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26

PARAMETER SETTINgS  

CONTINUED . . .

dIffUSIoN (0-100%): 

Controls the amount of cross-coupling in the feedback paths 

of the delays . Adding diffusion can make the ECHO sound more like a reverb . 

dRIVE (0-100%): 

Adds a distortion or overdrive character to the signal in the 

feedback loop . 

bITS (32-8): 

Provides the ability to lower the bit resolution of the signal in the 

feedback loop . Lower bit resolution adds quantization noise to the signal which can 

be used to emulate lower fidelity digital delays or add industrial style noise to the 

ECHO . 

bUcKETS: 

When enabled, this activates a “bucket brigade” model delay. Bucket 

brigade-style delay pedals send your signal through a series of capacitors which store 

the signal for a certain period of time . As the number of buckets is decreased the 

sampling rate is effectively decreased as well . This necessitates the use of low-pass 

antialiasing filters and therefore a darker sounding delay . 

dUcKINg (db):

 Controls the DUCKING effect of the ECHO modeler . The DUCKING 

effect lowers the volume of the ECHO effect when it detects that you are playing, and 

will swell it back up to normal volume when you stop playing . This allows you to hear 

a nice echo effect at the tail end of your phrasing without it cluttering up the notes as 

you play them . Set the amount of DUCKING ATTENUATION here . This effect is also 

controlled by the THRESHOLD and RELEASE parameters (see below).

THRESHoLd (db):

 Controls the THRESHOLD of the DUCKING effect . Sets the 

level which the input to the ECHO needs to reach in order to activate the DUCKING 

ATTENUATION . As soon as your input reaches this threshold, the echoes will be 

reduced in volume by the amount of dB specified in the DUCKING parameter .

RELEASE (milliseconds):

 Controls the amount of time that the DUCKING effect will 

restore the echo levels to normal (0dB of attenuation) after the input to the ECHO 

falls below the THRESHOLD. Once your playing stops (or falls below the THRESHOLD 

parameter), the DUCKING effect begins to increase the volume of the ECHO effect. 

The RELEASE time controls how fast (or slow) this release occurs.

PINg PoNg (oN/off): 

Activates PING-PONG mode . Choose ENABLED to turn on 

the ping-pong delay mode which makes the repeats alternately bounce between 

left and right channels . Choose DISABLED for a standard echo effect without ping-

pong echoes. This option only works in the POST (stereo) position. In the PRE (mono) 

position, the PING PONG effect is not noticeable .

TAILS (oN/off): 

Activates TAILS (repeat tails). Choose ENABLED to have your echo 

repeats continue to ring out and delay even after the ECHO effect is turned off . This 

allows you to hear a smooth transition from ACTIVE to BYPASSED . Choose DISABLED 

to force the echo effect and its repeat echoes to both mute immediately after turning 

the ECHO effect to BYPASSED .

Содержание AmpliFire

Страница 1: ...USER MANUAL V4 0...

Страница 2: ......

Страница 3: ...ODELING 13 14 QUICK EDIT TWEAK KNOBS 14 DEEP EDIT PRESET PARAMETERS 15 AMPS 16 FX LOOP 17 SAVING PRESETS 19 DEFAULT PRESET ON POWER UP 20 DISCARD EDIT CONFIRM 20 PARAMETER SETTINGS 21 45 FOOTSWITCHES...

Страница 4: ...eling based on Studio Devil s highly acclaimed and patented technology Blazing dual DSP powered hardware allowing for complex and detailed algorithms Stereo 1024 point cabinet impulses IRs with abilit...

Страница 5: ...l features 12 fully programmable footswitches for ultimate control 2 dedicated expression control inputs 1 4 professional headphone jack Large easy to read LCD display Ultra rugged extruded aluminum c...

Страница 6: ...ier model 9 BASS KNOB adjusts the bass equalization control of the tone stack in the virtual guitar amplifier model 10 MIDS KNOB adjusts the mids equalization control of the tone stack in the virtual...

Страница 7: ...dal input for real time effect control wah volume etc See EXPRESSION section for full detail MIDI OUT JACK 5 pin DIN connector for connecting to the MIDI input of an external effects processor Allows...

Страница 8: ...E GAIN MASTER PUSH TO EDIT IN R L ampli fire SEND EFFECTS LOOP AUX INPUT RETURN AUX IN LEFT MONO MIDI AUX OUTPUT OUT IN RIGHT LEFT 9V 1A RIGHT PRESENCE PRESET GAIN MASTER 24 23 22 21 20 19 18 17 16 15...

Страница 9: ...UT USB DC RIGHT LEFT RIGHT LEFT SEND INPUT EFFECTS LOOP AUX INPUT GUITAR EXPRESSION PHONES RETURN AUX IN LEFT MONO RIGHT SAVE PRES GAIN MASTER PRESET PUSH TO EDIT BASS MIDS TREBLE LEVEL 9V DC 1A TIP O...

Страница 10: ...OCESSORS FROM OTHER MIDI CONTROLLERS MIDI FOOT CONTROLLER FULL RANGE LOUDSPEAKER SYSTEM P A MP3 MEDIA PLAYER EFFECTS LOOP AUX OUTPUTS MAIN OUTS MIDI SEND RETURNS MIDI OUT MIDI IN INSTRUMENT GUITAR OR...

Страница 11: ...ECTS PROCESSORS FROM OTHER MIDI CONTROLLERS MIDI FOOT CONTROLLER FULL RANGE LOUDSPEAKER SYSTEM P A MP3 MEDIA PLAYER EFFECTS LOOP AUX OUTPUTS MAIN OUTS MIDI SEND RETURNS MIDI OUT MIDI IN EXPRESSION INS...

Страница 12: ...enable is programmed per preset so that you can shut it off for particular presets and leave it on for others These options can be set in the GATE effect menu The VOLUME effect models a VOLUME pedal...

Страница 13: ...ELING The CABINET section is where AMPLIFIRE applies Impulse Response IR modeling technology and filtering to simulate the sound of real life speakers and guitar cabinets as recorded by specific micro...

Страница 14: ...the CABINET menu For more information see the USB section below SELECTING PRESETS AMPLIFIRE stores 128 user programs called presets You can select the active preset from this set with the ENCODER knob...

Страница 15: ...ENCODER knob or the BACK button for one second This will return to the preset display The effects MENUS are organized as depicted in the diagram below Press the ENCODER knob to go down to the next eff...

Страница 16: ...and compression on tap sounds great with scooped mids and has a powerful bottom end 5051 Based on the original signature amp of one of the most influential guitarists of all time it has become a Metal...

Страница 17: ...h Post FX DEFAULT LOCATION The EFFECTS LOOP is after the post EQ and prior to the post fx section At Output The EFFECTS LOOP is at the end of the signal chain just prior to the REVERB block The follow...

Страница 18: ...MONO output The EFFECTS LOOP can be configured as MUTE SEND or MUTE RETURN spillover In MUTE SEND mode turning off the effects loop only mutes the loop send allowing any remaining delay or reverb tail...

Страница 19: ...nce then turn the ENCODER knob to select the destination preset and then press the SAVE button a second time to commit the save AMPLIFIRE will overwrite your changes to the selected destination preset...

Страница 20: ...r NEXT BACK buttons while the preset has been changed edited AMPLIFIRE will warn you and ask you to confirm your decision The display window will show a message asking if you want to DISCARD EDIT Pres...

Страница 21: ...ts the master volume control knob of the power amplifier from 0 0 minimum to 10 0 maximum LEVEL dB Adjusts the final output level of the amp model This control helps to match the level of your preset...

Страница 22: ...modeling on the main outputs only no cabinet modeling on the aux XLR outputs AUX ONLY Cabinet modeling on the aux XLR outputs only no cabinet modeling on the main outputs BOTH OUTPUTS All outputs hav...

Страница 23: ...n effect and pre eq effects in the PRE EFFECTS section FX BOOST EQ Places the BOOST pedal between the modulation effect and pre eq effects in the PRE EFFECTS section FX EQ BOOST Places the BOOST pedal...

Страница 24: ...rolloff on the echo repeats SOFT DIGITAL Models a delay pedal similar to the DIGITAL mode but with a gentle rolloff of the highs on the echo repeats CONFIG Select from 3 unique ECHO configurations see...

Страница 25: ...EDBACK 1 4 0 100 Controls the amount of delayed output that is fedback into the input of the Higher feedback settings result more repeats of the ECHO Set to 100 for infinite repeats MIX 1 4 dB Sets th...

Страница 26: ...ATTENUATION here This effect is also controlled by the THRESHOLD and RELEASE parameters see below THRESHOLD dB Controls the THRESHOLD of the DUCKING effect Sets the level which the input to the ECHO...

Страница 27: ...t differently in the switched preset from the previous preset the echoes will change to the sound indicated by the new preset If you want the echo speed and character to sound identical between two or...

Страница 28: ...ount of treble DIFFUSION 0 100 Controls the amount of stereo diffusion of the reverb from 0 to 100 WIDTH 0 100 Controls the amount of stereo separation of the reverb from 0 fully summed to mono to 100...

Страница 29: ...ed by the THRESHOLD and RELEASE parameters see below THRESHOLD dB Controls the THRESHOLD of the DUCKING effect Sets the level which the input to the REVERB needs to reach in order to activate the DUCK...

Страница 30: ...the LFO As depth is increased the LFO will have a wider sweep range This means that the delay time of the wet signal will change more drastically As a result higher depth values result in more notice...

Страница 31: ...signed footswitch will toggle between ACTIVE and BYPASS mode of the CHORUS Please note that the assigned footswitch must be in PRESET ASSIGN mode FLANGER ENABLE Turns the FLANGER effect on or off Sele...

Страница 32: ...R must be in POST position for it to operate in stereo mode DUTY 0 100 Adjusts the rise and fall time of the LFO At 50 the LFO will rise and fall at the same rate The percentage indicates what portion...

Страница 33: ...the notch filters Set to a higher percentage to sweep across a wider range of frequencies REGEN 0 100 Controls the amount of regeneration or feedback of the PHASER Adding regeneration causes the peak...

Страница 34: ...fect DEPTH 0 100 Controls the depth of the LFO As depth is increased the LFO will have a wider range This means that the amplitude modulation effect of the tremolo will become more and more drastic as...

Страница 35: ...ignals below the THRESHOLD are reduced in gain by an amount equal to the RATIO see below Set to higher values for a more aggressive gating effect RATIO This is a GLOBAL parameter Determines how much g...

Страница 36: ...e automatic MAKEUP gain feature MAKEUP gain will automatically boost the output level of the COMPRESSOR effect to compensate for the reduction in amplitude due to the compression effect Can be used in...

Страница 37: ...ut any effects In this mode the send jack remains active and can be used as an additional unprocessed guitar DI signal EXPRESSION in EXPRESSION mode the effects loop is disabled and may be used with a...

Страница 38: ...itch must be in PRESET ASSIGN mode WAH WAH ENABLE Turns the WAH WAH effect on or off Select ACTIVE to turn it on Select BYPASSED to turn it off MODE Select from 3 different modes for control of the WA...

Страница 39: ...add clean boost to your WAH when it is enabled AUTO OFF This is a GLOBAL parameter Enables the AUTO OFF feature of the WAH effect Most real WAHs have an on off switch Most expression pedals don t To s...

Страница 40: ...rise and fall at the same rate The percentage indicates what portion of one LFO period will be spent during the rise For example at 25 it will rise for 1 4 of the total period of one LFO cycle and fal...

Страница 41: ...l cycle SENSE dB ENVELOPE MODE only Determines the minimum signal level before the VOLUME pedal detects your guitar picking and starts an auto swell cycle Think of this as touch sensitivity or pick se...

Страница 42: ...s and rolls off treble highs This filter begins to roll off cut high frequencies above the value set in the FREQUENCY parameter It passes all low frequencies below the FREQUENCY parameter at the level...

Страница 43: ...o highs and it is affected by the Q control The Q control affects peaking just around the transition between lows and highs Increase the Q to increase the peak that occurs at the transition Reduce the...

Страница 44: ...OWER peak decrease the Q control for a WIDER peak LEVEL Adjusts the output LEVEL in dB of the filter typically the level of the pass band of frequencies for the filter see filter types above for more...

Страница 45: ...odes INSERT positions the PARAMETRIC 1 2 or 3 effect Choose PRE to position the effect in the PRE EFFECTS section mono before the amp model Choose POST to position the effect in the POST EFFECTS secti...

Страница 46: ...nce for preset A Press again for preset B Press again returns to preset A and so on Press and hold for two seconds to BYPASS the unit Each footswitch has two presets A and B which can be assigned to a...

Страница 47: ...BYPASSED PHASER Toggles the PHASER effect between ACTIVE and BYPASSED TREMOLO Toggles the TREMOLO effect between ACTIVE and BYPASSED BANK 10 Increment the currently selected bank by 10 After a press A...

Страница 48: ...t one of the 128 presets for use as preset A in A B or A B BYPASS modes allows you to toggle between two presets PRESET B Select one of the 128 presets for use as preset B in A B or A B BYPASS modes a...

Страница 49: ...scale digital output HEADPHONES LEVEL dB Sets the output level of the HEADPHONES jack This is a relative level in dB for a full scale digital output MAIN OUTPUT MODE Sets the MONO STEREO operation of...

Страница 50: ...16 or set to OMNI to broadcast on all channels See the MIDI section below for more detail MIDI THRU OFF ON When MIDI THRU is set to ON the AMPLIFIRE will pass through all MIDI messages from the MIDI...

Страница 51: ...outputs MAIN AUX or HEADPHONES AMPLIFIRE will display a CLIP WARNING in the display windows for 2 seconds The CLIP WARNING will also indicate which output pairs clipped For example if you see Main Au...

Страница 52: ...r own The connections you need are Connect the SEND JACK TIP to both RINGS of the EXPRESSION PEDALS If using only one expression pedal then connect the SEND JACK TIP to the RING of the single EXPRESSI...

Страница 53: ...u may need to check your cabling adapter make sure you are in EXPRESSION mode or CABIBRATE your pedals To CALIBRATE your expression pedals 1 Press the SAVE button while AMPLIFIRE is displaying the PED...

Страница 54: ...expression pedal simply overrides the preset value with the value generated by the expression control To ASSIGN A PARAMETER to an expression pedal control go to the LOOP PARAM A or LOOP PARAM B param...

Страница 55: ...on the MIDI OUT jack on all channels Set the MIDI OUT CHANNEL to NONE and AMPLIFIRE will not send any MIDI program changes to the MIDI OUT jack The MIDI THRU global setting allows AMPLIFIRE to relay M...

Страница 56: ...ontrol number CC messages The following table lists the default MIDI CC values for AMPLIFIRE MIDI CC FUNCTION 21 WAH PEDAL 22 VOLUME PEDAL 23 EXPRESSION A 24 EXPRESSION B 18 TAP TEMPO press 80 BYPASS...

Страница 57: ...NCTION 88 PARAMETRIC 1 enable 89 PARAMETRIC 2 enable 90 PARAMETRIC 3 enable 16 AMP enable 13 FS1 press 14 FS2 press 15 FS3 press 11 FS4 press AMPLIFIRE12 only 10 FS5 press AMPLIFIRE12 only 9 FS6 press...

Страница 58: ...58...

Страница 59: ...59 USER MANUAL V4 0...

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