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SOLIDYNE 562

dsp EVOLUTION – FM broadcast digital processor

 

 

Page 7

 

arrives  with  low  level  (or  too  high),  the  processor 
automatically compensate its input gain so that the 
output level is unvarying. 

If the input signal falls abruptly, the AGC holds its 
current  value;  to  avoid  an  undesirable  effect 
known  as  “breathing”,  that  appears  when  the 
signal is very low and the AGC compensates their 
gain excessively increasing the background noise 
in  the  voice  intervals.  This  feature  knows  as 
Gated-AGC.  

In normal operation this indicator will have to work 
at 

middle scale

 (15 dB) 

  The  following  indicators  show  the  action  of  the 

multiband 

compressor. 

There 

are 

five 

compression  bands  called 

loudness  bands

  (LF, 

M1, M2, HF, SH). These indicators (like the AGC) 
show  the  gain  reduction  applied  to  the  signal,  for 
that reason they “grow downwards”. 

Band  LF  corresponds  to  bass  notes  of  the  audio, 
below 160 Hertz, M1 and M2 to mid tones and HF 
and SH to the highs. 

The  LOUDNESS  concept  associates  to  the 
sensation  of  sonorous  power  perceived  by  the 
human ear. With no need to exceed the maximum 
percentage  of  modulation  fixed  by  the  law,  the 
processor  can  obtain  that  the  radio  sounds 
stronger.  The  radio  with  better  processing  will  be 
the one that better sounds in the dial. 

As will be explained later, another objective of the 
processing  is  to  increase  the  energy  in  the  entire 
audio spectrum, to produce the maximum possible 
modulation in the RF carrier, which is translated in 
greater 

radiated 

energy, 

improving 

the 

transmission reach in marginal areas. For this, the 
processor  applies  a  complex  procedure  of 
compression  on  each  audio  band,  producing 
greater sensation of loudness to the ear. 

The  size  of  each  luminous  bar  indicates  the 
compression degree  at every moment. Its effects, 
obviously,  changes  according  to  the  different 
types  of  music  and  voice;  but  in  general  can  say 
that when a band indicator begins to light (values 
up  to  10  dB)  the  action  is  smooth  and  is  totally 
accepted by the human ear. With values of 15 dB 
or  greater  will  notice  a  greater  “sonorous  force”, 
being a level of extreme processing. 

Another  important  value  to  consider  is  the 

 

 

recovery time. 

This is the time that takes a band 

in  recovering  its  previous  gain.  This  is  evident  at 
first  viewing  the  indicators.  The  slower  it’s  the 
recovery, the processing sound soft and the music 
sounds  natural.  However,  when  they  are  fast,  an 

increase  of  the  loudness  takes  place,  but  the 
sound can becomes more “rough”. 

 

“AES In”

 indicates if the unit is using the digital 

input. It activates just at the moment at which the 
digital data enter. 

 =  digital input 

 = analog input 

 

“MPX Out”

 indicates that the processor is using 

the internal FM stereo coder. 

 Finally; the screen shows the name and number 

of  the 

current  program

.  You  can  explore  the 

programs  list  turning  the  JOG;  but  a  program  is 
not  active  until  you  load  it  pressing  briefly  the 
wheel. 

 

program

 is a set of values stored in an internal 

memory. 

 

You access to the 

MAIN MENU

 (the right screen) 

by  pressing  and  hold  the  JOG  wheel.  From  here 
you can access to all functions and features of the 
processor. 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Summary of Contents for 562dsp

Page 1: ...s FM digital audio processor User s manual 3 de Febr ero 3254 1429 Buenos Aires Argentina Phone 54 11 4702 0090 e mail info solidynepro com fax 54 11 4702 2375 web www SolidynePRO com Last revision Ma...

Page 2: ...P gina 2 procesador para radiodifusi n SOLIDYNE 562dsp...

Page 3: ...TMENTS 22 4 4 1 PROGRAM NAME 22 4 4 2 EXPANDER AGC 22 4 4 2 1 AGC OUT GAIN 22 4 4 2 2 AGC attack time 22 4 4 2 3 AGC recovery time 23 4 4 2 4 Hold 23 4 4 2 5 Expander threshold 23 4 4 3 AUDIO EQ 23 4...

Page 4: ...flat screws with flexible o rings rubber PVC etc The frontal panel is made of aluminum so you must take special care of don t to apply excessive force on the screws since it can cause deformation or...

Page 5: ...l settings values are entered using a JOG Wheel Turn the JOG to select options and to change values Pressing briefly the JOG confirms an option Pressing and holding the JOG around one second go to the...

Page 6: ...se the remote control of 562dsp can be implemented through a data channel of the link that allows sending RS 232 data 1 3 Understanding the main screen Next you will see an overview on the 562dsp main...

Page 7: ...anslated in greater radiated energy improving the transmission reach in marginal areas For this the processor applies a complex procedure of compression on each audio band producing greater sensation...

Page 8: ...Page 8 FM broadcast digital processor SOLIDYNE 562dsp EVOLUTION THIS PAGE INTENTIONALLY LEFT BLANK...

Page 9: ...must stay between 5 C and 40 C Avoid direct solar ray incidence on the processor or proximity of heat sources The openings and grooves allow the circulation of forced air impelled by the internal coo...

Page 10: ...mmutation takes place when grounding the MICstart input When this happens the processor exchanges the program and the access from the JOG wheel is blocked When the MICStart input is opened 562dsp retu...

Page 11: ...Two female DB 9 connectors are required The following table shows the diagram of connection although only the connections emphasized in bold are needed The computer is used to transmit data to RDS cod...

Page 12: ...l will show all active units connected to your LAN Each unit has a MAC address that is unique and fixed and an IP address that you can change freely Select the unit from the list and press the button...

Page 13: ...d If you wish you can set a password to block modifications in your settings 2 8 2 Accessing from the LAN The client PC must have installed TCP IP protocol If there is a Firewall software or hardware...

Page 14: ...ddress assigned by the Internet provider ISP The unit is connected in another LAN with shared Internet access In order to accede from an remote PC to the LAN you must configure the router of that LAN...

Page 15: ...s modality the programs can be chosen automatically from the OnAir PC using the automation software Solidyne Audicom 7 This way you can use a specific processing for each musical style c Models 562dsp...

Page 16: ...ted ONLY through AES 3 Also the analogical inputs can be connected as back up but they will be used only in case that the carrier of signal AES 3 interrupts In this case the equipment exchanges automa...

Page 17: ...dulation 75 KHz deviation PRE EMPHASIS Allows to adjust the pre emphasis curve according to the regulations of your country I E Europe 50uS USA ASIA Latin American 75uS 3 2 2 1 Adjusting 100 of modula...

Page 18: ...ly in the AGC Observe and compare the factory presets PASSWORD You can define a password to avoid the access of unauthorized personnel to the main menu to change the settings Once defined 562dsp will...

Page 19: ...not produce high impact voices since it woks with low compression range But remember that you can use an special preset for the voices with higher processing 01 3D SPACE It s similar to the previous...

Page 20: ...objective is to obtain basses with great height but without affect the attack of vital importance in these rhythms since many times the bass is who takes the cadence of the song This adjustment can be...

Page 21: ...greater compression Respect to the gains the voices do not tolerate high multiband compression so if for music a strong adjustment is used for the voice the AGC output level will have to be located a...

Page 22: ...character 4 4 2 EXPANDER AGC 4 4 2 1 AGC OUT GAIN The output level of the AGC is a CRITICAL ADJUSTMENT since it determines the level with the signal reaches the multiband compressors and therefore th...

Page 23: ...ue is not congealed but that slips slowly towards 0 dB to avoid that it is hooked if the signal remains with low level slope 0 75 dB each 13 seconds 4 5 minutes from 15 dB On the other hand you can ad...

Page 24: ...the time that takes the compressor in acting once the signal overpasses the threshold Slows attack times gives more impact to the sound but greater will be the action of the limiters This is because t...

Page 25: ...er of instant attack which controls ALL the peaks that pass through the multi band compressors WB control allows you to define the recovery time of WB Limiter Vary fast recovery times 10 mS increase t...

Page 26: ...ues are also part of the listening experience All of these elements are used to translate acoustical vibrations in the outer ear into nerve impulses and finally into a sensation or perception of sound...

Page 27: ...avoids objectionable buildup of frequencies where the human ear has increased sensitivity in the L R channel This algorithm is also very effective over various listening locations not just restricted...

Page 28: ...28 SOLIDYNE ORION 462 MKII THIS PAGE INTENTIONALLY LEFT BLANK...

Page 29: ...ualRack can run on a PC directly connected to 562dsp in a terminal of a network or in a PC that accesses the processor via Internet The connection is described in 2 7 RS 232 Remote Control The accessi...

Page 30: ...Page 30 SOLIDYNE 562dsp broadcast digital processor THIS PAGE INTENTIONALLY LEFT BLANK...

Page 31: ...s are used by Orban Omnia Aphex etc The concept of psychoacoustic processing is simple in essence although of complex accomplishment It consists of analyzing the way in which the sound is perceived by...

Page 32: ...N OF THE TRANSMITTER THAT EXCEEDS 0 05 COULD BE LISTENED BY THE AUDIENCE EVEN THROUGH RECEIVERS THAT HAVE VALUES OF DISTORSION 50 TIMES GREATER This of course is not a novelty for the conscious audio...

Page 33: ...is known that by a particularity disposition of the vocal cords the sonorous emissions that these generate are asymmetric triangular pulses The three cavities that filter and shape these formants to o...

Page 34: ...value That means it always expands within that range for any level of signal The curve of transference based on the input level is a straight line from there the linear name While the signal stays bel...

Page 35: ...n the studies of Stevens ref 1 2 3 about the loudness of each band frequency and the studies of Zwicker ref 4 About its relation with the Critics Bands of the human ear The integration time of the ear...

Page 36: ...components increased by the aural masking that the multiband processor allows to obtain In fact all the musical instruments as much as the synthesized ones have a high amount of harmonics superposed t...

Page 37: ...on an FM transmitter indicate that when the transmitter is modulated by stereo MPX signal appears a new effect not present on the original audio signal This effect called MPX Interleaving also known...

Page 38: ...Page 38 SOLIDYNE 562dsp broadcast digital processor THIS PAGE INTENTIONALLY LEFT BLANK...

Page 39: ...nditions the audio output Hill must be 4dbm c Repeat for the other channel 7 1 3 FREQUENCY RESPONSE Input Audio generator at 1 KHz on both input channels the amplitude is varied throughout the test Ou...

Page 40: ...maximum level at the audio output c At the right output you must obtain a crosstalk bigger that 72dB difference between the level measured at the point b and the reached in the point c d Repeat for t...

Page 41: ...entage level of pilot tone will be Pilot Level 100 Ppp Xpp d Using the control P4 adjust Ppp to the desired value normally 9 to 11 is a good value Note If you have a Solidyne VA16 modulation monitor o...

Page 42: ...ation calibration of the Belar set see Belar manual f Now connect the sine wave generator at the same frequency and level to the Right Channel pin JS3 g Measure at the Belar the residual level of the...

Page 43: ...Attack Release time software controlled Gated Wide Band AGC Range 30 dB Attack Release time Threshold controlled from LCD screen Multiband Compressors DSP controlled Five Bands Crossover 24dB oct Max...

Page 44: ...Audio Input Filtering 15 kHz active FDNR filter 5 poles elliptical Total Distortion 0 003 at 1 kHz Signal to Noise Ratio 95 dBA or better Ref 100 modulation Stereo Separation 75 dB at 400 Hz 65 dB 30...

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