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26

 

SOLIDYNE

 

ORION 462 MKII 

4.4.6.1  SRS TruBass

®

 

 

IMPORTANT NOTE

 

  SRS  WOW

®

  is  placed 

before

  the 

multi-band 

compressors;  therefore  SRS  WOW

®

  settings  interact 

with  the  LF  Band  compressor  and  Density  EQ  settings. 
Coordination  between  the  three  processing  stages 
should be achieved for a natural sounding sound. 

 
SRS  Labs  TruBass

®

  technology  is  based  on  the 

fundamentals  of  the  human  hearing  system  and 
the  psychoacoustics  of  sound.  In  order  to 
understand  how  SRS  TruBass

®

  is  able  to  create 

the  perception  of  deep  bass  from  smaller 
speakers,  it  is  helpful  to  understand  the 
psychoacoustic 

principle 

upon 

which 

SRS 

TruBass

®

 is based. 

The  human  hearing  system  exhibits  non-linearity, 
which  produces  intermodulation  distortion  in  the 
form  of  additional  overtones  and  harmonics  that 
do not exist in the actual audio received at the ear 
canal.  These  non-linear  effects  are  most 
pronounced  at  low  frequencies.  SRS  TruBass

®

 

takes  advantage  of  this  phenomenon  in  its 
operation. 

When  the  human  ear  is  presented  with  specific 
harmonic  frequencies  relative  to  a  missing 
fundamental  tone  it  will  fill  in  the  fundamental 
frequency based on the higher harmonics that are 
present.  By  accentuating  the  second  and  higher 
frequency  harmonics  of  a  fundamental  tone 
present  in  the  audio  signal,  yet  outside  the  range 
of  reproduction  by  a  certain  speaker  size,  SRS 
TruBass

®

 gives the perception of greatly improved 

bass  response.  For  example,  if  two  tones  are 
generated  from  a  speaker  at  100Hz  and  150Hz, 
the 

hearing 

system 

will 

produce 

an 

intermodulation  component  at  50Hz,  which  is  the 
difference of the two actual frequencies. 

SRS  TruBass

®

  generates  the  perception  of  greatly 

improved  bass  by  taking  the  difference  between  the 
two actual frequencies. 

 

The  process  of  sound  reproduction  does  not 
simply stop  with the acoustic energy produced by 
the loudspeakers. The shape of the outer ear, the 
auditory  nerves,  the  brain,  and  the  recognition 
process  used  to  extract  useful  information  from 
those  cues  are  also  part  of  the  listening 
experience.  All  of  these  elements  are  used  to 
translate acoustical vibrations in the outer ear into 
nerve  impulses,  and  finally  into  a  "sensation",  or 
perception  of  sound.  SRS  TruBass

®

  creates  the 

perception  that low-frequency  sounds  are  emitted 
from  a  loudspeaker  by  selectively  processing 
higher  frequency  bands,  depending  on  the 
frequency and amplitude of the fundamental input 
signal. 

The  brain  extrapolates  this  set  of  boosted 
harmonics  to  restore  a  bass  signal  in  the  audio 
source that is significantly attenuated or lost by the 
physical  limitations  of  the  speaker.  None  of  the 
original  audio  is  removed  or  altered.  The  bass 
enhancement  is  added  in  such  a  way  that  the 
audio  quality  is  not  compromised.  SRS  TruBass

®

 

enhancement  is  dynamically  processed,  with  little 
or  no  harmonic  boost  when  there  is  no  low 
frequency  content,  and  increased  as  strong  bass 
is  detected  in  the  audio  source.  After  harmonic 
processing a proprietary compression algorithm is 
applied  to  control  driver  excursion  and  create 
additional bass impact. 

In  summary,  SRS  TruBass

®

  selectively  enhances 

frequencies that the speaker can easily reproduce 
to  stimulate  the  ear/brain  system  to  perceive 
intermodulation 

components. 

The 

brain 

extrapolates  these  tones  back  to  the  much  lower 
bass  frequency  that  the  speaker  is  unable  to 
generate. 

 

562dsp  TruBass  control  sets  the  level  of 
processed  signal  added  to  the  direct  signal.  This 
value  is  strongly  interrelated  with  the  Density  EQ 
level. For  high  levels  of  SRS TruBass

®

,  you  must 

use  low  levels  for  the  LF  band  on  Density  EQ  to 
avoid an excessive bass processing. 

The  CutOFF  control  defines  the  frequency  range 
to  be  processed.  The  options  are  40  Hz;  50  Hz 
and 60 Hz. At 60 Hz frequencies up to 180 Hz are 
processed,  so  you  must  use  moderate  levels  of 
SRS  TruBass

®

  at  60  Hz  to  avoid  an  excessive 

boost  in  low-mid  frequencies.  40  Hz  brings  a 
boosting  at  very  low  frequencies,  very  nice  to 
obtain deep basses on medium sized speakers. 

Take  in  mind  that  SRS  TruBass®  processes  the 
signal  previous  to  multi-band  compression.  For 
that reason, attack and recovery times of LF Band 
compressor  have  great  influence  over  the 

Summary of Contents for 562dsp

Page 1: ...s FM digital audio processor User s manual 3 de Febr ero 3254 1429 Buenos Aires Argentina Phone 54 11 4702 0090 e mail info solidynepro com fax 54 11 4702 2375 web www SolidynePRO com Last revision Ma...

Page 2: ...P gina 2 procesador para radiodifusi n SOLIDYNE 562dsp...

Page 3: ...TMENTS 22 4 4 1 PROGRAM NAME 22 4 4 2 EXPANDER AGC 22 4 4 2 1 AGC OUT GAIN 22 4 4 2 2 AGC attack time 22 4 4 2 3 AGC recovery time 23 4 4 2 4 Hold 23 4 4 2 5 Expander threshold 23 4 4 3 AUDIO EQ 23 4...

Page 4: ...flat screws with flexible o rings rubber PVC etc The frontal panel is made of aluminum so you must take special care of don t to apply excessive force on the screws since it can cause deformation or...

Page 5: ...l settings values are entered using a JOG Wheel Turn the JOG to select options and to change values Pressing briefly the JOG confirms an option Pressing and holding the JOG around one second go to the...

Page 6: ...se the remote control of 562dsp can be implemented through a data channel of the link that allows sending RS 232 data 1 3 Understanding the main screen Next you will see an overview on the 562dsp main...

Page 7: ...anslated in greater radiated energy improving the transmission reach in marginal areas For this the processor applies a complex procedure of compression on each audio band producing greater sensation...

Page 8: ...Page 8 FM broadcast digital processor SOLIDYNE 562dsp EVOLUTION THIS PAGE INTENTIONALLY LEFT BLANK...

Page 9: ...must stay between 5 C and 40 C Avoid direct solar ray incidence on the processor or proximity of heat sources The openings and grooves allow the circulation of forced air impelled by the internal coo...

Page 10: ...mmutation takes place when grounding the MICstart input When this happens the processor exchanges the program and the access from the JOG wheel is blocked When the MICStart input is opened 562dsp retu...

Page 11: ...Two female DB 9 connectors are required The following table shows the diagram of connection although only the connections emphasized in bold are needed The computer is used to transmit data to RDS cod...

Page 12: ...l will show all active units connected to your LAN Each unit has a MAC address that is unique and fixed and an IP address that you can change freely Select the unit from the list and press the button...

Page 13: ...d If you wish you can set a password to block modifications in your settings 2 8 2 Accessing from the LAN The client PC must have installed TCP IP protocol If there is a Firewall software or hardware...

Page 14: ...ddress assigned by the Internet provider ISP The unit is connected in another LAN with shared Internet access In order to accede from an remote PC to the LAN you must configure the router of that LAN...

Page 15: ...s modality the programs can be chosen automatically from the OnAir PC using the automation software Solidyne Audicom 7 This way you can use a specific processing for each musical style c Models 562dsp...

Page 16: ...ted ONLY through AES 3 Also the analogical inputs can be connected as back up but they will be used only in case that the carrier of signal AES 3 interrupts In this case the equipment exchanges automa...

Page 17: ...dulation 75 KHz deviation PRE EMPHASIS Allows to adjust the pre emphasis curve according to the regulations of your country I E Europe 50uS USA ASIA Latin American 75uS 3 2 2 1 Adjusting 100 of modula...

Page 18: ...ly in the AGC Observe and compare the factory presets PASSWORD You can define a password to avoid the access of unauthorized personnel to the main menu to change the settings Once defined 562dsp will...

Page 19: ...not produce high impact voices since it woks with low compression range But remember that you can use an special preset for the voices with higher processing 01 3D SPACE It s similar to the previous...

Page 20: ...objective is to obtain basses with great height but without affect the attack of vital importance in these rhythms since many times the bass is who takes the cadence of the song This adjustment can be...

Page 21: ...greater compression Respect to the gains the voices do not tolerate high multiband compression so if for music a strong adjustment is used for the voice the AGC output level will have to be located a...

Page 22: ...character 4 4 2 EXPANDER AGC 4 4 2 1 AGC OUT GAIN The output level of the AGC is a CRITICAL ADJUSTMENT since it determines the level with the signal reaches the multiband compressors and therefore th...

Page 23: ...ue is not congealed but that slips slowly towards 0 dB to avoid that it is hooked if the signal remains with low level slope 0 75 dB each 13 seconds 4 5 minutes from 15 dB On the other hand you can ad...

Page 24: ...the time that takes the compressor in acting once the signal overpasses the threshold Slows attack times gives more impact to the sound but greater will be the action of the limiters This is because t...

Page 25: ...er of instant attack which controls ALL the peaks that pass through the multi band compressors WB control allows you to define the recovery time of WB Limiter Vary fast recovery times 10 mS increase t...

Page 26: ...ues are also part of the listening experience All of these elements are used to translate acoustical vibrations in the outer ear into nerve impulses and finally into a sensation or perception of sound...

Page 27: ...avoids objectionable buildup of frequencies where the human ear has increased sensitivity in the L R channel This algorithm is also very effective over various listening locations not just restricted...

Page 28: ...28 SOLIDYNE ORION 462 MKII THIS PAGE INTENTIONALLY LEFT BLANK...

Page 29: ...ualRack can run on a PC directly connected to 562dsp in a terminal of a network or in a PC that accesses the processor via Internet The connection is described in 2 7 RS 232 Remote Control The accessi...

Page 30: ...Page 30 SOLIDYNE 562dsp broadcast digital processor THIS PAGE INTENTIONALLY LEFT BLANK...

Page 31: ...s are used by Orban Omnia Aphex etc The concept of psychoacoustic processing is simple in essence although of complex accomplishment It consists of analyzing the way in which the sound is perceived by...

Page 32: ...N OF THE TRANSMITTER THAT EXCEEDS 0 05 COULD BE LISTENED BY THE AUDIENCE EVEN THROUGH RECEIVERS THAT HAVE VALUES OF DISTORSION 50 TIMES GREATER This of course is not a novelty for the conscious audio...

Page 33: ...is known that by a particularity disposition of the vocal cords the sonorous emissions that these generate are asymmetric triangular pulses The three cavities that filter and shape these formants to o...

Page 34: ...value That means it always expands within that range for any level of signal The curve of transference based on the input level is a straight line from there the linear name While the signal stays bel...

Page 35: ...n the studies of Stevens ref 1 2 3 about the loudness of each band frequency and the studies of Zwicker ref 4 About its relation with the Critics Bands of the human ear The integration time of the ear...

Page 36: ...components increased by the aural masking that the multiband processor allows to obtain In fact all the musical instruments as much as the synthesized ones have a high amount of harmonics superposed t...

Page 37: ...on an FM transmitter indicate that when the transmitter is modulated by stereo MPX signal appears a new effect not present on the original audio signal This effect called MPX Interleaving also known...

Page 38: ...Page 38 SOLIDYNE 562dsp broadcast digital processor THIS PAGE INTENTIONALLY LEFT BLANK...

Page 39: ...nditions the audio output Hill must be 4dbm c Repeat for the other channel 7 1 3 FREQUENCY RESPONSE Input Audio generator at 1 KHz on both input channels the amplitude is varied throughout the test Ou...

Page 40: ...maximum level at the audio output c At the right output you must obtain a crosstalk bigger that 72dB difference between the level measured at the point b and the reached in the point c d Repeat for t...

Page 41: ...entage level of pilot tone will be Pilot Level 100 Ppp Xpp d Using the control P4 adjust Ppp to the desired value normally 9 to 11 is a good value Note If you have a Solidyne VA16 modulation monitor o...

Page 42: ...ation calibration of the Belar set see Belar manual f Now connect the sine wave generator at the same frequency and level to the Right Channel pin JS3 g Measure at the Belar the residual level of the...

Page 43: ...Attack Release time software controlled Gated Wide Band AGC Range 30 dB Attack Release time Threshold controlled from LCD screen Multiband Compressors DSP controlled Five Bands Crossover 24dB oct Max...

Page 44: ...Audio Input Filtering 15 kHz active FDNR filter 5 poles elliptical Total Distortion 0 003 at 1 kHz Signal to Noise Ratio 95 dBA or better Ref 100 modulation Stereo Separation 75 dB at 400 Hz 65 dB 30...

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