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Roland Juno-Stage, User Manual

The Roland Juno-Stage is a versatile and powerful synthesizer perfect for musicians of all skill levels. Unlock its full potential with the free user manual available for download at manualshive.com. Learn how to navigate its features and create stunning music with ease. Get your manual today and elevate your music production.

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228

MIDI Implementation

 

|       00 11 | 0aaa aaaa | (reserve) <*>                                      |
|       00 12 | 0aaa aaaa | (reserve) <*>                                      |
|       00 13 | 0aaa aaaa | (reserve) <*>                                      |
|-------------+-----------+----------------------------------------------------|
|       00 14 | 0aaa aaaa | Switch 1 Assign                           (0 - 14) |
|             |           |                       TRNS-UP, TRNS-DW, TAP-TEMPO, |
|             |           |                      MONO/POLY, PORTAMENTO, HOLD1, |
|             |           |                         MFX1-SW, MFX2-SW, MFX3-SW, |
|             |           |                                    CHO-SW, REV-SW, |
|             |           |                              SYS-CTRL1, SYS-CTRL2, |
|             |           |                              SYS-CTRL3, SYS-CTRL4  |
|       00 15 | 0aaa aaaa | Switch 2 Assign                           (0 - 14) |
|             |           |                       TRNS-UP, TRNS-DW, TAP-TEMPO, |
|             |           |                      MONO/POLY, PORTAMENTO, HOLD1, |
|             |           |                         MFX1-SW, MFX2-SW, MFX3-SW, |
|             |           |                                    CHO-SW, REV-SW, |
|             |           |                              SYS-CTRL1, SYS-CTRL2, |
|             |           |                              SYS-CTRL3, SYS-CTRL4  |
|-------------+-----------+----------------------------------------------------|
|       00 16 | 0aaa aaaa | (reserve) <*>                                      |
|       00 17 | 0000 00aa | (reserve) <*>                                      |
|       00 18 | 0aaa aaaa | (reserve) <*>                                      |
|       00 19 | 0000 aaaa | (reserve) <*>                                      |
|-------------+-----------+----------------------------------------------------|
|       00 1A | 0aaa aaaa | (reserve) <*>                                      |
|       00 1B | 0aaa aaaa | (reserve) <*>                                      |
|       00 1C | 0aaa aaaa | (reserve) <*>                                      |
|       00 1D | 0aaa aaaa | (reserve) <*>                                      |
|       00 1E | 0aaa aaaa | (reserve) <*>                                      |
|       00 1F | 0aaa aaaa | (reserve) <*>                                      |
|       00 20 | 0aaa aaaa | (reserve) <*>                                      |
|       00 21 | 0aaa aaaa | (reserve) <*>                                      |
|       00 22 | 0aaa aaaa | (reserve) <*>                                      |
|       00 23 | 0aaa aaaa | (reserve) <*>                                      |
|       00 24 | 0aaa aaaa | (reserve) <*>                                      |
|       00 25 | 0aaa aaaa | (reserve) <*>                                      |
|       00 26 | 0aaa aaaa | (reserve) <*>                                      |
|       00 27 | 0aaa aaaa | (reserve) <*>                                      |
|       00 28 | 0aaa aaaa | (reserve) <*>                                      |
|       00 29 | 0aaa aaaa | (reserve) <*>                                      |
|       00 2A | 0aaa aaaa | (reserve) <*>                                      |
|       00 2B | 0aaa aaaa | (reserve) <*>                                      |
|       00 2C | 0aaa aaaa | (reserve) <*>                                      |
|       00 2D | 0aaa aaaa | (reserve) <*>                                      |
|       00 2E | 0aaa aaaa | (reserve) <*>                                      |
|       00 2F | 0aaa aaaa | (reserve) <*>                                      |
|       00 30 | 0aaa aaaa | (reserve) <*>                                      |
|       00 31 | 0aaa aaaa | (reserve) <*>                                      |
|       00 32 | 0aaa aaaa | (reserve) <*>                                      |
|       00 33 | 0aaa aaaa | (reserve) <*>                                      |
|       00 34 | 0aaa aaaa | (reserve) <*>                                      |
|       00 35 | 0aaa aaaa | (reserve) <*>                                      |
|       00 36 | 0aaa aaaa | (reserve) <*>                                      |
|       00 37 | 0aaa aaaa | (reserve) <*>                                      |
|       00 38 | 0aaa aaaa | (reserve) <*>                                      |
|       00 39 | 0aaa aaaa | (reserve) <*>                                      |
|       00 3A | 0aaa aaaa | (reserve) <*>                                      |
|       00 3B | 0aaa aaaa | (reserve) <*>                                      |
|       00 3C | 0aaa aaaa | (reserve) <*>                                      |
|       00 3D | 0aaa aaaa | (reserve) <*>                                      |
|       00 3E | 0aaa aaaa | (reserve) <*>                                      |
|       00 3F | 0aaa aaaa | (reserve) <*>                                      |
|       00 40 | 0aaa aaaa | (reserve) <*>                                      |
|       00 41 | 0aaa aaaa | (reserve) <*>                                      |
|       00 42 | 0aaa aaaa | (reserve) <*>                                      |
|       00 43 | 0aaa aaaa | (reserve) <*>                                      |
|       00 44 | 0aaa aaaa | (reserve) <*>                                      |
|       00 45 | 0aaa aaaa | (reserve) <*>                                      |
|       00 46 | 0aaa aaaa | (reserve) <*>                                      |
|       00 47 | 0aaa aaaa | (reserve) <*>                                      |
|       00 48 | 0aaa aaaa | (reserve) <*>                                      |
|       00 49 | 0aaa aaaa | (reserve) <*>                                      |
|       00 4A | 0aaa aaaa | (reserve) <*>                                      |
|       00 4B | 0aaa aaaa | (reserve) <*>                                      |
|-------------+-----------+----------------------------------------------------|
|       00 4C | 0000 000a | Switch 1 Type                              (0 - 1) |
|             |           |                                  LATCH, MOMENTARY  |
|       00 4D | 0000 000a | Switch 2 Type                              (0 - 1) |
|             |           |                                  LATCH, MOMENTARY  |
|-------------+----------------------------------------------------------------|
| 00 00 00 4E | Total Size                                                     |
+------------------------------------------------------------------------------+

 

* Performance Common

 

+------------------------------------------------------------------------------+
| Offset      |                                                                |
|     Address |                  Description                                   |
|-------------+----------------------------------------------------------------|
|       00 00 | 0aaa aaaa | Performance Name 1                      (32 - 127) |
|             |           |                                  32 - 127 [ASCII]  |
|       00 01 | 0aaa aaaa | Performance Name 2                      (32 - 127) |
|             |           |                                  32 - 127 [ASCII]  |
|       00 02 | 0aaa aaaa | Performance Name 3                      (32 - 127) |
|             |           |                                  32 - 127 [ASCII]  |
|       00 03 | 0aaa aaaa | Performance Name 4                      (32 - 127) |
|             |           |                                  32 - 127 [ASCII]  |
|       00 04 | 0aaa aaaa | Performance Name 5                      (32 - 127) |
|             |           |                                  32 - 127 [ASCII]  |
|       00 05 | 0aaa aaaa | Performance Name 6                      (32 - 127) |
|             |           |                                  32 - 127 [ASCII]  |
|       00 06 | 0aaa aaaa | Performance Name 7                      (32 - 127) |
|             |           |                                  32 - 127 [ASCII]  |
|       00 07 | 0aaa aaaa | Performance Name 8                      (32 - 127) |
|             |           |                                  32 - 127 [ASCII]  |
|       00 08 | 0aaa aaaa | Performance Name 9                      (32 - 127) |
|             |           |                                  32 - 127 [ASCII]  |
|       00 09 | 0aaa aaaa | Performance Name 10                     (32 - 127) |
|             |           |                                  32 - 127 [ASCII]  |
|       00 0A | 0aaa aaaa | Performance Name 11                     (32 - 127) |
|             |           |                                  32 - 127 [ASCII]  |
|       00 0B | 0aaa aaaa | Performance Name 12                     (32 - 127) |
|             |           |                                  32 - 127 [ASCII]  |
|-------------+-----------+----------------------------------------------------|
|       00 0C | 00aa aaaa | Solo Part Select                          (0 - 16) |
|             |           |                                       OFF, 1 - 16  |
|       00 0D | 000a aaaa | MFX1 Control Channel                      (0 - 16) |
|             |           |                                       1 - 16, OFF  |
|       00 0E | 0000 000a | (reserve) <*>                                      |
|       00 0F | 0000 000a | (reserve) <*>                                      |
|-------------+-----------+----------------------------------------------------|
|       00 10 | 0aaa aaaa | Voice Reserve 1                           (0 - 64) |
|             |           |                                      0 - 63, FULL  |
|       00 11 | 0aaa aaaa | Voice Reserve 2                           (0 - 64) |
|             |           |                                      0 - 63, FULL  |
|       00 12 | 0aaa aaaa | Voice Reserve 3                           (0 - 64) |
|             |           |                                      0 - 63, FULL  |
|       00 13 | 0aaa aaaa | Voice Reserve 4                           (0 - 64) |
|             |           |                                      0 - 63, FULL  |
|       00 14 | 0aaa aaaa | Voice Reserve 5                           (0 - 64) |
|             |           |                                      0 - 63, FULL  |
|       00 15 | 0aaa aaaa | Voice Reserve 6                           (0 - 64) |
|             |           |                                      0 - 63, FULL  |
|       00 16 | 0aaa aaaa | Voice Reserve 7                           (0 - 64) |
|             |           |                                      0 - 63, FULL  |
|       00 17 | 0aaa aaaa | Voice Reserve 8                           (0 - 64) |
|             |           |                                      0 - 63, FULL  |
|       00 18 | 0aaa aaaa | Voice Reserve 9                           (0 - 64) |

|             |           |                                      0 - 63, FULL  |
|       00 19 | 0aaa aaaa | Voice Reserve 10                          (0 - 64) |
|             |           |                                      0 - 63, FULL  |
|       00 1A | 0aaa aaaa | Voice Reserve 11                          (0 - 64) |
|             |           |                                      0 - 63, FULL  |
|       00 1B | 0aaa aaaa | Voice Reserve 12                          (0 - 64) |
|             |           |                                      0 - 63, FULL  |
|       00 1C | 0aaa aaaa | Voice Reserve 13                          (0 - 64) |
|             |           |                                      0 - 63, FULL  |
|       00 1D | 0aaa aaaa | Voice Reserve 14                          (0 - 64) |
|             |           |                                      0 - 63, FULL  |
|       00 1E | 0aaa aaaa | Voice Reserve 15                          (0 - 64) |
|             |           |                                      0 - 63, FULL  |
|       00 1F | 0aaa aaaa | Voice Reserve 16                          (0 - 64) |
|             |           |                                      0 - 63, FULL  |
|       00 20 | 0aaa aaaa | (reserve) <*>                                      |
|       00 21 | 0aaa aaaa | (reserve) <*>                                      |
|       00 22 | 0aaa aaaa | (reserve) <*>                                      |
|       00 23 | 0aaa aaaa | (reserve) <*>                                      |
|       00 24 | 0aaa aaaa | (reserve) <*>                                      |
|       00 25 | 0aaa aaaa | (reserve) <*>                                      |
|       00 26 | 0aaa aaaa | (reserve) <*>                                      |
|       00 27 | 0aaa aaaa | (reserve) <*>                                      |
|       00 28 | 0aaa aaaa | (reserve) <*>                                      |
|       00 29 | 0aaa aaaa | (reserve) <*>                                      |
|       00 2A | 0aaa aaaa | (reserve) <*>                                      |
|       00 2B | 0aaa aaaa | (reserve) <*>                                      |
|       00 2C | 0aaa aaaa | (reserve) <*>                                      |
|       00 2D | 0aaa aaaa | (reserve) <*>                                      |
|       00 2E | 0aaa aaaa | (reserve) <*>                                      |
|       00 2F | 0aaa aaaa | (reserve) <*>                                      |
|-------------+-----------+----------------------------------------------------|
|       00 30 | 00aa aaaa | MFX1 Source                               (0 - 16) |
|             |           |                                   PERFORM, 1 - 16  |
|       00 31 | 00aa aaaa | MFX2 Source                               (0 - 16) |
|             |           |                                   PERFORM, 1 - 16  |
|       00 32 | 00aa aaaa | MFX3 Source                               (0 - 16) |
|             |           |                                   PERFORM, 1 - 16  |
|       00 33 | 00aa aaaa | Chorus Source                             (0 - 16) |
|             |           |                                   PERFORM, 1 - 16  |
|       00 34 | 00aa aaaa | Reverb Source                             (0 - 16) |
|             |           |                                   PERFORM, 1 - 16  |
|-------------+-----------+----------------------------------------------------|
|       00 35 | 00aa aaaa | MFX2 Control Channel                      (0 - 16) |
|             |           |                                       1 - 16, OFF  |
|       00 36 | 00aa aaaa | MFX3 Control Channel                      (0 - 16) |
|             |           |                                       1 - 16, OFF  |
|       00 37 | 0000 aaaa | MFX Structure                             (0 - 15) |
|             |           |                                            1 - 16  |
|-------------+----------------------------------------------------------------|
| 00 00 00 38 | Total Size                                                     |
+------------------------------------------------------------------------------+

 

* Performance Common MFX

 

+------------------------------------------------------------------------------+
| Offset      |                                                                |
|     Address |                  Description                                   |
|-------------+----------------------------------------------------------------|
|       00 00 | 0aaa aaaa | MFX Type                                  (0 - 79) |
|       00 01 | 0aaa aaaa | MFX Dry Send Level                       (0 - 127) |
|       00 02 | 0aaa aaaa | MFX Chorus Send Level                    (0 - 127) |
|       00 03 | 0aaa aaaa | MFX Reverb Send Level                    (0 - 127) |
|       00 04 | 0000 00aa | MFX Output Assign <*>                              |
|             |           |                                  A, ---, ---, ---  |
|-------------+-----------+----------------------------------------------------|
|       00 05 | 0aaa aaaa | MFX Control 1 Source                     (0 - 101) |
|             |           |                     OFF, CC01 - CC31, CC33 - CC95, |
|             |           |                            BEND, AFT, SYS1 - SYS4  |
|       00 06 | 0aaa aaaa | MFX Control 1 Sens                       (1 - 127) |
|             |           |                                         -63 - +63  |
|       00 07 | 0aaa aaaa | MFX Control 2 Source                     (0 - 101) |
|             |           |                     OFF, CC01 - CC31, CC33 - CC95, |
|             |           |                            BEND, AFT, SYS1 - SYS4  |
|       00 08 | 0aaa aaaa | MFX Control 2 Sens                       (1 - 127) |
|             |           |                                         -63 - +63  |
|       00 09 | 0aaa aaaa | MFX Control 3 Source                     (0 - 101) |
|             |           |                     OFF, CC01 - CC31, CC33 - CC95, |
|             |           |                            BEND, AFT, SYS1 - SYS4  |
|       00 0A | 0aaa aaaa | MFX Control 3 Sens                       (1 - 127) |
|             |           |                                         -63 - +63  |
|       00 0B | 0aaa aaaa | MFX Control 4 Source                     (0 - 101) |
|             |           |                     OFF, CC01 - CC31, CC33 - CC95, |
|             |           |                            BEND, AFT, SYS1 - SYS4  |
|       00 0C | 0aaa aaaa | MFX Control 4 Sens                       (1 - 127) |
|             |           |                                         -63 - +63  |
|-------------+-----------+----------------------------------------------------|
|       00 0D | 000a aaaa | MFX Control Assign 1                      (0 - 16) |
|             |           |                                       OFF, 1 - 16  |
|       00 0E | 000a aaaa | MFX Control Assign 2                      (0 - 16) |
|             |           |                                       OFF, 1 - 16  |
|       00 0F | 000a aaaa | MFX Control Assign 3                      (0 - 16) |
|             |           |                                       OFF, 1 - 16  |
|       00 10 | 000a aaaa | MFX Control Assign 4                      (0 - 16) |
|             |           |                                       OFF, 1 - 16  |
|#      00 11 | 0000 aaaa |                                                    |
|             | 0000 bbbb |                                                    |
|             | 0000 cccc |                                                    |
|             | 0000 dddd | MFX Parameter 1                    (12768 - 52768) |
|             |           |                                   -20000 - +20000  |
|#      00 15 | 0000 aaaa |                                                    |
|             | 0000 bbbb |                                                    |
|             | 0000 cccc |                                                    |
|             | 0000 dddd | MFX Parameter 2                    (12768 - 52768) |
|             |           |                                   -20000 - +20000  |
|#      00 19 | 0000 aaaa |                                                    |
|             | 0000 bbbb |                                                    |
|             | 0000 cccc |                                                    |
|             | 0000 dddd | MFX Parameter 3                    (12768 - 52768) |
|             |           |                                   -20000 - +20000  |
|#      00 1D | 0000 aaaa |                                                    |
|             | 0000 bbbb |                                                    |
|             | 0000 cccc |                                                    |
|             | 0000 dddd | MFX Parameter 4                    (12768 - 52768) |
|             |           |                                   -20000 - +20000  |
|#      00 21 | 0000 aaaa |                                                    |
|             | 0000 bbbb |                                                    |
|             | 0000 cccc |                                                    |
|             | 0000 dddd | MFX Parameter 5                    (12768 - 52768) |
|             |           |                                   -20000 - +20000  |
|#      00 25 | 0000 aaaa |                                                    |
|             | 0000 bbbb |                                                    |
|             | 0000 cccc |                                                    |
|             | 0000 dddd | MFX Parameter 6                    (12768 - 52768) |
|             |           |                                   -20000 - +20000  |
|#      00 29 | 0000 aaaa |                                                    |
|             | 0000 bbbb |                                                    |
|             | 0000 cccc |                                                    |
|             | 0000 dddd | MFX Parameter 7                    (12768 - 52768) |
|             |           |                                   -20000 - +20000  |
|#      00 2D | 0000 aaaa |                                                    |
|             | 0000 bbbb |                                                    |
|             | 0000 cccc |                                                    |
|             | 0000 dddd | MFX Parameter 8                    (12768 - 52768) |
|             |           |                                   -20000 - +20000  |
|#      00 31 | 0000 aaaa |                                                    |
|             | 0000 bbbb |                                                    |
|             | 0000 cccc |                                                    |

JUNO-STAGE_e.book 228 ページ ２００８年１０月１７日　金曜日　午後１２時２７分

Summary of Contents for Juno-Stage

Page 1: ...5 1 0 0 0 0 0 0 4 0 0 2 JUNO STAGE_Cover_e1 fm 1...

Page 2: ...ROLAND CORPORATION All rights reserved No part of this publication may be reproduced in any form without the written permission of ROLAND CORPORATION Conventions Used in This Manual Operating buttons...

Page 3: ...ny other device 009 Do not excessively twist or bend the power cord nor place heavy objects on it Doing so can damage the cord producing severed elements and short circuits Damaged cords are fire and...

Page 4: ...n 101c This JUNO STAGE for use only with Roland stand KS 12 Use with other stands is capable of resulting in instability causing possible injury 102c Always grasp only the plug on the AC adaptor cord...

Page 5: ...t may discolor or mar the surface You can place a piece of felt or cloth under the rubber feet to prevent this from happening If you do so please make sure that the unit will not slip or move accident...

Page 6: ...hiny underside encoded surface of the disc Damaged or dirty CD ROM discs may not be read properly Keep your discs clean using a commercially available CD cleaner Copyright 851 Recording duplication di...

Page 7: ...uded USB Memory Protector 22 Quick Start 23 Listening to the Demo Songs 24 Playing the Keyboard 25 Playing in Piano Mode PIANO MODE 25 Selecting Sounds 28 Selecting Sounds Patches 28 Playing Various S...

Page 8: ...Registering Calling Up or Editing Favorites in a List 48 Switching Favorites with a Single Button FAVORITE UP ASSIGNABLE 48 Using a Pedal to Select Favorites PATCH SELECT Pedal 48 Playing the JUNO ST...

Page 9: ...the V LINK V LINK 66 What is V LINK 66 Connection Example 66 Turning the V LINK ON OFF 66 V LINK Settings V LINK SETUP 67 Chapter 4 Using the Song Player 68 Playing Back Music Files SONG PLAYER 68 SMF...

Page 10: ...e 88 About MIDI 88 About MIDI Connectors 88 MIDI Channels and Multitimbral Sound Generators 88 Using the JUNO STAGE as a Master Keyboard MIDI Controller Mode 89 Specifying the Transmit Channel 89 Deta...

Page 11: ...m Tone Settings 122 Saving a Rhythm Set You ve Created WRITE 123 Functions of Rhythm Set Parameters 124 Settings Common to the Entire Rhythm Set 124 Modifying Waveforms Pitch Pitch Envelope 125 WAVE M...

Page 12: ...CLICK PLAYER 151 System Menu 6 D BEAM 152 Detailed Settings for the MIC INPUT MIC Input Setting 154 Detailed Settings for Minus One Minus One Setting 154 Utility 155 Backing Up User Data User Backup 1...

Page 13: ...13 Introduction JUNO STAGE_e book 13...

Page 14: ...VIEW Hold down this button to audition the currently selected sound p 47 PIANO MODE Selects Piano mode This provides the most suitable settings for piano playing p 25 p 116 KEYBOARD SPLIT Splits the k...

Page 15: ...nnect your portable audio player or similar device here p 73 926a When connection cables with resistors are used the volume level of equipment connected to the inputs EXT INPUT may be low If this happ...

Page 16: ...ely here p 20 SONG CLICK OUT Jack You can connect a set of headphones sold separately here Alternatively this can output a stereo audio signal to your amp or mixer When you re playing back an SMF song...

Page 17: ...17 MEMO JUNO STAGE_e book 17...

Page 18: ...r the opening edge while removing the cover 911 Do not touch any of the printed circuit pathways or connection terminals 912 Never use excessive force when installing a circuit board If it doesn t fit...

Page 19: ...p 22 and re install the Wave Expansion Board correctly 6 To exit the SYSTEM INFORMATION screen press EXIT or 7 EXIT 1 Make sure that the POWER switch is off 2 Connect the included power cord to the in...

Page 20: ...em If you re using a mono system however make your connections to the JUNO STAGE s OUTPUT L MONO jack Audio cables are not included with the JUNO STAGE You ll need to provide them 921 To prevent malfu...

Page 21: ...anufacturer may cause the JUNO STAGE to malfunction Patch select pedal Connect a pedal switch sold separately to the rear panel PATCH SELECT jack You can use the pedal to switch patches By using a ste...

Page 22: ...E sounds or other data you ve created 2 Turn off the power for all connected audio devices 3 Turn off the POWER switch of the JUNO STAGE fig volume epsj 1 Use the VOLUME knob to adjust the volume Turn...

Page 23: ...23 Quick Start JUNO STAGE_e book 23...

Page 24: ...exit the DEMO MENU screen All rights reserved Unauthorized use of this material for purposes other than private personal enjoyment is a violation of applicable laws No data for the music that is playe...

Page 25: ...Piano mode fig disp acpiano eps Press 2 AC PIANO or 3 EL PIANO If you pressed 2 AC PIANO the keyboard will play a piano sound fig disp elpiano eps If you pressed 3 EL PIANO the keyboard will play an...

Page 26: ...d adjust ing the amount of resonance In the PIANO MODE screen press 2 AC PIANO Use the cursor buttons to move the cursor to the value that you want to adjust Use the VALUE dial or DEC INC to adjust th...

Page 27: ...gs to the currently selected patch For details on saving refer to Saving a Patch You ve Created WRITE p 97 Performing with the Hold Pedal If a pedal switch DP series sold separately is connected to th...

Page 28: ...uttons RHYTHM BASS Within each category group the patches are further classified into additional categories Here s how to use the category group buttons to select a patch fig panel patch eps fig disp...

Page 29: ...h Use the cursor buttons to move the cursor to the patch number Use the VALUE dial or DEC INC to select a patch Press PATCH The PATCH PLAY screen will appear Use the cursor buttons to move the cursor...

Page 30: ...it s lit Use 0 9 to select a favorite The patch you registered at that number will be called up For details on the Favorite function refer to Registering and Calling Up Favorite Patches or Per formanc...

Page 31: ...pper part When you turn on the power the split point is set to the C4 key fig disp perform eps Press PERFORM The PERFORM PLAY screen will appear fig disp split eps Press SPLIT so it s lit The JUNO STA...

Page 32: ...nt in the setting window and press EXIT to close the window Dual is when two patches are layered across the keyboard Press PERFORM The PERFORM PLAY screen will appear fig disp dual eps Press DUAL so i...

Page 33: ...ted sound in steps of one octave This is called the octave shift function fig disp octvshift eps Press OCTAVE DOWN or UP Pressing DOWN will lower the pitch one octave and pressing UP will raise it one...

Page 34: ...printed in the musical score fig panel trans eps fig disp trans eps While holding down TRANSPOSE press or Specify the amount of transposition in semitone steps G F 5 6 semitones A setting window will...

Page 35: ...strument begins to sound until it decays to silence You can use these two knobs to modify the attack and release of the envelope in real time For details on the envelope refer to Modifying How the Vol...

Page 36: ...ation CUTOFF Adjusts the filter cutoff frequency at which the filter begins to take effect Turning the knob toward the right will brighten the sound and turning it toward the left will darken the soun...

Page 37: ...37 Reference JUNO STAGE_e book 37...

Page 38: ...e you can use it in either Performance mode or in Patch mode Patch Mode In Patch mode you can use a connected keyboard or other device to play a single Patch on the JUNO STAGE Since Patch mode lets yo...

Page 39: ...he WG pitch TVF filter and or TVA volume When an LFO is applied to the WG pitch a vibrato effect is produced When an LFO is applied to the TVF cutoff frequency a wah effect is produced When an LFO is...

Page 40: ...nd producing capacity available to it even if a total of more than 128 notes total for all parts are being requested When you make Voice Reserve settings you need to take into account the number of no...

Page 41: ...as memory There are three kind of memory temporary rewritable and non rewritable Tone Rhythm Tone Rhythm Set Patch A0 C8 Chorus Reverb Chorus Reverb Multi Effects Multi Effects About Memory Preset Te...

Page 42: ...System settings Non Rewritable Memory Preset Memory Data in Preset memory cannot be rewritten However you can call up settings from preset memory into the temporary area modify them and then store the...

Page 43: ...tem move the cursor to that item When selected with the cursor a parameter value or other selection is highlighted fig CursorScreen Move the cursor with and cursor buttons moves the cursor up moves th...

Page 44: ...edure is the same for any type of data fig PatchName 1 Press to move the cursor to the location where you wish to input a character 2 Turn the VALUE dial or press DEC INC to specify the character Avai...

Page 45: ...ps will depend on the wave expansion board that is installed XP A or B patches can be selected only if an SRX series wave expansion board sold separately is installed in the corresponding slot Patch L...

Page 46: ...r the desired patch number and press ENTER When you finalize the input the 0 9 buttons will return to their previous state of illumination If you press NUMERIC without pressing ENTER the 0 9 buttons w...

Page 47: ...a patch rhythm set or performance in Favorites You can register a sound in Favorites regardless of the FAVORITE ON OFF status 1 In Patch mode or Performance mode select the patch rhythm set or perform...

Page 48: ...currently selected favorite If you ve selected the last number in a bank you ll switch to a favorite in the next bank Numbers or banks in which no favorite has been registered will be skipped The fun...

Page 49: ...ed you must save it to user memory p 133 The JUNO STAGE s performances are organized into two groups user and preset USER This is a group of rewritable performances inside the JUNO STAGE Performances...

Page 50: ...to the PATCH SELECT jack the performance number will increment or decrement accordingly If you ve connected only one pedal pressing the pedal will increment the Performance number This pedal will fun...

Page 51: ...n on the power the split point is set to C4 1 Press SPLIT so it s lit Split keyboard mode will be selected PART SELECT will light and the PART SELECT screen will appear fig disp pfrm splt eps The righ...

Page 52: ...e value will be reset to 0 when you power up the JUNO STAGE In Performance mode or MIDI controller mode you can specify an Octave Shift setting for each part Transpose is a function that changes the p...

Page 53: ...ge Explanation Scale Tune Switch OFF ON Turn this ON if you want to perform in a temperament other than equal temperament PatchScale Tune for C B 64 63 Specifies the pitch difference in one cent steps...

Page 54: ...ion Pushing the lever away from yourself while moving it to the left or right will apply both effects simultaneously fig Q1 The pitch bend range can be specified separately for each patch Refer to Pit...

Page 55: ...is particularly effective when used with synth bass sounds In step 3 above set Switch 1 or Switch 2 to BEND MODE When you turn S1 or S2 on off the BEND MODE setting CATCH LAST will turn on off If CAT...

Page 56: ...e will indicate 21 ROTARY 3 Press EXIT several times to access the PERFORM PLAY screen 4 Use S1 to apply the effect 1 In the PERFORM PLAY screen or PERFORM SELECT screen select part 2 or LOWER The S1...

Page 57: ...BEAM ACTIVE EXPRESS A screen like the following appears 2 Press to select the parameter 3 Use the VALUE dial or DEC INC to make settings For details on the available parameters and values refer to 4...

Page 58: ...an use these knobs to adjust the filter that cuts or boosts specific frequency regions of the sound These affect the following parameters of the currently selected patch Using the Knobs to Modify the...

Page 59: ...o keep your settings press 7 WRITE 8 Press EXIT to return to the previous screen Knob Parameter Value Explanation LOW Low Gain 15 0 15 Adjusts the low range sound Turning the knob toward the right wil...

Page 60: ...the Tempo for Arpeggio Performances This sets the arpeggio tempo 1 Press TAP TEMPO The tempo setting window will open 2 Press TAP TEMPO three or more times at the desired tempo The tempo will be set...

Page 61: ...ame note continues to sound until the point at which the next new sound is specified Duration settings are shared with the rhythm pattern Motif See p 62 Refer to Selecting Ascending Descending Variati...

Page 62: ...Value Explanation Up L Only the lowest of the keys pressed is sounded each time and the notes play in order from the lowest of the pressed keys Up L H Notes from both the lowest and highest pressed k...

Page 63: ...by pressing INC to raise the value all the way You can also enter a tie by pressing 3 TIE To enter a rest press 4 REST If you press 5 PREVU to display the check mark you ll be able to hear the pattern...

Page 64: ...IFT and press CHORD MEMORY The CHORD MEMORY screen appears By holding down SHIFT and pressing CHORD MEMORY you can access the CHORD MEMORY screen without turning the chord memory function on off 2 Use...

Page 65: ...hear the chord that you are inputting 5 When you have finished press 6 EXIT You will return to the CHORD MEMORY screen The Chord Forms you create are temporary they are deleted as soon as you turn of...

Page 66: ...lp prevent malfunctions and or damage to speakers or other devices fig V LINKconnect e 1 Press V LINK so it s lit The V LINK screen appears and the V LINK setting will be on fig V LINK Operations on t...

Page 67: ...fy the MIDI channel Note Tx Channel B Note Tx Channel C D BEAM Assigns a V LINK function to the D Beam controller OFF The operation selected by D BEAM buttons will occur regardless of whether V LINK i...

Page 68: ...emory after you ve turned the JUNO STAGE s power on Never disconnect the USB memory while the power is turned on If there is a large number of songs it may take ten minutes or more for the data to be...

Page 69: ...LECT screen 5 To stop song playback press STOP The next time you press PLAY playback will resume from the point at which you stopped Moving the Playback Location You can use the following buttons to m...

Page 70: ...hown in the bottom line of the screen Press SONG LIST once again to turn off its illumination and you ll exit the SONG SELECT screen SONG INFORMATION Screen fig disp songinfo eps Use to switch the scr...

Page 71: ...ch you stopped PLAYLIST SELECT Screen fig disp playlistsel eps In the SONG SELECT screen p 70 pressing 2 PLAYLIST will take you to the PLAYLIST SELECT screen The 2 7 buttons located below the display...

Page 72: ...ou want to keep the changes you made you must save them p 73 Indication Meaning Name Playlist name Playback Mode Specifies how the songs will play Chain Play If you move the cursor to this item and pr...

Page 73: ...the specified part will be muted if the song is an SMF If the song is an audio file the sounds that are located in the center will be diminished in volume 2 To turn off Minus One or Center Cancel pre...

Page 74: ...ode this setting is saved for each performance Changing the Tempo of the Rhythm Pattern Here s how to change the tempo of the rhythm pattern 1 Press TAP TEMPO The tempo setting window will open 2 Pres...

Page 75: ...ith a heavy shuffle 1 24 Sixteenth note triplet six grid sections one beat The Grid setting is shared with the arpeggio setting p 61 Duration 30 120 Full This specifies the duration of each note in th...

Page 76: ...screen will be assigned to the keyboard Use the keyboard to enter notes Press 3 TIE to enter a tie Press 4 REST to enter a rest To delete a note hold down SHIFT and press 7 CLR NOTE To delete all note...

Page 77: ...dition to using the rhythm groups that are provided you can create your own rhythm groups 1 Press RHYTHM PATTERN so it s lit The RHYTHM GROUP screen will appear 2 Use the cursor buttons to move the cu...

Page 78: ...wer while data is being saved The rhythm group setting can be saved as part of each performance Press WRITE to save the setting in the performance p 133 When playing back an SMF song you can use headp...

Page 79: ...o listen to the unprocessed sound as you create a sound or if you want to use an external effects processor instead of the built in effects The effect on off settings cannot be saved 1 Press EDIT 2 Pr...

Page 80: ...thout passing through the multi effect L Output in mono from the OUTPUT L jack without passing through the multi effect R Output in mono from the OUTPUT R jack without passing through the multi effect...

Page 81: ...cho a reverb device that uses a metal plate 5 GM2 REV GM2 reverb Chorus Output Select MAIN REV M R Output destination of the sound that has been processed by the chorus MAIN Output in stereo to the OU...

Page 82: ...o from the OUTPUT L jack without passing through the multi effect R Output in mono from the OUTPUT R jack without passing through the multi effect PAT Output according to the settings of the patch or...

Page 83: ...all in greater detail 4 SRV PLATE Simulation of a plate echo a reverb device that uses a metal plate 5 GM2 REV GM2 reverb Chorus Output Select MAIN REV M R Output destination of the sound that has bee...

Page 84: ...ntrol changes and other common MIDI messages to control the most important multi effect parameters For example you might use the pitch bend lever to control the degree of distortion or use keyboard to...

Page 85: ...OFF MFX will not be used CC01 31 Controller number 1 31 CC33 95 Controller number 33 95 PITCH BEND Pitch bend AFTERTOUCH Aftertouch SYS CTRL 1 4 Use the controller that is assigned by the System setti...

Page 86: ...ons to move the cursor to the parameter that you want to edit and use the VALUE dial or DEC INC to set the value Specifying How Multi Effects are Combined MFX STRUCTURE Parameter Range Explanation MFX...

Page 87: ...er to Selecting Patches in Patch Mode p 45 3 While you play the keyboard vocalize into the mic The vocoder is applied to the sound from the mic There will be no sound if you only play the keyboard wit...

Page 88: ...nels that it needs to receive Example Set the transmitting device to transmit on channel 1 and channel 2 set sound module A to receive only channel 1 and set sound module B to receive only channel 2 W...

Page 89: ...he SOUND MODIFY knobs are sent to the MIDI channel of the part indicated by The note numbers transmitted in MIDI controller mode are determined by the key you press the transpose setting p 52 and the...

Page 90: ...DI SYNC 4 Press 4 RX 5 Use the cursor buttons to select Receive Program Change or Receive Bank Select 6 Use the VALUE dial or DEC INC to turn each of these ON 7 To save your settings press WRITE If yo...

Page 91: ...setting if you re using the JUNO STAGE on its own without synchronizing to another device SLAVE The JUNO STAGE will be a slave device Choose this setting if you want the JUNO STAGE to operate accordi...

Page 92: ...installation procedure for it will depend on the system you re using Please carefully read the Readme file on the CD ROM before you proceed Exchanging MIDI Messages with Your Computer USB MIDI connect...

Page 93: ...iciently in a graphical manner JUNO STAGE Librarian is software that lets you manage the JUNO STAGE s parameters as a library on your computer allowing efficient management of patches rhythm sets and...

Page 94: ...up to four tones Before editing a patch you should listen to each tone individually to familiarize yourself with the role it plays in creating the overall sound of the patch The ZOOM EDIT screen lets...

Page 95: ...ode or Performance mode select the patch that you want to edit For details refer to Selecting Patches in Patch Mode p 45 or Selecting a Patch for Each Part p 50 If you want to create a patch from scra...

Page 96: ...ere s how to copy the tone settings of a desired patch to the currently selected patch 1 In Patch mode or Performance mode select the copy destination user patch For details refer to Selecting Patches...

Page 97: ...the attack until it decays to silence Some of these waveforms capture a complete sound such as a percussion instrument but there are also many attack component sounds such as the hammer strike of a p...

Page 98: ...the lowest volume voice Octave Shift 3 3 Pitch of the patch s sound in units of an octave Patch Coarse Tune 48 48 Pitch of the patch s sound in semitones 4 octaves Patch Fine Tune 50 50 Pitch of the...

Page 99: ...en the two tones and adjusts booster level This type uses a ring modulator to create new overtones and combines the two filters The tone 1 3 TVA will control the volume balance of the two tones adjust...

Page 100: ...he incoming signal fig Boost1 e In addition to using this to create distortion you can use the waveform WG1 of one of the tones as an LFO which shifts the other waveform WG2 upward or downward to crea...

Page 101: ...instrument patch such as sax or flute POLY Two or more notes can be played simultaneously Legato Switch OFF ON ON Pressing a key while continuing to press a previous key causes the note to change pit...

Page 102: ...tone to sound at all set this parameter to 0 Parameter Value Explanation Tone Mix Velo Control OFF ON RANDOM CYCLE Determines whether a different tone is played ON or not OFF depending on the force w...

Page 103: ...N When you wish to synchronize a Phrase Loop to the clock tempo set this to ON This is valid only when a separately sold wave expansion board is installed and a waveform that indicates a tempo BPM is...

Page 104: ...amics can be used to control the depth of the pitch envelope If you want the pitch envelope to have more effect for strongly played notes set this parameter to a positive value P Env T1 V Sens 63 63 T...

Page 105: ...use the pitch envelope to produce greater change Negative settings will invert the shape of the envelope P Env Time 1 4 Time 1 4 0 127 Pitch envelope times T1 T4 Higher settings will result in a longe...

Page 106: ...that of the LPF This filter is good for use with simulated instrument sounds such as the acoustic piano LPF3 Low Pass Filter 3 Although frequency components above the Cutoff Frequency are cut the sen...

Page 107: ...y played notes and negative settings will cause the effect to be less F Env T1 V Sens 63 63 This allows keyboard dynamics to affect the T1 of the TVF envelope If you want T1 to be speeded up for stron...

Page 108: ...his is useful for changing volume through keyboard position pitch when playing acoustic instruments Bias Level 100 100 Angle of the volume change that will occur in the selected Bias Direction Larger...

Page 109: ...s parameter to a positive value If you want it to be slowed down set this to a negative value A Env T4 V Sens 63 63 Use this parameter when you want key release speed to affect the T4 value of the TVA...

Page 110: ...onfirm that any MIDI messages used for the Matrix Control will be received If the JUNO STAGE is set up such that reception of MIDI messages is disabled then the Matrix Control will not function Matrix...

Page 111: ...applied REVS The effect will be applied in reverse Parameter Value Explanation Tone Delay Mode NORM HOLD OFFN OFFD Type of tone delay NORM The tone begins to play after the time specified in the Tone...

Page 112: ...or not OFF If NSUS is selected for Tone Env Mode parameter this setting will have no effect Rx Pan Mode CONT K ON For each tone specify how pan messages will be received CONT Whenever Pan messages are...

Page 113: ...set this to BD U or BD D you must turn the Key Trigger parameter p 114 to ON If this is OFF it will have no effect Rate Rate 0 127 Note Modulation speed of the LFO If you want the LFO rate to be synch...

Page 114: ...he LFO will affect the cutoff frequency TVA Depth Amp Depth 63 63 How deeply the LFO will affect the volume Pan Depth Pan Depth 63 63 How deeply the LFO will affect the pan Apply the LFO gradually aft...

Page 115: ...ut MFX Output in stereo through multi effects You can also apply chorus or reverb to the sound that passes through multi effects L R Output in stereo to the OUTPUT jacks without passing through the mu...

Page 116: ...the damper pedal will allow the strings of notes other than the keys you played to resonate sympathetically creating a rich and spacious resonance This parameter adjusts the degree of resonance 3 EL P...

Page 117: ...This setting is shared by both AC PIANO and EL PIANO This setting is the Keyboard Velocity Curve system setting 1 In the PIANO MODE AC PIANO screen use to move the cursor to Lid State 2 Use the VALUE...

Page 118: ...ue Explanation THRU No effect will be applied Tremolo Cyclically modulates the volume The sound will appear to waver Wave TRI SQR SIN SAW1 SAW2 Type of modulation Rate 0 05 10 00 Frequency of modulati...

Page 119: ...the Patch that will be Selected When You Press PIANO MODE WRITE You can store the patch that will be selected first when you press PIANO MODE after the instrument s been powered up This will also save...

Page 120: ...ation p 122 2 Press EDIT 3 Press 3 or use the VALUE dial to select RHYTHM EDIT and then press ENTER The Zoom Edit screen will appear fig disp rhyzoomedit eps 4 Press a key to specify the rhythm tone A...

Page 121: ...ENTER 7 Use the cursor buttons to select a parameter fig disp rhyproedit eps 8 Press TONE SWITCH SELECT so it s lit and use TONE SELECT 1 4 to select the wave that you want to edit To edit the same p...

Page 122: ...h 1 In Patch mode or Performance mode select the copy destination user patch For details refer to Selecting Patches in Patch Mode p 45 or Selecting a Patch for Each Part p 50 2 Press EDIT 3 Either pre...

Page 123: ...ontain the entire duration of the sound from the attack until it decays to silence Some of these waveforms capture a complete sound such as a percussion instrument but there are also many attack compo...

Page 124: ...ue as long as the key is pressed If you want the sound to decay naturally even if the key remains pressed set this to NO SUS If a one shot type wave p 123 is selected it will not sustain even if this...

Page 125: ...tempo set this to ON This is valid only when a separately sold wave expansion board is installed and a waveform that indicates a tempo BPM is selected If a waveform from a wave expansion board is sel...

Page 126: ...settings will invert the shape of the envelope P Env V Sens 63 63 Keyboard playing dynamics can be used to control the depth of the pitch envelope If you want the pitch envelope to have more effect f...

Page 127: ...of the waveform s sound in 1 cent steps one cent is 1 100th of a semitone Parameter Value Explanation Velocity Control OFF ON RAN Determines whether a different waveform is played ON or not OFF depen...

Page 128: ...though frequency components above the cutoff frequency are cut the sensitivity of this filter changes according to the cutoff frequency While this filter is also good for use with simulated acoustic i...

Page 129: ...rongly played notes and negative settings will cause the effect to be less F Env T1 V Sens 63 63 This allows keyboard dynamics to affect the T1 of the TVF envelope If you want T1 to be speeded up for...

Page 130: ...g causes panning to be alternated between left and right each time a key is pressed Higher settings will produce a greater amount of change L or R settings will reverse the order in which the pan will...

Page 131: ...i effects L R Output in stereo to the OUTPUT jacks without passing through the multi effect L Output in mono to the OUTPUT L jack without passing through the multi effect R Output in mono to the OUTPU...

Page 132: ...rameter that you want to edit 5 Use the VALUE dial or DEC INC to edit the value 6 When you ve finished editing press EXIT You will return to the PERFORM PLAY screen If you return to the PERFORM PLAY s...

Page 133: ...at previously occupied the save destination will be overwritten 1 Edit a performance 2 Press WRITE The WRITE MENU screen will appear 3 Press 2 PERF Alternatively you can use to select Performance and...

Page 134: ...ne to which each part will respond is determined by the part s key range setting 1 In the PERFORM PLAY screen press 4 KEYRANG The Key Range window will open fig disp krange eps 2 Use the cursor button...

Page 135: ...nt 2 TEMPO Specifies the tempo of the performance 3 S1 S2 Specifies the functions controlled by the S1 and S2 buttons 4 DB ASGN Specifies the function controlled by the D Beam controller 5 DB EXP Make...

Page 136: ...oard switch p 134 on off for the specified part Type LATCH The on off status will alternate each time you press the button MOMENTARY The assigned function will turn on while you press the button and w...

Page 137: ...control messages from the S1 button S2 Transmission on off for the control messages from the S2 button D Beam Transmission on off for the control messages from the D Beam Parameter Value Explanation...

Page 138: ...l or DEC INC to turn reception on shown or off cleared When you ve finished making settings press 7 EXIT You will return to the PERFORM PLAY screen Enabling Disabling Reception of Messages for Each MI...

Page 139: ...produce sound You can also use the following function buttons to turn the mute setting on off Pressing 4 1 2 ON will turn part 1 and part 2 on Pressing 5 10 ON will turn part 10 on Pressing 6 ALL OFF...

Page 140: ...PART VIEW Parameter Value Explanation Type Patch Rhythm Sets the assignment of a patch or rhythm set to each of the parts Group USER PRST GM XP A XP B Selects the group to which the desired patch bel...

Page 141: ...ll be used Chorus and reverb are output in mono at all times The output destination of the signal after passing through the chorus is set with the Chorus Output Select parameters p 81 Output 0 127 Lev...

Page 142: ...rameter Value Explanation Kbd OFF ON Specifies for each part whether or not the keyboard controller section will be connected to the internal sound generator K L C Upper Lowest note that the tone will...

Page 143: ...o PAT Parameter Value Explanation Part Scale Tune for C B 64 63 Make scale tune settings for each part Scale Tune is switched on off by means of the Scale Tune Switch parameter p 146 Calculating the N...

Page 144: ...g disp eps 4 Press 7 EXEC If you decide to cancel press 6 CANCEL When the backup has been completed you will return to the UTILITY MENU screen Here s how to restore backed up user data from USB memory...

Page 145: ...the desired setting screen 4 Use the cursor buttons to select to the parameter that you want to set 5 Use the VALUE dial or the DEC INC to set the value Changes you ve made to the system settings wil...

Page 146: ...r Value Explanation Sound Generator Master Tune 415 3 466 2 Hz Overall tuning of the JUNO STAGE The display shows the frequency of the A4 note center A Master Key Shift 24 24 Shifts the overall pitch...

Page 147: ...evious numbered performance in Performance mode FAVORITE UP The favorite of the next number or bank will be selected FAVORITE DOWN The favorite of the previous number or bank will be selected ARP SW A...

Page 148: ...n polyphonic POLY or monophonic MONO playing PORTAMENTO Turn portamento on off HOLD Turn hold on off MFX1 3 SW Multi effect 1 3 switch CHORUS SW Chorus switch REVERB SW Reverb switch SYS CTRL 1 4 SRC...

Page 149: ...RTAMENTO Turn portamento on off HOLD Turn hold on off MFX1 3 SW or MFX SW Multi effect switch CHORUS SW Chorus switch REVERB SW Reverb switch SYS CTRL 1 4 SRC Transmit the MIDI message specified by Sy...

Page 150: ...o transmit and receive MIDI messages for the Keyboard part in Patch mode USB MIDI USB MIDI Thru OFF ON If this is ON incoming MIDI messages will be re transmitted without change from the MIDI OUT conn...

Page 151: ...his is ON the JUNO STAGE will transmit synchronization related MIDI messages MIDI Clock Start Continue Stop to an external MIDI device This cannot be set if Sync Mode is SLAVE Tempo Override OFF ON If...

Page 152: ...OSC2 pitch Filter Filter Type OFF LPF BPF HPF PKG Type of filter OFF No filter is used LPF Low Pass Filter This reduces the volume of all frequencies above the cutoff frequency Cutoff in order to roun...

Page 153: ...START STOP Starts stops the song or rhythm pattern TAP TEMPO Tap tempo a tempo specified by the interval at which you move your hand over the D Beam controller ARP GRID Specifies the arpeggio s time...

Page 154: ...part 3 and part 4 on Pressing 4 ALL OFF will turn all parts off If you want to save the changes you made press 7 WRITE If you want to exit without saving press EXIT or 6 EXIT You can also access the...

Page 155: ...lost when you execute the factory reset operation If you want to keep this data save it to USB memory before you continue 1 In the UTILITY MENU screen use the cursor buttons to select Factory Reset a...

Page 156: ...you press 7 PLAY ALL the first through fourth songs will play and playback will stop when the fourth song has ended While a song is playing you can use DEC INC or to select the previous or next song...

Page 157: ...157 Appendices JUNO STAGE_e book 157...

Page 158: ...8 Has the volume been lowered by pedal operations or by MIDI messages volume messages or expression messages received from an external MIDI device Q A specific Part does not sound A Check the followin...

Page 159: ...it of the wave may be exceeded so that the pitch does not rise as far as you expect but will stop rising at a certain point Additionally if differing upper pitch limits are used for the waves of a Pat...

Page 160: ...the performance has been modified by an external MIDI device these patches must also be saved If patches used by a performance have been edited when you write that performance the JUNO STAGE will disp...

Page 161: ...is set with the Kbd Patch RX TX Channel parameter Rhythm Set performance data is generally received on MIDI Channel 10 Q When using sequencing software operating the knobs or other controls does not a...

Page 162: ...otected Make sure that the file or the USB memory is not write protected Incorrect File This is a file that the JUNO STAGE is unable to play Do not use this file This song has not been transferred fro...

Page 163: ...D CHORUS P 174 33 2BAND FLANGER P 175 34 2BAND STEP FLNGR P 175 DYNAMICS 8 types 35 OVERDRIVE P 176 36 DISTORTION P 176 37 VS OVERDRIVE P 176 38 VS DISTORTION P 176 39 GUITAR AMP SIMULATOR P 176 40 CO...

Page 164: ...o make sure that the speakers are at a sufficient distance from the walls on either side fig 33 002 If the left and right speakers are too far apart or if there is too much reverberation the full 3D e...

Page 165: ...L in R in L out R out Spectrum Spectrum 03 ISOLATOR Parameter Value Explanation Boost Cut Low 60 4 dB These boost and cut each of the High Middle and Low frequency ranges At 60 dB the sound becomes i...

Page 166: ...ve SQR square wave SIN sine wave SAW1 sawtooth wave upward SAW2 sawtooth wave downward Rate 0 05 10 00Hz note Rate of modulation Depth 0 127 Depth of modulation Attack 0 127 Speed at which the cutoff...

Page 167: ...FO reset on off Determines whether the LFO for switching the vowels is reset by the input signal ON or not OFF Input Sync Threshold 0 127 Volume level at which reset is applied L in R in L out R out A...

Page 168: ...of modulation Depth 0 127 Depth of modulation R in R out L in L out Phaser Mix 2 Band EQ Phaser 2 Band EQ Mix R in R out L in L out Step Phaser Mix 2 Band EQ Step Phaser 2 Band EQ Mix Polarity INVERSE...

Page 169: ...odulation applied Polarity UP DOWN Determines whether the frequency modulation moves towards higher frequencies UP or lower frequencies DOWN Low Gain 15 15 dB Gain of the low frequency range High Gain...

Page 170: ...quence to resume from the first step of the sequence ON or not OFF Input Sync Threshold 0 127 Volume at which an input note will be detected Level 0 127 Output volume L in R in L out R out Auto Pan 2...

Page 171: ...the rotary speaker When this is turned on the rotation will gradually stop When it is turned off the rotation will gradually resume Woofer Slow Speed 0 05 10 00 Hz Low speed rotation speed of the woo...

Page 172: ...Balance D Balance W Balance D 2 Band EQ 2 Band EQ Step Flanger Step Flanger Parameter Value Explanation Filter Type OFF LPF HPF Type of filter OFF no filter is used LPF cuts the frequency range above...

Page 173: ...the sound Low Gain 15 15 dB Gain of the low range High Gain 15 15 dB Gain of the high range Balance D100 0W D0 100W Volume balance between the direct sound D and the chorus sound W Level 0 127 Output...

Page 174: ...ge L R 3D Flanger 2 Band EQ 2 Band EQ R out L out L R 3D Step Flanger 2 Band EQ 2 Band EQ R out L out Pre Delay 0 0 100 msec Adjusts the delay time from when the direct sound begins until the flanger...

Page 175: ...r Low Band Flanger Split Low Band Feedback High Band Feedback High Band Feedback Low Band Feedback 34 2 BAND STEP FLANGER Parameter Value Explanation Split Freq 200 8000 Hz Frequency at which the low...

Page 176: ...2 Band EQ L in R in Over drive L out R out Pan R Pan L L in R in L out R out Pan R Pan L Amp Simulator 2 Band EQ Distortion L in R in L out R out Pan R Pan L Amp Simulator 2 Band EQ Overdrive 38 VS DI...

Page 177: ...e volume starts being compressed Threshold 0 127 Adjusts the volume at which compression begins Post Gain 0 18 dB Adjusts the output gain Low Gain 15 15 dB Gain of the low frequency range High Gain 15...

Page 178: ...the direct sound D and the delay sound W Level 0 127 Output level R in R out L in L out Feedback Feedback Balance W Balance D Balance W Balance D 2 Band EQ 2 Band EQ Delay Delay R in R out L in L out...

Page 179: ...dB Amount of boost cut for the high frequency range Balance D100 0W D0 100W Volume balance of the original sound D and delay sound W Level 0 127 Output volume R in R out L in L out Feedback 1 Pan L P...

Page 180: ...YPASS Adjusts the frequency above which sound fed back to the effect is filtered out If you do not want to filter out any high frequencies set this parameter to BYPASS Delay 1 4 Level 0 127 Volume of...

Page 181: ...ap delay sounds Delay 1 Level Delay 2 Level 0 127 Volume of the tap delay sounds Low Gain 15 15 dB Amount of boost cut for the low frequency range High Gain 15 15 dB Amount of boost cut for the high f...

Page 182: ...directly affects the rate of pitch change L R 3D Delay L 3D Delay R 3D Delay C Level Feedback 2 Band EQ 2 Band EQ L out R out R in R out L in L out Feedback Feedback Pan L Pan R Time Ctrl Delay Time C...

Page 183: ...R in L out R out Tape Echo Direct Level Direct Level 56 LOFI NOISE Parameter Value Explanation LoFi Type 1 9 Degrades the sound quality The sound quality grows poorer as this value is increased Post F...

Page 184: ...es the tuning noise of a radio As this value is raised the tuning drifts further Radio Noise Level 0 127 Volume of the radio noise Low Gain 15 15 dB Gain of the low range High Gain 15 15 dB Gain of th...

Page 185: ...64 63R Stereo location of the Pitch Shift 1 sound Pitch1 Level 0 127 Volume of the Pitch Shift1 sound L in R in Pitch Shifter Pitch Shifter L out R out 2 Band EQ 2 Band EQ L in R in L out R out 2Voice...

Page 186: ...e low range L in R in L out R out Reverb 2 Band EQ Balance W Balance W Balance D Balance D 2 Band EQ L in R in L out R out Gated Reverb 2 Band EQ Balance W Balance W Balance D Balance D 2 Band EQ High...

Page 187: ...to cut the high frequencies set this parameter to BYPASS Delay Balance D100 0W D0 100W Adjusts the volume balance between the sound that is sent through the delay W and the sound that is not sent thr...

Page 188: ...Enhancer Enhancer Balance W Balance W Balance D Balance D 75 CHORUS DELAY Parameter Value Explanation Chorus Pre Delay 0 0 100 msec Adjusts the delay time from the direct sound until the chorus sound...

Page 189: ...ce W Balance D Balance D Chorus Balance W Balance W Balance D Balance D L in R in L out R out Sym Resonance 3 Band EQ 3 Band EQ Parameter Value Explanation Depth 0 127 Depth of the effect Damper 0 127...

Page 190: ...ial spread of the sound Feedback 0 127 Adjusts the amount of the chorus sound that is fed back into the effect 02 DELAY Delay Left 0 1000 msec note Adjusts the delay time from the direct sound until t...

Page 191: ...M 03 SRV HALL 04 SRV PLATE Pre Delay 0 0 100 msec Adjusts the delay time from the direct sound until the reverb sound is heard Time 0 127 Time length of reverberation Size 1 8 Size of the simulated ro...

Page 192: ...56 80s Stack 57 AutoNoise 58 World Lead 59 XyloSawLead 60 WoodyFltLd 61 Saturn 62 Tale 63 Synchronize 64 Gramophone No Name 1 Piano Bass 2 Jazz n Rhtm 3 RollTheRock 4 Symphonique 5 Back 2 Juno 6 Tiny...

Page 193: ...r 103 Larsen Aft 2 Dist Guitar 104 Loud Gtr 3 Dist Guitar 105 Sitar on C 6 Plucked 106 Pat is away 5 Plucked 107 Bosporus 3 Plucked 108 Aerial Harp 2 Plucked 109 Nice Kalimba 1 Plucked 110 Flute 2 Flu...

Page 194: ...3 Mallet 126 AirPluck 4 Mallet 127 HardRockORG1 4 Organ 128 HardRockORG2 5 Organ No Name Voice Category 129 SuperDistORG 4 Organ 130 SuperDistLd2 4 Organ 131 FullDraw Org 3 Organ 132 StakDraw Org 4 O...

Page 195: ...C Brass 383 Brass Sax 5 AC Brass 384 BrassPartOut 6 AC Brass No Name Voice Category 385 Simple Tutti 2 AC Brass 386 F Horns Sect 3 AC Brass 387 Full sForza 4 AC Brass 388 Stereo Brass 4 AC Brass 389 W...

Page 196: ...36 Breath Echo 1 Synth FX 637 SoundStrange 3 Synth FX 638 Cosmic Pulse 2 Synth FX 639 Faked Piano 4 Synth FX 640 Crystal Soft 2 Synth FX No Name Voice Category 641 ResoSweep Dn 1 Synth FX 642 Zap B3 C...

Page 197: ...t Groove 891 Compusonic 1 4 Beat Groove 892 Compusonic 2 4 Beat Groove 893 80s Combo 3 Combination 894 Analog Days 3 Combination 895 Techno Craft 3 Combination 896 Lounge Kit 2 Combination No Name Voi...

Page 198: ...Attack Pulse SYNTH BASS 1 3 094 Violin STRINGS 1 0 41 095 Slow Violin STRINGS 1 1 096 Viola STRINGS 1 0 42 097 Cello STRINGS 1 0 43 098 Contrabass STRINGS 1 0 44 099 Tremolo Str STRINGS 4 0 45 100 Piz...

Page 199: ...SYNTH FX 1 0 122 220 Fl Key Click SYNTH FX 1 1 221 Seashore SOUND FX 2 0 123 222 Rain SOUND FX 2 1 223 Thunder SOUND FX 1 2 224 Wind SOUND FX 2 3 225 Stream SOUND FX 2 4 226 Bubble SOUND FX 2 5 227 Bi...

Page 200: ...u 028 Tom Menu 029 Clp Cym Hit 030 FX SFX Menu 031 Percussion 032 Scrh Vox Wld No Name 001 SF Std Kit 002 WD Std Kit 003 LD Std Kit 004 TY Std Kit 005 StandardKit1 006 StandardKit2 007 StandardKit3 00...

Page 201: ...Cuica 2 Low Cuica 2 Hi Triangle Mt Triangle Op Cabasa2 Cut DigiSpectrum Wind Chime Wood Block2M Cajon 2 ConcertBD R B Kick Dry Kick 2 Old Kick Jazz Doos Agogo Noise Rock OHH JD Anklungs Rock OHH Cajo...

Page 202: ...Op Cabasa Cut Wind Chime Dist Chord 1 Dist Chord 2 Dist Chord 3 Dist Chord 4 Dist Chord 5 Dist Chord 6 Rock CHH 2 Dist Chord 7 DistGtr Nz 1 DistGtr Nz 2 DistGtr Nz 3 JD Switch Cajon 3 Cajon 2 Cajon 1...

Page 203: ...Conga Hi Slp Conga Lo Slp Conga Hi Op Conga Lo Op Conga Slp Op Conga Efx Conga Thumb Noise OHH Shaker 3 Castanet CR78 Beat CR78 OHH CR78 CHH Lite OHH CR78 Tamb JD Vox Noise Guiro 2 Fast Metro Click Me...

Page 204: ...d Atk1a SynHrd Atk1b TR909 Crash SynHrd Atk1c TR909 Ride 3 TR909 Crash TR909 Ride 1 CR78 Tamb MG Zap 2 JD Sm Metal MG Zap 6 Syn Swt Atk1 MG Zap 7 808 Maracas TR808 Claves Triangle Mt Triangle Op Euro...

Page 205: ...9 CHH 2 TR808 CHH 1 TR808 CHH 2 TR606 CHH 1 TR606 CHH 2 TR606 DstCHH Noise CHH Lite CHH CR78 CHH Dance CHH Lo Bit PHH Hip PHH TR909 PHH 1 TR909 PHH 2 TR808 PHH TR606 PHH 1 TR606 PHH 2 HipHop OHH TR909...

Page 206: ...nga 2H Slp Conga 2L Op Conga 2L Mt Timbale 1 Timbale 2 Timbale 3 Timbale 4 Cabasa Up Cabasa Down Cabasa Cut Cabasa2 Cabasa2 Cut Shaker Maracas 808 Maracas R8 Shaker Guiro 1 Guiro 2 Guiro Long Guiro 2...

Page 207: ...hrtWhistle LongWhistle Short Guiro Long Guiro Claves Woodblock Woodblock Mute Cuica Open Cuica MuteTriangl OpenTriangl Shaker Jingle Bell Bell Tree Castanets Mute Surdo Open Surdo 004 PC 25 GM2 ELECTR...

Page 208: ...iHat2 Pedal HiHat2 Open HiHat2 Ride Cymbal Sticks SquareClick Mtrnm Click Mtrnm Bell Concert BD ConcertBD Mt Side Stick Concert Snr Castanets Concert Snr Timpani Timpani Timpani Timpani Timpani Timpan...

Page 209: ...185 80 s E Pno 1 186 80 s E Pno 2 187 80 s E Pno1f 188 80 s E Pno2f 189 Hard E Pno 190 Celesta 191 Music Box 192 ClavDB Brt A 193 ClavDB Brt B 194 ClavDB Brt C 195 Reg Clav A 196 Reg Clav B 197 Reg C...

Page 210: ...z A 593 Vls Pizz B 594 Vls Pizz C 595 VlsPizzRev A 596 VlsPizzRev B 597 VlsPizzRev C 598 Vcs Pizz A 599 Vcs Pizz B 600 Vcs Pizz C 601 Unison Saw A 602 Unison Saw B 603 Unison Saw C 604 Super Saw A 605...

Page 211: ...1004 LD Rim ff R 1005 TY Snr p L 1006 TY Snr p R 1007 TY Snr mf L 1008 TY Snr mf R 1009 TY Snr f L 1010 TY Snr f R 1011 TY Snr ff L 1012 TY Snr ff R 1013 TY Rim p L 1014 TY Rim p R 1015 TY Rim mf L 10...

Page 212: ...1308 Gospel Clap 1309 Amb Clap 1310 Hip Clap 1311 Funk Clap 1312 Claptail 1313 TR808 Clap 1 1314 Disc Clap 1315 Dist Clap 1316 Dist Clap 2 1317 Old Clap 1318 TR909 Clap 1 1319 TR909 Clap 2 1320 TR808...

Page 213: ...n 47 P 054 Seq Ptn 48 P 055 Seq Ptn 49 P 056 Seq Ptn 50 P 057 Seq Ptn 51 P 058 Seq Ptn 52 P 059 Seq Ptn 53 P 060 Seq Ptn 54 P 061 Seq Ptn 55 P 062 Seq Ptn 56 P 063 Seq Ptn 57 P 064 Seq Ptn 58 P 065 Se...

Page 214: ...009 Pop 9 PRST006 StandardKit2 010 Rock1 PRST008 Rock Kit 1 011 Rock2 PRST005 StandardKit1 012 Funk PRST004 TY Std Kit 013 Fusion PRST001 SF Std Kit 014 Jazz PRST010 Brush Jz Kit 015 Bossa PRST003 LD...

Page 215: ...1 6 120 079 Rock 1 7 120 080 Rock 1 8 120 081 Rock 2 1 114 PRST 005 StandardKit1 082 Rock 2 2 114 083 Rock 2 3 114 084 Rock 2 4 114 085 Rock 2 5 114 086 Rock 2 6 114 087 Rock 2 7 114 088 Rock 2 8 114...

Page 216: ...128 209 Drum n Bs A 170 PRST 007 StandardKit3 210 Drum n Bs B 160 211 Drum n Bs C 180 212 Drum n Bs D 160 213 Drum n Bs E 170 214 Drum n Bs F 170 215 Drum n Bs G 170 216 Drum n Bs H 170 217 BrkBts A 1...

Page 217: ...001 032 User Rhythm 001 032 064 001 036 Preset Rhythm 001 036 087 000 001 128 User Patch 001 128 001 001 128 User Patch 129 256 064 001 128 Preset Patch A 001 128 065 001 128 Preset Patch B 001 128 09...

Page 218: ...mode the Part Resonance Offset parameter PERFORM PART VIEW OFFSET will change Release Time Controller number 72 Status 2nd byte 3rd byte BnH 48H vvH n MIDI channel number 0H FH ch 1 16 vv Release Tim...

Page 219: ...s include RPN Registered Parameter Numbers which are extended When using RPNs first RPN Controller numbers 100 and 101 they can be sent in any order should be sent in order to select the parameter the...

Page 220: ...ceived OMNI ON Controller number 125 Status 2nd byte 3rd byte BnH 7DH 00H n MIDI channel number 0H FH ch 1 16 The same processing will be carried out as when All Notes Off is received OMNI ON will not...

Page 221: ...D 2 General MIDI 2 On F7H EOX End Of Exclusive When this messages is received this instrument will turn to the Performance mode Not received when the Receive GM2 System On parameter SYSTEM MIDI RX is...

Page 222: ...al realtime message 7FH Device ID Broadcast 09H Sub ID 1 Controller Destination Setting 01H Sub ID 2 Channel Pressure 0nH MIDI Channel 00 0F ppH Controlled parameter rrH Controlled range pp 0 Pitch Co...

Page 223: ...H bbH F7H ccH ddH eeH ffH sum Byte Explanation F0H Exclusive status 41H ID number Roland dev Device ID dev 00H 1FH 7FH 00H Model ID 1 JUNO STAGE 00H Model ID 2 JUNO STAGE 25H Model ID 3 JUNO STAGE 12H...

Page 224: ...te BnH 06H mmH BnH 26H llH n MIDI channel number 0H FH ch 1 16 mm ll the value of the parameter specified by RPN NRPN mm MSB ll LSB Volume Controller number 7 Status 2nd byte 3rd byte BnH 07H vvH n MI...

Page 225: ...0 8191 Channel Mode Messages MONO Controller number 126 Status 2nd byte 3rd byte BnH 7EH mmH n MIDI channel number 0H FH ch 1 16 mm mono number 00H 10H 0 16 POLY Controller number 127 Status 2nd byte...

Page 226: ...02 00 00 Temporary Chord Performance Mode 1E 03 00 00 Temporary Rhythm Group Performance Mode 1E 11 00 00 Temporary Arpeggio Patch Mode 1E 12 00 00 Temporary Chord Patch Mode 1E 13 00 00 Temporary Rh...

Page 227: ...0 63 00 2C 0000 000a reserve 00 2D 0000 000a reserve 00 2E 0000 000a reserve 00 2F 0000 000a reserve 00 30 0aaa aaaa reserve 00 31 0000 000a Rolled Chord 0 1 OFF ON 00 32 0000 00aa Rolled Chord Type 0...

Page 228: ...3 FULL 00 14 0aaa aaaa Voice Reserve 5 0 64 0 63 FULL 00 15 0aaa aaaa Voice Reserve 6 0 64 0 63 FULL 00 16 0aaa aaaa Voice Reserve 7 0 64 0 63 FULL 00 17 0aaa aaaa Voice Reserve 8 0 64 0 63 FULL 00 18...

Page 229: ...ct 0 2 MAIN REV MAIN REV 00 04 0000 aaaa 0000 bbbb 0000 cccc 0000 dddd Chorus Parameter 1 12768 52768 20000 20000 00 08 0000 aaaa 0000 bbbb 0000 cccc 0000 dddd Chorus Parameter 2 12768 52768 20000 200...

Page 230: ...e RPN 0 0 25 0 24 PATCH 00 0E 0000 00aa Part Portamento Switch CC 65 0 2 OFF ON PATCH 00 0F 0000 aaaa 0000 bbbb Part Portamento Time CC 5 0 128 0 127 PATCH 00 11 0aaa aaaa Part Cutoff Offset CC 74 0 1...

Page 231: ...reserve 00 4A 0aaa aaaa reserve 00 4B 0aaa aaaa reserve 00 4C 0aaa aaaa reserve 00 4D 0aaa aaaa reserve 00 4E 0aaa aaaa reserve 00 4F 0aaa aaaa reserve 00 50 0aaa aaaa reserve 00 51 0aaa aaaa reserve...

Page 232: ...te71 0 1 OFF ON 00 47 0000 000a Chord Note72 0 1 OFF ON 00 48 0000 000a Chord Note73 0 1 OFF ON 00 49 0000 000a Chord Note74 0 1 OFF ON 00 4A 0000 000a Chord Note75 0 1 OFF ON 00 4B 0000 000a Chord No...

Page 233: ...aaaa 0000 bbbb Pad 11 Rhythm Pattern Number 0 255 00 55 0aaa aaaa reserve 00 56 0aaa aaaa reserve 00 57 0aaa aaaa Pad 12 Velocity 1 127 00 58 0000 000a Pad 12 Rhythm Pattern Group 0 1 USER PRESET 00 5...

Page 234: ...O2 TVF LFO1 TVF LFO2 TVA LFO1 TVA LFO2 PAN LFO1 PAN LFO2 LFO1 RATE LFO2 RATE PIT ATK PIT DCY PIT REL TVF ATK TVF DCY TVF REL TVA ATK TVA DCY TVA REL TMT FXM MFX1 MFX2 MFX3 MFX4 00 43 0aaa aaaa Matrix...

Page 235: ...r 32 12768 52768 20000 20000 00 00 01 11 Total Size Patch Common Chorus Offset Address Description 00 00 0000 aaaa Chorus Type 0 3 00 01 0aaa aaaa Chorus Level 0 127 00 02 0000 00aa Chorus Output Assi...

Page 236: ...aaaa TMT3 Keyboard Fade Width Upper 0 127 00 1C 0aaa aaaa TMT3 Velocity Range Lower 1 127 1 UPPER 00 1D 0aaa aaaa TMT3 Velocity Range Upper 1 127 LOWER 127 00 1E 0aaa aaaa TMT3 Velocity Fade Width Lo...

Page 237: ...1 127 63 63 00 79 0aaa aaaa LFO1 TVA Depth 1 127 63 63 00 7A 0aaa aaaa LFO1 Pan Depth 1 127 63 63 00 7B 0000 aaaa LFO2 Waveform 0 12 SIN TRI SAW UP SAW DW SQR RND BEND UP BEND DW TRP S H CHS VSIN STEP...

Page 238: ...00 aaaa 0000 bbbb 0000 cccc 0000 dddd MFX Parameter 28 12768 52768 20000 20000 01 01 0000 aaaa 0000 bbbb 0000 cccc 0000 dddd MFX Parameter 29 12768 52768 20000 20000 01 05 0000 aaaa 0000 bbbb 0000 ccc...

Page 239: ...ne Tune 14 114 50 50 00 11 000a aaaa Tone Random Pitch Depth 0 30 0 1 2 3 4 5 6 7 8 9 10 20 30 40 50 60 70 80 90 100 200 300 400 500 600 700 800 900 1000 1100 1200 00 12 0aaa aaaa Tone Pan 0 127 L64 6...

Page 240: ...10 0aaa aaaa WMT4 Wave Level 0 127 01 11 0aaa aaaa WMT4 Velocity Range Lower 1 127 1 UPPER 01 12 0aaa aaaa WMT4 Velocity Range Upper 1 127 LOWER 127 01 13 0aaa aaaa WMT4 Velocity Fade Width Lower 0 12...

Page 241: ...ple2 CE 49 CnH is the Program Change status and n is the MIDI channel number Since EH 14 and 49H 73 this is a Program Change message with MIDI CH 15 program number 74 Example3 EA 00 28 EnH is the Pitc...

Page 242: ...ceived by the part 1 is used in Patch mode and Piano mode Equal Temperament This method of tuning divides the octave into 12 equal parts It is currently the most widely used form of tuning especially...

Page 243: ...th the Performance Control Channel SYSTEM MIDI GENERAL of the JUNO STAGE Group Number Bank Select Program Number MSB LSB USER 001 128 87 0 1 128 129 256 87 1 1 128 PR A 001 128 87 64 1 128 PR B 001 12...

Page 244: ...O 4 O 1 X 1 16 1 16 Mode 3 Mode 3 4 M 1 O O 0 127 0 127 O 1 O 1 O 1 O 1 0 127 O 1 X X X O O O O X O 123 127 O X Bank select Modulation Breath type Foot type Portamento time Data entry Volume Balance...

Page 245: ...y Knob x 7 Display 240 x 64 dots graphic LCD with backlit Expansion Slots SRX expansion board 2 slot External Storage Device USB MEMORY supports USB 2 0 Hi Speed Flash Memory Connectors Headphones Jac...

Page 246: ...ory lock 45 Center cancel 73 Ch 142 Chain Play 72 Chord Form Creating 65 Chord Forms 64 Saving 65 CHORD MEMORY 64 CHORD MEMORY EDIT screen 65 Chord Memory Function 64 CHORUS 86 171 Chorus 141 Chorus L...

Page 247: ...7 Hold pedal 21 60 Hold Pedal Polarity 147 HUMANIZER 167 I INC and DEC 43 INFINITE PHASER 169 Initializing Arpeggio Style 62 Patch 96 Performance 132 Rhythm Pattern 76 Rhythm Set 122 USB Memory 155 In...

Page 248: ...de 124 One shot 97 123 Osc 1 Coarse Tune 152 Osc 1 Fine Tune 152 Osc 1 Pulse Width 152 Osc 1 Waveform 152 Osc 2 Coarse Tune 152 Osc 2 Fine Tune 152 Osc 2 Level 152 Osc 2 Pulse Width 152 Osc 2 Waveform...

Page 249: ...151 Receive GM2 System On 151 Receive GS Reset 151 Receive Program Change 90 151 Receive Switch 90 Recommended Tempo 136 Redamper Sw 112 Relative Level 124 Releas 142 Release time 58 Release Time Off...

Page 250: ...he PIANO MODE Screen 116 Time 143 TIME CTRL DELAY 182 Time Variant Amplifier 39 Time Variant Filter 39 Tone 95 Copying 96 Tone Chorus Send 115 131 Tone Chorus Send Level 80 Tone Coarse Tune 104 126 To...

Page 251: ...OVERDRIVE 176 W Wave Alter Pan Sw 127 Wave Bank 103 125 Wave Coarse Tune 127 Wave Expansion Board 18 29 Wave Fine Tune 127 Wave Gain 103 125 Wave Generator 39 Wave Group 103 125 Wave Level 127 WAVE M...

Page 252: ...f not installed and used in accordance with the instructions may cause harmful interference to radio communications However there is no guarantee that interference will not occur in a particular insta...

Page 253: ...For EU Countries For China JUNO STAGE_e book 253...

Page 254: ...sicales J E Olear y ESQ Manduvira Asuncion PARAGUAY TEL 595 21 492147 PERU Audionet Distribuciones Musicales SAC Juan Fanning 530 Miraflores Lima Peru TEL 511 4461388 TRINIDAD AMR Ltd Ground Floor Mar...

Page 255: ...ROLAND CORPORATION All rights reserved No part of this publication may be reproduced in any form without the written permission of ROLAND CORPORATION Conventions Used in This Manual Operating buttons...

Page 256: ...5 1 0 0 0 0 0 0 4 0 0 2 JUNO STAGE_Cover_e1 fm 1...

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