
CREATIVE USE OF THE LENS APERTURE
Before you press the release, you must decide whether everything from foreground to back-
ground should be sharp or whether one or both should be blurred, and if so how much
(Figures 16-15 and 16-16).
Our eyes focus constantly and instantly so we see everything sharp. To present the scene
or subject as seen with your eyes, try to have sharpness from foreground to background.
A maximum range of sharpness is usually necessary with subjects that we are accustomed to
see sharp such as buildings, room interiors, product displays, and food illustrations. Generally,
subjects with sharp outlines such as fences, rocks, and railings look best when they are sharp,
especially when they are in the foreground.
Limiting the range of sharpness lets us create images that look different from the way we
see the world and create images as only the camera can. By narrowing the plane of focus to
a specifi c subject, or specifi c subject area, you create a strong attention-creating element,
Содержание Digital Camera
Страница 1: ......
Страница 2: ...The Hasselblad Manual ...
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Страница 165: ...Heidi Niemala Editorial photograph made with a 50mm lens in the basement of a pre Civil War building ...
Страница 166: ...Heidi Niemala Photographed for clothing designer with a 150mm lens ...
Страница 167: ...Heidi Niemala Editorial portrait with a 150mm lens ...
Страница 168: ...Heidi Niemala Photographed with a 50mm lens during a sand storm at White Sands ...
Страница 198: ...Jonathan Exley An attention creating image of mult time Indianapolis 500 winner Helio Castroneves ...
Страница 200: ...Jonathan Exley Lifestyle Designer Kathy Ireland Courtesy of kathyireland com ...
Страница 243: ...Marco Grob Singer Alvin Chea from theTake 6 band photographed with an HC 2 8 80mm lens on an H camera ...
Страница 244: ...Marco Grob A make up test shot made with an HC Macro 4 120mm lens on an H camera ...
Страница 247: ...Marco Grob The Stairs photographed in CapeTown for Glamour magazine with an HC 3 5 50mm lens on an H camera ...
Страница 312: ...Raya High jewlery photograph produced with an HC 3 2 150mm lens on an H camera Raya Photographer ...
Страница 381: ...366 THE HASSELBLAD MANUAL Chart A2 Area coverage in inches with single extension tubes for the 6 4 5 film format ...
Страница 383: ...368 THE HASSELBLAD MANUAL Chart A4 Area coverage in inches with single extension tables for the 33 1 44 2 sensor ...
Страница 385: ...370 THE HASSELBLAD MANUAL Chart A6 Area coverage in inches with combinations of tubes for the 6 4 5 film format ...
Страница 387: ...372 THE HASSELBLAD MANUAL Chart A8 Area coverage in inches with combinations of tables for the 33 1 44 2 sensor ...
Страница 397: ...Chart D Close up charts for 80 to 250mm Hasselblad lenses an 503 and other V system SLR cameras based on the film format ...
Страница 398: ...Close Up Photography on Film or Digital 383 ...
Страница 400: ...Jonathan Singer ...
Страница 401: ...Jonathan Singer ...
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