VIMA JM-8
r
165
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EQ Low Gain (–15dB~0~15dB)—Gain of the low frequency
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EQ High Gain (–15dB~0~15dB)—Gain of the high frequency
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Balance (D100:0W, D50:50W, D0:100W)—Volume balance
between the direct (D) and the effect sound (W).
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This effect provides four delays. Each of the Delay Time param-
eters can be set to a note length based on the selected tempo.
You can also set the panning and level of each delay sound.
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Delay Time 1~4 [sync] (msec, Note)—Use this parameter to spec-
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Delay 1~4 Time [msec] (0~2600ms)—Adjusts the time until
Delay 1~4 are heard.
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Delay 1~4 Time [note] (musical notes)—Delay times can be set
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Delay 1 Feedback (–98%~0~+98%)—Adjusts the amount of the
delay sound that’s fed back into the effect. Negative (–) settings
invert the phase.
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HF Damp (200~8000Hz, Bypass)—Adjusts the frequency above
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Delay 1~4 Panpot (L64~0~63R)—Stereo location of Delays 1~4.
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Delay 1~4 Level (0~127)—Output level of Delays 1~4.
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EQ Low Gain (–15dB~0~15dB)—Gain of the low frequency
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EQ High Gain (–15dB~0~15dB)—Gain of the high frequency
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Balance (D100:0W, D50:50W, D0:100W)—Volume balance
between the direct (D) and the effect sound (W).
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This is a reverse delay that adds a reversed and delayed sound
to the input sound. A tap delay is connected immediately after
the reverse delay.
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Threshold (0~127)—Volume at which the reverse delay will
begin to be applied.
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Rev Delay Time [sync] (msec, Note)—Use this parameter to spec-
ify whether (“Note”) or not (“msec”) the reverse delay time
should be synchronized to the Arranger or Recorder tempo.
Depending on your choice, the setting range of the following
parameter refers to a time (msec) or a note value.
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Rev Delay Time [msec] (0~1300ms)—Delay time from when
sound is input into the reverse delay until the delay sound is
heard.
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Rev Delay Time [note] (musical notes)—Delay times can be set
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Rev Delay Feedback (–98%~0~+98%)—Proportion of the delay
sound that is to be returned to the input of the reverse delay
(negative values invert the phase)
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Rev Delay HF Damp (200~8000Hz, Bypass)—Frequency at which
the high-frequency content of the reverse-delayed sound will be
cut (BYPASS: no cut).
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Rev Delay Panpot (L64~0~63R)—Panning of the reverse delay
sound.
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Rev Delay Level (0~127)—Volume of the reverse delay sound.
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Delay 1 Time [sync] (msec, Note)
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Delay 2 Time [sync] (msec, Note)
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Delay 3 Time [sync] (msec, Note)—Use this parameter to specify
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Delay 1 Time [msec] (0~1300ms)
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Delay 2 Time [msec] (0~1300ms)
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Delay 3 Time [msec] (0~1300ms)—Adjusts the time until the
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Delay 1 Time [note] (musical notes)
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Delay 2 Time [note] (musical notes)
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Delay 3 Time [note] (musical notes)—Delay times can be set as a
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Delay 3 Feedback (–98%~0~+98%)—Proportion of the delay
sound that is to be returned to the input of the tap delay (nega-
tive values invert the phase).
●
Delay HF Damp (200~8000Hz, Bypass)—Frequency at which the
low-frequency content of the tap delay sound will be cut
(BYPASS: no cut).
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Delay 1 Panpot (L64~0~63R)
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Delay 2 Panpot (L64~0~63R)—Panning of the tap delay sounds.
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Delay 1 Level (0~127)
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Delay 2 Level (0~127)—Volume of the tap delay sounds.
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EQ Low Gain (–15dB~0~15dB)—Gain of the low frequency
●
EQ High Gain (–15dB~0~15dB)—Gain of the high frequency
●
Balance (D100:0W, D50:50W, D0:100W)—Volume balance
between the direct (D) and the effect sound (W).
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Adds a shuffle to the delay sound, giving the sound a bouncy
delay effect with a swing feel.
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Delay Time [sync] (msec, Note)—Use this parameter to specify
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Delay Time [msec] (0~2600ms)—Adjusts the time until the delay
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Delay Time [note] (Musical Notes)—Delay times can be set as a
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Shuffle Rate (0~100%)—Adjusts the ratio (as a percentage) of
the time that elapses before Delay B sounds relative to the time
that elapses before the Delay A sounds. When set to 100%, the
delay times are the same.
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Acceleration (0~15)—Adjusts the time over which the Delay
Time changes from the current setting to its specified new set-
ting.
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Feedback (–98%~0~+98%)—Adjusts the amount of the delay
sound that’s fed back into the effect. Negative (–) settings invert
the phase.
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HF Damp (200~8000Hz, Bypass)—Adjusts the frequency above
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Panpot A (L64~0~63R)
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Panpot B (L64~0~63R)—Stereo location of Delay A/B.
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Level A (0~127)
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Level B (0~127)—Volume of delay A/B.
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EQ Low Gain (–15dB~0~15dB)—Gain of the low frequency
●
EQ High Gain (–15dB~0~15dB)—Gain of the high frequency
●
Balance (D100:0W, D50:50W, D0:100W)—Volume balance
between the direct (D) and the effect sound (W).
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This applies a 3D effect to the delay sound. The delay sound
will be positioned 90 degrees left and 90 degrees right.
●
Delay Left Time [sync] (msec, Note)—Use this parameter to
specify whether (“Note”) or not (“msec”) the left delay time
should be synchronized to the Arranger or Recorder tempo.
Depending on your choice, the setting range of the following
parameter refers to a time or a note value.
JM-8_OM_GB.book Page 165 Wednesday, July 29, 2009 4:43 PM
Summary of Contents for VIMA JM-8
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