85
Using System Effects
■
Dly To Rev (Delay Send Level To Reverb)
0
–127
This parameter sets the amount of delay sound that is sent to the reverb. Higher val-
ues result in more sound being sent.
To change the delay type using MIDI messages, transmit the following System Ex-
clusive Message.
fig.8-1ge
Address:
40 01 50 (DELAY MACRO)
Data:
00–09
00 = Delay 1, 01 = Delay 2, 02 = Delay 3, 03 = Delay 4, 04 = Pan Delay 1,
05 = Pan Delay 2, 06 = Pan Delay 3, 07 = Pan Delay 4, 08 = Delay to Re-
verb, 09 = Pan Repeat
Checksum: Refer to
How to calculate the checksum
(p.245).
<Example> Setting the reverb type to Delay 3
Transmit the following System Exclusive Message.
fig.8-1je
About Delay Type
When you change the Delay Type, the above-listed ten Delay parameters will be automati-
cally adjusted to the optimal values. Rather than individually adjusting each delay param-
eter, it is easier to first set the Delay Type (listed in the MIDI implementation as
DELAY
MACRO
p.236), and then modify only those parameters that you wish to modify. In partic-
ular when using MIDI Exclusive messages, this method of making settings will minimize
the amount of data.
Delay
PanDelay
Dly To
Pan
1 2 3 4 1 2 3 4 Rev Repeat
Dly Level
64
64
64
64
64
64
64
64
64
64
Dly Pre-LPF
0
0
0
0
0
0
0
0
0
0
Dly Time C
340ms 550ms
1sec 130ms 500ms 700ms
1sec 260ms 700ms 750ms
DlyTmRatioL
4%
4%
4%
4%
50%
50%
50%
50%
50%
88%
DlyTmRatioR
4%
4%
4%
4% 100% 100% 100% 100% 100% 133%
Dly Level C
127
127
127
127
0
0
0
0
0
97
Dly Level L
0
0
0
0
125
125
120
120
114
127
Dly Level R
0
0
0
0
60
60
64
64
60
67
Dly Feedback
+16
+16
+8
+8
+10
+7
+9
+8
-3
-24
Dly To Rev
0
0
0
0
0
0
0
0
36
0
Also refer to
MIDI Imple-
mentation
(p.236).
F0 41 10 42 12 [ 40 01 50 ] [ ] [ ] F7
address
data
checksum
DELAY:
. .
. .
F0 41 10 42 12 [ 40 01 50 ] [ 02 ] [ 6D ] F7
address
data
checksum
DELAY MACRO
Delay3
checksum
