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Mixer Functions

TASCAM 788 Operational Tutorial  •  8/2000 Edition  

8

Section II

Mixer Functions  

(Continued)

Channel Send & Return (Insert)

The 788's effect processing can be used as a dynamic or 
multi-effect processing chain inserted on channels.  
When the effect is routed that way, the effect will be 
assigned as the first item in the signal flow chain.  

(For 

information about the effect capabilities or assignment,
see Effect Processing, p20.)

The EQ Section

  

control surface, then press 
SELECT for the channel you
wish to view.  The screen to 
the right should appear.

The 788's three band EQ is 
comprised of sweepable high 
and low shelf bands, plus a 
parametric mid band.  An 
ON/OFF switch allows A/B 
comparisons between the enhanced signal and the 
original.  Finally, a PAD/GAIN control allows the 
signal to be padded down to prevent the channel from 
overloading from high boost EQ curves, or to increase 
signal strength when large frequency bands areas are 
dug out of the signal's power. 

Shelf and Parametric EQs Explained

EQ basically increases and decreases the volume of 
specific frequency ranges in a sound.  Your standard 
hi-fi usually has a bass and treble control... the bass 
control can boost or cut the low 
frequencies, with the center 
between 80-120Hz.  The treble 
control will boost or cut the higher 
frequencies, with a typical center 
between 6-12kHz.

The next level of control from the standard boost/cut 
EQ is a sweepable EQ.  Sweepable EQs have a gain
control to adjust the boost or cut 
control, but also can change the 
center frequency.  This movable 
center allows accurate tuning of 
the EQ to specific "sweet spot" 
areas of the sound.  

Examples - Perhaps 80Hz boost will offer pillowy sound 
to a bass, while a 200Hz cut will take out a muddy tone.

  

To view the EQ section 
of the 788, press the 
EQ button right in the 
middle of the 788's 

channel 6, then release INPUT D.  To route INPUT D to 
both channels 1 and 6, press and hold INPUT D then 
press SELECT for channels 1 and 6, then release 
INPUT D.  The routing is verified by LEDs when you 
make the selection.

Whenever you route an input to a channel, the 788 will 
automatically disengage both the input and the channel
from any previous assignment so that you don't have 
to worry about double routings. 

If you want to check where things are routed, press and 
hold the input button; its LED will flash with the LED of
the channel it is assigned to.  (If none of the other 
LEDs flash, then it's not routed anywhere, yet.)  The
reverse can also be done, you can press SELECT for
any of the channels, and it will flash with the input
that is assigned to it.

Inputs can also be routed to the input submixer, which
is discussed later in this section on p10.  Routing an 
input to the input submixer is done by holding down
the SUB MIX button and pressing the buttons for each
INPUT you wish to route.

The 788's main mixer provides extensive processing 
power and routing flexibility.  Once the signal is routed
to the main channel, the signal flows through the 
following steps:

THE CHANNEL STRIP

EQ Section

Channel Fader

Send/Return (insert) for built-in effects.  
This only applies if EFFECT 1 is assigned 
as a Multi-Effect processor on a channel
or EFFECT 2 is assigned as dynamics.

If an aux send is assigned as pre-fader,
it's level is independent of the channel
fader.  This is typically used for monitor
mixes or allowing the channel to be 
washed out in an effect (no dry signal).

If an aux send is assigned as post-fader,
its level is affected by the channel fader.  
This is typically used for effect sends,
because the relationship between the
effect and dry signal will remain constant
when the fader is adjusted.

To Stereo Fader

Panning

R

L

EQ bands are arranged vertically,

with matching parameters aligning

horizontally.  Use the arrow keys

to move between the parameters.

ON/OFF

control

PAD/GAIN

setting

Channel

indication

Boost
Cut

20Hz

20kHz

Standard Boost/Cut

20Hz

20kHz

Sweep High/Low

Mid Parametric Freq

Freq

Summary of Contents for PORTASTUDIO 788

Page 1: ...OPERATIONAL TUTORIAL PN 9101437700 Edition Date 08 16 00 2000 TEAC TASCAM All Rights Reserved INPUT A PHONES REMOTE INPUT D MIC GUIT INPUT C R L INPUT B AUX INPUT STEREO MONITOR AUX OUTPUT...

Page 2: ...oll Editing Functions Pitch Control SSA Formatting Hard Drives Selecting Target Record Drives Built in Effect Processing Effect Overview Routing Assigning Effects Recalling Editing Effects Available E...

Page 3: ...record at 16 or 24 bit 24 bit offers higher sound quality 16 bit takes less disk space In the top of the screen the generic CREATE SAVE A SONG Plugging a Guitar Directly In If you are plugging a guit...

Page 4: ...MIC You could plug it into any input from INPUT A D but we re using INPUT D so the directions can match the guitar input routing To route INPUT D to track 1 of the recorder you need to assign INPUT D...

Page 5: ...going to and how many times you want to copy the part The tracks can be edited on individual track level stereo pair or across all 8 tracks simultaneously Use the arrow keys to move between the vario...

Page 6: ...ss REC READY on tracks 7 and 8 Press PLAY and set your mix the way you want to hear it complete with effects EQ and so forth The recording levels will appear in the meter so you can set your recording...

Page 7: ...c EQ band There are also two stereo sends labeled EFFECT SEND and AUX SEND each of which can be adjusted as pre or post fader sends Analog inputs and recorder tracks can both be routed to these channe...

Page 8: ...INPUT D to both channels 1 and 6 press and hold INPUT D then press SELECT for channels 1 and 6 then release INPUT D The routing is verified by LEDs when you make the selection Whenever you route an in...

Page 9: ...on the level of the send PRE FADER When a send is placed before the fader the send level is totally independent of the fader This is typically used for headphone monitor mixes allowing the performer t...

Page 10: ...OR keys and JOG DATA wheel to change the values to your liking To assign inputs to the input submixer and route the submixer to the stereo fader 1 Press and hold SUB MIX The SUB MIX light should flash...

Page 11: ...outing library that you wish to wish to name and press SHIFT MENU TITLE See Section V Assigning Names on p23 for complete naming capabilities and instructions When a scene is recalled the display will...

Page 12: ...own to a stereo or mono mix This process allows you to add more tracks to the song by freeing up the individual tracks from the other parts Since the 788 has 250 virtual tracks per song you don t have...

Page 13: ...tereo pair of tracks at 85 65 or 50 without dropping the pitch This function is great for learning difficult passages from your favorite tunes RECORDING OVERVIEW On the 788 each project is stored in i...

Page 14: ...and more accurate project navigation than the traditional fast forward and rewind The 788 can store up to 999 locate points for each song so you won t run short on memory points that should be clearl...

Page 15: ...ccuracy using 10 sub frames to a frame This yields a 1 300th of a second accuracy The time display shows hours minutes seconds frames and sub frames One of these time denominations will be underlined...

Page 16: ...Select with the JOG DATA wheel and press ENTER YES 3 Select with the JOG DATA wheel and press ENTER YES VIRTUAL TRACKS One Button Punch Punching in and out of record on the fly is commonly done to al...

Page 17: ...ssigning Names on p23 for complete naming capabilities and instructions All of the editing is non destructive with 999 levels of undo that are saved to disk This means you have lots of opportunity to...

Page 18: ...ied The key difference between MOVE INSERT and COPY INSERT is that MOVE PASTE deletes the original audio between the IN and OUT point IN OUT TO MOVE INSERT IN OUT IN OUT inserts blank space between th...

Page 19: ...to use The parameter determines the size of the disk partitions determines the level of drive formatting to be used If is set to the 788 will only set up the drive directory If is set to it will perfo...

Page 20: ...the routing of the input press EFFECT 1 and INPUT A B C or D This will keep the processing chained with the input through any channel assignment on the main mixer This only works on one channel at a...

Page 21: ...ween the various effects in the chain press the LEFT and RIGHT CURSOR keys If EFFECT 2 is assigned as Dynamic Processors across all eight mixer channels you will need to select which channel s compres...

Page 22: ...ate EQ Chorus Reverb Compressor Gate EQ Chorus Delay Compressor Gate De esser Chorus Reverb Compressor Gate De esser Chorus Delay Compressor Gate Exciter EFFECT 2 DYNAMICS CHANNEL STEREO Compression A...

Page 23: ...e effect patch that you wish to select with the JOG DATA wheel then press SHIFT MENU TITLE THE NAMING PROCEDURE Selecting a locate point for naming 1 Press LOCATE to get to the locate menu 2 Highlight...

Page 24: ...of the naming screen without saving any changes Editing the USER WORD List Since everybody works differently the USER WORD list is fully editable The naming procedure is the same as the previous item...

Page 25: ...EAT PPQ The terms bar measure and beat should be familiar but PPQ is a new one for some PPQ stands for Part Per Quarter PPQ is the internal subdivision of the quarter note As with any other synchroniz...

Page 26: ...s MIDI Time Code works in much the same way as SMPTE time code counting time in a video based language that looks like this HOURS MINUTES SECONDS FRAMES While hours minutes and seconds are familiar th...

Page 27: ...the machine can play independently again MIDI Machine Control is a simple command set to control transport commands ie PLAY STOP REC LOCATE etc It is important to realize that MMC is only transport co...

Page 28: ...or other MIDI device to control the 788 In other words pressing play on your sequencer will send an MMC message to the 788 to start playing Typically the 788 will be set to transmit MTC or MIDI Clock...

Page 29: ...sent the level the actual processed fader position The fader matching parameter determines the relationship between the physical fader I m changing the EQ on the 788 and I m not hearing the changes I...

Page 30: ...der matching to either or Everything is in mono I can t hear any stereo effects You probably don t have the effects assigned correctly or the monitor section is not selected properly Make sure the STE...

Page 31: ...sure the frame rate is the same on both your master machine and your 788 If you are only experiencing minor variation over time and your frame rate is a variation of 30 or 29 97 pay particular attent...

Page 32: ...unds for your drum loops or simply trying to create a unique sound effect these effects can be the highlight of your project Guitar Processing 0 Hz Flanging The multi effect processing chain used for...

Page 33: ...408 462 Phone 03 9644 2442 TEAC ITALIANA S p A Phone 02 66010500 3 7 3 Nakacho Musashino shi Tokyo 180 8550 Japan 7733 Telegraph Road Montebello California 90640 5939 Wallace Street Mississauga Ontar...

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