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SOLIDYNE 562

dsp - broadcast digital processor

 

 

Page 17

 

minutes,  to  alarm  to  the  engineers  of  the  radio 
(and  to  the  operators)  that  the  processor  is 
working  with  the  analogical  backup  inputs.  This 
has been intentionally designing in this way, since 
otherwise; an accurate confirmation does not exist 
on problems in the signal AES/3. 

INPUT LEVEL 

Define  the  nominal  level  of  the  input  signal.  So 
that  the  AGC  (automatic  gain  control)  operates 
correctly, is very important to fit this level correctly. 

This  value  must  agree  with  the 

nominal  output 

level  of  your  console

  (in  the  case  of  Solidyne 

consoles this level is + 4 dBm). 

NOTE:

 If you unknown the output level of your console, put the 

console’s  level  at  0  VU  peak  and  reads  the  level  in  the 
562dsp’s input VU-meters. 

With  the  adequate  input  level,  the  AGC  works 
around 10 to 15 dB of gain reduction. This can be 
seen in AGC indicator who will have to indicate 15 
dB with strong program signal, lowering to 8 dB or 
less  when  the  signal  reduces.  If  the  program 
signal  level  abruptly  falls,  the  indication  “HOLD” 
appears. 

Overload  warning  (OVL):

  appears  in  the  main 

screen  when  the  input  signal  reaches  +10  dBm; 
that  is  to  say,  +8  dB  before  the  ‘digital  clipping' 
threshold  (placed  at  +18  dBm).  The  indication 
disappears last 5 sec if the clipping disappears. 

The digital input fulfills recommendation AES-K12, 
applied to broadcasting, which takes as reference 
for 0 VU a digital input level of - 12 dBFS. 

This implies 12 dB of headroom. The user cannot 
modify the input level when digital input is used. 

3.2.2 OUTPUT SETUP 

 

OUTPUT  LEVEL:

  It  refers  to  the  analogical  output. 

Level is fixed at 

+4dBm. 

DIGITAL  OUT: 

Define  the  sample  rate  of  the  AES-3 

output. It can be 96 KHz or 48 KHz.

 

MPX  Level: 

Define  the  MPX  output  level.  It  can 

change from 2V to 5V peak to peak. 

You must set the value according to the value that 
the  transmitter  needs  to  reach  the  100%  of 
modulation (75 KHz deviation). 

PRE-EMPHASIS:

 Allows to adjust the pre-emphasis 

curve according to the regulations of your country 
(I.E.:  Europe =  50uS;  USA,  ASIA,  Latin-American 
=75uS) 

3.2.2.1  Adjusting 100% of modulation in FM  

For this adjustment use a program material of high 
density;  with  voice  and  music  (i.e.:  commercial 
spots).  Select  the  program  “08:MaxLoudness”  (it 
produce high output level). Next change the MPX 
output  level  until  obtaining  75  KHz  of  deviation, 
measured  with  a  Monitor  of  Modulation  (like  the  
Solidyne VA16) or with the modulator meter of the 
transmitter.  For  fine  adjustment  of  the  100%  you 
can  use  the  input  gain  control  of  the  transmitter’s 
exciter. 

In  the  daily  use  of  the  processor,  probably  the 
indicators  of  modulation  of  needle  type  overpass 
the 100%. This can be due to over-impulses of the 
ballistics  or  to  that  it  responds  to  values  average 
of  sine  wave  and  the  indication  is  erroneous  with 
the  high  processed  audio.  Please  see  the 
following notes. 

3.2.2.2  Notes about FM 

Remember  that  many  countries  follow  the 
recommendations  on  modulation  of  the  FCC 
(USA). Recommendation 73268 indicates that the 
FM  must  stay  all  the  high  that  is  possible,  but 
without  exceeding  100%  in  peaks  of  frequent 
recurrence 

(“In  no  case  is  it  to  exceed  100  %  on 

peaks of frequent recurrence”)

. This indicates that 

in  transitory  peaks  (and  no  frequent)  100%  of 
modulation  can  be  surpassed  staying  within  the 
legal frame. 

The  562dsp  processor  is  designed  to  fulfill  this 

FCC Norm

, being allowed to surpass 100% in no 

recurrent  peaks  slightly.  When  fitting  the 
modulation, verifies the norms of its country. 

When making the programs; take in count if there 
is  an  UNIQUE  program for  the  whole  day.  In that 
case  commitment  solutions  will  be  use  to  accept 
all types of voices and music that the Radio emits. 
Using  the  remote  control  from  PC,  diverse 
programs  can  be  created.  This  eliminates  the 
commitments, so each program will be the optimal 
for  that  type  of  music  or  voice.  In  addition,  this 
automation  eliminates  the  listener’s  ear  fatigue 
associate  with  the  radio  stations  that  use  rigid 
processors. 

Summary of Contents for 562dsp

Page 1: ...s FM digital audio processor User s manual 3 de Febr ero 3254 1429 Buenos Aires Argentina Phone 54 11 4702 0090 e mail info solidynepro com fax 54 11 4702 2375 web www SolidynePRO com Last revision Ma...

Page 2: ...P gina 2 procesador para radiodifusi n SOLIDYNE 562dsp...

Page 3: ...TMENTS 22 4 4 1 PROGRAM NAME 22 4 4 2 EXPANDER AGC 22 4 4 2 1 AGC OUT GAIN 22 4 4 2 2 AGC attack time 22 4 4 2 3 AGC recovery time 23 4 4 2 4 Hold 23 4 4 2 5 Expander threshold 23 4 4 3 AUDIO EQ 23 4...

Page 4: ...flat screws with flexible o rings rubber PVC etc The frontal panel is made of aluminum so you must take special care of don t to apply excessive force on the screws since it can cause deformation or...

Page 5: ...l settings values are entered using a JOG Wheel Turn the JOG to select options and to change values Pressing briefly the JOG confirms an option Pressing and holding the JOG around one second go to the...

Page 6: ...se the remote control of 562dsp can be implemented through a data channel of the link that allows sending RS 232 data 1 3 Understanding the main screen Next you will see an overview on the 562dsp main...

Page 7: ...anslated in greater radiated energy improving the transmission reach in marginal areas For this the processor applies a complex procedure of compression on each audio band producing greater sensation...

Page 8: ...Page 8 FM broadcast digital processor SOLIDYNE 562dsp EVOLUTION THIS PAGE INTENTIONALLY LEFT BLANK...

Page 9: ...must stay between 5 C and 40 C Avoid direct solar ray incidence on the processor or proximity of heat sources The openings and grooves allow the circulation of forced air impelled by the internal coo...

Page 10: ...mmutation takes place when grounding the MICstart input When this happens the processor exchanges the program and the access from the JOG wheel is blocked When the MICStart input is opened 562dsp retu...

Page 11: ...Two female DB 9 connectors are required The following table shows the diagram of connection although only the connections emphasized in bold are needed The computer is used to transmit data to RDS cod...

Page 12: ...l will show all active units connected to your LAN Each unit has a MAC address that is unique and fixed and an IP address that you can change freely Select the unit from the list and press the button...

Page 13: ...d If you wish you can set a password to block modifications in your settings 2 8 2 Accessing from the LAN The client PC must have installed TCP IP protocol If there is a Firewall software or hardware...

Page 14: ...ddress assigned by the Internet provider ISP The unit is connected in another LAN with shared Internet access In order to accede from an remote PC to the LAN you must configure the router of that LAN...

Page 15: ...s modality the programs can be chosen automatically from the OnAir PC using the automation software Solidyne Audicom 7 This way you can use a specific processing for each musical style c Models 562dsp...

Page 16: ...ted ONLY through AES 3 Also the analogical inputs can be connected as back up but they will be used only in case that the carrier of signal AES 3 interrupts In this case the equipment exchanges automa...

Page 17: ...dulation 75 KHz deviation PRE EMPHASIS Allows to adjust the pre emphasis curve according to the regulations of your country I E Europe 50uS USA ASIA Latin American 75uS 3 2 2 1 Adjusting 100 of modula...

Page 18: ...ly in the AGC Observe and compare the factory presets PASSWORD You can define a password to avoid the access of unauthorized personnel to the main menu to change the settings Once defined 562dsp will...

Page 19: ...not produce high impact voices since it woks with low compression range But remember that you can use an special preset for the voices with higher processing 01 3D SPACE It s similar to the previous...

Page 20: ...objective is to obtain basses with great height but without affect the attack of vital importance in these rhythms since many times the bass is who takes the cadence of the song This adjustment can be...

Page 21: ...greater compression Respect to the gains the voices do not tolerate high multiband compression so if for music a strong adjustment is used for the voice the AGC output level will have to be located a...

Page 22: ...character 4 4 2 EXPANDER AGC 4 4 2 1 AGC OUT GAIN The output level of the AGC is a CRITICAL ADJUSTMENT since it determines the level with the signal reaches the multiband compressors and therefore th...

Page 23: ...ue is not congealed but that slips slowly towards 0 dB to avoid that it is hooked if the signal remains with low level slope 0 75 dB each 13 seconds 4 5 minutes from 15 dB On the other hand you can ad...

Page 24: ...the time that takes the compressor in acting once the signal overpasses the threshold Slows attack times gives more impact to the sound but greater will be the action of the limiters This is because t...

Page 25: ...er of instant attack which controls ALL the peaks that pass through the multi band compressors WB control allows you to define the recovery time of WB Limiter Vary fast recovery times 10 mS increase t...

Page 26: ...ues are also part of the listening experience All of these elements are used to translate acoustical vibrations in the outer ear into nerve impulses and finally into a sensation or perception of sound...

Page 27: ...avoids objectionable buildup of frequencies where the human ear has increased sensitivity in the L R channel This algorithm is also very effective over various listening locations not just restricted...

Page 28: ...28 SOLIDYNE ORION 462 MKII THIS PAGE INTENTIONALLY LEFT BLANK...

Page 29: ...ualRack can run on a PC directly connected to 562dsp in a terminal of a network or in a PC that accesses the processor via Internet The connection is described in 2 7 RS 232 Remote Control The accessi...

Page 30: ...Page 30 SOLIDYNE 562dsp broadcast digital processor THIS PAGE INTENTIONALLY LEFT BLANK...

Page 31: ...s are used by Orban Omnia Aphex etc The concept of psychoacoustic processing is simple in essence although of complex accomplishment It consists of analyzing the way in which the sound is perceived by...

Page 32: ...N OF THE TRANSMITTER THAT EXCEEDS 0 05 COULD BE LISTENED BY THE AUDIENCE EVEN THROUGH RECEIVERS THAT HAVE VALUES OF DISTORSION 50 TIMES GREATER This of course is not a novelty for the conscious audio...

Page 33: ...is known that by a particularity disposition of the vocal cords the sonorous emissions that these generate are asymmetric triangular pulses The three cavities that filter and shape these formants to o...

Page 34: ...value That means it always expands within that range for any level of signal The curve of transference based on the input level is a straight line from there the linear name While the signal stays bel...

Page 35: ...n the studies of Stevens ref 1 2 3 about the loudness of each band frequency and the studies of Zwicker ref 4 About its relation with the Critics Bands of the human ear The integration time of the ear...

Page 36: ...components increased by the aural masking that the multiband processor allows to obtain In fact all the musical instruments as much as the synthesized ones have a high amount of harmonics superposed t...

Page 37: ...on an FM transmitter indicate that when the transmitter is modulated by stereo MPX signal appears a new effect not present on the original audio signal This effect called MPX Interleaving also known...

Page 38: ...Page 38 SOLIDYNE 562dsp broadcast digital processor THIS PAGE INTENTIONALLY LEFT BLANK...

Page 39: ...nditions the audio output Hill must be 4dbm c Repeat for the other channel 7 1 3 FREQUENCY RESPONSE Input Audio generator at 1 KHz on both input channels the amplitude is varied throughout the test Ou...

Page 40: ...maximum level at the audio output c At the right output you must obtain a crosstalk bigger that 72dB difference between the level measured at the point b and the reached in the point c d Repeat for t...

Page 41: ...entage level of pilot tone will be Pilot Level 100 Ppp Xpp d Using the control P4 adjust Ppp to the desired value normally 9 to 11 is a good value Note If you have a Solidyne VA16 modulation monitor o...

Page 42: ...ation calibration of the Belar set see Belar manual f Now connect the sine wave generator at the same frequency and level to the Right Channel pin JS3 g Measure at the Belar the residual level of the...

Page 43: ...Attack Release time software controlled Gated Wide Band AGC Range 30 dB Attack Release time Threshold controlled from LCD screen Multiband Compressors DSP controlled Five Bands Crossover 24dB oct Max...

Page 44: ...Audio Input Filtering 15 kHz active FDNR filter 5 poles elliptical Total Distortion 0 003 at 1 kHz Signal to Noise Ratio 95 dBA or better Ref 100 modulation Stereo Separation 75 dB at 400 Hz 65 dB 30...

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