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SOLIDYNE 562

dsp - broadcast digital processor

 

 

Page

 

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whose  action  soon  is  canceled  by  the  multiband 
processor (since it compresses what the equalizer 
reinforces). The technique of Density EQ operates 
in  combination  with  the  multiband  compressor. 
Therefore its adjustments are interactive.  

Density  EQ 

works  creating  four  floating 

thresholds for the average sonorous energy

, in 

four frequency bands:  80 Hertz, 400 KHz, 2 KHz 
and 8 KHz. This equalization allows to obtain, still 
in  conditions  of  high  loudness,  a  contour  of 
equalization  based  on  the  energy  of  bands 
(instead of differences of relative gain between the 
bands like in a conventional EQ). 

To change a value, select a band and touch briefly 
the  JOG  (note  that  the  arrow  becomes  a  pencil). 
Turn the JOG to move the slider. 

Moving a slider at top, this band is muted. It’s only 
useful  to  make  test  and  comparisons  while  you 
make a program. 

 

4.4.5.1  Bass Clipper (Punch) 

This  control  changes  the  threshold  of  a  low  band 
limiter.  The  change  of  this  threshold  allows  to 
brings  “punch”  to  the  music’s  below  80  Hz. 
Increasing  this  threshold  you  increases  the  bass 
peaks,  but  not  the  general  bass  loudness  in  a 
noticeable  way.  You  must  use  a  monitoring 
system  with  good  low  response  to  hear  this 
adjustment. 

Values  over  -4dB  must  be  carefully  tested 
according  to  the  music  that  your  radio  station 
plays,  so  it  can  produce  audible  distortion  with 
some  music’s  styles.  Please  check  the  factory 
presets as reference about the use of this control. 

 

 

REMEMBER

 

  Changes  occurs  in  real  time,  that  is  to  say,  as  you 

modify the value, the change will be listened on the air. 

 

4.4.5.2  Wide Band Limiter 

(WB)

 

The  final  stage  of  processing  is  a 

wide-band 

limiter

,  of  instant  attack,  which  controls  ALL  the 

peaks 

that 

pass 

through 

the 

multi-band 

compressors. 

"WB"  control  allows  you  to  define  the  recovery 
time of WB Limiter. Vary fast recovery times (<10 
mS)  increase  the  loudness  (overall  in  the 
indication  of  the modulation  meters)  but  generate 
a  sound  more  "harsh".  Adjustments  between  10 
and 50 mS are no recommended.  

From  50  mS  and  slower,  obtains  a  warm  sound 
and good loudness. 

The limiter works with a system of automatic gain 
control  (AGC)  which  reduces  the  gain  in  program 
passages  with  high  density  of  peaks.  This  avoids 
excessive limiting of the signal.  

 

4.4.6 

SRS WOW

®                                             

 

It’s  an  audio  processing  technology  developed  by 
SRS  Labs  Inc.  USA,  international  leader  on 
psychoacoustic  processing.  562dsp  incorporates 
the SRS WOW

®

 algorithms, providing: 

 

Dynamic range

 improvement of high-compressed 

signals 

 

Stereo image

 widening 

 

Low frequencies

 improvement, low frequency 

bass perception is increased even in small 
speakers 

These  audio  enhancement  features  immerse  the 
listener  into  an  engaging  and  powerful  FM 
transmission.  SRS  WOW

®

  accomplishes  this  by 

providing  a  panoramic  three-dimensional  audio 
image  while  increasing  perceived  bass  response 
well  beyond  the  low  frequency  limitations  of  the 
receiver’s  speakers.  A  specially  useful  feature 
when  listening  in  automobiles  and  portable 
equipment with headphones. In comparison with a 
conventional  transmission,  a  radio  station  with 
SRS  WOW

®

  processing  appears  to  the  listeners 

with greater relief and loudness. 

SRS  WOW

®

  combines  several  processes.  Next 

we  will  present  a  briefly  description  of  each 
process and its operating fundamentals. 

To  access  the  SRS  WOW

®

  screen  you  have  to 

select “Edit PGM” (in the Main Menu) and choose 
3D and SRS TruBass

®

 option from the processing 

block  diagram  shown  on  screen.  The  next  image 
shows  the  SRS  WOW

®

  settings  screen.  Use  as 

reference for the following explanations. 

 

 

Summary of Contents for 562dsp

Page 1: ...s FM digital audio processor User s manual 3 de Febr ero 3254 1429 Buenos Aires Argentina Phone 54 11 4702 0090 e mail info solidynepro com fax 54 11 4702 2375 web www SolidynePRO com Last revision Ma...

Page 2: ...P gina 2 procesador para radiodifusi n SOLIDYNE 562dsp...

Page 3: ...TMENTS 22 4 4 1 PROGRAM NAME 22 4 4 2 EXPANDER AGC 22 4 4 2 1 AGC OUT GAIN 22 4 4 2 2 AGC attack time 22 4 4 2 3 AGC recovery time 23 4 4 2 4 Hold 23 4 4 2 5 Expander threshold 23 4 4 3 AUDIO EQ 23 4...

Page 4: ...flat screws with flexible o rings rubber PVC etc The frontal panel is made of aluminum so you must take special care of don t to apply excessive force on the screws since it can cause deformation or...

Page 5: ...l settings values are entered using a JOG Wheel Turn the JOG to select options and to change values Pressing briefly the JOG confirms an option Pressing and holding the JOG around one second go to the...

Page 6: ...se the remote control of 562dsp can be implemented through a data channel of the link that allows sending RS 232 data 1 3 Understanding the main screen Next you will see an overview on the 562dsp main...

Page 7: ...anslated in greater radiated energy improving the transmission reach in marginal areas For this the processor applies a complex procedure of compression on each audio band producing greater sensation...

Page 8: ...Page 8 FM broadcast digital processor SOLIDYNE 562dsp EVOLUTION THIS PAGE INTENTIONALLY LEFT BLANK...

Page 9: ...must stay between 5 C and 40 C Avoid direct solar ray incidence on the processor or proximity of heat sources The openings and grooves allow the circulation of forced air impelled by the internal coo...

Page 10: ...mmutation takes place when grounding the MICstart input When this happens the processor exchanges the program and the access from the JOG wheel is blocked When the MICStart input is opened 562dsp retu...

Page 11: ...Two female DB 9 connectors are required The following table shows the diagram of connection although only the connections emphasized in bold are needed The computer is used to transmit data to RDS cod...

Page 12: ...l will show all active units connected to your LAN Each unit has a MAC address that is unique and fixed and an IP address that you can change freely Select the unit from the list and press the button...

Page 13: ...d If you wish you can set a password to block modifications in your settings 2 8 2 Accessing from the LAN The client PC must have installed TCP IP protocol If there is a Firewall software or hardware...

Page 14: ...ddress assigned by the Internet provider ISP The unit is connected in another LAN with shared Internet access In order to accede from an remote PC to the LAN you must configure the router of that LAN...

Page 15: ...s modality the programs can be chosen automatically from the OnAir PC using the automation software Solidyne Audicom 7 This way you can use a specific processing for each musical style c Models 562dsp...

Page 16: ...ted ONLY through AES 3 Also the analogical inputs can be connected as back up but they will be used only in case that the carrier of signal AES 3 interrupts In this case the equipment exchanges automa...

Page 17: ...dulation 75 KHz deviation PRE EMPHASIS Allows to adjust the pre emphasis curve according to the regulations of your country I E Europe 50uS USA ASIA Latin American 75uS 3 2 2 1 Adjusting 100 of modula...

Page 18: ...ly in the AGC Observe and compare the factory presets PASSWORD You can define a password to avoid the access of unauthorized personnel to the main menu to change the settings Once defined 562dsp will...

Page 19: ...not produce high impact voices since it woks with low compression range But remember that you can use an special preset for the voices with higher processing 01 3D SPACE It s similar to the previous...

Page 20: ...objective is to obtain basses with great height but without affect the attack of vital importance in these rhythms since many times the bass is who takes the cadence of the song This adjustment can be...

Page 21: ...greater compression Respect to the gains the voices do not tolerate high multiband compression so if for music a strong adjustment is used for the voice the AGC output level will have to be located a...

Page 22: ...character 4 4 2 EXPANDER AGC 4 4 2 1 AGC OUT GAIN The output level of the AGC is a CRITICAL ADJUSTMENT since it determines the level with the signal reaches the multiband compressors and therefore th...

Page 23: ...ue is not congealed but that slips slowly towards 0 dB to avoid that it is hooked if the signal remains with low level slope 0 75 dB each 13 seconds 4 5 minutes from 15 dB On the other hand you can ad...

Page 24: ...the time that takes the compressor in acting once the signal overpasses the threshold Slows attack times gives more impact to the sound but greater will be the action of the limiters This is because t...

Page 25: ...er of instant attack which controls ALL the peaks that pass through the multi band compressors WB control allows you to define the recovery time of WB Limiter Vary fast recovery times 10 mS increase t...

Page 26: ...ues are also part of the listening experience All of these elements are used to translate acoustical vibrations in the outer ear into nerve impulses and finally into a sensation or perception of sound...

Page 27: ...avoids objectionable buildup of frequencies where the human ear has increased sensitivity in the L R channel This algorithm is also very effective over various listening locations not just restricted...

Page 28: ...28 SOLIDYNE ORION 462 MKII THIS PAGE INTENTIONALLY LEFT BLANK...

Page 29: ...ualRack can run on a PC directly connected to 562dsp in a terminal of a network or in a PC that accesses the processor via Internet The connection is described in 2 7 RS 232 Remote Control The accessi...

Page 30: ...Page 30 SOLIDYNE 562dsp broadcast digital processor THIS PAGE INTENTIONALLY LEFT BLANK...

Page 31: ...s are used by Orban Omnia Aphex etc The concept of psychoacoustic processing is simple in essence although of complex accomplishment It consists of analyzing the way in which the sound is perceived by...

Page 32: ...N OF THE TRANSMITTER THAT EXCEEDS 0 05 COULD BE LISTENED BY THE AUDIENCE EVEN THROUGH RECEIVERS THAT HAVE VALUES OF DISTORSION 50 TIMES GREATER This of course is not a novelty for the conscious audio...

Page 33: ...is known that by a particularity disposition of the vocal cords the sonorous emissions that these generate are asymmetric triangular pulses The three cavities that filter and shape these formants to o...

Page 34: ...value That means it always expands within that range for any level of signal The curve of transference based on the input level is a straight line from there the linear name While the signal stays bel...

Page 35: ...n the studies of Stevens ref 1 2 3 about the loudness of each band frequency and the studies of Zwicker ref 4 About its relation with the Critics Bands of the human ear The integration time of the ear...

Page 36: ...components increased by the aural masking that the multiband processor allows to obtain In fact all the musical instruments as much as the synthesized ones have a high amount of harmonics superposed t...

Page 37: ...on an FM transmitter indicate that when the transmitter is modulated by stereo MPX signal appears a new effect not present on the original audio signal This effect called MPX Interleaving also known...

Page 38: ...Page 38 SOLIDYNE 562dsp broadcast digital processor THIS PAGE INTENTIONALLY LEFT BLANK...

Page 39: ...nditions the audio output Hill must be 4dbm c Repeat for the other channel 7 1 3 FREQUENCY RESPONSE Input Audio generator at 1 KHz on both input channels the amplitude is varied throughout the test Ou...

Page 40: ...maximum level at the audio output c At the right output you must obtain a crosstalk bigger that 72dB difference between the level measured at the point b and the reached in the point c d Repeat for t...

Page 41: ...entage level of pilot tone will be Pilot Level 100 Ppp Xpp d Using the control P4 adjust Ppp to the desired value normally 9 to 11 is a good value Note If you have a Solidyne VA16 modulation monitor o...

Page 42: ...ation calibration of the Belar set see Belar manual f Now connect the sine wave generator at the same frequency and level to the Right Channel pin JS3 g Measure at the Belar the residual level of the...

Page 43: ...Attack Release time software controlled Gated Wide Band AGC Range 30 dB Attack Release time Threshold controlled from LCD screen Multiband Compressors DSP controlled Five Bands Crossover 24dB oct Max...

Page 44: ...Audio Input Filtering 15 kHz active FDNR filter 5 poles elliptical Total Distortion 0 003 at 1 kHz Signal to Noise Ratio 95 dBA or better Ref 100 modulation Stereo Separation 75 dB at 400 Hz 65 dB 30...

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