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TASCAM 788 Operational Tutorial  •  8/2000 Edition  

Troubleshooting

29

Section VII

Trouble-Shooting

Next, check the  
screen.  To get to it, press 
MENU, select                , 
and choose                .  
Under the          tab, make 
sure the       is set either to 
       or      .  (        is if you 
are triggering an external sound module for metronome 
tones.        is if you are using the internally generated 
clicks.)  

The         parameter in this screen will select whether 
the metronome will sound when the 788 is in record and 
play, or only in record.  (      means record only, and 
           means record and play.)  If         is set to      , 
then the metronome will not sound when the system is 
playing.  Switch to             if you always want to hear 
the metronome.

If you are using the 788’s internal clicks, make sure 
the                 is raised up loud enough.  (It should 
be reasonably audible at 100.)  Also, make sure you 
are listening to the audio coming out from either the 
PHONES, or from the MONITOR OUTPUT.  The signal 
is not routed to the STEREO OUTPUT.

If you are using the 788 to 
generate MIDI tones for an 
external MIDI sound module, 
check the        tab of the 
                menu.  Make 
sure the MIDI channel in the 
788 is set to the same MIDI 
channel of your synth module, and that the note 
numbers and velocities the 788 is sending will be a 
valid value for the module.  

Lastly, check to make sure the audio connections from 
the MIDI module to your monitor system are properly 
routed, and that the volume is up for each stage of 
that signal routing.

I’m moving the faders, but it’s not affecting the 
level of the sound.

Move the fader all the way up, and all the way down.  
If the level is now properly processing, then you have 
fader matching set to          .

If you recall a mixer scene, or control the fader levels 
through MIDI controller messages, the physical fader
position may not represent the level the actual processed
fader position.  The fader matching parameter 
determines the relationship between the physical fader 

I’m changing the EQ on the 788, and I’m not 
hearing the changes I’m making.

You’re probably either adjusting the EQ on the wrong 
channel, the EQ is switched off for that channel, or 
you’re changing FREQ or Q without any gain on that 
band.

The channel number is 
indicated in two places.  
The channel you are 
affecting will have its 
SELECT light on.  Also, 
the channel number is 
indicated in the EQ 
screen, just above the 
L/R meters in the right 
side of the screen.  If 
the channel number 
shown by these 
indicators is not the channel you want to affect, 
press SELECT for the channel you want to affect.

To make sure the channel EQ is turned on, find the 
little box in the upper left corner of the EQ screen 
that is labeled    .  The button underneath it should 
show    .  If it is blank, the EQ is bypassed.  To turn 
the EQ back on, move the cursor to the      box, 
and turn the JOG/DATA wheel.

Lastly, check the parameter you are changing.  If 
you are changing a parameter in the FREQ or Q 
rows and the GAIN for that column is set to 0, then 
you are adjusting the parameters of a totally flat 
curve.  Add some gain, and you’ll start to hear the 
difference.

I can’t hear the 788’s metronome.

There are a couple of settings that affect the 
metronome:

First, check to make sure that the 788 is set to 
generate MIDI Clock.  The metronome timing is 
generated from the 
MIDI Clock logic, and 
will not work in any 
other setting.  To check 
this, press MENU, select 
              , then select
      .  The   
should be set to     , and 
the               should be 
set to          .

EQ bands are arranged vertically,

with matching parameters aligning

horizontally.  Use the arrow keys

to move between the parameters.

IN/OUT

control

PAD/GAIN

setting

Channel

indication

The SYNC screen should be
set to generate MIDI Clock.

The metronome will not do

anything if the SYNC SRC is

not set to CLOCK.

Summary of Contents for PORTASTUDIO 788

Page 1: ...OPERATIONAL TUTORIAL PN 9101437700 Edition Date 08 16 00 2000 TEAC TASCAM All Rights Reserved INPUT A PHONES REMOTE INPUT D MIC GUIT INPUT C R L INPUT B AUX INPUT STEREO MONITOR AUX OUTPUT...

Page 2: ...oll Editing Functions Pitch Control SSA Formatting Hard Drives Selecting Target Record Drives Built in Effect Processing Effect Overview Routing Assigning Effects Recalling Editing Effects Available E...

Page 3: ...record at 16 or 24 bit 24 bit offers higher sound quality 16 bit takes less disk space In the top of the screen the generic CREATE SAVE A SONG Plugging a Guitar Directly In If you are plugging a guit...

Page 4: ...MIC You could plug it into any input from INPUT A D but we re using INPUT D so the directions can match the guitar input routing To route INPUT D to track 1 of the recorder you need to assign INPUT D...

Page 5: ...going to and how many times you want to copy the part The tracks can be edited on individual track level stereo pair or across all 8 tracks simultaneously Use the arrow keys to move between the vario...

Page 6: ...ss REC READY on tracks 7 and 8 Press PLAY and set your mix the way you want to hear it complete with effects EQ and so forth The recording levels will appear in the meter so you can set your recording...

Page 7: ...c EQ band There are also two stereo sends labeled EFFECT SEND and AUX SEND each of which can be adjusted as pre or post fader sends Analog inputs and recorder tracks can both be routed to these channe...

Page 8: ...INPUT D to both channels 1 and 6 press and hold INPUT D then press SELECT for channels 1 and 6 then release INPUT D The routing is verified by LEDs when you make the selection Whenever you route an in...

Page 9: ...on the level of the send PRE FADER When a send is placed before the fader the send level is totally independent of the fader This is typically used for headphone monitor mixes allowing the performer t...

Page 10: ...OR keys and JOG DATA wheel to change the values to your liking To assign inputs to the input submixer and route the submixer to the stereo fader 1 Press and hold SUB MIX The SUB MIX light should flash...

Page 11: ...outing library that you wish to wish to name and press SHIFT MENU TITLE See Section V Assigning Names on p23 for complete naming capabilities and instructions When a scene is recalled the display will...

Page 12: ...own to a stereo or mono mix This process allows you to add more tracks to the song by freeing up the individual tracks from the other parts Since the 788 has 250 virtual tracks per song you don t have...

Page 13: ...tereo pair of tracks at 85 65 or 50 without dropping the pitch This function is great for learning difficult passages from your favorite tunes RECORDING OVERVIEW On the 788 each project is stored in i...

Page 14: ...and more accurate project navigation than the traditional fast forward and rewind The 788 can store up to 999 locate points for each song so you won t run short on memory points that should be clearl...

Page 15: ...ccuracy using 10 sub frames to a frame This yields a 1 300th of a second accuracy The time display shows hours minutes seconds frames and sub frames One of these time denominations will be underlined...

Page 16: ...Select with the JOG DATA wheel and press ENTER YES 3 Select with the JOG DATA wheel and press ENTER YES VIRTUAL TRACKS One Button Punch Punching in and out of record on the fly is commonly done to al...

Page 17: ...ssigning Names on p23 for complete naming capabilities and instructions All of the editing is non destructive with 999 levels of undo that are saved to disk This means you have lots of opportunity to...

Page 18: ...ied The key difference between MOVE INSERT and COPY INSERT is that MOVE PASTE deletes the original audio between the IN and OUT point IN OUT TO MOVE INSERT IN OUT IN OUT inserts blank space between th...

Page 19: ...to use The parameter determines the size of the disk partitions determines the level of drive formatting to be used If is set to the 788 will only set up the drive directory If is set to it will perfo...

Page 20: ...the routing of the input press EFFECT 1 and INPUT A B C or D This will keep the processing chained with the input through any channel assignment on the main mixer This only works on one channel at a...

Page 21: ...ween the various effects in the chain press the LEFT and RIGHT CURSOR keys If EFFECT 2 is assigned as Dynamic Processors across all eight mixer channels you will need to select which channel s compres...

Page 22: ...ate EQ Chorus Reverb Compressor Gate EQ Chorus Delay Compressor Gate De esser Chorus Reverb Compressor Gate De esser Chorus Delay Compressor Gate Exciter EFFECT 2 DYNAMICS CHANNEL STEREO Compression A...

Page 23: ...e effect patch that you wish to select with the JOG DATA wheel then press SHIFT MENU TITLE THE NAMING PROCEDURE Selecting a locate point for naming 1 Press LOCATE to get to the locate menu 2 Highlight...

Page 24: ...of the naming screen without saving any changes Editing the USER WORD List Since everybody works differently the USER WORD list is fully editable The naming procedure is the same as the previous item...

Page 25: ...EAT PPQ The terms bar measure and beat should be familiar but PPQ is a new one for some PPQ stands for Part Per Quarter PPQ is the internal subdivision of the quarter note As with any other synchroniz...

Page 26: ...s MIDI Time Code works in much the same way as SMPTE time code counting time in a video based language that looks like this HOURS MINUTES SECONDS FRAMES While hours minutes and seconds are familiar th...

Page 27: ...the machine can play independently again MIDI Machine Control is a simple command set to control transport commands ie PLAY STOP REC LOCATE etc It is important to realize that MMC is only transport co...

Page 28: ...or other MIDI device to control the 788 In other words pressing play on your sequencer will send an MMC message to the 788 to start playing Typically the 788 will be set to transmit MTC or MIDI Clock...

Page 29: ...sent the level the actual processed fader position The fader matching parameter determines the relationship between the physical fader I m changing the EQ on the 788 and I m not hearing the changes I...

Page 30: ...der matching to either or Everything is in mono I can t hear any stereo effects You probably don t have the effects assigned correctly or the monitor section is not selected properly Make sure the STE...

Page 31: ...sure the frame rate is the same on both your master machine and your 788 If you are only experiencing minor variation over time and your frame rate is a variation of 30 or 29 97 pay particular attent...

Page 32: ...unds for your drum loops or simply trying to create a unique sound effect these effects can be the highlight of your project Guitar Processing 0 Hz Flanging The multi effect processing chain used for...

Page 33: ...408 462 Phone 03 9644 2442 TEAC ITALIANA S p A Phone 02 66010500 3 7 3 Nakacho Musashino shi Tokyo 180 8550 Japan 7733 Telegraph Road Montebello California 90640 5939 Wallace Street Mississauga Ontar...

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