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TASCAM 788 Operational Tutorial  •  8/2000 Edition  

QuickStart - First Session

5

Section I

QuickStart - First Session  

(Continued)

The term "bouncing tracks" means recording a mix of 
several other tracks.  For instance, you can play back 
6 tracks of drums, bass and guitar from the recorder, 
mix them to a stereo pair, and record that on the 
remaining two tracks.  At that point, you can play back 
just the stereo pair on 2 tracks and use the other 6 
tracks for other instruments.

To do this, you need to have your tracks assigned to 
the main mixer area of the 788.  (The tracks cannot
be playing through the TRACK CUE area.)  If you 
haven't assigned them to the main mixer already, do 
so by pressing TRACK + SELECT to assign the tracks 
to the channels you want to play back.  Remember, 
you also need to keep a track available for the bounce.  
(Two tracks must be available if you want to record in 
stereo.) 

Assign the stereo output to the tracks that you want
to bounce down to by holding down STEREO and 
pressing SELECT for channels 7 and 8.  The LEDs will
confirm this routing.  This will record the stereo mix to 
tracks 7 and 8.  This will include not only the tracks, 
but also any assigned effects and extra inputs in the 
input submixer.

The next task is to make sure 
you are only listening to the 
audio that you are recording.  
Push SELECT in the MONITOR 
section until none of the LEDs 
associated with it are lit.  The 
only LED that should remain lit 
is the CUE LED.

scan the song to find a particular part, pressing REW or 
F FWD will play all 8 tracks forwards and backwards to 
help you find the proper location.

Once you've set your IN, OUT 
and TO locate points, push 
SHIFT + COPY TO.  The screen
will ask which track you want
to pull your audio from, which 
track it is going to, and how many times you want to 
copy the part.  The tracks can be edited on individual 
track level, stereo pair, or across all 8 tracks
simultaneously.  Use the arrow keys to move between 
the various parameters, and the JOG/DATA wheel to 
change the settings.  Press ENTER to accept the 
settings.

BOUNCING TRACKS

the arrow keys to select the 
parameter you want to 
change, and use the 
JOG/DATA wheel to change 
the value.

If you want to change the 
type of effect and recall
another preset, press ENTER while you are in the

effect screen.  The display 
will show you the library of
effects available.  Use the 
CURSOR keys and JOG/DATA
wheel to select effects from 
either the PRESET or USER 
tabs and press ENTER.

The three most commonly used edit functions have
buttons accessible right on the front panel of the
788.  We'll do a basic COPY function here, so you get
the idea.

The editing functions on the 788 use the IN, OUT and
TO locate points.  For copying, the IN and OUT points
need to be placed around the area you want to copy.
The TO point will show where you want the new part
to start at.

Set the locate points by playing to the part you want
to have the locate point at, and press SHIFT with the
locate point you wish to set.  (IN, OUT or TO.)

If you want to view the 
waveform of the audio when
you are setting the locate
points for the edit, press 
STOP + PLAY.  The waveform 
screen will come up.  If the 
waveform is too small on the 
screen, you can press the up and down arrow keys to 
increase the height of the waveform, and the left and 
right arrows to increase the zoom for the width of the 
waveform.  You can use the JOG/DATA wheel to scrub 
the selected track.  

When you're scrubbing audio, you will only hear the 
one track you have selected.  To select a different track 
to scrub, press SELECT for that track.  If you need to 

BASIC EDITING

IN

OUT

TO

COPY AUDIO

P 17

P 12

The CUE light
is the only LED
that you want
on when you
are bouncing
tracks.

Summary of Contents for PORTASTUDIO 788

Page 1: ...OPERATIONAL TUTORIAL PN 9101437700 Edition Date 08 16 00 2000 TEAC TASCAM All Rights Reserved INPUT A PHONES REMOTE INPUT D MIC GUIT INPUT C R L INPUT B AUX INPUT STEREO MONITOR AUX OUTPUT...

Page 2: ...oll Editing Functions Pitch Control SSA Formatting Hard Drives Selecting Target Record Drives Built in Effect Processing Effect Overview Routing Assigning Effects Recalling Editing Effects Available E...

Page 3: ...record at 16 or 24 bit 24 bit offers higher sound quality 16 bit takes less disk space In the top of the screen the generic CREATE SAVE A SONG Plugging a Guitar Directly In If you are plugging a guit...

Page 4: ...MIC You could plug it into any input from INPUT A D but we re using INPUT D so the directions can match the guitar input routing To route INPUT D to track 1 of the recorder you need to assign INPUT D...

Page 5: ...going to and how many times you want to copy the part The tracks can be edited on individual track level stereo pair or across all 8 tracks simultaneously Use the arrow keys to move between the vario...

Page 6: ...ss REC READY on tracks 7 and 8 Press PLAY and set your mix the way you want to hear it complete with effects EQ and so forth The recording levels will appear in the meter so you can set your recording...

Page 7: ...c EQ band There are also two stereo sends labeled EFFECT SEND and AUX SEND each of which can be adjusted as pre or post fader sends Analog inputs and recorder tracks can both be routed to these channe...

Page 8: ...INPUT D to both channels 1 and 6 press and hold INPUT D then press SELECT for channels 1 and 6 then release INPUT D The routing is verified by LEDs when you make the selection Whenever you route an in...

Page 9: ...on the level of the send PRE FADER When a send is placed before the fader the send level is totally independent of the fader This is typically used for headphone monitor mixes allowing the performer t...

Page 10: ...OR keys and JOG DATA wheel to change the values to your liking To assign inputs to the input submixer and route the submixer to the stereo fader 1 Press and hold SUB MIX The SUB MIX light should flash...

Page 11: ...outing library that you wish to wish to name and press SHIFT MENU TITLE See Section V Assigning Names on p23 for complete naming capabilities and instructions When a scene is recalled the display will...

Page 12: ...own to a stereo or mono mix This process allows you to add more tracks to the song by freeing up the individual tracks from the other parts Since the 788 has 250 virtual tracks per song you don t have...

Page 13: ...tereo pair of tracks at 85 65 or 50 without dropping the pitch This function is great for learning difficult passages from your favorite tunes RECORDING OVERVIEW On the 788 each project is stored in i...

Page 14: ...and more accurate project navigation than the traditional fast forward and rewind The 788 can store up to 999 locate points for each song so you won t run short on memory points that should be clearl...

Page 15: ...ccuracy using 10 sub frames to a frame This yields a 1 300th of a second accuracy The time display shows hours minutes seconds frames and sub frames One of these time denominations will be underlined...

Page 16: ...Select with the JOG DATA wheel and press ENTER YES 3 Select with the JOG DATA wheel and press ENTER YES VIRTUAL TRACKS One Button Punch Punching in and out of record on the fly is commonly done to al...

Page 17: ...ssigning Names on p23 for complete naming capabilities and instructions All of the editing is non destructive with 999 levels of undo that are saved to disk This means you have lots of opportunity to...

Page 18: ...ied The key difference between MOVE INSERT and COPY INSERT is that MOVE PASTE deletes the original audio between the IN and OUT point IN OUT TO MOVE INSERT IN OUT IN OUT inserts blank space between th...

Page 19: ...to use The parameter determines the size of the disk partitions determines the level of drive formatting to be used If is set to the 788 will only set up the drive directory If is set to it will perfo...

Page 20: ...the routing of the input press EFFECT 1 and INPUT A B C or D This will keep the processing chained with the input through any channel assignment on the main mixer This only works on one channel at a...

Page 21: ...ween the various effects in the chain press the LEFT and RIGHT CURSOR keys If EFFECT 2 is assigned as Dynamic Processors across all eight mixer channels you will need to select which channel s compres...

Page 22: ...ate EQ Chorus Reverb Compressor Gate EQ Chorus Delay Compressor Gate De esser Chorus Reverb Compressor Gate De esser Chorus Delay Compressor Gate Exciter EFFECT 2 DYNAMICS CHANNEL STEREO Compression A...

Page 23: ...e effect patch that you wish to select with the JOG DATA wheel then press SHIFT MENU TITLE THE NAMING PROCEDURE Selecting a locate point for naming 1 Press LOCATE to get to the locate menu 2 Highlight...

Page 24: ...of the naming screen without saving any changes Editing the USER WORD List Since everybody works differently the USER WORD list is fully editable The naming procedure is the same as the previous item...

Page 25: ...EAT PPQ The terms bar measure and beat should be familiar but PPQ is a new one for some PPQ stands for Part Per Quarter PPQ is the internal subdivision of the quarter note As with any other synchroniz...

Page 26: ...s MIDI Time Code works in much the same way as SMPTE time code counting time in a video based language that looks like this HOURS MINUTES SECONDS FRAMES While hours minutes and seconds are familiar th...

Page 27: ...the machine can play independently again MIDI Machine Control is a simple command set to control transport commands ie PLAY STOP REC LOCATE etc It is important to realize that MMC is only transport co...

Page 28: ...or other MIDI device to control the 788 In other words pressing play on your sequencer will send an MMC message to the 788 to start playing Typically the 788 will be set to transmit MTC or MIDI Clock...

Page 29: ...sent the level the actual processed fader position The fader matching parameter determines the relationship between the physical fader I m changing the EQ on the 788 and I m not hearing the changes I...

Page 30: ...der matching to either or Everything is in mono I can t hear any stereo effects You probably don t have the effects assigned correctly or the monitor section is not selected properly Make sure the STE...

Page 31: ...sure the frame rate is the same on both your master machine and your 788 If you are only experiencing minor variation over time and your frame rate is a variation of 30 or 29 97 pay particular attent...

Page 32: ...unds for your drum loops or simply trying to create a unique sound effect these effects can be the highlight of your project Guitar Processing 0 Hz Flanging The multi effect processing chain used for...

Page 33: ...408 462 Phone 03 9644 2442 TEAC ITALIANA S p A Phone 02 66010500 3 7 3 Nakacho Musashino shi Tokyo 180 8550 Japan 7733 Telegraph Road Montebello California 90640 5939 Wallace Street Mississauga Ontar...

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