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Troubleshooting

TASCAM 788 Operational Tutorial  •  8/2000 Edition  

30

Section VII

Troubleshooting  

(Continued)

read       or      .  If it shows 
    , then change it to   
or     .)  Make sure that the 
send level and master send 
levels are turned up.

Lastly, check to make sure 
the effect processor output 
is set high enough.  Press 
EFFECT 1 or EFFECT 2 
(whichever one you’re using) 
and look at the bottom 
parameter                .  That 
should be turned up loud 
enough to be heard.  (A level 
of 100 is sufficient.)

I’m mixing down, and my recorded tracks don’t 
show up in my mixdown, yet I heard them while I 
was mixing down!

The tracks were probably assigned to the TRACK CUE
section.  The TRACK CUE does not route to the stereo 
mix.  Tracks need to be assigned to the main mixer.  To 
check this, press and hold TRACK.  The lights for all the 
tracks should start blinking.  If one does not, that track 
is assigned to the TRACK CUE.

In order to assign these tracks to the main mixer, hold 
down TRACK and press SELECT for the channel you
need added to the mixer.  The LEDs will confirm the 
new routing.  If you want to use the inputs on mixdown, 
they can be assigned to the input submixer.  See the 
section on Mixer Functions, page 7 for more information. 

I can’t hear anything I’ve assigned to the input 
submixer.

The input submixer is probably 
disengaged from the stereo buss.  
Press and hold SUB MIX.  If the 
STEREO button does not flash, 
press STEREO, then release 
SUB MIX.

If you still can’t hear the 
channel, check the submixer 
screen to see if the level is up, 
and to make sure the input is 
assigned to the submixer.  
(The input should be displayed 
above the fader.  If      is 
shown above the fader, the 
input is not assigned to the 
input submixer.)

position and the processed fader position.   If the 
FADER MATCHING is set to         , the processed fader 
position will not change until 
the physical fader value has 
matched the processed fader 
position.

To change this setting, press 
MENU, select           , and 
choose          .  Change 
fader matching to either 
       or        .

Everything is in mono.

 

I can’t hear any stereo effects.

You probably don’t have the effects 
assigned correctly, or the monitor 
section is not selected properly.  
Make sure the STEREO light in the 
monitor section is lit, indicating you 
are listening to the stereo mix.  
(Effects return directly to the stereo 
buss, so you must monitor the stereo 
output to hear anything.)

Next, check to make sure the effect 
processor is assigned as a stereo processor.  Press and 
hold the SEND button.  If the light above the Effect 1 
or Effect 2 (whichever you are trying to use) doesn’t
blink, then that means the processor is assigned as a 
 

channel insert or stereo insert.  
To assign the effect processor 
as a stereo processor again, 
press and hold SEND, then 
press EFFECT 1 or EFFECT 2, 
then release SEND.

In the SEND screen, make 
sure that the send is not 
turned off.  (The setting in 
the far left should either 

You probably selected the mono 
mode accidentally.  If the lights in 
the MONITOR section are flashing, 
that indicates that the mono mode 
was selected.  (Pressing SHIFT and 
SELECT in the monitor section flips 
the 788 to mono.)  To return back 
to stereo mode, press SELECT in 
the monitor section again, and the 
lights should go solid again.

If the CATCH fader matching

isn't your style, use either

REAL or JUMP settings for

more instant response.

Press SELECT to monitor

in stereo again.

If any of these lights

are flashing, the 788 is

monitoring in mono.

If not, press SELECT

until the STEREO 

light comes on.

Make sure the STEREO

LED is illuminated.

Press and hold
the SEND button.  
If the effect 
processor is 
assigned as a 
stereo effect on 
a send, that 
EFFECT's LED 
will flash.

Check that the OUT LEVEL of

the processor is turned up.

Make sure the send is set to

either PRE or PST, not OFF.

If you press and hold SUB MIX,

the STEREO light should flash

if the SUB MIX is assigned to

it.  If STEREO does not flash,

press SUBMIX and STEREO

together to make the assignment.

In the top of the screen, the input

will be listed if the input is assigned

to the submixer.  If the input is not

assigned to the submixer, "OFF" will

be shown instead.

Summary of Contents for PORTASTUDIO 788

Page 1: ...OPERATIONAL TUTORIAL PN 9101437700 Edition Date 08 16 00 2000 TEAC TASCAM All Rights Reserved INPUT A PHONES REMOTE INPUT D MIC GUIT INPUT C R L INPUT B AUX INPUT STEREO MONITOR AUX OUTPUT...

Page 2: ...oll Editing Functions Pitch Control SSA Formatting Hard Drives Selecting Target Record Drives Built in Effect Processing Effect Overview Routing Assigning Effects Recalling Editing Effects Available E...

Page 3: ...record at 16 or 24 bit 24 bit offers higher sound quality 16 bit takes less disk space In the top of the screen the generic CREATE SAVE A SONG Plugging a Guitar Directly In If you are plugging a guit...

Page 4: ...MIC You could plug it into any input from INPUT A D but we re using INPUT D so the directions can match the guitar input routing To route INPUT D to track 1 of the recorder you need to assign INPUT D...

Page 5: ...going to and how many times you want to copy the part The tracks can be edited on individual track level stereo pair or across all 8 tracks simultaneously Use the arrow keys to move between the vario...

Page 6: ...ss REC READY on tracks 7 and 8 Press PLAY and set your mix the way you want to hear it complete with effects EQ and so forth The recording levels will appear in the meter so you can set your recording...

Page 7: ...c EQ band There are also two stereo sends labeled EFFECT SEND and AUX SEND each of which can be adjusted as pre or post fader sends Analog inputs and recorder tracks can both be routed to these channe...

Page 8: ...INPUT D to both channels 1 and 6 press and hold INPUT D then press SELECT for channels 1 and 6 then release INPUT D The routing is verified by LEDs when you make the selection Whenever you route an in...

Page 9: ...on the level of the send PRE FADER When a send is placed before the fader the send level is totally independent of the fader This is typically used for headphone monitor mixes allowing the performer t...

Page 10: ...OR keys and JOG DATA wheel to change the values to your liking To assign inputs to the input submixer and route the submixer to the stereo fader 1 Press and hold SUB MIX The SUB MIX light should flash...

Page 11: ...outing library that you wish to wish to name and press SHIFT MENU TITLE See Section V Assigning Names on p23 for complete naming capabilities and instructions When a scene is recalled the display will...

Page 12: ...own to a stereo or mono mix This process allows you to add more tracks to the song by freeing up the individual tracks from the other parts Since the 788 has 250 virtual tracks per song you don t have...

Page 13: ...tereo pair of tracks at 85 65 or 50 without dropping the pitch This function is great for learning difficult passages from your favorite tunes RECORDING OVERVIEW On the 788 each project is stored in i...

Page 14: ...and more accurate project navigation than the traditional fast forward and rewind The 788 can store up to 999 locate points for each song so you won t run short on memory points that should be clearl...

Page 15: ...ccuracy using 10 sub frames to a frame This yields a 1 300th of a second accuracy The time display shows hours minutes seconds frames and sub frames One of these time denominations will be underlined...

Page 16: ...Select with the JOG DATA wheel and press ENTER YES 3 Select with the JOG DATA wheel and press ENTER YES VIRTUAL TRACKS One Button Punch Punching in and out of record on the fly is commonly done to al...

Page 17: ...ssigning Names on p23 for complete naming capabilities and instructions All of the editing is non destructive with 999 levels of undo that are saved to disk This means you have lots of opportunity to...

Page 18: ...ied The key difference between MOVE INSERT and COPY INSERT is that MOVE PASTE deletes the original audio between the IN and OUT point IN OUT TO MOVE INSERT IN OUT IN OUT inserts blank space between th...

Page 19: ...to use The parameter determines the size of the disk partitions determines the level of drive formatting to be used If is set to the 788 will only set up the drive directory If is set to it will perfo...

Page 20: ...the routing of the input press EFFECT 1 and INPUT A B C or D This will keep the processing chained with the input through any channel assignment on the main mixer This only works on one channel at a...

Page 21: ...ween the various effects in the chain press the LEFT and RIGHT CURSOR keys If EFFECT 2 is assigned as Dynamic Processors across all eight mixer channels you will need to select which channel s compres...

Page 22: ...ate EQ Chorus Reverb Compressor Gate EQ Chorus Delay Compressor Gate De esser Chorus Reverb Compressor Gate De esser Chorus Delay Compressor Gate Exciter EFFECT 2 DYNAMICS CHANNEL STEREO Compression A...

Page 23: ...e effect patch that you wish to select with the JOG DATA wheel then press SHIFT MENU TITLE THE NAMING PROCEDURE Selecting a locate point for naming 1 Press LOCATE to get to the locate menu 2 Highlight...

Page 24: ...of the naming screen without saving any changes Editing the USER WORD List Since everybody works differently the USER WORD list is fully editable The naming procedure is the same as the previous item...

Page 25: ...EAT PPQ The terms bar measure and beat should be familiar but PPQ is a new one for some PPQ stands for Part Per Quarter PPQ is the internal subdivision of the quarter note As with any other synchroniz...

Page 26: ...s MIDI Time Code works in much the same way as SMPTE time code counting time in a video based language that looks like this HOURS MINUTES SECONDS FRAMES While hours minutes and seconds are familiar th...

Page 27: ...the machine can play independently again MIDI Machine Control is a simple command set to control transport commands ie PLAY STOP REC LOCATE etc It is important to realize that MMC is only transport co...

Page 28: ...or other MIDI device to control the 788 In other words pressing play on your sequencer will send an MMC message to the 788 to start playing Typically the 788 will be set to transmit MTC or MIDI Clock...

Page 29: ...sent the level the actual processed fader position The fader matching parameter determines the relationship between the physical fader I m changing the EQ on the 788 and I m not hearing the changes I...

Page 30: ...der matching to either or Everything is in mono I can t hear any stereo effects You probably don t have the effects assigned correctly or the monitor section is not selected properly Make sure the STE...

Page 31: ...sure the frame rate is the same on both your master machine and your 788 If you are only experiencing minor variation over time and your frame rate is a variation of 30 or 29 97 pay particular attent...

Page 32: ...unds for your drum loops or simply trying to create a unique sound effect these effects can be the highlight of your project Guitar Processing 0 Hz Flanging The multi effect processing chain used for...

Page 33: ...408 462 Phone 03 9644 2442 TEAC ITALIANA S p A Phone 02 66010500 3 7 3 Nakacho Musashino shi Tokyo 180 8550 Japan 7733 Telegraph Road Montebello California 90640 5939 Wallace Street Mississauga Ontar...

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